The Twelve Lives of Alfred Hitchcock

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The Twelve Lives of Alfred Hitchcock Page 40

by An Anatomy of the Master of Suspense (epub)


  Conrad, Peter. The Hitchcock Murders. London: Faber & Faber, 2000.

  Cotten, Joseph. Vanity Will Get You Somewhere. London: Columbus Books, 1987.

  Critser, Greg. Fat Land: How Americans Became the Fattest People in the World. Boston and New York: Houghton Mifflin, 2003.

  Cronyn, Hume. A Terrible Liar: A Memoir. New York: William Morrow, 1991.

  Davy, Charles. Footnotes to the Film. London: Lovat Dickson, 1937.

  Dern, Bruce, with Christopher Fryer and Robert Crane. Things I’ve Said, But Probably Shouldn’t Have: An Unrepentant Memoir. Hoboken, NJ: Wiley, 2007.

  DeRosa, Steven. Writing with Hitchcock: The Collaboration of Alfred Hitchcock and John Michael Hayes. New York; London: Faber & Faber, 2001.

  Durgnat, Raymond. The Strange Case of Alfred Hitchcock. London: Faber & Faber, 1974.

  Ebert, Roger. Awake in the Dark: The Best of Roger Ebert, 2nd ed. Chicago: University of Chicago Press, 2017.

  Eisner, Lottie. The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt. Davis: University of California Press, 2008.

  Eliot, Marc. James Stewart: A Biography. London: Aurum, 2006.

  Emerson, Ralph Waldo. English Traits. London and New York: Tauris Parke, 2011.

  Fallaci, Oriana. The Egotists: Sixteen Surprising Interviews, trans. Pamela Swinglehurst. Chicago: Henry Regnery, 1968.

  Fishgall, Gary. Gregory Peck: A Biography. New York: Scribner, 2002.

  Fontaine, Joan. No Bed of Roses. London: W.H. Allen, 1978.

  Fox, Kate. Watching the English: The Hidden Rules of English Behaviour. London: Hodder & Stoughton, 2004.

  Freedman, Jonathan, ed. The Cambridge Companion to Alfred Hitchcock. New York: Cambridge University Press, 2015.

  Freedman, Jonathan, and Richard Millington, eds. Hitchcock’s America. New York and Oxford: Oxford University Press, 1999.

  Freeman, David. Last Days of Alfred Hitchcock. Woodstock, NY: Overlook Press, 1984.

  Friedman, David M. Wilde in America: Oscar Wilde and the Invention of Modern Celebrity. New York: W. W. Norton, 2014.

  Galenson, David. Old Masters and Young Geniuses: The Two Life Cycles of Artistic Creativity. Princeton, NJ, and Oxford: Princeton University Press, 2006.

  Gardiner, Juliet. The Thirties: An Intimate History. London: Harper Press, 2010.

  Gehring, Wes D. Hitchcock and Humor: Modes of Comedy in Twelve Defining Films. Jefferson, NC: McFarland, 2019.

  Gladstone, Kay. “Separate Intentions: The Allied Screening of Concentration Camp Documentaries in Defeated Germany in 1945–46: Death Mills and Memory of the Camps.” In Holocaust and the Moving Image: Representations in Film and Television since 1933. Toby Haggith and Joanna Newman, eds., 50–64. London: Wallflower, 2005.

  Glancy, Mark. Hollywood and the Americanization of Britain: From the 1920s to the Present. London and New York: I.B. Tauris, 2013.

  _____. When Hollywood Loved Britain: The Hollywood “British” Film, 1930–1945. Manchester and New York: Manchester University Press, 1999.

  Glick, Elisa. Materializing Queer Desire: Oscar Wilde to Andy Warhol. Albany: State University of New York Press, 2009.

  Gottlieb, Sidney, ed. Alfred Hitchcock Interviews. Jackson: University Press of Mississippi, 2003.

  _____. Hitchcock on Hitchcock, Volume 1. London: University of California Press, 1997.

  _____. Hitchcock on Hitchcock, Volume 2. Oakland: University of California Press, 2015.

  Gottlieb, Sidney, and Christopher Brookhouse, eds. Framing Hitchcock: Selected Essays from the Hitchcock Annual. Detroit: Wayne State University Press, 2002.

