Darkhenge

by Catherine Fisher

  He woke abruptly. A voice was crackling over the PA. Somewhere in his head the echo of what it had said was just out of reach, but it had been Chepstow, he was suddenly, coldly sure. The train was already stopping; outside, a lamp loomed close to the window.

  Cal panicked. The train was empty. He scrambled up, confused. Dregs of tea from the crumpled cup spilled on him; he grabbed his coat, jerked his rucksack down from the rack and ran, past tea-stained tables and abandoned newspapers. Outside the windows it was pitch dark. He jabbed the door button anxiously; as the doors swooshed open he jumped out and looked up the length of the train.

  “Hey! Excuse me!”

  Far down in the frosty dark the guard stepped back into the train. Doors slid shut. Cal yelled, “Wait! Listen! I need to know if this is…”

  His voice was lost in the roar of the engine; the train was moving, gaining speed, and he ran after it, and saw through the flashing windows the dripping sign in the hedge opposite. It said:

  CORBENIC

  “Bloody hell!” he hissed furiously.

  But the train was a rattle in the dimness, one red light. Tree shadows closed over it. And then it had gone.

  The night was suddenly, utterly silent. So silent he could hear every drip from the trees. He flung the rucksack down in fury and looked around, unable to believe he’d been so stupid, so absolutely stupid! Where the hell was this? Why had he thought it was his stop? Raging at himself he shrugged his jacket on, shivering uncontrollably after the warmth of the train. The platform was deserted, gleaming with rain, lit by one dim lamp, the pool of light from it glinting with drips. God, this was the middle of nowhere! Looking around he saw only the dark clustering shapes of trees; above them a bank of cloud loomed, torn by the wind to show fleeting, frosty stars.

  There had to be someone, a ticket office. He turned. “Hello. Anyone here?” His voice rang, echoing. Wind whipped leaves in his face. There was no station building, no waiting room, nothing but the small wet platform, the dripping lamp, a fence with a creaking gate. And silence.

  His breath smoked in the damp air. He shook his head, bleakly. This was a disaster. But there would be a timetable. Outside, by the fence.

  Dragging up the heavy rucksack he tugged it on, the weight making him groan. Then he crossed the wet platform to the gate in the hedge. It hung awkwardly on its hinges, and creaked in the wind. The white paint was blistered and old. He leaned over, getting soaked, his hands frozen, and found there was no timetable, nothing at all but the gate, and a dim lane that ran into utter darkness in both directions.

  Cal swore in dismay. He stood under the dripping trees and knew that all around him the night was empty. For a moment the old panic threatened him; then he shoved his hands in his pockets and took a cold breath. Get a grip. Get the next train, that was all. Just get the next train. But when would it come? Would it even stop at this godforsaken hole? He crushed the despair as he’d taught himself to do, over and over. It would be okay. He’d have to wait.

  There was nowhere to sit. The bare platform ran with puddles. He leaned against the lamp and the rain pattered around him, the great trees overhead sighing and swishing every time the wind moved them, sending a cascade of icy drops to soak his shoulders and splash his shoes. His clean shoes. He looked at his watch. The tiny green numbers said 5:40.

  Ten minutes later he had dumped the rucksack and was walking up and down, the tap of his footsteps loud in the hush. At least he thought it was ten minutes, but when he looked at the watch again it told exactly the same time, 5:40, and he couldn’t believe this. The watch had stopped, maybe hours ago. He kicked the lamp in fury, and as if in some sort of revenge, the rain immediately came down harder, drumming steadily through the leaves, a thrumming downpour.

  He couldn’t stand it anymore. Doubts had begun to creep in; he couldn’t keep them out. What if there was no train; what if he had to stay here all night? His uncle would go to the station and not find him, and he’d ring Bangor and his mother… Cal closed his eyes in despair, then opened them.

  A phone! All he needed was a stupid phone. There had to be one near. If he’d had a mobile … if he’d bought one instead of this useless jacket that was letting the rain in… But he hadn’t. So he’d have to go and find one.

