“Putting England on the Screen.” Evening Standard, March 5, 1928.
“Seen on the Screen.” Daily Herald, April 17, 1926.
“Some Thoughts on Color by Alfred Hitchcock.” Adelaide Advertiser, September 4, 1937.
“Talk of the Trade.” The Bioscope, April 21, 1927.
“Talk of the Trade.” The Bioscope, May 26, 1927.
“To Be Seen on the Screen.” Daily Herald, December 5, 1925.
Abramson, Martin. “What Hitchcock Does with His Blood Money.” Cosmopolitan, January 1964.
Adams, Marjory. “Hitchcock, En Route Overseas, Stops Off for Daughter’s Play.” Boston Morning Globe, October 17, 1944.
Archer, Eugene. “Hitchcock’s ‘Marnie,’ with Tippi Hedren and Sean Connery.” New York Times, June 23, 1964.
Atkinson, G. A. “The Authenticity of Alfred.” The Era, December 16, 1931.
Balcon, Michael. “DESERTERS!” Sunday Dispatch, August 25, 1940.
Balliet, Whitney. “Hitchcock on Hitchcock.” The New Yorker, August 8, 1959. https://www.newyorker.com/magazine/1959/08/15/hitchcock-on-hitchcock.
Bart, Peter. “Advertising: TV series on U.N. Stirs Debate.” New York Times, April 10, 1964.
Benedetta, Mary. “A Day with Hitchcock.” Unknown publication, undated. AHC MHL.
Bidisha. “What’s Wrong with Hitchcock’s Women.” Guardian, October 21, 2010. https://www.theguardian.com/film/2010/oct/21/alfred-hitchcock-women-psycho-the-birds-bidisha.
Bogdanovich, Peter. “Hitchcock High and Low.” New York, May 6, 1974.
Brace, Keith. “The Trouble with Alfred.” Birmingham Daily Post, August 5, 1960.
Buchanan, Barbara J. “Alfred Hitchcock Tells a Woman that Women Are a Nuisance.” Film Weekly, September 20, 1935.
Burford, Roger. “A New ‘Chair’ Which a Woman Might Fill.” Gateway for Women at Work 1, no. 3 (July 1929): 100–103.
Burrows, Tim. “Martin Landau: ‘I chose to play Leonard as gay.’ ” Daily Telegraph, October 12, 2012. https://www.telegraph.co.uk/culture/film/starsandstories/9601547/Martin-Landau-I-chose-to-play-Leonard-as-gay.html.
Callow, Simon. “The Spiritual SAS.” Guardian, January 31, 2004. https://www.theguardian.com/books/2004/jan/31/featuresreviews.guardianreview6.
Cameron, Ian, and V. F. Perkins. “Interview with Hitchcock.” Movie, no. 6 (January 1963): 4–6.
Champlin, Charles. “What’s It All About, Alfie?” Los Angeles Times, June 7, 1971.
Clark, Gerald. “Here’s Hitchcock’s Recipe for Suspense.” Weekend Magazine, The Standard, December 22, 1951.
Coe, Alexis. “William Howard Taft Is Still Stuck in the Tub.” New York Times, September 15, 2017. https://www.nytimes.com/2017/09/15/opinion/william-howard-taft-bathtub.html.
Coe, Richard. “Bergman Sobers Up Down Under.” Washington Post, October 7, 1949.
Cohen, Paula Marantz. “Alfred Hitchcock: Modest Exhibitionist.” TLS, September 5, 2008. https://www.the-tls.co.uk/articles/private/alfred-hitchcock-modest-exhibitionist/.
Counts, Kyle. “The Making of Alfred Hitchcock’s The Birds.” Cinefantastique 10, no. 2 (Fall 1980): 15–35.
Davidson, Bill. “Alfred Hitchcock Resents.” Saturday Evening Post, December 15, 1962.
Davis, Ivor. “Alfred Hitchcock Abhors Violence, Prefers Suspense.” Los Angeles Times, September 7, 1969.
Delehanty, Thornton. “A Liberated Hitchcock Dreams Gaudy Dreams in Technicolor.” New York Herald Tribune, April 22, 1945.
Dixon, Bryony. “The White Shadow.” http://www.screenonline.org.uk/film/id/1423007/index.html.
