The Tracer of Lost Persons

by Robert W. Chambers

  CHAPTER IX

  When the Tracer of Lost Persons entered Captain Harren's room at theHotel Vice-Regent that afternoon he found the young man standing at acenter table, pencil in hand, studying a sheet of paper which wascovered with letters and figures.

  The two men eyed one another in silence for a moment, then Harrenpointed grimly to the confusion of letters and figures covering dozensof scattered sheets lying on the table.

  "That's part of my madness," he said with a short laugh. "Can you makeanything of such lunatic work?"

  The Tracer picked up a sheet of paper covered with letters of thealphabet and Roman and Arabic numerals. He dropped it presently andpicked up another comparatively blank sheet, on which were the followingfigures:

  Cryptographic symbols]

  He studied it for a while, then glanced interrogatively at Harren.

  "It's nothing," said Harren. "I've been groping for three years--butit's no use. That's lunatics' work." He wheeled squarely on his heels,looking straight at the Tracer. "_Do_ you think I've had a touch of thesun?"

  "No," said Mr. Keen, drawing a chair to the table. "Saner men than youor I have spent a lifetime over this so-called Seal of Solomon." He laidhis finger on the two symbols--

  Cryptographic symbols]

  Then, looking across the table at Harren: "What," he asked, "has theSeal of Solomon to do with your case?"

  "_She_--" muttered Harren, and fell silent.

  The Tracer waited; Harren said nothing.

  "Where is the photograph?"

  Harren unlocked a drawer in the table, hesitated, looked strangely atthe Tracer.

  "Mr. Keen," he said, "there is nothing on earth I hold more sacred thanthis. There is only one thing in the world that could justify me inshowing it to a living soul--my--my desire to find--her--"

  "No," said Keen coolly, "that is not enough to justify you--the meredesire to find the living original of this apparition. Nothing couldjustify your showing it unless you love her."

  Harren held the picture tightly, staring full at the Tracer. A dullflush mounted to his forehead, and very slowly he laid the picturebefore the Tracer of Lost Persons.

  Minute after minute sped while the Tracer bent above the photograph, hisfinely modeled features absolutely devoid of expression. Harren haddrawn his chair beside him, and now sat leaning forward, bronzed cheekresting in his hand, staring fixedly at the picture.

  "When was this--this photograph taken?" asked the Tracer quietly.

  "The day after I arrived in New York. I was here, alone, smoking my pipeand glancing over the evening paper just before dressing for dinner. Itwas growing rather dark in the room; I had not turned on the electriclight. My camera lay on the table--there it is!--that kodak. I had takena few snapshots on shipboard; there was one film left."

  He leaned more heavily on his elbow, eyes fixed upon the picture.

  "It was almost dark," he repeated. "I laid aside the evening paper andstood up, thinking about dressing for dinner, when my eyes happened tofall on the camera. It occurred to me that I might as well unload it,let the unused film go, and send the roll to be developed and printed;and I picked up the camera--"

  "Yes," said the Tracer softly.

  "I picked it up and was starting toward the window where there remainedenough daylight to see by--"

  The Tracer nodded gently.

  "Then I saw _her_!" said Harren under his breath.

  "Where?"

  "There--standing by that window. You can see the window and curtain inthe photograph."

  The Tracer gazed intently at the picture.

  "She looked at me," said Harren, steadying his voice. "She was as realas you are, and she stood there, smiling faintly, her dark, lovely eyesmeeting mine."

  "Did you speak?"

  "No."

  "How long did she remain there?"

  "I don't know--time seemed to stop--the world--everything grew still.. . . Then, little by little, something began to stir under my stunnedsenses--that germ of misgiving, that dreadful doubt of my own sanity.. . . I scarcely knew what I was doing when I took the photograph;besides, it had grown quite dark, and I could scarcely see her." He drewhimself erect with a nervous movement. "How on earth could I haveobtained that photograph of her in the darkness?" he demanded.

  "N-rays," said the Tracer coolly. "It has been done in France."

  "Yes, from living people, but--"

  "What the N-ray is in living organisms, we must call, for lack of abetter term, the subaura in the phantom."

  They bent over the photograph together. Presently the Tracer said: "Sheis very, very beautiful?"

  Harren's dry lips unclosed, but he uttered no sound.

  "She is beautiful, is she not?" repeated the Tracer, turning to look atthe young man.

  "Can you not see she is?" he asked impatiently.

  "No," said the Tracer.

  Harren stared at him.

  "Captain Harren," continued the Tracer, "I can see nothing upon this bitof paper that resembles in the remotest degree a human face or figure."

  Harren turned white.

  "Not that I doubt that _you_ can see it," pursued the Tracer calmly. "Isimply repeat that I see absolutely nothing on this paper except a partof a curtain, a window pane, and--and--"

  "What! for God's sake!" cried Harren hoarsely.

  "I don't know yet. Wait; let me study it."

  "Can you not see her face, her eyes? _Don't_ you see that exquisite slimfigure standing there by the curtain?" demanded Harren, laying hisshaking finger on the photograph. "Why, man, it is as clear, as cleancut, as distinct as though the picture had been taken in sunlight! Doyou mean to say that there is nothing there--that I am crazy?"

  "No. Wait."

