The Walt Whitman MEGAPACK

by Walt Whitman

  Interested in those Boston scraps you send my mother. You have always been pretty well received in Boston, have you not—I mean in the Emerson days? Pity that when Emerson is no more there will be no fine portrait of him in existence; there was a nobility stamped upon his face that I never saw the like of, and which should have been caught and stamped forever on canvas.

  We all see something of the Formans & all like them; they have so much character, rather unusual in literary folk of the lighter sort, I fancy; but there is something very fresh and original about Forman. Nice children they have, too. Miss Blind is bringing out a volume of poems; why will people all imagine they can write poetry? William Rossetti is writing a hundred sonnets—writes one a day; one about John Brown is not bad: and many are instructive, but are in no sense poems. I am going down to tea & must not keep Grace waiting any longer. Love to you.

  Herbert H. Gilchrist.

  LETTER LIX

  ANNE GILCHRIST TO WALT WHITMAN

  12 Well Road, Hampstead

  London, Dec. 14, ’81.

  My Dearest Friend:

  Your welcome letter to hand. I have longed for a word from you—could not write myself37—was stricken dumb—nay, there is nothing but silence for me still. Herby wrote to Mrs. Stafford first, thinking that so the shock would come less abruptly to you.

  I heard of you at Concord in a kind long letter from Frederick Holland, with whose wife you had some conversation. Indeed all that sympathy and warm & true words of love & sorrow & highest admiration & esteem for my darling could do to comfort me I have had—and most & best from America. And many of her poor patients at Edinburgh went sobbing from the door when they heard they should see her no more.

  The report of your health is comforting dear friend. Mine too is better—I am able to take walks again—though still liable to sudden attacks of difficult breathing.

  Herby is working hard—has just been disappointed over a competition design which he sent in to the Royal Academy—a very poor & specious work obtaining the premium—but is no whit discouraged & has no need to be, for he is making great progress—works hard, loves his work & is of the stuff where of great painters are made, I am persuaded—so he can afford to wait. Giddy is not quite so well & strong as I could wish, but there seems nothing serious. She is working diligently at the development of her voice—& is learning German. Dr. Bucke’s friend, Mr. Buxton Forman, & his wife are very warm, staunch friends of Herby’s.

  Please give my love to your sister, and tell her that her good letter spoke the right words to me & that I shall write before very long. Thanks for the paper, dear friend—& for those that came when I was too overwhelmed but which I have since read with deep interest—those about your visit to your birthplace. With love from us all—good-bye, dearest Friend.

  A. Gilchrist.

  37 Because of the death of her daughter Beatrice.

  LETTER LX

  ANNE GILCHRIST TO WALT WHITMAN

  12 Well Road

  Jan 29, ’82.

  My Dearest Friend:

  Your letter to Herby was a real talk with you. I don’t know why I punish myself by writing to you so seldom now, for indeed to be near you, even in that way would do me good—often & often do I wish we were back in America near you. As I write this I am sitting to Herby for my portrait again—he has never satisfied himself yet: but this one seems coming on nicely—and so is the Consuelo picture. Another one he has in his mind is to be called “The tea-party,” and it is to be the old group round our table in Philadelphia—you & me and dear Bee & Giddy & himself. He thinks that what with memory & photograph & the studies he made when with you, he will be able to put you & my darling on the canvas.

  Giddy’s voice is developing into a really fine contralto & she has the work in her to become an artist, I think & will turn out one of the tortoises who outstrip the hares. Percy and Norah are spending the winter in London (at Kensington)—and we can get round by train in half an hour; so I often see them and the dear little man. Do you remember the Miss Chases—two pleasant maiden ladies who took tea with us once in Philadelphia & talked about Sojourner Truth? One of the sisters is in London this winter & has been several times to see us. The birds are beginning to sing very sweetly here—& our room is full of the perfume of spring flowers—indoor ones. Did dear Bee tell you, in the long letter she once wrote you, how much she loved the Swiss ladies with whom she made her home while in Berne? A more tender & beautiful love and sorrow than that with which they cherish the memory of her never grew in any heart. I think you will like to see some of their letters—please return them, for they are very precious to me (the little matters they thank me for are some of dear Bee’s things which I sent them for tokens). Love to your sister & brother. How are Mr. Marvin & Mr. Burroughs? Best love from us all. Good-bye, dear Friend.