Ebert, Roger. “Scorsese Learns from Those Who Went Before Him.” January 11, 1998. https://www.rogerebert.com/interviews/scorsese-learns-from-those-who-went-before-him.
— . “Vertigo.” October 13, 1996. https://www.rogerebert.com/reviews/great-movie-vertigo-1958.
Goldsmith, Barbara. “Bristol-Meyers’ Alfred Hitchcock: His ‘Personality’ Sells What He Derides.” Printers’ Ink (July 18, 1958): 63–68.
Grant, Cary. “Cary Grant on Style.” GQ, April 15, 2013. https://www.gq.com/story/cary-grant-on-style. Originally published in GQ, Winter 1967–68.
Grant, Elspeth. “Converted to Beatledom.” Tatler, July 22, 1964.
Greene, Lawrence. “He Is a Camera.” Esquire, August 1952.
Grosvenor, Rita. “I Don’t Scare Easily, Says Mrs Hitchcock.” Sunday Express, January 30, 1972.
Hellman, Geoffrey T. “Alfred Hitchcock.” Life, November 20, 1943.
Henninger, Mark. “Alfred Hitchcock’s Surprise Ending.” Wall Street Journal, June 12, 2012. https://www.wsj.com/articles/SB10001424127887323401904578159573738040636.
Hitchcock, A. J. “Titles—Artistic and Otherwise.” Motion Picture Studio, July 23, 1921.
Hitchcock, Alfred. “Alfred Hitchcock Presents: The Great Hitchcock Murder Mystery.” This Week, August 4, 1957.
_____. “Columbus of the Screen.” Film Weekly, February 21, 1931.
_____. “Director’s Problems.” The Listener, February 2, 1938, 241.
_____. “Films We Could Make.” London Evening News, November 16, 1927.
_____. “How I Make My Films.” News Chronicle, March 5, 1937.
_____. “It’s Time Now to Start Taking Off That Turkey and Eggnog Waistline.” Los Angeles Times, January 18, 1955.
_____. “Life Among the Stars.” News Chronicle, March 1, 1937.
_____. “Making ‘The Thirty-Nine Steps.’ ” Film Weekly, May 23, 1936.
_____. “More Cabbages, Fewer Kings: A Believer in the Little Man.” Kinematograph Weekly, January 14, 1937.
_____. “Murder–with English on It.” New York Times Magazine, March 3, 1957.
_____. “My Screen Memories—1: I Begin with a Nightmare.” Film Weekly, May 2, 1936.
_____. “My Screen Memories—2: The Story Behind ‘Blackmail.’ ” Film Weekly, May 9, 1936.
_____. “My Spies.” Film Weekly, May 30, 1936.
_____. “My Strangest Year.” Film Weekly, May 16, 1936.
_____. “The Real Me (The Thin One).” Daily Express, August 9, 1966.
_____. “The Sophistication of Violence.” Esquire, July 1961.
_____. “Stodgy British Pictures.” Film Weekly, December 14, 1934.
_____. “The Woman Who Knows Too Much.” McCall’s, March 1956.
Hitchcock, Alma Reville. “My Husband Hates Suspense.” Everywoman’s Family Circle, June 1958.
Mrs Alfred Hitchcock, as told to Martin Abramson. “My Husband Alfred Hitchcock Hates Suspense.” Coronet, August 1964.
Hodenfield, Chris. “Alfred Hitchcock: Muuuurder by the Babbling Brook.” Rolling Stone, July 29, 1976. https://www.rollingstone.com/movies/movie-features/alfred-hitchcock-muuuurder-by-the-babbling-brook-59347/.
Hopper, Hedda. “Hitchcock: He Runs on Fear.” Los Angeles Times, August 17, 1958.
_____. “Papa Hitchcock.” Chicago Sunday Tribune Magazine, October 13, 1944.
Hughes, Spike. “Coarse Cricket.” Daily Herald, July 30, 1938.
Jennings, F. S. “Master of Suspense.” The Era, December 9, 1936.
Johnston, Alva. “300-Pound Prophet Comes to Hollywood.” Saturday Evening Post, May 22, 1943.
Joyce, Simon. “Sexual Politics and the Aesthetics of Crime: Oscar Wilde in the ’90s.” ELH 69, no. 2 (Summer 2002): 501–23.
