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The King's Assassin

Page 41

by Benjamin Woolley


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  Contents

  Title Page

  Copyright Notice

  Dedication

  List of Illustrations

  Dramatis Personae

  Prologue

  ACT I

  Christ Had His John and I Have My George

  The King’s Way

  The Malcontent

  All We Here Sit in Darkness

  Debateable Lands

  Apethorpe

  Baynard’s Castle

  St George’s Day

  The Matter of the Garter

  Neither a God nor an Angel

  Keeper of the Seal

  Made or Marred

  Wickedest Things

  Poor George Villiers

  ACT II

  Two Venturous Knights

  The Favourite and the Fountain

  A Masque on Twelfth Night

  The Spanish Match

  Periwigs

  The House of the Seven Chimneys

  Secret Intelligencers

  A Farewell Pillar

  Fool’s Coats

  ACT III

  The Greatest Villain in the World

  The Honey and the Sting

  The English Junta

  A Secret Matter

  The Banqueting House

  Countless Difficulties

  The Forger of Every Mischief

  A Game at Chess

  Hobgoblins

  To Ride Away an Ague

  The Price of a Princess

  What an Age We Do Live In

  ACT IV

  We the Commons

  Poisonous Applications

  Anne of Austria

  And So the Devil Go with Them

  All Goes Backward

  The Knot Draws Near

  Common Fame

  The Bottomless Bagg

  The Forerunner of Revenge

  Great Matters of Weight

  A Silly Piece of Malice

  Dissolution

  The Devil and the Duke

  The Scrivener’s Tale

  I Am the Man

  Sad Affliction’s Darksome Night

  Epilogue

  Photographs

  Bibliography

  Notes

  Index

  Also by Benjamin Woolley

  About the Author

  Copyright

  THE KING’S ASSASSIN. Copyright © 2017 by Benjamin Woolley. All rights reserved. For information, address St. Martin’s Press, 175 Fifth Avenue, New York, N.Y. 10010.

  www.stmartins.com

  Our e-books may be purchased in bulk for promotional, educational, or business use. Please contact the Macmillan Corporate and Premium Sales Department at (800) 221-7945, extension 5442, or by e-mail at MacmillanSpecialMarkets@macmillan.com.

  First published in Great Britain by Macmillan, an imprint of Pan Macmillan

  First U.S. Edition: July 2018

  eISBN 9781250125057

  First eBook edition: May 2018

  * In 1599 William had taken his stepmother Mary, along with his father, to court to establish his entitlement to the family estates, after it emerged that Sir George senior had used the property as security against his mountainous debts.

  † There is some debate about the social position of a ‘waiting woman’ and how it impacted on Mary. In Shakespeare’s Othello, Emilia is the waiting woman and confidante to Desdemona, Othello’s unfortunate wife. In The Scornful Lady by Mary’s distant cousin Francis Beaumont, Abigail is a waiting woman trapped by her servitude into becoming an ageing spinster and predatory nymphomaniac.

  * Mary’s age is a matter of conjecture. Nativity and horary charts drawn up by Richard Napier (Bodleian MS Ashmole 329, f66v) suggest she was born on 23 December and was thirty-six years old in April 1610, giving a birthdate of 23 December 1574. This makes her rather younger than is generally accepted. For example, the DNB gives her birthdate as c. 1570.

  * Thanks to James’s first Parliament frustrating his plans for a union of his kingdoms, Great Britain had yet to be formally created. However, it was recognized as a de facto entity by many foreign rulers, and treated as such by James himself.

  * A Scottish diminutive of Stephen, referring to St Stephen, who, according to tradition, had the face of an angel.

  * According to Glyn Redworth, who first brought this letter to the attention of British historians, ‘though this word might be used to describe a patron or go-between, by the seventeenth century it was indelibly associated with the eponymous protagonist of Fernando de Rojas’s immortal drama of sexual intrigue and licence, the brothel-keeper Celestina. It had come to mean “pimp” – or, in the case of the crone, “procuress”. Being the sole Spanish word that Charles employed in this suspiciously brief note, it was of some consequence.’

  * The reasons for the breakdown of negotiations is highly controversial, with Glyn Redworth blaming a culture clash but others, such as Robert Cross, seeing Charles’s concern for his sister and brother-in-law as a decisive factor.

  * The paintings, which ended up in the collection of the Earl of Jersey at Osterley Park, were destroyed in a warehouse fire in 1949. The chalk-and-ink sketch is in the collection of Albertina Museum in Vienna.

  * It is possible George did not even attend the funeral. There is mention of a ‘master of the horse’ in the cortege, who it has been assumed was the duke, but he may have been Thomas Howard, who served Charles in that capacity when he was the Prince of Wales.

 

 

 


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