  Anne Gilchrist.

  LETTER LXI

  ANNE GILCHRIST TO WALT WHITMAN

  12 Well Road

  Hampstead

  May 8th, ’82.

  My Dearest Friend:

  Herby went to David Bognes38 about a week ago: he himself was out, but H. saw the head man, who reported that the sale of “Leaves of Grass” was progressing satisfactorily. I hope you have received, or will receive, tangible proof of the same. Bognes is a young publisher, but, I believe from what I hear, a man to be relied on. His father was the publisher of my husband’s first literary venture & behaved honourably. Herby brought away for me a copy of the new edition. I like the type like that of ’73, & the pale green leaf it is folded in so to speak. I find a few new friends to love—perhaps I have not yet found them all out. But you must not expect me to take kindly to any changes in the titles or arrangement of the old beloved friends. I love them too dearly—every word & look of them—for that. For instance, I want “Walt Whitman” instead of “Myself” at the top of the page. Also my own longing is always for a chronological arrangement, if change at all there is to be; for that at once makes biography of the best kind. What deaths, dear Friend! As for me, my heart is already gone over to the other side of the river, so that sometimes I feel a kind of rejoicing in the swelling of the ranks of the great company there. Darwin, with his splendid day’s work here gently closed; Rossetti, whose brilliant genius had got entangled in a premature physical decay, so that his day’s work was over too! In a letter to me, William, who was the best, most faithful & loving of brothers to him, says, “I doubt whether he would ever have regained that energy of body & concentration of mental resource which could have enabled him to resume work at his full & wonted power. Without these faculties at ready command my dear Gabriel would not have been himself.” Edward Carpenter’s father, too, is gone, but he at a ripe age without disease—sank gently.

  The photographs I enclose are but poor suggestions—please give one to Mrs. Whitman with my love, or if you prefer to keep both, I will send her others. Does the idea ever come into your head, dear Friend, of spending a little time this summer or autumn in your English home at Hampstead?

  Herby is well and working happily. So is Grace. Little grandson & his parents away in Worcestershire.

  It is indescribably lovely spring weather here just now. A carpenter near us has a sky-lark in a cage which sings as jubilantly as if it were mounting into the sky, & is so tame that when he takes it out of the cage to wash its little claws, which are apt to get choked up with earth, in warm water, it breaks out singing in his hand! Love from us all, dearest Friend. Good-bye.

  Anne Gilchrist.

  Affectionate greetings to your brother & sister & Hattie & Jessie.

  Do you ever see Mr. Marvin? If so, give our love, we hope to see him one day.

  38 Whitman’s London publisher.

  LETTER LXII

  ANNE GILCHRIST TO WALT WHITMAN

  Keats Corner

  Well Rd., Hampstead, London

  Nov. 24, ’82.

  Dearest Friend:

  You have long ere this, I hope, received Herby’s letter tellin
g of the safe arrival of the precious copy of “Specimen Days,” with the portraits: it makes me very proud. Your father had a fine face too—there is something in it that takes hold of me & that seems to be a kind of natural background or substratum to the radiant sweetness of that other sacred & beloved face completing your parentage. I like heartily too the new portraits of you: they are all wanted as different aspects: but the two that remain my favourites are the portrait taken about 30 without coat of any kind, and the one you sent me in ’69 next to those I love these two latest—& in some respects better, because they are the Walt I saw & had such happy hours with. The second copy of book & my lending one, has come safe—too—and the card that told of your attack of illness, & the welcome news of your recovery in the Paper; & I have been fretting with impatience at my own dumbness—but tied to as many hours a day writing as I could possibly manage, at my little book now (last night)—finished, all but proofs, so that I can take my pleasure in “Specimen Days” at last; but before doing that must have a few words with you, dearest Friend. First a gossip. Do you remember Maggie Lesley? She came to see us on her way to Paris, where she is working all alone & very earnestly to get through training as an artist—then going to start in a studio of her own in Philadelphia. She, like my mother’s sister, are to me fine, lovable samples of American women—in whom, I mean, I detect, like the distinctive aroma of a flower, something special—that is American—a decisive new quality to old-world perceptions. Herby is working away still chiefly at the Consuelo picture—has got a very beautiful model to-day sitting to him. His summer work was down in Warwickshire, making sketches—& very charming ones they are, of George Eliot’s native scenes—one of a garden-nook—up steep, old, worn stone steps bordered with flowers that is enticing—it will make a lovely background for a figure picture.—Giddy’s voice is growing in richness & strength—& she works with all her heart, hoping one day to be a real artist vocally—in church & oratorio music. She will not have power or dramatic ability for opera—nor can I wish that she had; there are so many thorns with the roses in that path. I fear you will be a loser by Bogne’s bankruptcy. Did I tell you that among our friends one of your warmest admirers is Henry Holmes, the great violinist (equal [to] Joachim some think—we among them). Per. & wife & little grandson all well. My love to brother & sister & to Hattie [&] Jessie. Good-bye, dear Walt. I hope to write more & better soon.

  Anne Gilchrist.

  Greetings to the Staffords.

  LETTER LXIII

  ANNE GILCHRIST TO WALT WHITMAN

  12 Well Rd.

  Hampstead

  Jan. 27, ’83.

  It is not for want of thinking of you, dear Walt, that I write but seldom: for indeed my thoughts are chiefly occupied with you & your other self—your Poems—& with struggles to say a few words that I think want saying about them; that might help some to their birthright who now stand off, either ignorant or misapprehending.

  We all go on much as usual.

  Feb. 13. I wonder if you will like a true story of Lady Dilke that I heard the other day—I do: It was before her marriage. She was a handsome young heiress, a daring horsewoman, fond of hunting. There was a man, weakly & of good position, who had behaved very basely & cruelly to a young girl in her neighbourhood, & when (as is the case in England) half the county was assembled on the hunting field, Lady D. faced him & said in a voice that could be heard afar, “Sir you are a black-guard, & if these gentlemen had the right spirit in them they would horsewhip you.” He looked at her with effrontery & made a mocking bow. “But,” she continued, “since they won’t, I will”—and she cut him across the face with her riding whip; upon which he turned and rode off the field, like a dog with his tail between his legs, & reappeared in that neighbourhood no more. She was a woman much beloved—died at the birth of her first child (from too much chloroform having been given her). Her husband was heart-broken. I see you, too, are having floods. With us it pours five days out of seven,& so in Germany & France. We have made the acquaintance of Arabella Buckley, who has just written an interesting article about Darwin, whom she knew well, for the Century. She says his was the most entirely beautiful & perfect nature she ever came in contact with. How I wish we could have a glimpse of each other, dear Friend—half an hour talk—nay, a good long look & a hand-shake. Herby is overhead painting in his studio—such a pleasant room. How is John Burroughs? We owe him a letter & thanks for a good art. on Carlyle. Love to you, dearest friend.

  Hearty remembrances to your brother & sister & Hattie & Jessie.

  A. G.

  LETTER LXIV

  HERBERT H. GILCHRIST TO WALT WHITMAN

  Keats Corner

  Well Road, Hampstead, London, England

  April 29th, ’83.

  My Dear Walt:

  Your card to hand last night, with its sad account of dear Mrs. Stafford’s health; but what the doctor says is cheering. I wonder, though, what the doctor would call good weather—mild spring, I suppose.