Kaytor, Marilyn. “The Alfred Hitchcock Dinner Hour.” Look, August 27, 1963.
Klemsrud, Judy. “Men’s Clothes: Here Comes the Liberace Look.” New York Times, March 4, 1970.
La Bern, Arthur. “Letters to the Editor: Hitchcock’s ‘Frenzy,’ from Mr Arthur La Bern.” The Times, May 29, 1972.
Lehman, Ernest. “Screen Writer’s Recipe for ‘Hitch’s Brew.’ ” New York Times, August 2, 1959.
Lejeune, C. A. “Cinema Cameos.” The Sketch, July 10, 1940.
Lewin, David. “Alfred Hitchcock.” CinemaTV Today, August 19, 1972.
Macklin, Anthony. “It’s the Manner of Telling: An Int
erview with Alfred Hitchcock.” Film Heritage 11 (1976): 15–32.
Maloney, Russell. “What Happens After That?” Profiles, The New Yorker, September 10, 1938.
Mann, Roderick. “Hitchcock: Show Must Go On.” Los Angeles Times, August 8, 1978.
Matthews, Peter. “Vertigo rises: the greatest film of all time?” Sight & Sound, September 2012. https://www.bfi.org.uk/news-opinion/sight-sound-magazine/polls-surveys/greatest-films-all-time/vertigo-hitchcock-new-number-one.
McBride, Joseph. “Mr. and Mrs. Hitchcock.” Sight & Sound 45, no. 4 (Autumn 1976): 224–25.
McCarten, John. “The Current Cinema.” The New Yorker, October 29, 1955.
Miller, Henry K. “Film Society, The (1925–39).” http://www.screenonline.org.uk/film/id/454755/index.html.
Millstein, Gilbert. “Harrison Horror Story.” New York Times, July 21, 1957.
Montagu, Ivor. “Working with Hitchcock.” Sight & Sound 49, no. 3 (Summer 1980): 189–93.
Moral, Tony Lee. “How Accurate is The Girl?” Broadcast, December 14, 2012. http://www.broadcastnow.co.uk/comment/how-accurate-is-the-girl/5050231.article.
Morfield, June. “The One Man Grace Kelly Couldn’t Say ‘No’ To.” TV Radio Mirror, July 1962.
Nugent, Frank S. “Assignment in Hollywood.” Good Housekeeping, November 1945.
_____. “The Screen in Review.” New York Times, October 12, 1939.
Perkoff, Leslie. “The Censor and Sydney Street.” World Film News, March 12, 1938.
Pratley, Gerald. “Alfred Hitchcock’s Working Credo.” Films in Review 3, no. 10 (December 1952): 500–503.
Pride, Margaret. “Your Fears Are My Life.” Reveille, September 23, 1972.
Reed, Rex. “Film Violence.” Calgary Herald, June 17, 1972.
Reville, Alma. “Cutting and Continuity.” Motion Picture News, January 13, 1923.
Ross, Walter. “Murder in the Mezzanine.” Esquire, January 1954.
Roud, Richard. “The French Line.” Sight & Sound 29, no. 4 (Autumn 1960): 166–71.
Sarris, Andrew. “The Movie Journal.” Village Voice, June 11, 1960.
Saunders, Marya. “My Dad, the Jokester.” Family Weekly, July 21, 1963.
Shanley, John P. “Lady Producer of Thrillers.” New York Times, May 29, 1960.
Smith, H. Allen. “Hitchcock Likes to Smash Cups.” New York World-Telegram, August 28, 1937.
Sussex, Elizabeth. “The Fate of F3080.” Sight & Sound 53, no. 2 (Spring 1984): 92–97.
Taylor, John Russell. “Alfred Hitchcock: Fact and Fiction by John Russell Taylor.” Bloomsbury Reader, April 8, 2013. https://bloomsburyreader.wordpress.com/2013/04/08/alfred-hitchcock-fact-and-fiction-by-john-russell-taylor/.
“Surviving: Alfred Hitchcock.” Sight & Sound 46, no. 3 (Summer 1977): 174–75.
Turner, George E. “Rope—Something Different,” American Cinematographer 66, no. 2 (February 1985): 34–40.
T.H.E. “Meet the Strong, Silent Director!” Sunderland Daily Echo and Shipping Gazette, February 16, 1935.