  "Wait! How can I wait when you sit staring at her picture and telling methat you can't see it, but that it is doubtless there? Are you deceivingme, Mr. Keen? Are you trying to humor me, trying to be kind to me,knowing all the while that I'm crazy--"

  "Wait, man! You are no more crazy than I am. I tell you that I can seesomething on the window pane--"

  He suddenly sprang up and walked to the window, leaning close andexamining the glass. Harren followed and laid his hand lightly over thepane.

  "Do you see any marks on the glass?" demanded Keen.

  Harren shook his head.

  "Have you a magnifying glass?" asked the Tracer.

  Harren pointed back to the table, and they returned to the photograph,the Tracer bending over it and examining it through the glass.

  "All I see," he said, still studying the photograph, "is a corner of acurtain and a window on which certain figures seem to have been cut.. . . Look, Captain Harren, can you see them?"

  "I see some marks--some squares."

  "You can't see anything written on that pane--as though cut by adiamond?"

  "Nothing distinct."

  "But you see _her_?"

  "Perfectly."

  "In minute detail?"

  "Yes."

  The Tracer thought a moment: "Does she wear a ring?"

  "Yes; can't you see?"

  "Draw it for me."

  They seated themselves side by side, and Harren drew a rough sketch ofthe ring which he insisted was so plainly visible on her hand:

  Ring with an X]

  "Oh," observed the Tracer, "she wears the Seal of Solomon on her ring."

  Harren looked up at him. "That symbol has haunted me persistently forthree years," he said. "I have found it everywhere--on articles that Ibuy, on house furniture, on the belts of dead ladrones, on the hilts ofcreeses, on the funnels of steamers, on the headstalls of horses. Ifthey put a laundry mark on my linen it's certain to be this! If I buy abox of matches the sign is on it. Why, I've even seen it on thebrilliant wings of tropical insects. It's got on my nerves. I dreamabout it."

  Cryptographic symbol]

  "And you buy books about it and try to work out its mystical meaning?"suggested the Tracer, smiling.

  But Harren's gra
y eyes were serious. He said: "_She_ never comes to mewithout that symbol somewhere about her. . . . I told you she neverspoke to me. That is true; yet once, in a vivid dream of her, she didspeak. I--I was almost ashamed to tell you of that."

  "Tell me."

  "A--a dream? Do you wish to know what I dreamed?"

  "Yes--if it was a dream."

  "It was. I was asleep on the deck of the _Mindinao_, dead tired after afruitless hike. I dreamed she came toward me through a young woodlandall lighted by the sun, and in her hands she held masses of that wildflower we call Solomon's Seal. And she said--in the voice I know must belike hers: 'If you could only read! If you would only understand themessage I send you! It is everywhere on earth for you to read, if youonly would!'

  "I said: 'Is the message in the seal? Is that the key to it?'

  "She nodded, laughing, burying her face in the flowers, and said:

  "'Perhaps I can write it more plainly for you some day; I will try very,very hard.'

  "And after that she went away--not swiftly--for I saw her at moments faraway in the woods; but I must have confused her with the glimmeringshafts of sunlight, and in a little while the woodland grew dark and Iwoke with the racket of a Colt's automatic in my ears."

  He passed his sun-bronzed hand over his face, hesitated, then leanedover the photograph once more, which the Tracer was studying intentlythrough the magnifying glass.

  "There is something on that window in the photograph which I'm going tocopy," he said. "Please shove a pad and pencil toward me."

  Still examining the photograph through the glass which he held in hisright hand, Mr. Keen picked up the pencil and, feeling for the pad,began very slowly to form the following series of symbols:

  Cryptographic symbols]

  "What on earth are you doing?" muttered Captain Harren, twisting hisshort mustache in perplexity.

  "I am copying what I see through this magnifying glass written on thewindow pane in the photograph," said the Tracer calmly. "Can't you seethose marks?"

  "I--I do now; I never noticed them before particularly--only that therewere scratches there."

  When at length the Tracer had finished his work he sat, chin on hand,examining it in silence. Presently he turned toward Harren, smiling.

  "Well?" inquired the younger man impatiently; "do those scratchesrepresenting Solomon's Seal mean anything?"

  "It's the strangest cipher I ever encountered," said Mr. Keen--"thestrangest I ever heard of. I have seen hundreds ofciphers--hundreds--secret codes of the State Department, secret militarycodes, elaborate Oriental ciphers, symbols used in commercialtransactions, symbols used by criminals and every species of malefactor.And every one of them can be solved with time and patience and a littleknowledge of the subject. But this"--he sat looking at it with eyes halfclosed--"this is _too_ simple."

  "Simple!"

  "Very. It's so simple that it's baffling."

  "Do you mean to say you are going to be able to find a meaning insquares and crosses?"

  "I--I don't believe it is going to be so very difficult to translatethem."

  "Great guns!" said the Captain. "Do you mean to say that you canultimately translate that cipher?"

  The Tracer smiled. "Let's examine it for repetitions first. Here we havethis symbol

  Cryptographic symbol]

  repeated five times. It's likely to be the letter E. I think--" Hisvoice ceased; for a quarter of an hour he pored over the symbols, pencilin hand, checking off some, substituting a letter here and there.

  "No," he said; "the usual doesn't work in this case. It's an absurdlysimple cipher. I have a notion that numbers play a part in it--you seewhere these crossed squares are bracketed--those must be numbersrequiring two figures--"

  He fell silent again, and for another quarter of an hour he remainedmotionless, immersed in the problem before him, Harren frowning at thepaper over his shoulder.