  It was hard to leave the platform; he dithered, waiting, sure that as soon as he turned his back a train would come, but at last he was so stiff and soaked and fed up that he hauled up his rucksack and splashed back to the gate. The wood was swollen; it took both hands to force open, as if no one had used it for years. He squeezed through, shoved his wet fingers in his pockets, and looked up and down the lane. Dark trees met overhead.

  He turned right, walking quickly, trying to get warm. His breath clouded the damp air, his footsteps crunching unnaturally loudly on the muddy, puddled track; all around him the night cascaded and pattered and dripped with falling water. Scowling, he dragged his collar up. Someone must live here. Somewhere.

  The lane was lonely. Scary. It became a gloomy tunnel, a swishing, pine-smelling dimness, and as he trudged the mud was slippery with great drifts of soaked leaves. Small noises disturbed him: the snap of a twig, rustles, and soft fallings. He walked faster, trying not to imagine being followed, dark shapes jumping out from the trees, but he was rushing, he couldn’t help it and the panic was back. After what he thought was about half a mile he stopped, heart thudding, an ache in his side so sharp he could barely catch his breath. He knew he was scared. Anyone might be down here. Murderers. Nutcases. He should go back. He might be walking for hours.

  A screech. It was tiny, and high, and it made him jump with terror before he told himself it was a mouse, a stupid mouse. An owl, or a mouse.

  He wished he had a weapon. If he could find a thick stick…

  Clutching his side he breathed in the damp air. His nose was running; he wiped it wearily on his ironed handkerchief and pushed the wet hair off his face, wishing hopelessly for the warm train, turning and looking back into the pitch-black lane. It would be worse going back. He’d come too far already.

  Then he heard a splash. It was loud, as if something had plopped into water. Below him. To the right.

  Cal breathed out slowly. The noise of the downpour was unbelievably loud, but this had been different. He took a step toward the trees. They were thickly massed. He looked down and saw a steep overgrown incline, dark with brambles and under-growth, its rich smell of rot and soil rising to him. Down there was water, maybe a lake. It trickled and lapped; he saw glints of it in the dimness. And faintly, above the pattering rain, he was sure he could hear voices. Then, between the wet black trunks, brilliant as lightning, a flashlight flickered.

  He straightened up, breathing hard, listening. Poachers? Gamekeepers, maybe. He didn’t know and he didn’t care. He was too wet to care, and the thought of the empty, terrifying lane that might go on for miles and miles filled him with despair. It was dangerous—they could be anyone. But he had to find a phone. He squeezed his hair back, feeling the rain from it run down his back. A great leaf plastered itself to his face and he snatched it away in hissed panic; maybe it was the fright that finally made him shout.

  “Hey!” he yelled recklessly. “Hey, you down there. Hello! Can you hear me?”

  The night poured on his shoulders. It seemed an age before someone said, “We hear you.”

  The flashlight came on again. He glimpsed a tiny boat, a flimsy wicker thing tethered to the bank, the long line slack in the water, and two dim figures looking up at him. The beam of light moved up the bank till it hit Cal’s face, and he put his hand up against it crossly. “Cut it out!”

  But the light stayed on him a long moment. Then it bounced off the trees till he saw one of the fishermen clearly; a bulky man, standing awkwardly. The other was slighter, dark-haired, sitting with a net over his knees.

  “What are you looking for?” the big man called, his voice deep over the rain-patter.

  “I’m lost. Is there a phone near here? Hav
e you got one I could use?”

  To Cal’s surprise, the man laughed, a low, humorless sound. “Why?”

  “So they can come and pick me up from home. I got off the train at the wrong station.”

  The dark-haired man, sitting down, said quietly, “Have you any idea where you are?”

  Cal felt annoyed. Then he remembered the station sign. “Corbenic.”

  The man said something to his friend. The bigger one nodded, and looked up. “You must go on to the Castle.”

  “Castle?”

  “Hotel. About a mile on.”

  The wind blew Cal’s hair into his eyes. “Great,” he muttered sourly. But he was immensely relieved.

  There was a splash as if the fishermen had dropped the nets over the side. “There’s nowhere else,” the deep voice said. “This is the Waste Land. Nowhere else for miles.”

  Uneasy, Cal said, “Do they get many visitors?”

  “Not so many as they used to.” The flashlight flickered over Cal’s face. “Tell them we sent you.”

