Homicide: A Year On The Killing Streets

by David Simon

  He returned to the sixth floor expressing little pride at having been shot and little interest in telling and retelling the story. At times, he would express amusement at the status it accorded him. Whenever a shitstorm was breaking, McLarney would simply smile and shake his head. “They have to leave me alone,” he would say. “I’m a sworn member who got shot in the line.”

  In time, it became a standard joke in the unit. McLarney would emerge stone-faced from a meeting in the captain’s office and Landsman would play straight man.

  “Captain shit on you, Terr?”

  “Nah, not really.”

  “What’d you do? Show him your wounds?”

  “Yeah.”

  “Fuckin’-A right. Every time the captain gets wound up, McLarney just unbuttons his shirt.”

  But he was not proud of those scars. And over time, he began to talk about getting shot as if it were the most irresponsible thing he had ever done. His son, Brian, had been eight years old and was told only that his father had slipped and fallen on the stairs. But a day or so later the boy heard McLarney’s father talking to a family friend on the phone, then went back into his room and began throwing things around. A kid that age, McLarney would later tell friends, I had no right getting shot.

  In the end, he rested his pride on a smaller, lesser point. When the bullets hit him on Arunah Avenue, Terrence McLarney did not fall. He stood there, firing his own weapon until he brought his man down. Raeford Barry Footman, twenty-nine years old, died two days after the incident of complications from a gunshot wound to the chest. When they compared the bullet recovered at autopsy, they found that it had come from McLarney’s service revolver.

  Some time after the shooting, a detective brought McLarney a printout of the dead man’s priors, which ran for several pages. McLarney scanned the sheet until he was satisfied, noting in particular that Footman had only recently been paroled from a felony conviction. He did not want to see an ident photo of the dead man, nor did he want to read the case folder. To McLarney, that seemed to go too far.

  FRIDAY, FEBRUARY 12

  McLarney sits behind Dunnigan’s desk in the annex office, listening to the steady rhythm of a young girl sobbing disconsolately behind the interrogation room door. The tears are real. McLarney knows that.

  He leans across the desk, listening to the girl trying to collect herself as the men inside the room go through her statement one more time. Her voice is breaking, her nose running. The girl feels pain, a sense of loss even, as genuine as any felt for Gene Cassidy. And that, to McLarney, is a little obscene.

  D’Addario comes out of his office, walks to the interrogation room door and stares through the mirrored window. “How’s it going?”

  “It’s down, lieutenant.”

  “Already?”

  “She gave up Butchie.”

  Butchie. Tears for Butchie Frazier.

  The crying jag began a half hour before, when they finally broke through to Yolanda Marks and the truth began slipping from her in fits and starts. In the interrogation room, McLarney listened to the sobbing until the contradictions, the fractured morality, became too much. A little speech forced its way up into his throat, and then he told a young West Baltimore girl that she was doing the right thing. He told her what Butchie Frazier was, what he had done, and why it needed to end this way. He told her about Gene and Patti Cassidy and the child not yet born, about a darkness that would not go away.

  “Think about those things,” he told her.

  There was silence after that, a minute or two when someone else’s tragedy took shape in the young girl’s mind. But then McLarney left the room and she was sobbing again, and the tears had nothing to do with Gene Cassidy. The simple truth was that Yolanda Marks loved Butchie Frazier, and she had given him up.

  “Is she talkin’ in there?” asks Landsman, walking through the annex.

  “Yeah,” says McLarney, absentmindedly opening Dunnigan’s top drawer. “We’re getting ready to write up the statement.”

  “What’s she saying?”

  “It’s down.”

  “Hey, way to go, Terr.”

  Landsman disappears into his office, and McLarney pulls a handful of paper clips from the drawer, lines them up on the desk and begins torturing the first, twisting it back and forth between stubby fingers.