  Grams, Martin, Jr., and Patrik Wikstrom. The Alfred Hitchcock Presents Companion. Churchville, MD: OTR, 2001.

  Granger, Farley. Include Me Out: My Life from Goldwyn to Broadway. New York: St. Martin’s Press, 2007.

  Greeley, Andrew. The Catholic Imagination. Berkeley and London: University of California Press, 2000.

  Greven, David. Intimate Violence: Hitchcock, Sex, and Queer Theory. New York: Oxford University Press, 2017.

  Grierson, John. “Two Reviews.” In Grierson on Documentary, ed. Forsyth Hardy, 71–72. Berkeley: University of California Press, 1971.

  Griffin, Susan M., and Alan Nadel, eds. The Men Who Knew Too Much: Henry James and Alfred Hitchcock. Oxford and New York: Oxford University Press, 2012.

  Haeffner, Nicholas. Alfred Hitchcock. Harlow: Longman, 2005.

  Harding, James, Ivor Novello. London; W.H. Allen, 1987.

  Head, Edith, and Jane Kesner Ardmore. The Dress Doctor. Kingswood, UK: World’s Work, 1960.

  Head, Edith, and Paddy Calistro. Edith Head’s Hollywood. New York: Dutton, 1983.

  Hedren, Tippi. Tippi: A Memoir. New York: William Morrow, 2016. Kindle.

  Hill, Daniel Delis. Advertising to the American Woman, 1900–1999. Columbus: Ohio State University Press, 2002.

  Hiney, Tom, and Frank MacShane, eds. The Raymond Chandler Papers: Selected Letters and Non-Fiction, 1909–1959. London: Hamish Hamilton, 2000.

  Holder, Peter Anthony. Great Conversations. Albany, NY: BearManor Media, 2017.

  Honigsbaum, Mark. Living with Enza: The Forgotten Story of Britain and the Great Flu Pandemic of 1918. London: Macmillan, 2009.

  Houseman, John. Unfinished Business: Memoirs, 1902–1988. New York: Applause Theatre Books, 1989.

  Hunter, Evan. Me and Hitch. London: Faber & Faber, 1997.

  Hurley, Neil. Soul in Suspense: Hitchcock’s Fright and Delight. Metuchen, NJ, and London: Scarecrow Press, 1993.

  Inwood, Stephen. City of Cities: The Birth of Modern London. London: MacMillan, 2005.

  James, Clive. Clive James on Television. London: Picador, 1991.

  Jorgensen, Jay. Edith Head: The Fifty-Year Career of Hollywood’s Greatest Costume Designer. Philadelphia and London: Running Press, 2010.

  Kapsis, Robert. Hitchcock: The Making of a Reputation. Chicago and London: University of Chicago Press, 1992.

  Kelly, Ian. Beau Brummell: The Ultimate Dandy. London: Hodder & Stoughton, 2005.

  Knowlton, Berry C., and Eloise R. Knowlton. “Murder Mystery Meets Sacred Mystery: The Catholic Sacramental in Hitchcock’s I Confess.” In Roman Catholicism in Fantastic Film: Essays on Belief, Spectacle, Ritual and Imagery, ed. Regina Hansen, 196–208. Jefferson, NC: McFarland, 2011.

  Kraft, John, and Aaron Leventhal. Footsteps in the Fog: Alfred Hitchcock’s San Francisco. Santa Monica, CA: Santa Monica Press, 2002.

  Krohn, Bill. Hitchcock at Work. London: Phaidon Press, 2000.

  Lacey, Robert. Grace. London: Sidgwick & Jackson, 1994.

  Laurents, Arthur. Original Story By: A Memoir of Broadway and Hollywood. New York: Alfred A. Knopf, 2000.

  Lawrence, Amy. The Passion of Montgomery Clift. Berkeley and London: University of California Press, 2010.

  Lebeau, Vicky. Childhood and Cinema. London: Reaktion Books, 2008.

  Leff, Leonard J. Hitchcock and Selznick: The Rich and Strange Collaboration of Alfred Hitchcock and David O. Selznick in Hollywood. London: Weidenfeld & Nicholson, 1987.

  Lehman, Ernest. North by Northwest. New York: Viking Press, 1972.

  Leigh, Janet, with Christopher Nickens. Psycho: Behind the Scenes of the Classic Thriller. London: Pavilion Books, 1995.

