Sherwood Anderson: Collected Stories

by Sherwood Anderson

  They walked in silence to the town’s edge and then Melville Stoner put out his hand. “You’ll come with me?” she asked, but he shook his head and laughed. “No,” he said, “I’ll stay here. My time for going passed long ago. I’ll stay here until I die. I’ll stay here with my thoughts.”

  He turned and walked away into the darkness beyond the round circle of light cast by the last street lamp on the street that now became a country road leading to the next town to the east. Rosalind stood to watch him go and something in his long loping gait again suggested to her mind the figure of a gigantic bird. “He is like the gulls that float above the river in Chicago,” she thought. “His spirit floats above the town of Willow Springs. When the death in life comes to the people here he swoops down, with his mind, plucking out the beauty of them.”

  She walked at first slowly along the road between corn fields. The night was a vast quiet place into which she could walk in peace. A little breeze rustled the corn blades but there were no dreadful significant human sounds, the sounds made by those who lived physically but who in spirit were dead, had accepted death, believed only in death. The corn blades rubbed against each other and there was a low sweet sound as though something was being born, old dead physical life was being torn away, cast aside. Perhaps new life was coming into the land.

  Rosalind began to run. She had thrown off the town and her father and mother as a runner might throw off a heavy and unnecessary garment. She wished also to throw off the garments that stood between her body and nudity. She wanted to be naked, new born. Two miles out of town a bridge crossed Willow Creek. It was now empty and dry but in the darkness she imagined it filled with water, swift running water, water the color of chrysoprase. She had been running swiftly and now she stopped and stood on the bridge her breath coming in quick little gasps.

  After a time she went on again, walking until she had regained her breath and then running again. Her body tingled with life. She did not ask herself what she was going to do, how she was to meet the problem she had come to Willow Springs half hoping to have solved by a word from her mother. She ran. Before her eyes the dusty road kept coming up to her out of darkness. She ran forward, always forward into a faint streak of light. The darkness unfolded before her. There was joy in the running and with every step she took she achieved a new sense of escape. A delicious notion came into her mind. As she ran she thought the light under her feet became more distinct. It was, she thought, as though the darkness had grown afraid in her presence and sprang aside, out of her path. There was a sensation of boldness. She had herself become something that within itself contained light. She was a creator of light. At her approach darkness grew afraid and fled away into the distance. When that thought came she found herself able to run without stopping to rest and half wished she might run on forever, through the land, through towns and cities, driving darkness away with her presence.

  The Man with the Trumpet

  * * *

  I STATED it as definitely as I could.

  I was in a room with them.

  They had tongues like me, and hair and eyes.

  I got up out of my chair and said it as definitely as I could.

  Their eyes wavered. Something slipped out of their grasp. Had I been white and strong and young enough I might have plunged through walls, gone outward into nights and days, gone into prairies, into distances—gone outward to the doorstep of the house of God, gone to God’s throne room with their hands in mine.

  What I am trying to say is this—

  By God I made their minds flee out of them.

  Their minds came out of them as clear and straight as anything could be.

  I said they might build temples to their lives.

  I threw my words at faces floating in a street.

  I threw my words like stones, like building stones.

  I scattered words in alleyways like seeds.

  I crept at night and threw my words in empty rooms of houses in a street.

  I said that life was life, that men in streets and cities might build temples to their souls.

  I whispered words at night into a telephone.

  I told my people life was sweet, that men might live.

  I said a million temples might be built, that doorsteps might be cleaned.

  At their fleeing harried minds I hurled a stone.

  I said they might build temples to themselves.

  HORSES AND MEN

  TALES, LONG AND SHORT, FROM OUR AMERICAN LIFE

  TO THEODORE DREISER

  In whose presence I have sometimes had the same refreshed feeling as when in the presence of a thoroughbred horse.

  FOREWORD

  Did you ever have a notion of this kind—there is an orange, or say an apple, lying on a table before you. You put out your hand to take it. Perhaps you eat it, make it a part of your physical life. Have you touched? Have you eaten? That’s what I wonder about.

  The whole subject is only important to me because I want the apple. What subtle flavors are concealed in it—how does it taste, smell, feel? Heavens, man, the way the apple feels in the hand is something—isn’t it?

  For a long time I thought only of eating the apple. Then later its fragrance became something of importance too. The fragrance stole out through my room, through a window and into the streets. It made itself a part of all the smells of the streets. The devil!—in Chicago or Pittsburgh, Youngstown or Cleveland it would have had a rough time.

  That doesn’t matter.

  The point is that after the form of the apple began to take my eye I often found myself unable to touch at all. My hands went toward the object of my desire and then came back.

  There I sat, in the room with the apple before me, and hours passed. I had pushed myself off into a world where nothing has any existence. Had I done that, or had I merely stepped, for the moment, out of the world of darkness into the light?

  It may be that my eyes are blind and that I cannot see.

  It may be I am deaf.

  My hands are nervous and tremble. How much do they tremble? Now, alas, I am absorbed in looking at my own hands.