  The last two days had made all the difference, and this time they had it right. This time, the investigation had been temperate and clinical, precise in a way that it never could have been in the hours after the shooting. Rage and frustration had marked those first days, but those emotions had finally been sublimated by time and necessity. For McLarney, the Cassidy detail was still a crusade, but one now fueled more by deliberate reason than raw vengeance.

  Yolanda Marks’s journey to the interrogation room actually began more than a week ago, when McLarney and the two detail men brought their two reluctant eyewitnesses-the sixteen-year-old and his younger sister-downtown to the state’s attorney’s office. There, detectives and prosecutors began a series of pretrial interviews to elicit additional details about the shooting, details that might then be corroborated to strengthen the existing testimony or, better still, that might lead to additional witnesses. In particular, McLarney wanted to identify and locate the young girlfriends who were supposedly with the thirteen-year-old witness when the crime occurred.

  Given the youth of their witness and the intimidating confines of the state’s attorney’s office, the investigators found it surprising that they had to press the young girl to reveal the names of her friends. When she finally began talking, McLarney and the others were provided with only given or street names-Lulu, Renee, Tiffany and Munchkin-all of whom supposedly lived in the Murphy Homes high-rises. McLarney, Belt and Tuggle went to the projects, finding a variety of young girls who answered to the names provided, but none knew about the shooting. Nor, for that matter, did they seem to know anything about the thirteen-year-old witness.

  Once again, McLarney also sent the detail in search of the black Ford Escort that Clifton Frazier had supposedly used to drive Owens away from the shooting scene. But no such car could be in any way connected to either Frazier or Owens, although the men spent several days watching and following several black Escorts they found near the shooting scene.

  The effort to confirm the statements of their two witnesses was going nowhere. Moreover, the defense attorneys appeared to be lining up a series of alibi witnesses who were ready to testify that Anthony Owens wasn’t even on Appleton Street when the shooting occurred. Something was clearly wrong and McLarney, sensing a dead end, went back to square one. Three days ago, he pulled out the case file and began reviewing the initial statements provided by neighborhood residents who had been standing in the crowd at the shooting scene and who were grabbed by uniforms and sent downtown. There were several such witnesses, all of whom had claimed that they knew nothing and had merely joined the spectators after the shooting. With nothing left to lose, McLarney decided it wouldn’t hurt to begin poking through those statements a second time, so the detail began interviewing each of the witnesses again. After another day on the street, they finally came upon a twenty-year-old resident of Mosher Street named John Moore.

  On the night of the shooting, Moore had been yanked off a corner by uniforms and sent downtown, where he told detectives that he had heard the shots but seen nothing. This time, after several hours of friction in the large interrogation room, however, the story changed.

  In fact, Moore didn’t see the shooting, but he saw everything leading up to it. He was out on his stoop on the night of October 22, watching Clifton “Butchie” Frazier and a young girl he didn’t know walking west on Mosher toward Appleton. Frazier and the girl were halfway down the block when a marked police car began rolling slowly down the street. Moore saw the radio car come abreast of the couple, then roll around the corner onto Appleton. A few seconds later, Frazier and the girl rounded the corner as well.

  Then came the gunshots. T
hree of them.

  Asked whether there had been a crowd at the corner of Mosher and Appleton, Moore said that the corner was empty at the time of the shooting. He further confirmed his story by leading detectives to a nineteen-year-old friend who had been with him on the stoop.

  The second witness recounted the same sequence of events as Moore, adding two more facts to the record. First, the friend remembered that when the radio car came abreast of the couple on Mosher Street, the officer behind the wheel and Butchie Frazier had eyed each other for a moment or two. Second, and more important, the girl with Frazier was named Yolanda. She lived around the corner on Monroe Street. And yeah, if he had to, he could point out the house.

  Earlier this morning, McLarney and the two detail officers gathered in the vestibule of that West Baltimore rowhouse, waiting for Yolanda Marks to gather her things and walk to the waiting Cavalier. She was a sad-faced thing, seventeen years old, with deep brown eyes that began to tear as soon as they took her downtown and closed the door to the interrogation room. Yolanda was a juvenile, of course, so her mother came to the office as well, and that proved fortunate. Because after every moral appeal and veiled threat fell short of the mark, it was the mother who went into the room and told her teenage daughter to get it over with, to do the right thing.