  Rain spattered. “Thanks,” Cal yelled. But as he turned away the other man, the dark one, said, “Wait!” He looked up; Cal saw even at this distance that he was pale, almost gaunt, his eyes dark hollows. “Are you sure you’re ready?” he whispered, his voice anxious, deeply troubled.

  “What?”

  “You need to be ready. Or it will be a long journey for all of us.”

  Cal frowned. “I thought your mate said about a mile?”

  The fisherman shook his head, almost sadly, and the flashlight went out. “So he did. So he did.”

  Uneasy, Cal climbed back up onto the track and trudged on. He felt worn out and it was hard to think. A hotel. Lucky. He might be miles from Chepstow. His uncle wouldn’t come. And his mother would be down at Murphy’s by this time anyway, and be past caring either way.

  He was so wet now he didn’t care about the jacket or the drenched boots; rain trickled into every crease of him, even his pockets, and his clothes felt heavy and sopping. He was almost running down the dark leafy tunnel of the lane.

  And finally, around the bend, the hedge became a wall, a high red-brick wall smothered with glossy wet ivy, the trees behind it black and ominous. He squelched alongside it, seeing how the track was a mire of mud here, and at the muddiest place of all he found a wooden door, and above that a sign that swung and creaked and dripped on his face.

  CASTLE HOTEL CORBENIC

  The letters were worn, and rain-streaked. Below them, cracked and badly painted, was the pub sign, but instead of a castle all it showed was a crooked yellow chalice. And hanging from that on rusty hooks, swinging so wildly he could barely make it out, a tiny addition read:

  VACANCIES

  About the Author

  Catherine Fisher is the author of many acclaimed novels, including Snow-walker and Corbenic. She lives in Wales.

  Visit www.AuthorTracker.com for exclusive information on your favorite HarperCollins authors.

  Other Works

  CORBENIC

  THE ORACLE PROPHECIES:

  BOOK ONE: THE ORACLE BETRAYED

  BOOK TWO: THE SPHERE OF SECRETS

  BOOK THREE: DAY OF THE SCARAB

  SNOW-WALKER

  Credits

  Cover art © 2006 by Ryan Obermeyer

  Copyright

  Eos is an imprint of HarperCollins Publishers. This book is a work of fiction.

  References to real people, events,

  establishments, organizations, or locales are intended only to provide a sense

  of authenticity, and are used to advance the fictional narrative. All other

  characters, and all incidents and dialogue, are drawn from the author’s

  imagination and are not to be construed as real.

  Darkhenge

  Copyright © 2005 by Catherine Fisher

  First published in 2005 in Great Britain by The Bodley Head, an imprint of Random House Children’s Books.

  First published in 2006 in the United States by Greenwillow Books.

  All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

  www.harperteen.com

  The right of Catherine Fisher to be identified as the author of this work has been asserted by her.

  The Library of Congress has cataloged the hardcover edition as follows:

  Fisher, Catherine

  Darkhenge / by Catherine Fisher.

  p. cm.

  “Greenwillow Books.”

  Summary: Worried about his sister Chloe’s comatose state after a riding accident, teenage Rob, in an effort to distract himself, gets a job on a secretive local archeological dig and finds himself drawn into a mysterious world of magic involving a powerful, centuries-old, shape-shifting Druid called Vetch who promises to help retrieve his sister from the “unworld” of her coma.

  ISBN-13: 978-0-06-078582-6 (trade bdg.) ISBN-10: 0-06-078582-9 (trade bdg.)

  ISBN-13: 978-0-06-078583-3 (lib. bdg.) ISBN-10: 0-06-078583-7 (lib. bdg.)

  EPub Edition © JANUARY 2012 ISBN: 9780062193766

  [1. Magic—Fiction. 2. Space and time—Fiction. 3. Druids and druidism—Fiction. 4. Brothers and sisters—Fiction. 5. Archaeology—Fiction. 6. England—Fiction.]

  PZ7.F4995Dar 2005 [Fic]—dc22 2004054159

  ISBN-10: 0-06-078584-5 (pbk.) ISBN-13: 978-0-06-078584-0 (pbk.)

  First Eos paperback edition, 2007

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