  Very glad, my dear old Walt, to see your strong familiar handwriting again; it does one good, it’s so individual that it is next to seeing you. Right glad to hear of your good health—had an idea that you were not so well again this winter. John Burroughs was very violent against my intaglio; on the other hand, Alma Tadema—our great painter here—liked it very much. I take violent criticism pretty philosophically, now that I see how unreliable it nearly always is. John Burroughs has got a fixed idea about your personality, and that is that the top of your head is a foot high and any portrait that doesn’t develop the “dome” is no portrait.—Curious what eyes a man may have for everything except a picture. I finished lately a life-size portrait of James Simmons, J.P., a hunting (fox) squire of the old school—such a fine old fellow. My portrait represents him standing firmly, in a scarlet hunting-coat well stained with many a wet chase, his great whip tucked under his arm whilst buttoning on his left glove, white buckskin trousers in shade relieving the scarlet coat, black velvet hunting cap, dark rich blue background to qualify and cool the scarlet. I wish you could see it. Then I have painted a subject “The Good Gray Poet’s Gift.” I have long meant to build up something of you from my studies, adding colour. You play a prominent part in this picture—seated at table bending over a nosegay of flowers, poetizing, before presenting them to mother. I am standing up bending over the tea-pot, with the kettle, filling it up; opposite you sits Giddy; out of the window a pretty view of Cannon place, Hampstead. Mater thinks it a pretty picture and a good likeness of you, just as you used to sit at tea with us at 1729 N. 22nd St. Now I am going out for a stroll on Hampstead Heath. Have just come in from a long ramble over the Heaths—a lovely soft spring day, innumerable birds in full song. I think J. B. is right when he says that your birds are more plaintive than ours—it’s nature’s way of compensating us for a loss of sunshine: what would England be without the merry lark, the very embodiment of cheeriness. Are not the Carlyle & Emerson letters interesting? It seems to me to be one of the most beautiful and pathetic things in literature, C’s fondness for E. But all Englishmen, I must tell you, are not grumblers like Carlyle; he stands quite alone in that quality—look at Darwin!

  I should be grateful for another postcard. With all love,

  Herb. Gilchrist.

  LETTER LXV

  ANNE GILCHRIST TO WALT WHITMAN

  Keats Corner

  Hampstead

  May 6, ’83.

  Dearest Friend:

  I feel as if this beautiful spring morning here in England must send you greetings through me. Our sunny little mound of garden, which runs down toward the south, is fragrant with hyacinths and wall-flowers (beautiful, tawny, reddish, yellow fellows laden with rich perfume)—and at the bottom is a big old cherry tree—one mass of snowy blossom; in a neighbour’s gay garden & beyond is a distant glimpse of some tall elms just putting on their first tender green: our little breakfast room where I always sit of a morning opens with glass doors into this garden. Herby is gone with
the “Sunday Tramps,” of whom he is a member, for a ten or fifteen-mile walk. Said tramps are some half dozen friends & neighbours, some of them very learned professors but genial good fellows withal, who agree to spend every other Sunday morning in taking one of their long walks together—& a very good time they have. Giddy is gone to hear a lecture; our bonnie Scotch girl is roasting the beef for dinner, singing the while in the kitchen; and pussy & I are sitting very companionable & meditative in the little room before described.

  You cannot think, dear friend, what a pleasure it was to have a whole big letter from you (not that I despise Postcards—they are good stop-gaps, but not the real thing). Yes, I have & prize the article on the Hebrew Scriptures. How I wish you could make up your mind to spend your summer holiday with us.

  I am still struggling along, striving to say something which, if I can say it to my mind, will be useful—will clear away a little of the rubbish that hides you from men’s eyes. I hear the “Eminent Women Series” is having quite a large sale in America. Good-bye. Love to Mrs. Whitman. Greetings to your brother. Love from us all to you.

  A. Gilchrist.