  Lev, Peter. Transforming the Screen, 1950–1959. Berkeley: University of California Press, 2003.

  MacLaine, Shirley. I’m Over All That: And Other Confessions. New York: Atria, 2012.

  MacShane, Frank. The Life of Raymond Chandler. London: Hamish Hamilton, 1986.

  Maher, Anthony M. The Forgotten Jesuit of Catholic Modernism: George Tyrrell’s Prophetic Theology. Minneapolis, MN: Fortress Press, 2017.

  Mankiewicz, Tom, and Robert Crane. My Life as a Mankiewicz: An Insider’s Journey through Hollywood. Lexington: University Press of Kentucky, 2012.

  Mann, Philip. The Dandy at Dusk: Taste and Melancholy in the Twentieth Century. London: Head of Zeus, 2017.

  McCann, Grant. Cary Gran
t: A Class Apart. New York: Columbia University Press, 1996.

  McEwen, Todd. How Not to Be American: Misadventures in the Land of the Free. London: Aurum, 2013.

  McGilligan, Patrick. Alfred Hitchcock: A Life in Darkness and Light. HarperCollins, 2010. Kindle.

  _____. Backstory 2: Interviews with Screenwriters of the 1940s and 1950s. Berkeley: University of California Press, 1991.

  _____. Backstory 3: Interviews with Screenwriters of the 1960s. Berkeley: University of California Press, 1997.

  McKittrick, Casey. Hitchcock’s Appetites: The Corpulent Plots of Desire and Dread. New York and London: Bloomsbury, 2016.

  Meyers, Jeffrey. The Enemy: A Biography of Wyndham Lewis. London: Routledge, 1980.

  Miller, D. A. Hidden Hitchcock. Chicago and London: University of Chicago Press, 2017.

  Modleski, Tania. The Women Who Knew Too Much: Hitchcock and Feminist Theory. New York and London: Routledge, 2005.

  Moffatt, Wendy. A Great Unrecorded History: A New Life of E. M. Forster. New York: Farrar, Straus & Giroux, 2010.

  Montagu, Ivor. The Youngest Son. London: Lawrence and Wishart, 1970.

  Moorehead, Caroline. Sidney Bernstein: A Biography. London: Jonathan Cape, 1984.

  Moral, Tony Lee. Hitchcock and the Making of Marnie. Lanham, MD; Toronto; Plymouth, UK: Scarecrow Press, 2013.

  _____. The Making of Hitchcock’s The Birds. Harpenden, UK: Kamera Books, 2013. Kindle.

  Morley, Sheridan. John Gielgud: The Authorized Biography. London: Simon & Schuster, 2010.

  Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” In Film Theory and Criticism: Introductory Readings, eds. Leo Braudy and Marshall Cohen, 5th ed. New York: Oxford University Press, 1999.

  Nelson, Nancy. Evenings with Cary Grant. New York: Warner, 1993.

  Norman, Will. Transatlantic Aliens: Modernism, Exile, and Culture in Midcentury America. Baltimore: Johns Hopkins University Press, 2016.

  O’Connell, Pat Hitchcock, and Laurent Bouzereau. Alma Hitchcock: The Woman Behind the Man. New York: Berkley Books, 2003.

  Olson, Debbie. “The Hitchcock Imp: Children and the Hyperreal in Alfred Hitchcock’s The Birds.” In Lost and Othered Children in Contemporary Cinema, eds. Debbie Olson and Andrew Scahill, 287–306. Plymouth, UK: Lexington, 2014.

  Olsson, Jan. Hitchcock à la Carte. Durham, NC, and London: Duke University Press, 2015.

  Orr, John. Hitchcock and Twentieth-Century Cinema. London and New York: Wallflower Press, 2005.

  Orwell, George. The Collected Essays, Journalism and Letters of George Orwell, vol. 3. London: Penguin, 1970.

  _____. Decline of the English Murder. London: Penguin, 2009.

  _____. I Have Tried to Tell the Truth: 1943–1944. London: Secker & Warburg, 1998.

  Osteen, Mark, ed. Hitchcock and Adaptation: On the Page and Screen. Lanham, MD, and Plymouth, UK: Rowman and Littlefield, 2014.

