Tom's Midnight Garden

by Philippa Pearce

  Tom never really convinced them of the simple truth: that a boy would naturally go into the larder, even if he were not hungry. Anyway, they pointed out, he was out of bed far too late. He was hustled back again, and his uncle stood over him to make a speech.

  ‘Tom, there must be no more of this. You are not to put the light on again once it has been put out; nor, equally, are you to get out of bed. You must see the reasonableness—’

  ‘Not even to get up in the morning?’ Tom interrupted.

  ‘Of course, that’s different. Don’t be silly, Tom. But you are not to get up otherwise. The reason is—’

  ‘Can’t I get up, even if I need to, badly?’

  ‘Of course you must go to the lavatory, if you need to; but you will go straight back to bed afterwards. You go to bed at nine in the evening and get up at seven in the morning. That is ten hours. You need those ten hours’ sleep because—’

  ‘But, Uncle Alan, I don’t sleep!’

  ‘Will you be quiet, Tom!’ shouted his uncle, suddenly losing his temper. ‘I’m trying to reason with you! Now, where was I?’

  ‘Ten hours’ sleep,’ said Tom subduedly.

  ‘Yes, a child of your age needs ten hours of sleep. You must realize that, Tom. For that reason, you must be in bed for ten hours, as I have said. I am making clear to you, Tom, that Gwen and I wish you, entirely for your own good, to be in bed and, if possible, asleep for ten hours, as near as maybe, from nine o’clock at night. You understand, Tom?’

  ‘Yes.’

  ‘Now I want you to promise to observe our wishes. Will you promise, Tom?’

  Why could a boy never refuse to promise these large demands? ‘I suppose so,’ said Tom. ‘Yes.’

  ‘There!’ said Aunt Gwen; and Uncle Alan said: ‘Good. I knew I could reason with you.’

  ‘But, all the same, I don’t sleep!’

  Uncle Alan said sharply, ‘All children sleep;’ and Aunt Gwen added more gently: ‘It’s just your imagination, Tom.’

  Poor Tom had no answer except contradiction, and he felt that would be unwise.

  They left him.

  He lay in the dark, planning a letter to his mother. ‘Take me away. At once.’ But no, that was perhaps cowardly, and would worry his mother dreadfully. He would unburden himself to Peter instead, although Peter, because of his measles, could not reply. He would tell Peter how miserably dull it was here, even at night: nothing to do, nowhere to go, nobody—to speak of—to do things with. ‘It’s the worst hole I’ve ever been in,’ he wrote, in imagination. ‘I’d do anything to get out of it, Peter—to be somewhere else—anywhere.’ It seemed to him that his longing to be free swelled up in him and in the room, until it should surely be large enough to burst the walls and set him free indeed.

  They had left him, and now they were going to bed. Uncle Alan took a bath, and Tom lay listening to him and hating him. For some reason, Tom could always hear what went on in the bathroom next door to his bedroom as clearly as if he were there himself: tonight he was almost in the bath with Uncle Alan. Later he heard other movements and conversation from elsewhere in the flat. Finally, the line of light under his door disappeared: that meant that the hall-light of the flat had been switched off for the night.

  Slow silence, and then the grandfather clock struck for twelve. By midnight his uncle and aunt were always in bed, and asleep too, usually. Only Tom lay still open-eyed and sullen, imprisoned in wakefulness.

  And at last—One! The clock struck the present hour; but, as if to show its independence of mind, went on striking—Two! For once Tom was not amused by its striking the wrong hour: Three! Four! ‘It’s one o’clock,’ Tom whispered angrily over the edge of the bedclothes. ‘Why don’t you strike one o’clock, then, as the clocks would do at home?’ Instead: Five! Six! Even in his irritation, Tom could not stop counting; it had become a habit with him at night. Seven! Eight! After all, the clock was the only thing that would speak to him at all in these hours of darkness. Nine! Ten! ‘You are going it,’ thought Tom, but yawning in the midst of his unwilling admiration. Yes, and it hadn’t finished yet: Eleven! Twelve! ‘Fancy striking midnight twice in one night!’ jeered Tom, sleepily. Thirteen! proclaimed the clock, and then stopped striking.

