It was “very cold and the snow falling fast,” Abigail wrote to Louisa Catherine, delighted by the spectacle. “It is now a foot or more deep. Winter appears to have set in, with all its beauties.” No President, she was sure, had ever had such a fine or harder-working Secretary of State as her son, Abigail continued in another letter to Louisa Catherine, written in May as her plum trees were blooming and the first peas “looking up newly arrived to daylight.” His father lived for John Quincy’s letters and to write to him in return, difficult as that had become for him.
Through the summer Abigail maintained strength and pleasure in life, by all accounts. John Quincy and Louisa Catherine returned for a much-needed vacation, and several of those who came to call at about this time would remember Abigail seated on a couch sorting a basket of laundry or shelling beans as she talked. “I found a freedom in conversation [with her]. . . . She was possessed of the history of our country and the great occurrences in it,” wrote the noted Salem clergyman William Bently. “She had a distinct view of our public men and measures and had her own opinions.”
But in October, Abigail was taken seriously ill. The diagnosis was typhoid fever, and she was told to remain perfectly still and try not to speak.
“The dear partner of my life for fifty-four years as a wife, and for many years more as a lover, now lies in extremis, forbidden to speak or be spoken to,” Adams wrote in anguish to Jefferson on October 20. The day following, Benjamin Waterhouse sent off a letter to John Quincy advising him to be prepared for the worst. “She has recovered from a similar state once before, and she may again, but typhoid . . . at 74 years of age is enough to create alarm.”
Friends and neighbors took turns with Adams, son Thomas, and niece Louisa Smith at Abigail’s bedside. She was dosed with quinine and Madeira by her physician, Amos Holbrook, and for a day or so she seemed to improve. “Your mother was pronounced so much better this morning that your father has resumed his book,” wrote a friend, Harriet Welsh, to John Quincy and Louisa Catherine. But in another day Abigail had taken a turn for the worse.
On Monday morning, October 26, as Adams sat with her, she spoke for the first time. She told him she was dying and that if it was the will of Heaven, she was ready. She had no wish to live except for his sake.
“He came down,” wrote Harriet Welsh, who was waiting on the first floor, “and said in his energetic manner, ‘I wish I could lie down beside her and die, too.’” “The whole of her life has been filled up doing good,” Adams told the others who were gathered. “I cannot bear to see her in this state.”
Returning to her room later, Adams was trembling so much that he could not stand and had to take a chair, but then seeing that Louisa Smith was in worse distress, he got up and went to her side to tell her they must be strong.
Abigail died at approximately one o’clock in the afternoon, Wednesday, October 28, 1818. She was, according to her son Thomas, “seemingly conscious until her last breath.”
She was buried on November 1. Adams insisted on walking in the procession to the meetinghouse, and except for a momentary dizziness due to the unseasonable heat of the day, he went through “all the rest,” as Thomas wrote, “with great composure and serenity.”
BENJAMIN WATERHOUSE’S letter warning John Quincy to be prepared for the worst had not reached Washington until the day before his mother’s death, and it was not until the day after her funeral that he learned she was gone, “the tenderest and most affectionate of mothers,” as he wrote to his father. “How shall I offer consolation for your loss, when I feel that my own is irreparable?”
“Gracious God! Support my father in this deep and irreparable affliction!” he wrote in his diary.
My mother . . . was a minister of blessing to all human beings within her sphere of action. . . . She had no feelings but of kindness and beneficence. Yet her mind was as firm as her temper was mild and gentle. She . . . has been to me more than a mother. She has been a spirit from above watching over me for good, and contributing by my mere consciousness of her existence, to the comfort of my life. . . . Never have I known another human being, the perpetual object of whose life, was so unremittingly to do good.
“My ever dear, ever affectionate, ever dutiful and deserving son,” Adams wrote, in the first letter he could manage:
The bitterness of death is past. The grim spider so terrible to human nature has no sting left for me.
My consolations are more than I can number. The separation cannot be so long as twenty separations heretofore. The pangs and the anguish have not been so great as when you and I embarked for France in 1778.
All Quincy was in mourning. “The tidings of her illness were heard with grief in every house, and her death is felt as a common loss,” the Reverend Peter Whitney had said without exaggeration at the funeral service.
Madame Adams possessed a mind elevated in its views and capable of attainments above the common order of intellects. . . . But though her attainments were great, and she had lived in the highest walks of society and was fitted for the lofty departments in which she acted, her elevation had never filled her soul with pride, or led her for a moment to forget the feelings and the claims of others.
The obituary notice in Boston’s Columbian Centinel emphasized her importance to her husband’s career in public service and thus to the nation:
Possessing at every period of life, the unlimited confidence, as well as affection of her husband, she was admitted at all times to share largely of his thoughts. While, on the one hand, the activity of her mind, and its thorough knowledge of all branches of domestic economy, enabled her almost wholly to relieve him from the cares incident to the concerns of private life; on the other, she was a friend whom it was his delight to consult in every perplexity of public affairs; and whose counsels never failed to partake of that happy harmony which prevailed in her character; in which intuitive judgment was blended with consummate prudence; the spirit of conciliation, with the spirit of her station, and the refinement of her sex. In the storm, as well as the smooth sea of life, her virtues were ever the object of his trust and veneration.
