The Walking Dead: The Road to Woodbury

by Jay Bonansinga

  He stops fiddling with the lures and glances across the rear corner of the room. Behind a large, battered propane tank, a gaping hole in the wall is clearly visible in the flickering light of Bob’s lantern. He pushes himself away from the bench and goes over to the tank. He shoves it aside and kneels down in front of a six-inch patch of missing wallboard. The hole looks like it was formed by water damage, or perhaps the buckling of plaster during the humid Georgia summers. Bob glances over his shoulder, making sure he’s alone. The others are fast asleep in the service area.

  The groans and gasps of wild sex draw Bob’s attention back to the damaged wall.

  He peers through the six-inch gap and into the storeroom, where the dim light of a battery-operated lantern throws moving shadows up and across the low ceiling. The shadows pump and thrust in the darkness. Bob licks his lips. He leans in closer to the hole, nearly falling over in his drunken state, bracing himself against the propane tank. He can see a small portion of Scott Moon’s pimpled ass rising and falling in the yellow light, Megan beneath the young man, legs spread, her toes curling with ecstasy.

  Bob Stookey feels his heart pinch in his chest, his breath sticking in his craw.

  The thing that mesmerizes him the most is not the naked abandon with which the two lovers are going at each other, nor is it the animalistic grunts and mewls filling the air. The thing that holds Bob Stookey rapt is the sight of Megan Lafferty’s olive skin in the lamplight, her russet curls splayed across the blanket beneath her head, her hair as lustrous and shiny as honey. Bob can’t stop gaping at her, the longing welling up inside him.

  He can’t tear his gaze from her, even when a floorboard creaks behind him.

  “Oh—Bob—I’m sorry—I didn’t…”

  The voice comes from the shadows of the doorway across the retail shop, from the passageway into the front office, and when Bob jerks away from the hole in the wall, whirling around to face his inquisitor, he nearly falls over. He has to hold on to the propane tank. “I wasn’t trying to—this ain’t—I—I ain’t—”

  “It’s okay—I was just—I wanted to make sure you were okay.” Lilly stands in the doorway dressed in her sweatshirt, knit scarf, and sweatpants—her sleeping attire—averting her bandaged face, looking away, her eyes filled with an awkward combination of pity and disgust. The bruising around her eyes has gone down quite a bit. She’s moving around a lot better, her ribs healing.

  “Lilly, I wasn’t—” Bob staggers toward her, holding his big hands up in a gesture of contrition, when he trips on a loose floorboard. He tumbles, sprawling to the floor and letting out a gasp. Amazingly, the carnal noises continue unabated in the adjacent room—an arrhythmic cadence of huffing and slapping flesh.

  “Bob, are you okay?” Lilly rushes over to him, kneels, and tries to help him up.

  “I’m fine, I’m fine.” He gently pushes her away. He rises drunkenly to his feet. He can’t look her in the eye. He doesn’t know what to do with his hands. He glances across the room. “I thought I heard something suspicious coming from outside.”

  “Suspicious?” Lilly gazes at the floor, at the wall—anywhere but at Bob. “Oh … okay.”

  “Yeah, it was nothing.”

  “Oh … that’s good.” Lilly slowly backs away. “Just wanted to make sure you were okay.”

  “I’m good, I’m good. It’s getting late, I’m thinking I’ll turn in.”

  “Good, Bob. You do that.”

  Lilly turns and makes a hasty exit, leaving Bob Stookey alone in the lantern light. He stands there for a moment, staring at the floor. Then he moves slowly across the room to the bench. He finds the bottle of Jack, thumbs off the cap, and raises it to his lips.

  He downs the remaining fingers of booze in three breathless gulps.

  * * *

  “I’m just wondering what’s gonna happen when he runs out of booze.”

  Bundled in her ski jacket and knit beret, Lilly follows Josh down a narrow path winding between columns of pines. Josh makes his way through the foliage, the 12-gauge cradled in his huge arms, moving toward a dry creek bed strewn with boulders and deadfall. He wears his ratty lumberjack coat and stocking cap, his breath showing as he talks. “He’ll find some more … don’t worry about old Bob … juicers always manage to find more juice. To be honest, I’m more worried about us running out of food.”