Thomson, David. “Charms and the Man,” Film Comment 20, no. 1 (February 1984): 58–65.
Underhill, Duncan. “Hitchcock Is Like a Pattern Designer.” New York World-Telegram, April 6, 1940.
Warhol, Andy. “Hitchcock.” Andy Warhol’s Interview, September 1974.
Warwick, Alan. “Alfred Hitchcock’s Tudor Cottage.” Home Chat, February 27, 1932.
Watt, Harry. “Re-Seeing Blackmail.” World Film News 2, no. 1 (April 1937): 15.
Weaver, John D. “The Man Behind the Body.” Holiday, September 1964.
Wehner, Chris. “Chris Wehner: Interview with Rear Window scribe John Michael Hayes.” http://www.screenwritersutopia.com/article/d14ec43e. Originally published in Screenwriter’s Monthly, December 2002.
Weldon, Huw. “Alfred Hitchcock on His Films.” The Listener, August 6, 1964.
Weston Edwards, Joan. “Making Good in the Film Trade.” Unknown publication, February 26, 1927. AHC MHL.
Whitcomb, Jon. “Master of Mayhem.” Cosmopolitan, October 1959.
Wickham, Ben. “Hitchcock Co., Horror Unlimited.” Unknown publication, 1940. AHC MHL.
Wilde, Oscar. “The Philosophy of Dress.” New York Tribune, April 19, 1885.
Williams, J. Danvers. “The Censor Wouldn’t Pass It.” Film Weekly, November 5, 1938.
TELEVISION, RADIO, AND FILM
“Alfred Hitchcock Accepts the AFI Life Achievement Award in 1979.” American Film Institute, March 7, 1979. https://www.youtube.com/watch?v=pb5VdGCQFOM.
Bill Mumy, interview by Archive of American Television, September 3, 2013, Television Academy Foundation, https://interviews.televisionacademy.com/interviews/bill-mumy.
“Blackmail Test Take,” BFI YouTube Channel, https://www.youtube.com/watch?v=7Z8mSwzSQQk.
Britain Through a Lens: The Documentary Film Mob. BBC Four, July 19, 2011.
British Film Institute. “Westcliff Cine Club Visits Mr Hitchcock in Hollywood,” https://player.bfi.org.uk/free/film/watch-westcliff-cine-club-visits-mr-hitchcock-in-hollywood-1963-online.
Cinema: Alfred Hitchcock. DVD extra on Hitchcock: The British Years, UK: Network, 2008. DVD. Originally broadcast, ITV, 1966.
The Dick Cavett Show. ABC, June 8, 1972.
Everyone’s Wicked Uncle. BBC Radio 3, July 27, 1999.
John Michael Hayes, interview by Steven DeRosa, https://www.youtube.com/watch?v=l981MGsT9n4.
Hitchcock at the NFT. BBC One, December 30, 1969.
Hitchcock/Truffaut. Directed by Kent Jones. USA: Dogwoof, 2016. DVD.
The Men Who Made the Movies, “Alfred Hitchcock.” PBS, November 4, 1973.
Omnibus, “It’s Only Another Movie.” BBC One, September 26, 1986.
Reputations, “Hitch: Alfred the Great.” BBC Two, 1999.
Reputations, “Hitch: Alfred the Auteur.” BBC Two, 1999.
Rope: Pro and Con. DVD extra on Hitchcock/Truffaut, 2016.
The Story of Frenzy. DVD extra on Frenzy. Directed by Alfred Hitchcock. UK: Universal, 2005. DVD.
A Talk with Hitchcock. USA: Image Entertainment, 2000. DVD. Originally broadcast as Telescope, “A Talk with Hitchcock,” 1964, CBC.
Time of My Life, “Alfred Hitchcock.” BBC Home Service, August 28, 1966.
“Why Oscar-winner Eva Marie Saint Never Went Hollywood.” CBS News, March 2, 2014, https://www.cbsnews.com/news/why-oscar-winner-eva-marie-saint-never-went-hollywood/.
BOOKS
Abramson, Leslie H. Hitchcock and the Anxiety of Authorship. New York: Palgrave Mac-Millan, 2015.
Abravanel, Genevieve. Americanizing Britain: The Rise of Modernism in the Age of the Entertainment Empire. New York: Oxford University Press, 2012.