  With these nervous and uncertain hands may I really feel for the form of things concealed in the darkness?

  DREISER

  Heavy, heavy, hangs over thy head,

  Fine, or superfine?

  Theodore Dreiser is old—he is very, very old. I do not know how many years he has lived, perhaps forty, perhaps fifty, but he is very old. Something grey and bleak and hurtful, that has been in the world perhaps forever, is personified in him.

  When Dreiser is gone men shall write books, many of them, and in the books they shall write there will be so many of the qualities Dreiser lacks. The new, the younger men shall have a sense of humor, and everyone knows Dreiser has no sense of humor. More than that, American prose writers shall have grace, lightness of touch, a dream of beauty breaking through the husks of life.

  O, those who follow him shall have many things that Dreiser does not have. That is a part of the wonder and beauty of Theodore Dreiser, the things that others shall have, because of him.

  Long ago, when he was editor of the Delineator, Dreiser went one day, with a woman friend, to visit an orphan asylum. The woman once told me the story of that afternoon in the big, ugly grey building, with Dreiser, looking heavy and lumpy and old, sitting on a platform, folding and refolding his pocket-handkerchief and watching the children—all in their little uniforms, trooping in.

  “The tears ran down his cheeks and he shook his head,” the woman said, and that is a real picture of Theodore Dreiser. He is old in spirit and he does not know what to do with life, so he tells about it as he sees it, simply and honestly. The tears run down his cheeks and he folds and refolds the pocket-handkerchief and shakes his head.

  Heavy, heavy, the feet of Theodore. How easy to pick some of his books to pieces, to laugh at him for so much of his heavy prose.

  The feet of Theodore are making a path, the heavy brut
al feet. They are tramping through the wilderness of lies, making a path. Presently the path will be a street, with great arches overhead and delicately carved spires piercing the sky. Along the street will run children, shouting, “Look at me. See what I and my fellows of the new day have done”—forgetting the heavy feet of Dreiser.

  The fellows of the ink-pots, the prose writers in America who follow Dreiser, will have much to do that he has never done. Their road is long but, because of him, those who follow will never have to face the road through the wilderness of Puritan denial, the road that Dreiser faced alone.

  Heavy, heavy, hangs over thy head,

  Fine, or superfine?

  TALES OF THE BOOK

  FOREWORD

  DREISER

  I’M A FOOL

  THE TRIUMPH OF A MODERN

  “UNUSED”

  A CHICAGO HAMLET

  THE MAN WHO BECAME A WOMAN

  MILK BOTTLES

  THE SAD HORN BLOWERS

  THE MAN’S STORY

  AN OHIO PAGAN

  I’m a Fool

  * * *

  IT was a hard jolt for me, one of the most bitterest I ever had to face. And it all came about through my own foolishness, too. Even yet sometimes, when I think of it, I want to cry or swear or kick myself. Perhaps, even now, after all this time, there will be a kind of satisfaction in making myself look cheap by telling of it.

  It began at three o’clock one October afternoon as I sat in the grand stand at the fall trotting and pacing meet at Sandusky, Ohio.

  To tell the truth, I felt a little foolish that I should be sitting in the grand stand at all. During the summer before I had left my home town with Harry Whitehead and, with a nigger named Burt, had taken a job as swipe with one of the two horses Harry was campaigning through the fall race meets that year. Mother cried and my sister Mildred, who wanted to get a job as a school teacher in our town that fall, stormed and scolded about the house all during the week before I left. They both thought it something disgraceful that one of our family should take a place as a swipe with race horses. I’ve an idea Mildred thought my taking the place would stand in the way of her getting the job she’d been working so long for.

  But after all I had to work, and there was no other work to be got. A big lumbering fellow of nineteen couldn’t just hang around the house and I had got too big to mow people’s lawns and sell newspapers. Little chaps who could get next to people’s sympathies by their sizes were always getting jobs away from me. There was one fellow who kept saying to everyone who wanted a lawn mowed or a cistern cleaned, that he was saving money to work his way through college, and I used to lay awake nights thinking up ways to injure him without being found out. I kept thinking of wagons running over him and bricks falling on his head as he walked along the street. But never mind him.

  I got the place with Harry and I liked Burt fine. We got along splendid together. He was a big nigger with a lazy sprawling body and soft, kind eyes, and when it came to a fight he could hit like Jack Johnson. He had Bucephalus, a big black pacing stallion that could do 2.09 or 2.10, if he had to, and I had a little gelding named Doctor Fritz that never lost a race all fall when Harry wanted him to win.

  We set out from home late in July in a box car with the two horses and after that, until late November, we kept moving along to the race meets and the fairs. It was a peachy time for me, I’ll say that. Sometimes now I think that boys who are raised regular in houses, and never have a fine nigger like Burt for best friend, and go to high schools and college, and never steal anything, or get drunk a little, or learn to swear from fellows who know how, or come walking up in front of a grand stand in their shirt sleeves and with dirty horsey pants on when the races are going on and the grand stand is full of people all dressed up—What’s the use of talking about it? Such fellows don’t know nothing at all. They’ve never had no opportunity.