  Thirteen? Tom’s mind gave a jerk: had it really struck thirteen? Even mad old clocks never struck that. He must have imagined it. Had he not been falling asleep, or already sleeping? But no, awake or dozing, he had counted up to thirteen. He was sure of it.

  He was uneasy in the knowledge that this happening made some difference to him: he could feel that in his bones. The stillness had become an expectant one; the house seemed to hold its breath; the darkness pressed up to him, pressing him with a question: Come on, Tom, the clock has struck thirteen—what are you going to do about it?

  ‘Nothing,’ said Tom aloud. And then, as an afterthought: ‘Don’t be silly!’

  What could he do, anyway? He had to stay in bed, sleeping or trying to sleep, for ten whole hours, as near as might be, from nine o’clock at night to seven o’clock the next morning. That was what he had promised when his uncle had reasoned with him.

  Uncle Alan had been so sure of his reasoning; and yet Tom now began to feel that there had been some flaw in it … Uncle Alan, without discussing the idea, had taken for granted that there were twenty-four hours in a day—twice twelve hours. But suppose, instead, there were twice thirteen? Then, from nine at night to seven in the morning—with the thirteenth hour somewhere between—was more than ten hours: it was eleven. He could be in bed for ten hours, and still have an hour to spare—an hour of freedom.

  But steady, steady! This was ridiculous: there simply were not thirteen hours in a half day, everyone knew that. But why had the clock said there were, then? You couldn’t get round that. Yes, but everyone knew the grandfather clock struck the hours at the wrong times of day—one o’clock when it was really five, and so on. Admittedly, argued the other Tom—the one that would never let the sleepy Tom go to sleep—admittedly the clock struck the hours at the wrong time; but, all the same, they were hours—real hours—hours that really existed. Now the clock had struck thirteen, affirming that—for this once at least—there was an extra, thirteenth hour.

  ‘But it just can’t be true,’ said Tom aloud. The house, which appeared to have been following the argument, sighed impatiently. ‘At least, I think it isn’t true; and anyway it’s muddling.’ Meanwhile you’re missing your chance, whispered the house. ‘I can’t honourably take it,’ said Tom, ‘because I don’t believe the grandfather clock was telling the truth when it struck thirteen.’ Oh, said the house coldly, so it’s a liar, is it?

  Tom sat up in bed, a little angry in his turn. ‘Now,’ he said, ‘I’m going to prove this, one way or the other. I’m going to see what the clock fingers say. I’m going down to the hall.’

  III

  By Moonlight

  This was a real expedition. Tom put on his bedroom slippers, but decided against his dressing-gown: after all, it was summer. He closed his bedroom door carefully behind him, so that it should not bang in his absence. Outside the front door of the flat he took off one of his slippers; he laid it on the floor against the door jamb and then closed the door on to it, as on to a wedge. That would keep the door open for his return.

  The lights on the first-floor landing and in the hall were turned out, for the tenants were all in bed and asleep, and Mrs Bartholomew was asleep and dreaming. The only illumination was a sideways shaft of moonlight through the long window part way up the stairs. Tom felt his way downstairs and into the hall.

  Here he was checked. He could find the grandfather clock—a tall and ancient figure of black in the lesser blackness—but he was unable to read its face. If he opened its dial-door and felt until he found the position of the clock-hands, then his sense of touch would tell him the time. He fumbled first at one side of the door, then at the other; but there seemed no catch—no way in. He remembered how the pendulum-case door had not yield
ed to him either, on that first day. Both must be kept locked.

  Hurry! hurry! the house seemed to whisper round him. The hour is passing … passing …

  Tom turned from the clock to feel for the electric-light switch. Where had it been? His fingers swept the walls in vain: nowhere.

  Light—light: that was what he needed! And the only light was the moonbeam that glanced sideways through the stairway window and spent itself at once and uselessly on the wall by the window-sill.

  Tom studied the moonbeam, with an idea growing in his mind. From the direction in which the beam came, he saw that the moon must be shining at the back of the house. Very well, then, if he opened the door at the far end of the hall—at the back of the house, that is—he would let that moonlight in. With luck there might be enough light for him to read the clock-face.