Letters of condolence arrived for Adams, including one from Jefferson, who had himself been gravely ill. Time and silence were the only medicines, he counseled Adams. “God bless you and support you under your heavy affliction.”
“While you live,” Adams answered, “I seem to have a bank at Monticello on which I can draw for a letter of friendship and entertainment when I please.
I believe in God and in his wisdom and benevolence [he continued], and I cannot conceive that such a Being could make such a species as the human merely to live and die on this earth. If I did not believe in a future state, I should believe in no God. This universe, this all, this [”totality”] would appear with all its swelling pomp, a boyish firework.
That he had been blessed in a partnership with one of the most exceptional women of her time, Adams never doubted. Her letters, he was sure, would be read for generations to come, and with this others strongly agreed. Years later Louisa Catherine, who had not always enjoyed a close or easy relationship with her mother-in-law, would say that it was especially in the letters of Abigail Adams that “the full benevolence of an exceptional heart and the strength of her reasoning capacity” were to be found. “We see her ever as the guiding planet around which all revolved performing their separate duties only by the impulse of her magnetic power.”
To his granddaughter Caroline, Adams would write of Abigail’s “virtues of the heart.” Never “by word or look” had she discouraged him from “running all hazards” for their country’s liberties. Willingly, bravely, she had shared with him “in all the dangerous consequences we had to hazard.”
For years afterward, whenever complimented about John Quincy and his role in national life, and the part he had played as father, Adams would say with emphasis, “My son had a mother!”
III
TWO WEEKS after Abigail’s death, the painter John Trumbull, a
s well as several of the Quincy family, insisted that Adams go with them to Boston — “carried me off by storm,” he reported to John Quincy — to view Trumbull’s enormous new painting of the signing of the Declaration of Independence. Commissioned by Congress for the rotunda at the Capitol, it was on tour through several cities and was now on display at Faneuil Hall.
In preparation for an earlier, much smaller version of the scene, Trumbull had painted studies from life of thirty-six of the signers, including Adams, whom Trumbull sketched in London. If there was anyone who ought to see the colossal new rendition, measuring twelve by eighteen feet, it was surely Adams. Also, it was hoped the excursion to town would do him good.
The arrival of Adams at Faneuil Hall was described that night in her journal by Eliza Susan Quincy, herself an artist, who was among those riding with him. “Colonel Trumbull came to the carriage door . . . assisted Mr. Adams to alight and offered his arm to descend the steps. But Mr. Adams pushed him aside and insisted in handing Mrs. Quincy up the stairs and into Faneuil Hall, in which many persons had assembled.” The aged Adams standing before the painting, gazing silently at “the great scene in which he had borne a conspicuous place,” was a sight long remembered.
In composing the picture, Trumbull had placed Adams at the exact center foreground, as if to leave no doubt about his importance. Hand on hip, Adams looked stout but erect, the expression on his face, one of bold confidence and determination. Beside him, facing the desk where John Hancock sat in the president’s chair, were Roger Sherman, Robert Livingston, Jefferson, and Franklin, all dead now except Jefferson, who in the painting held the Declaration in his hands.
Ranged behind were forty-seven of the fifty-six delegates who had signed the Declaration, each quite recognizable, including Adams’s favorite, Stephen Hopkins of Rhode Island, standing at the rear with his Quaker hat on.
What Adams thought as he looked at the painting will never be known. A few years earlier, hearing that Trumbull was to undertake such a commission, Adams had lectured him on the importance of accuracy. “Truth, nature, fact, should be your sole guide,” Adams had said. “Let not our posterity be deluded with fictions under the pretense of poetical or graphical license.” Further, he had expressed concern over the projected size of the painting. “The dimensions, 18 by 12, appear vast. . . . I have been informed that one of the greatest talents of a painter is a capacity to comprehend a large space, and to proportion all his figures in it.” During his years in Europe, Adams recalled, he had never passed through Antwerp without stopping to see the paintings of Rubens. “I cannot depend upon my memory to say that even his Descent from the Cross or his Apotheosis of the Virgin exceeded these measures.”
Clearly, Trumbull was no Rubens, and concern for accuracy had not been a major consideration. No such scene, with all the delegates present, had ever occurred at Philadelphia.
His audience in Faneuil Hall waited for Adams’s response. Then, pointing to a door in the background, on the right side of the painting, he said only, “When I nominated George Washington of Virginia for Commander-in-Chief of the Continental Army, he took his hat and rushed out that door.”
Possibly it was Adams’s old vanity that prompted the remark — to remind those gathered of how much else he had done of importance in that room in Philadelphia — or perhaps, confronted all at once with so many faces from the past, he was reminded of the all-important man whose face was not to be seen. Afterward, in a note to John Quincy, Adams remarked only on how cold it had been in the hall and that he had “caught the pip [a sore throat] as a result.”