  Palmer, R. Barton, and David Boyd, eds. Hitchcock at the Source: The Auteur as Adaptor. Albany: State University of New York Press, 2011.

  Parkin S. J., Bernard. St Ignatius College, 1894–1994. Enfield, UK: St Ignatius Press, 1994.

  Pells, Richard. Modernist America: Art, Music, Movies, and the Globalization of American Culture. New Haven and London: Yale University Press, 2011.

  Pomerance, Murray. An Eye for Hitchcock. New Brunswick, NJ, and London; Rutgers University Press, 2004.

  Raubicheck, Walter. “Working with Hitchcock: A Collaborators’ Forum with Patricia Hitchcock, Janet Leigh, Teresa Wright, and Eva Marie Saint.” In Hitchcock Annual: 2002–03, eds. Sidney Gottlieb and Richard Allen, 32–66. New York: Columbia University, 2003.

  Rebello, Stephen. Alfred Hitchcock and the Making of Psycho. New York: St. Martin’s Press, 1998.

  Redgrave, Michael. In My Mind’s Eye: An Autobiography. London: Weidenfeld & Nicolson, 1983.

  Reed, Langford, and Hetty Spiers, eds. Who’s Who in Filmland. London: Chapman and Hall, 1931.

  Rohmer, Eric, and Claude Chabrol. Hitchcock: The First Forty-Four Films, trans. Stanley Hochman. Oxford: Roundhouse, 1992.

  Rothman, William. Hitchcock: The Murderous Gaze. Albany: State University of New York Press, 2002.

  Royal, Susan. “Steven Spielberg in His Adventures on Earth.” In Steven Spielberg Interviews, eds. Lester D. Friedman and Brent Notbohm. Jackson: University Press of Mississippi, 2000.

  Royal Academy of Arts. Transitional Object [PsychoBarn]: Cornelia Parker. London: Royal Academy Publications, 2018.

  Said, Edward. On Late Style: Music and Literature Against the Grain. London: Bloomsbury, 2017.

  Samuels, Charles Thomas. Encountering Directors. New York: G. P. Putnam’s Sons, 1972.

  Schoonmaker, Thelma, Peter Von Bagh, and Raymond Durgnat. “Midnight Sun Film Festival.” In Michael Powell: Interviews, ed. David Lazar. Jackson: University Press of Mississippi, 2003.

  Sharff, Stefan. The Art of Looking in Hitchcock’s Rear Window. New York: Limelight Editions, 1997.

  Sklar, Robert. “Death at Work: Hitchcock’s Violence and Spectator Identification.” In After Hitchcock: Influence, Imitation, and Intertexuality, eds. David Boyd and R. Barton Palmer. Austin: University of Texas Press, 2010.

  Slezak, Walter. What Time’s the Next Swan? Garden City, NY: Doubleday, 1962.

  Slide, Anthony. The Silent Feminists: America’s First Women Directors. Lanham, MD, and London: Scarecrow Press, 1996.

  Sloan, Jane. Alfred Hitchcock: A Filmography and Bibliography. Berkeley: University of California Press, 1995.

  Smit, David. Ingrid Bergman: The Life, Career and Public Image. Jefferson, NC: McFarland, 2012.

  Smith, Susan. Hitchcock: Suspense, Humour and Tone. London: BFI, 2000.

  Spoto, Donald. The Art of Alfred Hitchcock: Fifty Years of His Motion Pictures. London: W. H. Allen, 1977.

  _____. The Dark Side of Genius: The Life of Alfred Hitchcock. London: Collins, 1983.

  _____. High Society: Grace Kelly and Hollywood. London: Hutchinson, 2005.

  _____. Spellbound by Beauty: Alfred Hitchcock and His Leading Ladies. London: Arrow, 2009. Kindle.

  Stearns, Peter. Fat History: Bodies and Beauty in the Modern West. New York: New York University Press, 1997.

  Stein, Jean. West of Eden: An American Place. London: Jonathan Cape, 2016.

  Steinbeck, Elaine, and Robert Wallsten, eds. Steinbeck: A Life in Letters. London: Penguin, 2001.

  Strachan, Alan. Secret Dreams: The Biography of Michael Redgrave. London: Weidenfeld & Nicolson, 2004.