  He moved down the hall to the door at its far end. It was a door he had never seen opened—the Kitsons used the door at the front. They said that the door at the back was only a less convenient way to the street, through a back-yard—a strip of paving where dustbins were kept and where the tenants of the ground-floor back flat garaged their car under a tarpaulin.

  Never having had occasion to use the door, Tom had no idea how it might be secured at night. If it were locked, and the key kept elsewhere . . . But it was not locked, he found; only bolted. He drew the bolt and, very slowly, to make no sound, turned the door-knob.

  Hurry! whispered the house; and the grandfather clock at the heart of it beat an anxious tick, tick.

  Tom opened the door wide and let in the moonlight. It flooded in, as bright as daylight—the white daylight that comes before the full rising of the sun. The illumination was perfect, but Tom did not at once turn to see what it showed him of the clock-face. Instead he took a step forward on to the doorstep. He was staring, at first in surprise, then with indignation, at what he saw outside. That they should have deceived him—lied to him—like this! They had said, ‘It’s not worth your while going out at the back, Tom.’ So carelessly they had described it: ‘A sort of back-yard, very poky, with rubbish bins. Really, there’s nothing to see.’

  Nothing … Only this: a great lawn where flower-beds bloomed; a towering fir-tree, and thick, beetle-browed yews that humped their shapes down two sides of the lawn; on the third side, to the right, a greenhouse almost the size of a real house; from each corner of the lawn, a path that twisted away to some other depths of garden, with other trees.

  Tom had stepped forward instinctively, catching his breath in surprise; now he let his breath out in a deep sigh. He would steal out here tomorrow, by daylight. They had tried to keep this from him, but they could not stop him now—not his aunt, nor his uncle, nor the back flat tenants, nor even particular Mrs Bartholomew. He would run full tilt over the grass, leaping the flower-beds; he would peer through the glittering panes of the greenhouse—perhaps open the door and go in; he would visit each alcove and archway clipped in the yew-trees—he would climb the trees and make his way from one to another through thickly interlacing branches. When they came calling him, he would hide, silent and safe as a bird, among this richness of leaf and bough and tree-trunk.

  The scene tempted him even now: it lay so inviting and clear before him—clear-cut from the stubby leaf-pins of the nearer yew-trees to the curled-back petals of the hyacinths in the crescent-shaped corner beds. Yet Tom remembered his ten hours and his honour. Regretfully he turned from the garden, back indoors to read the grandfather clock.

  He re-crossed the threshold, still absorbed in the thought of what he had seen outside. For that reason, perhaps, he could not at once make out how the hall had become different: his eyes informed him of some shadowy change; his bare foot was trying to tell him something …

  The grandfather clock was still there, anyway, and must tell him the true time. It must be either twelve or one: there was no hour between. There is no thirteenth hour.

  Tom never reached the clock with his inquiry, and may be excused for forgetting, on this occasion, to check its truthfulness. His attention was distracted by the opening of a door down the hall—the door of the ground-floor front flat. A maid trotted out.

  Tom had seen housemaids only in pictures, but he recognized the white apron, cap and cuffs, and the black stockings. (He was not expert in fashions, but the dress seemed to him to be rather long for her.) She was carrying paper, kindling wood and a box of matches.

  He had only a second in which to observe these things. Then he realized that he ought to take cover at once; and there was no cover to take. Since he must be seen, Tom determined to be the first to speak—to explain himself.

  He did not feel afraid of the maid: as she came nearer, he saw that she was only a girl. To warn her of his presence without startling her, Tom gave a cough; but she did not seem to hear it. She came on. Tom moved forward into her line of vision; she looked at him, but looked through him, too, as though he were not there. Tom’s heart jumped in a way he did not understand. She was passing him.

  ‘I say!’ he protested loudly; but she paid not the slightest attention. She passed him, reached the front door of the ground-floor back flat, turned the door-handle and went in. There was no bell-ringing or unlocking of the door.