  Yolanda wiped her eyes, then cried some more, then daubed her eyes again. Then, for the first time, McLarney learned the truth about the attempted murder of Officer Eugene Cassidy.

  “Butchie shot the police.”

  According to the girl, the whole thing happened in less than a minute. Cassidy was already out of the radio car and waiting for the couple when they turned the corner onto Appleton.

  “Hey, I want to talk to you.”

  “What for?”

  “Put your hands against the wall.”

  Butchie Frazier began to assume the position, then suddenly pulled a handgun from his right jacket pocket. A southpaw, Cassidy grabbed Frazier’s weapon with his left hand; as a result, he was unable to pull his own revolver from the holster on his left hip. With Cassidy still grappling for the gun, Frazier compressed the trigger. The first shot went wide. Seconds later, the gun was flush against the left side of Cassidy’s face and Frazier fired two more rounds.

  Cassidy fell to the sidewalk a few feet from his radio car as Frazier fled with the gun through a back alley. Yolanda screamed, backed into the street, then wandered around the block to her house on Monroe Street, where she told her mother what had happened. At that point, neither mother nor child entertained thoughts about calling the police. Nor, for that matter, did John Moore, who had claimed no knowledge of the event on the night of the shooting. Moore’s friend also refused to volunteer himself as a witness until detectives confronted him. And yet another couple, who had been walking on Appleton Street and witnessed the struggle between Frazier and the officer, failed to come forward and were only located after Moore and his companion began naming others who were on the street at the time of the shooting.

  West Baltimore. You sit on your stoop, you drink Colt 45 from a brown paper bag and you watch the radio car roll slowly around the corner. You see the gunman, you hear the shots, you gather on the far corner to watch the paramedics load what remains of a police officer into the rear of an ambulance. Then you go back to your rowhouse, open another can, and settle in front of the television to watch the replay on the eleven o’clock news. Then you go back to the stoop.

  McLarney knows the Western, knows the code. But even after all those years on the street, it still seems incredible that a cop can be shot twice in the head and get no response from an entire neighborhood. And so, when Yolanda Marks finally begins to break, McLarney stops beating up on paper clips and returns to the interrogation room like a true innocent, speaking to her about human tragedy, about lives that can never be made whole. Then he leaves, knowing that nothing he said will stop those tears.

  Later that night, when McLarney calls Cassidy at home to tell him the story of Appleton Street, Cassidy suddenly realizes that he knew the man who tried to kill him. Clifton Frazier was the neighborhood badass on Cassidy’s post, an arrogant dope peddler who had only a week earlier beaten an elderly man senseless. The old man lost the use of an eye in that attack, a beating inflicted because the victim had seen Frazier slapping a young woman on the street and had the temerity to tell the younger man to let the girl alone. Cassidy knew about the beating because he had been trying for days to find and arrest Frazier on the outstanding warrant.

  To Cassidy, Appleton Street now made sense; more than that, it meant something. In the end, he had not been shot down because he wandered onto a crowded drug corner like some brainless academy product. He had been shot doing his job, trying-as he had tried with a fifteen-year-old in a hospital recovery room-to arrest a wanted man. He could live with that. He would have to.

  Three days after her interrogation, Yolanda Marks is taken to a nearby Maryland State Police barracks, where a polygraph examiner determines that her statement is truthful. The same day, the sixteen-year-old witness who had implicated Anthony Owens as the shooter is also taken to the same barracks, but just before undergoing the test the teenager recants his earlier statement, admitting that he did not witness the shooting and that he only repeated what he heard on the street, hoping to end his own interrogation. The polygraph is then administered and the examiner concludes that in recanting his story, the teenager shows no deception. When the detectives confront his thirteen-year-old sister, she, too, acknowledges the lie, telling them that she had gone down to homicide and told her story because she was afraid her brother would be charged.