  The woods are as silent as a chapel as they approach the banks of the creek. The first snow of the season filters down through the high boughs above them, swirling on the wind, sticking to their faces.

  They’ve been at Fortnoy’s for almost two weeks now, and have gone through over half the supply of drinking water and nearly all the canned goods. Josh has decided it’s probably best to use up their single box of shotgun shells on killing a deer or a rabbit rather than defending themselves against a zombie attack. Besides, the campfires, noise, and activity at the tent city have drawn most of the walker activity away from the gas station in recent days. Josh is now calling upon his childhood memories of hunting with his uncle Vernon up on Briar Mountain in order to get the scent back, get the old skills back. Once upon a time, Josh was an eagle-eyed hunter. But now, with this broken-down squirrel gun and frozen fingers … who knows?

  “I worry about him, Josh,” Lilly says. “He’s a good man but he’s got issues.”

  “Don’t we all.” Josh glances over his shoulder at Lilly coming down the hill, carefully stepping over a fallen log. She looks strong for the first time since the incident with Chad Bingham. Her face has healed nicely, barely showing any discoloration. The swelling has gone down around her eye, and she’s no longer limping or favoring her right side. “He sure fixed you up nice.”

  “Yeah, I’m feeling a lot better.”

  Josh pauses on the edge of the creek and waits for her. She joins him. He sees tracks in the hard-packed mud at the bottom of the creek bed. “Looks like we got a deer crossing here. I’m thinkin’ we follow the creek, ought to meet up with a critter or two.”

  “Can we take a quick rest first?”

  “You bet,” Josh says, motioning for her to have a seat on a log. She sits. He joins her, holding the shotgun across his lap. He lets out a sigh. He feels a tremendous urge to put his arm around her. What is wrong with him? Stricken with puppy love like some stupid teenager in the midst of all these horrors?

  Josh looks down. “I like the way you take care of each other, you and old Bob.”

  “Yeah, and you take care of all of us.”

  Josh lets out a sigh. “Wish I could have taken better care of my mama.”

  Lilly looks at him. “You never told me what happened.”

  Josh takes a deep breath. “Like I told you, she was pretty sick for quite a few years … thought I was gonna lose her a few times … but she lived long enough to—” He stops, the sorrow ratcheting his insides, swelling up in him, surprising him with its suddenness.

  Lilly sees the pain in his eyes. “It’s okay, Josh, if you don’t want to—”

  He makes a feeble gesture, a wave of his big brown hand. “I don’t mind telling you what happened. I was still trying to get into work each morning at that point, still trying to get a paycheck in the early days of the Turn, just a few biter sightings back then. I ever tell you what I do? My profession?”

  “You told me you were a cook.”

  He gives her a nod. “Pretty serious one, if I do say so myself.” He looks at her, his voice softening. “Always wanted to fix you a proper dinner.” His eyes moisten. “My mama taught me the basics, rest her soul, taught me how to make a bread pudding that would bring tears to your eyes and joy to your belly.”

  Lilly smiles at him, then her smile fades. “What happened to your mom, Josh?”

  He stares at the dusting of snow on the matted leaves for quite some time, marshaling the energy to tell the story. “Muhammad Ali’s got nothing on my mama … she was a fighter, she fought that sickness like a champ, for years. But sweet? She was sweet as the day is long. Shag
gy dogs and misfits—she would take anybody in, the raggiest-ass individuals, hardened panhandlers, homeless, it didn’t matter. She would take ’em in and call ’em ‘honey child’ and make them corn bread and sweet tea until they stole from her or got in a fight in her front parlor.”

  “Sounds like she was a saint, Josh.”

  Another shrug. “Wasn’t the best living conditions for me and my sisters, I’ll be honest with ya. We moved around a lot, different schools, and every day we would come home and find our place filled with strangers, but I loved the old gal.”

  “I can see why.”