Ackland, Rodney, and Elspeth Grant. The Celluloid Mistress, or The Custard Pie of Dr. Caligari. London: Allan Wingate, 1954.
Ackroyd, Peter. Alfred Hitchcock. London: Chatto & Windus, 2015.
_____. London: The Concise Biography. London: Vintage Books, 2012.
Allen, Richard. Hitchcock’s Romantic Irony. New York: Columbia University Press, 2007.
Atkinson, Diane. Rise Up Women!: The Remarkable Lives of the Suffragettes. London: Bloomsbury, 2018.
Auiler, Dan. Hitchcock’s Secret Notebooks. London: Bloomsbury. 1999.
_____. Vertigo: The Making of a Hitchcock Classic. London: Titan, 1999.
Badmington, Neil. Hitchcock’s Magic. Cardiff: University of Wales Press, 2011.
Baer, William. Classic American Films: Conversations with the Screenwriters. Westport, CT, and London: Praeger, 2008.
Balcon, Michael. Michael Balcon Presents: A Lifetime of Films. London: Hutchinson, 1969.
Banner, Lois. American Beauty. New York: Alfred A. Knopf, 1983.
Barr, Charles. English Hitchcock. Moffat, Scotland: Cameron and Hollis, 1999.
_____. Vertigo. London: BFI, 2012.
Barr, Charles, and Alain Kerzoncuf. Hitchcock Lost and Found: The Forgotten Films. Lexington: University Press of Kentucky, 2015.
Bazin, André. The Cinema of Cruelty: From Buñuel to Hitchcock. New York: Seaver Books, 1982.
Belton, John, ed. Alfred Hitchcock’s Rear Window. Cambridge, UK: Cambridge University Press, 2000.
Bennett, Charles. Hitchcock’s Partner in Suspense: The Life of Screenwriter Charles Bennett, ed. John Charles Bennett. Lexington: University of Kentucky, 2014.
Bentley, Toni. Sisters of Salome. Lincoln: University of Nebraska Press, 2005.
Bogdanovich, Peter. “Alfred Hitchcock (1899–1980),” Who the Devil Made It: Conversations with Legendary Film Directors. New York: Ballantine Books, 1997. Kindle.
Bone, James. The Curse of Beauty: The Scandalous & Tragic Life of Audrey Munson, America’s First Supermodel. New York: Simon & Schuster, 2016.
Bordwell, David. Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling. Chicago and London: Chicago University Press, 2017.
Bradley, Bruce. James Joyce’s Schooldays. Dublin: Gill and MacMillan, 1982.
Brill, Lesley. The Hitchcock Romance: Love and Irony in Hitchcock’s Films. Princeton, NJ: Princeton University Press, 1988.
Cardiff, Jack. Magic Hour. London: Faber & Faber, 1996.
Carey, John. The Intellectuals and the Masses: Pride and Prejudice among the Literary Intelligentsia, 1880–1939. London: Faber & Faber, 1992.
Cassini, Oleg. In My Own Fashion: An Autobiography. London: Simon & Schuster, 1987.
Chandler, Charlotte. Ingrid: Ingrid Bergman, A Personal Biography. London: Simon & Schuster, 2007.
_____. It’s Only a Movie—Alfred Hitchcock: A Personal Biography. London: Pocket Books, 2006.
Chapman, James. Hitchcock and the Spy Film. London: Bloomsbury, 2017.
Chauncey, George. Gay New York: The Making of the Gay Male World, 1890–1940. London: Flamingo, 1995.
Cohen, Paula Marantz. Alfred Hitchcock: The Legacy of Victorianism. Lexington: University Press of Kentucky, 1995.
Coleman, Herbert. The Man Who Knew Hitchcock: A Hollywood Memoir. Lanham, MD; Toronto; Plymouth, UK: Scarecrow Press, 2007.
Comolli, Jean-Louis. “Fatal Rendezvous.” In Cinema and the Shoah: An Art Confronts the Tragedy of the Twentieth Century, ed. Jean-Michel Frodon, trans. Anna Harrison and Tom Mes. Albany: State University of New York Press, 2010.
Connolly, Cyril. Enemies of Promise. Chicago: University of Chicago Press, 2008.
The Twelve Lives of Alfred Hitchcock Page 39