  Tom was left gaping; and, meanwhile, his senses began to insist upon telling him of experiences even stranger than this encounter. His one bare foot was on cold flagstone, he knew; yet there was a contradictory softness and warmth to this flagstone. He looked down and saw that he was standing on a rug—a tiger-skin rug. There were other rugs down the hall. His eyes now took in the whole of the hall—a hall that was different. No laundry box, no milk bottles, no travel posters on the walls. The walls were decorated with a rich variety of other objects instead: a tall Gothic barometer, a fan of peacock feathers, a huge engraving of a battle (hussars and horses and shot-riddled banners) and many other pictures. There was a big dinner gong, with its wash-leathered gong-stick hanging beside it. There was a large umbrella stand holding umbrellas and walking-sticks and a parasol and an air-gun and what looked like the parts of a fishing-rod. Along the wall projected a series of bracket-shelves, each table-high. They were of oak, except for one towards the middle of the hall, by the grandfather clock. That was of white marble, and it was piled high with glass cases of stuffed birds and animals. Enacted on its chilly surface were scenes of hot bloodshed: an owl clutched a mouse in its claws; a ferret looked up from the killing of its rabbit; in a case in the middle a red fox slunk along with a gamefowl hanging from its jaws.

  In all that crowded hall, the only object that Tom recognized was the grandfather clock. He moved towards it, not to read its face, but simply to touch it—to reassure himself that this at least was as he knew it.

  His hand was nearly upon it, when he heard a little breath behind him that was the maid passing back the way she had come. For some reason, she did not seem to make as much sound as before. He heard her call only faintly: ‘I’ve lit the fire in the parlour.’

  She was making for the door through which she had first come, and, as Tom followed her with his eyes, he received a curious impression: she reached the door, her hand was upon the knob, and then she seemed to go. That was it exactly: she went, but not through the door. She simply thinned out, and went.

  Even as he stared at where she had been, Tom became aware of something going on furtively and silently about him. He looked round sharply, and caught the hall in the act of emptying itself of furniture and rugs and pictures. They were not positively going, perhaps, but rather beginning to fail to be there. The Gothic barometer, for instance, was there, before he turned to look at the red fox; when he turned back, the barometer was still there, but it had the appearance of something only sketched against the wall, and the wall was visible through it; meanwhile the fox had slunk into nothingness, and all the other creatures were going with him; and, turning back again swiftly to the barometer, Tom found that gone already.

  In a matter of seconds the whole hall was as
he had seen it on his first arrival. He stood dumbfounded. He was roused from his stupefaction by the chill of a draught at his back: it reminded him that the garden door was left open. Whatever else had happened, he had really opened that door; and he must shut it. He must go back to bed.

  He closed the door after a long look: ‘I shall come back,’ he promised silently to the trees and the lawn and the greenhouse.

  Upstairs, again, in bed, he pondered more calmly on what he had seen in the hall. Had it been a dream? Another possible explanation occurred to him: ghosts. That was what they could all have been: ghosts. The hall was haunted by the ghost of a housemaid and a barometer and a stuffed fox and a stuffed owl and by the ghosts of dozens of other things. Indeed, if it were haunted at all, the hall was overhaunted.

  Ghosts … Tom doubtfully put his hand up out of the bedclothes to see if his hair were standing on end. It was not. Nor, he remembered, had he felt any icy chill when the maid had looked at him and through him.

  He was dissatisfied with his own explanation, and suddenly sick of needing to explain at all. It was not as if the hall were of great interest, with or without a maid and all the rest; the garden was the thing. That was real. Tomorrow he would go into it: he almost had the feel of tree-trunks between his hands as he climbed; he could almost smell the heavy blooming of the hyacinths in the corner beds. He remembered that smell from home: indoors, from his mother’s bulb pots, at Christmas and the New Year; outside, in their flower-bed, in the late spring. He fell asleep thinking of home.

  IV

  By Daylight

  The next morning, when Tom woke, he could not think why he felt so happy, until he remembered the garden. The appearances in the hall seemed less likely than ever; but the impression on his mind of what he had seen through the garden door remained unchanged. Yet now he began to think that visiting the garden would be less easy than he had reckoned last night. His aunt and uncle would certainly do all they could to stop him; they did not want him to use the garden, else why had they kept him in the dark about its very existence?