  Josh swallows hard. Here it comes. The bad part, the part that haunts his dreams to this day. He gazes at the snow on the leaves. “It happened on a Sunday. I knew my mama was failing, wasn’t thinking straight. One doctor told us it was Alzheimer’s comin’ on. At this point, the dead was getting into the projects, but they still had the warning sirens comin’ on, announcements and shit. Our street was blocked off that day. When I left for work, Mama was just sittin’ at the window, staring out at them things slipping through the cordons, getting picked off by them SWAT guys. I didn’t think anything of it. I figured she’d be okay.”

  He pauses, and Lilly doesn’t say anything. It’s clear to both of them that he has to share this with another human being or it will continue to eat away at him. “I tried to call her later that day. Guess the lines were down. Figured no news was good news. I think it was about five-thirty when I knocked off that day.”

  He swallows the lump in his throat. He can feel Lilly’s gaze on him.

  “I was rounding the corner at the top of my street. I flash my ID at the guys at the roadblock when I notice a lot of activity down the block. SWAT guys coming and going. Right in front of my building. I pull up. They holler at me to get the hell outta there and I tell them, hey, man, ease on back, I live here. They let me through. I see the front door to our apartment building wide open. Cops coming out and going in. Some of them carrying…”

  Josh chokes on the words. He breathes. Braces himself. Wipes moisture from his eyes. “Some of them was carrying—whattyacallem—specimen containers? For human organs and such? I run up the stairs two at a time. I think I knocked over one of them cops. I get to our door on the second floor and there’s these dudes in hazmat suits blocking the entrance and I shove ’em aside and go in and I see…”

  Josh feels the sorrow creeping up his gorge, strangling him. He pauses to take a breath. His tears burn and track down his chin.

  “Josh, you don’t have to—”

  “No, it’s awright, I need to … what I saw in there … I knew right off the bat what had happened. I knew the second I saw that window open and the table set. Mama had her wedding dishes out. You would not believe the blood. I mean, the place was painted in it.” He feels his voice cracking, and he swims against the tide of tears. “There was at least six of them things on the floor. SWAT guys must’ve took ’em out. There was … not much left of Mama.” He chokes. Swallows. Flinches at the searing pain in his chest. “There was … pieces of her on the table. With the good china. I saw … I saw … her fingers … all chewed up next to the gravy boat … what was left of her body … slumped in a chair … her head was all lolled over to one side … neck opened up—”

  “Okay … Josh, you don’t need to … I’m sorry … I’m so sorry.”

  Josh looks at her as though seeing her face in a new light, hovering there in the diffuse, snowy radiance, her eyes far away, as though in a dream.

  * * *

  Through her tears, Lilly Caul meets the big man’s gaze and her heart clenches. She wants to hold him, she wants to comfort this gentle colossus, stroke his massive shoulders and tell him it’s all going to be all right. She has never felt this close to another human being and it’s killing her. She doesn’t deserve his friendship, his loyalty, his protection, his love. What does she say? Your mama’s in a better place now? She refuses to diminish this terribly profound moment with stupid clichés.

  She starts to say something else when Josh speaks up again in a low, drained, defeated voice, not taking his eyes off her. “She invited them things in for corn bread and beans … she took them in … like shaggy dogs … because that’s what she does. Loves all God’s creatures.” The big man slumps and his shoulders tremble as tears drip off his grizzled jaw and onto the front of his Salvation Army lumber jacket. “Probably called them ‘honey-child’ … right up until the moment they ate her.”

  Then the big man lowers his head and lets out an alarming sound—half sob, half insane laughter—as the tears stream down his enormous, sculpted brown face.

  Lilly moves closer. She puts her hand on his shoulder. She says nothing at first. She touches his gigantic hands, which are clasped around the shotgun across his lap. He looks up at her, his expression a mask of emotional ruin. “Sorry I’m so…” he utters in barely a whisper.

  “It’s okay, Josh. It’s okay. I’m here for you always. I’m with you now.”

  He cocks his head, wipes his face, and manages a broken smile. “I guess you are.”

  She kisses him—quickly, but on the lips—a little more than a friendly smack. The kiss lasts maybe a couple of seconds.