  The case is down.

  McLarney knows that the Cassidy detail still has weeks of work before it will be fit for trial. For one thing, the wrong man had been indicted, and his innocence will now have to be firmly established or a defense attorney could use him to wreak havoc. Likewise, the case will be bolstered immensely if investigators can find the gun or some other physical evidence to link Frazier with the crime. But it is down.

  On the night that Yolanda passes the box, there is a homecoming of sorts when McLarney returns to Kavanaugh’s, the city’s predominant Irish cop watering hole, and stands his ground at the end of the bar. He leans against the wooden rail, centered between the pinball machine and the St. Francis Center poor box. It is a slow weekday night, with only a handful of detectives in the place, along with a few uniforms from Central and Southern and a couple guys from the tac sections. Corey Belt stops in for a little while but slips out after drinking a soda or two, leaving McLarney to wonder aloud what has become of the vaunted Western District when its best men don’t even drink beer. McAllister shows up, too, and stays, bellying up on the stool next to McLarney. This in itself makes the occasion special, because Mac doesn’t get out as much anymore, not since he and Sue moved from the city to a new home they built in the rural greenery of northern Baltimore County. To McLarney’s distress, his old Central District partner has in recent years been spinning in a more sensible, suburban orbit.

  On this February night, however, when McLarney’s very universe has been righted by a rare, precious victory, when the brotherhood of cops has once again been affirmed in McLarney’s mind, the arrival of McAllister at Kavanaugh’s is serendipity itself. Good old Mac. Miracles have been marked on the streets of Baltimore, and Mac, a true pilgrim, has no doubt traveled many dangerous leagues to pay proper homage at this, the true shrine of Celtic sheriffry. McLarney sidles down the bar to wrap a beefy arm around his old partner’s shoulder.

  “Mac,” says McLarney.

  “T.P.”

  “Mac,” McLarney says again.

  “Yes, T.P.”

  “My partner.”

  “Your partner.”

  “My bunky.”

  McAllister nods, wondering how long this can possibly go on.

  “You know, when we were working together you taught me a lot of shit.”

  “I did?”

 
“Yeah, all kinds of important stuff.”

  “Like what, T.P.?”

  “You know, all kinds of shit.”

  “Oh,” says McAllister, laughing. Nothing is so amusingly pathetic as when one cop tries to bond with another. Conversations descend into vague mutterings. Compliments are transformed into insults. Words of genuine affection become comically perverted.

  “Really, you taught me a lot,” says McLarney. “But that’s not why I respect you. I respect you for one thing.”

  “What’s that, Terry?”

  “When it was time for you to fuck me,” says McLarney soberly, “you were very gentle.”

  “Of course I was,” says McAllister without hesitation.

  “You could have just bent me over the hood of the car and had your way, but you were gentle with me. And very patient.”

  “Well, I knew it was your first time,” says McAllister. “I wanted it to be special.”

  “And it was, Mac.”

  “I’m glad.”

  The brotherhood understands, the tribe hears the words unsaid. And when the two detectives finally let go of their deadpan and begin to laugh, all of Kavanaugh’s laughs with them. Then they kill off what’s left in their cans and argue briefly over the next round, each pulling his wallet and telling the other to take his money off the bar.

  As old partners always should.

  THURSDAY, FEBRUARY 18

  On the day that marks the end of two full weeks in the Latonya Wallace probe, Jay Landsman manages to slip away from the office in late evening. He drives west into the county, where a wife and five kids are beginning to forget what a husband and father looks like.

  The route is so familiar that Landsman’s mind drifts free, and in the solitude of the car’s dark interior he tries to pull away from the details of the case and view the entire puzzle. He thinks about the terrain on Reservoir Hill, about the alley behind Newington Avenue, about the location of the body. What, he asks himself, are we missing?