  Taylor, John Russell. Hitch: The Life and Times of Alfred Hitchcock. London: Bloomsbury Reader, 2013. Kindle.

  Thomson, David. The Moment of Psycho: How Alfred Hitchcock Taught America to Love Murder. New York: Basic Books, 2009.

  Tomkins, Calvin. Duchamp: A Biography. London: Pimlico, 1996.

  Tripp, June. The Glass Ladder. London: William Heinemann, 1960.

  Truffaut, François. Hitchcock. London: Faber & Faber, 2017.

  Vincent, David. The Culture of Secrecy: Britain, 1832–1998. Oxford: Oxford University Press, 1998.

  Walker, Michael. Hitchcock’s Motifs. Amsterdam: Amsterdam University Press, 2005.

  White, Edward. The Tastemaker: Carl Van Vechten and the Birth of Modern America. New York: Farrar, Straus & Giroux, 2014.

  White, Jerry. London in the Twentieth Century: A City and Its People. London: Vintage Books, 2008.

  _____. Zeppelin Nights: London in the First World War. London: Bodley Head, 2014.

  Wilde, Oscar. De Profundis: The Ballad of Reading Gaol and Other Writings. London: Wordsworth Editions, 1999.

  Wood, Robin. Hitchcock’s Films Revisited. New York: Columbia University Press, 1989.

  Wright, Jonathan. God’s Soldiers: Adventure, Politics, Intrigue, and Power—A History of the Jesuits. London: Doubleday, 2005.

  Youngkin, Stephen D. The Lost One: A Life of Peter Lorre. Lexington: University Press of Kentucky, 2005.

  Credits

  TEXT CREDITS

&nb
sp; Jay Presson Allen, interviewed by Tim Kirby for Reputations, BBC. Courtesy BBC / Tim Kirby. Manuscript from Patrick McGilligan Collection, University of Wisconsin. Used with permission of Brooke Allen.

  Robert Benchley quote used by permission (of the Estate of Robert Benchley, Nat Benchley, Executor).

  William F. Blowitz, memo to colleagues at Universal Pictures, 19 March 1962. Used with permission of John Blowitz, for the William F. Blowitz Estate.

  Whitfield Cook, “Happy Ending” and “Her First Island,” unpublished short stories, and entries from 1 April 1945, 20 September 1948, 1 October 1948, 7 October 1948, and 9 October 1948, Whitfield Cook diary. From the Whitfield Cook Collection, Howard Gotlieb Archival Research Center, Boston University. Reprinted by permission of Harold Ober Associates and the Estate of Whitfield Cook.

  Doris Day, Oral History transcript. Courtesy of DeGolyer Library, Southern Methodist University, Ronald L. Davis Oral History Collection.

  David Freeman, interviewed by Tim Kirby for Reputations, BBC. © David Freeman, courtesy BBC / Tim Kirby. Manuscript from Patrick McGilligan Collection, University of Wisconsin.

  Dolly Haas, Oral History transcript. Courtesy of DeGolyer Library, Southern Methodist University, Ronald L. Davis Oral History Collection.

  Gilbert Harrison, spoken notes at the end of his audio recording of his interview with Alfred Hitchcock (for Harrison’s biography of Thornton Wilder), 4 January 1980, Gilbert A. Harrison papers relating to Thornton Wilder, 1956–1985, Beinecke Library, Yale University. Used with permission of the Estate of Gilbert A. Harrison.

  Harold Hayes, letter to Hitchcock, 1963. Alfred Hitchcock Collection, Margaret Herrick Library. Used with permission of the author’s estate.

  Tippi Hedren, Oral History transcript. Courtesy of DeGolyer Library, Southern Methodist University, Ronald L. Davis Oral History Collection.

  Alfred Hitchcock, audio recording of Gilbert Harrison’s interview with Alfred Hitchcock for a biography of Thornton Wilder. Gilbert A. Harrison papers relating to Thornton Wilder, 1956–1985, Beinecke Rare Book and Manuscript Library, Yale University. Used with permission of the Estate of Gilbert A. Harrison and Alfred J. Hitchcock Trust.

  Alfred Hitchcock, letter to Richard Condon, 12/8/1964. From the Richard Condon Collection, Howard Gotlieb Archival Research Center at Boston University. Used with permission of Alfred J. Hitchcock Trust.

 

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