  Josh drops the gun, puts his arms around her, and returns the gesture, and the contrary emotions flow through Lilly as the big man lets his lips linger on hers. She feels herself floating on the windswept snow. She can’t sort out the undercurrent of feelings making her dizzy. Does she pity this man? Is she manipulating him again? He tastes like coffee and smoke and Juicy Fruit gum. The cold snow touches Lilly’s eyelashes, the warmth of Josh’s lips melting the chill. He has done so much for her. She owes him her life ten times over. She opens her mouth, presses her chest against his, and then he pulls away.

  “What’s wrong?” She looks up at him, searches his big sad brown eyes. Did she do something wrong? Did she step over a line?

  “Nothing at all, babydoll.” He smiles and leans down and kisses her cheek. It’s a warm kiss—soft, tender, a promise of more to come. “Timing, you know,” he says then. He picks up the shotgun. “Not safe here … don’t feel right.”

  For a moment, Lilly can’t figure out whether he’s referring to the woods not being right, or if he’s talking about the two of them. “I’m sorry if I—”

  He gently touches her lips. “I want it to be just right … when the time comes.”

  His smile is the most guileless, clean, sweet smile Lilly has ever seen. She returns his smile, her eyes misting over. Who would have thought, in the midst of all this horror—a perfect gentleman?

  Lilly starts to say something else when a sharp noise grabs their attention.

  * * *

  Josh hears the faint drumming of hooves first, and gently shoves Lilly back behind him. He raises the squirrel gun’s rusty single barrel. The pounding noises rise. Josh thumbs the hammer back.

  At first, he thinks he’s seeing things. Above them, coming down the embankment, throwing leaves and debris in their wake, a pack of animals—impossible to identify at first, just a blur of fur—charge through the foliage directly toward them. “Get down!” Josh yanks Lilly back behind a deadfall log on the edge of the creek bed.

  “What is it?” Lilly crouches down behind the worm-eaten wood.

  “Dinner!” Josh raises the gun’s back sight to his eyes and aims at the oncoming deer—a small cluster of does with bushy ears pinned, and eyes as wide as billiard balls—but something stops Josh from firing. His heart throbs in his chest, his skin flushing with gooseflesh—the realization exploding in his brain.

  “Josh, what’s the matter?”

  The deer roar past Josh, snapping twigs and throwing stones as he sidesteps the stampede.

  Josh swings the gun up at the darker shadows coming behind the animals. “Run, Lilly!”

  “What?—No!” She rises up behind the log, watching the deer vault across the riverbed. “I’m not leaving you!”

  “Cross the creek, I’m ri
ght behind you!” Josh aims the shotgun up at the shapes coming down the hill, weaving through the undergrowth.

  Lilly sees the horde of zombies lumbering toward them, at least twenty, sideswiping trees and bumping into each other. “Oh, shit.”

  “GO!”

  Lilly scrambles across the gravelly trough and plunges into the shadows of the adjacent forest.

  Josh backs away, aiming the front sight at the leading edge of the swarm coming toward him.

  All at once, in that single instant before he fires, he sees oddly shaped bodies and garb, strange burned faces and costumes mutilated practically beyond recognition, and Josh realizes what happened to the previous owners of the lost three-ring circus tent—the unfortunate members of the Cole Brothers’ Family Circus.

  SIX

  Josh squeezes off a shot.

  The blast cracks open the sky, the pigeon grain punching a divot through the forehead of the closest midget. Twenty feet away, the little rotting corpse convulses backward, banging into three other dwarfs in bloody clown face and snarling black teeth. The little zombies—as stunted and deformed as sickly gnomes—scatter sideways.

  Josh takes one last glance at the surreal intruders closing in on him.

  Behind the midgets, stumbling down the embankment, comes a motley assortment of dead performers. A giant strong man with a handlebar mustache and musculature torn open in bloody gouges lumbers alongside a morbidly obese female cadaver, half nude, her fat rolls dangling over her genitals, her milky eyes buried in a face as lumpy as stale dough.

  Bringing up the rear, a haphazard assortment of dead carnies, freaks, and contortionists follow stupidly. Encephalitic pinheads, their tiny mouths snapping, stumble along beside ragged trapeze artists in garish sequins and gangrenous faces, followed by multiple amputees trundling along spasmodically. The pack moves in fits and starts, as feral and hungry as a school of piranhas.