John Quincy was vexed — “forgive me my dear father for saying it” — that Adams had not paid greater homage to the “mighty consequences” of July 4, 1776. “It was not merely the birthday of a powerful nation. It was the opening of a new era in the history of mankind.” As for the painting, which he had already seen, John Quincy thought it highly disappointing, no more than a collection of interesting portraits, “cold and unmeaning.” But then in capturing so sublime a scene, even a Raphael or a Michelangelo would have been inadequate, he was sure.
“All is now still and tranquil,” Adams wrote to Jefferson as the year ended. “There is nothing to try men’s souls. . . . And I say, God speed the plough, and prosper stone wall.”
TO THE GREAT DELIGHT of everyone around him, Adams remained remarkably healthy and good-spirited. In the exchange of correspondence with Jefferson he continued to be by far the more productive, sending off thirteen letters to Monticello in the year 1819, for example, or more than two for every one from Jefferson.
To his immense pleasure, his Dutch friend, Francis van der Kemp, came for a visit of several days. Writing to Jefferson, Adams described Van der Kemp as “a mountain of salt of the earth.”
With Nabby and Abigail gone, Louisa Catherine filled a great need in his life, writing to him steadily and with affection, and welcoming what he wrote in return. Concerned about the trials she would face as the wife of so prominent a public man, Adams cautioned her to study stoicism. But who was he to preach stoicism, she responded warmly. “You, my dear sir, have ever possessed a nature too ardent, too full of benevolent feelings . . . to sink into the cold and thankless state of stoicism. Your heart is too full of all the generous and kindly affections for you ever to acquire such a cold and selfish doctrine.”
John Quincy’s achievements as Secretary of State were proving all that a proud father could hope for. When the Adams-Onis Treaty of 1819 added Spanish Florida to the United States, the old President in Quincy proclaimed it a blessing “beyond all calculation,” largely for the ways it might serve American naval operations.
His enjoyment of his family never diminished. He kept close watch on how George, John, and Charles Francis were progressing in their education. To help his son Thomas, who was having a difficult time supporting his wife and five children — but also for his own pleasure — Adams insisted they move in with him. When it was said he deserved to be known as the father of the American navy, Adams answered that he was father of enough as it was, with two sons, fourteen grandchildren, and five great grandchildren, all of whom required his attention and support.
He loved company, the house full. He was rarely without aches and pains and suffered spells of poor health. Some days were extremely difficult. But he could still ride horseback, at nearly eighty-five, and on “rambles” over the farm or his walks about town he sometimes covered three miles.
He never tired of the farm. He loved every wall and field, loved its order and productiveness, the very look of it. “My crops are more abundant than I expected,” he would write one September. “I have the most beautiful cornfield I ever saw. It is drawn up like an army in array, in a long line before my house.”
His appetite strong, he delighted in the plain, substantial fare of the family table. As he wrote to Louisa Catherine, “We go on . . . eating fat turkeys, roast beef — and Indian pudding — and more than that, mince pies and plum pudding in abundance, besides cranberry tarts.”
In the hours he spent alone, reading, thinking, or just looking out the window by his desk, he found an inner peace, even a sense of exhilaration such as he had seldom known. Old poems, ballads, books he had read many times over, gave greater pleasure than ever. “The Psalms of David, in sublimity, beauty, pathos, and originality, or in one word poetry, are superior to all the odes, hymns, and songs in any language,” he told Jefferson. He had read Cicero’s essay on growing old gracefully, De Senectute, for seventy years, to the point of nearly knowing it by heart, but never had it given such joy as on his most recent reading, he told another correspondent.
For as I like a young man in whom there is something of the old [ran a famous passage], so I like an old man in whom there is something of the young; and he who follows this maxim, in body will possibly be an old man but he will never be an old man in mind.
The simplest, most ordinary things, that in other times had seemed incidentals, could lift his heart and set h
is mind soaring. The philosophy that with sufficient knowledge all could be explained held no appeal. All could not be explained, Adams had come to understand. Mystery was essential. “Admire and adore the Author of the telescopic universe, love and esteem the work, do all in your power to lessen ill, and increase good,” he wrote in the margin of one of his books, “but never assume to comprehend.”
Even the punctuation of a page, or the spelling of an individual word, could seem infinitely beautiful to him as part of what he had come to see as “this wonderful whole.
I never delighted much in contemplating commas and colons, or in spelling or measuring syllables; but now . . . if I attempt to look at these little objects, I find my imagination, in spite of all my exertions, roaming in the Milky Way, among the nebulae, those mighty orbs, and stupendous orbits of suns, planets, satellites, and comets, which compose the incomprehensible universe; and if I do not sink into nothing in my own estimation, I feel an irresistible impulse to fall on my knees, in adoration of the power that moves, the wisdom that directs, and the benevolence that sanctifies this wonderful whole.
The view from his window the morning after one of the worst March storms on record filled him with ecstasy, despite the damage done to his trees. It was “the most splendid winter scene ever beheld,” Adams wrote.
David McCullough Library E-book Box Set Page 223