  But I did. Burt taught me how to rub down a horse and put the bandages on after a race and steam a horse out and a lot of valuable things for any man to know. He could wrap a bandage on a horse’s leg so smooth that if it had been the same color you would think it was his skin, and I guess he’d have been a big driver, too, and got to the top like Murphy and Walter Cox and the others if he hadn’t been black.

  Gee whizz, it was fun. You got to a county seat town, maybe say on a Saturday or Sunday, and the fair began the next Tuesday and lasted until Friday afternoon. Doctor Fritz would be, say in the 2.25 trot on Tuesday afternoon and on Thursday afternoon Bucephalus would knock ’em cold in the “free-for-all” pace. It left you a lot of time to hang around and listen to horse talk, and see Burt knock some yap cold that got too gay, and you’d find out about horses and men and pick up a lot of stuff you could use all the rest of your life, if you had some sense and salted down what you heard and felt and saw.

  And then at the end of the week when the race meet was over, and Harry had run home to tend up to his livery stable business, you and Burt hitched the two horses to carts and drove slow and steady across country, to the place for the next meeting, so as to not over-heat the horses, etc., etc., you know.

  Gee whizz, Gosh amighty, the nice hickorynut and beechnut and oaks and other kinds of trees along the roads, all brown and red, and the good smells, and Burt singing a song that was called Deep River, and the country girls at the windows of houses and everything. You can stick your colleges up your nose for all me. I guess I know where I got my education.

  Why, one of those little burgs of towns you come to on the way, say now on a Saturday afternoon, and Burt says, “let’s lay up here.” And you did.

  And you took the horses to a livery stable and fed them, and you got your good clothes out of a box and put them on.

  And the town was full of farmers gaping, because they could see you were race horse people, and the kids maybe never see a nigger before and was afraid and run away when the two of us walked down their main street.

  And that was before prohibition and all that foolishness, and so you went into a saloon, the two of you, and all the yaps come and stood around, and there was always someone pretended he was horsey and knew things and spoke up and began asking questions, and all you did was to lie and lie all you could about what horses you had, and I said I owned them, and then some fellow said “will you have a drink of whiskey” and Burt knocked his eye out the way he could say, off-hand like, “Oh well, all right, I’m agreeable to a little nip. I’ll split a quart with you.” Gee whizz.

  * * *

  But that isn’t what I want to tell my story about. We got home late in November and I promised mother I’d quit the race horses for good. There’s a lot of things you’ve got to promise a mother because she don’t know any better.

  And so, there not being any work in our town any more than when I left there to go to the races, I went off to Sandusky and got a pretty good place taking care of horses for a man who owned a teaming and delivery and storage and coal and real estate business there. It was a pretty good place with good eats, and a day off each week, and sleeping on a cot in a big barn, and mostly just shovelling in hay and oats to a lot of big good-enough skates of horses, that couldn’t have trotted a race with a toad. I wasn’t dissatisfied and I could send money home.

  And then, as I started to tell you, the fall races come to Sandusky and I got the day off and I went. I left the job at noon and had on my good clothes and my new brown derby hat, I’d just bought the Saturday before, and a stand-up collar.

  First of all I went down-town and walked about with the dudes. I’ve always thought to myself, “put up a good front” and so I did it. I had forty dollars in my pocket and so I went into the West House, a big hotel, and walked up to the cigar stand. “Give me three twenty-five cent cigars,” I said. There was a lot of horsemen and strangers and dressed-up people from other towns standing around in the lobby and in the bar, and I mingled amongst them. In the bar there was a fellow with a cane and a Windsor tie on, that it made me sick to look at him. I l
ike a man to be a man and dress up, but not to go put on that kind of airs. So I pushed him aside, kind of rough, and had me a drink of whiskey. And then he looked at me, as though he thought maybe he’d get gay, but he changed his mind and didn’t say anything. And then I had another drink of whiskey, just to show him something, and went out and had a hack out to the races, all to myself, and when I got there I bought myself the best seat I could get up in the grand stand, but didn’t go in for any of these boxes. That’s putting on too many airs.

  And so there I was, sitting up in the grand stand as gay as you please and looking down on the swipes coming out with their horses, and with their dirty horsey pants on and the horse blankets swung over their shoulders, same as I had been doing all the year before. I liked one thing about the same as the other, sitting up there and feeling grand and being down there and looking up at the yaps and feeling grander and more important, too. One thing’s about as good as another, if you take it just right. I’ve often said that.

  Well, right in front of me, in the grand stand that day, there was a fellow with a couple of girls and they was about my age. The young fellow was a nice guy all right. He was the kind maybe that goes to college and then comes to be a lawyer or maybe a newspaper editor or something like that, but he wasn’t stuck on himself. There are some of that kind are all right and he was one of the ones.