Complete Works of Robert Louis Stevenson

by Robert Louis Stevenson

  With all this mass of nationalities, crime is common. There are rough quarters where it is dangerous o’ nights; cellars of public entertainment which the wary pleasure-seeker chooses to avoid. Concealed weapons are unlawful, but the law is continually broken. One editor was shot dead while I was there; another walked the streets accompanied by a bravo, his guardian angel. I have been quietly eating a dish of oysters in a restaurant, where, not more than ten minutes after I had left, shots were exchanged and took effect; and one night about ten o’clock, I saw a man standing watchfully at a street-corner with a long Smith-and-Wesson glittering in his hand behind his back. Somebody had done something he should not, and was being looked for with a vengeance. It is odd, too, that the seat of the last vigilance committee I know of — a mediæval Vehmgericht — was none other than the Palace Hotel, the world’s greatest caravanserai, served by lifts and lit with electricity; where, in the great glazed court, a band nightly discourses music from a grove of palms. So do extremes meet in this city of contrasts: extremes of wealth and poverty, apathy and excitement, the conveniences of civilisation and the red justice of Judge Lynch.

  The streets lie straight up and down the hills, and straight across at right angles, these in sun, those in shadow, a trenchant pattern of gloom and glare; and what with the crisp illumination, the sea-air singing in your ears, the chill and glitter, the changing aspects both of things and people, the fresh sights at every corner of your walk — sights of the bay, of Tamalpais, of steep, descending streets, of the outspread city — whiffs of alien speech, sailors singing on shipboard, Chinese coolies toiling on the shore, crowds brawling all day in the street before the Stock Exchange — one brief impression follows and obliterates another, and the city leaves upon the mind no general and stable picture, but a profusion of airy and incongruous images, of the sea and shore, the east and west, the summer and the winter.

  In the better parts of the most interesting city there is apt to be a touch of the commonplace. It is in the slums and suburbs that the city dilettante finds his game. And there is nothing more characteristic and original than the outlying quarters of San Francisco. The Chinese district is the most famous; but it is far from the only truffle in the pie. There is many another dingy corner, many a young antiquity, many a terrain vague with that stamp of quaintness that the city lover seeks and dwells on; and the indefinite prolongation of its streets, up hill and down dale, makes San Francisco a place apart. The same street in its career visits and unites so many different classes of society, here echoing with drays, there lying decorously silent between the mansions of Bonanza millionaires, to founder at last among the drifting sands beside Lone Mountain cemetery, or die out among the sheds and lumber of the north. Thus you may be struck with a spot, set it down for the most romantic of the city, and, glancing at the name-plate, find it is in the same street that you yourself inhabit in another quarter of the town.

  The great net of straight thoroughfares lying at right angles, east and west and north and south, over the shoulders of Nob Hill, the hill of palaces, must certainly be counted the best part of San Francisco. It is there that the millionaires are gathered together vying with each other in display. From thence, looking down over the business wards of the city, we can descry a building with a little belfry, and that is the Stock Exchange, the heart of San Francisco: a great pump we might call it, continually pumping up the savings of the lower quarters into the pockets of the millionaires upon the hill. But these same thoroughfares that enjoy for awhile so elegant a destiny have their lines prolonged into more unpleasant places. Some meet their fate in the sands; some must take a cruise in the ill-famed China quarters; some run into the sea; some perish unwept among pig-sties and rubbish-heaps.

  Nob Hill comes, of right, in the place of honour; but the two other hills of San Francisco are more entertaining to explore. On both there are a world of old wooden houses snoozing together all forgotten. Some are of the quaintest design, others only romantic by neglect and age. Some have been almost undermined by new thoroughfares, and sit high up on the margin of the sandy cutting, only to be reached by stairs. Some are curiously painted, and I have seen one at least with ancient carvings panelled in its wall. Surely they are not of Californian building, but far voyagers from round the stormy Horn, like those who sent for them and dwelt in them at first. Brought to be the favourites of the wealthy, they have sunk into these poor, forgotten districts, where, like old town toasts, they keep each other silently in countenance. Telegraph Hill and Rincon Hill, these are the two dozing quarters that I recommend to the city dilettante. There stand these forgotten houses, enjoying the unbroken sun and quiet. There, if there were such an author, would the San Francisco Fortuné de Boisgobey pitch the first chapter of his mystery. But the first is the quainter of the two, and commands, moreover, a noble view. As it stands at the turn of the bay, its skirts are all waterside, and round from North Reach to the Bay Front you can follow doubtful paths from one quaint corner to another. Everywhere the same tumble-down decay and sloppy progress, new things yet unmade, old things tottering to their fall; everywhere the same out-at-elbows, many-nationed loungers at dim, irregular grog-shops; everywhere the same sea-air and isleted sea-prospect; and for a last and more romantic note, you have on the one hand Tamalpais standing high in the blue air, and on the other the tail of that long alignment of three-masted, full-rigged, deep-sea ships that make a forest of spars along the eastern front of San Francisco. In no other port is such a navy congregated. For the coast trade is so trifling, and the ocean trade from round the Horn so large, that the smaller ships are swallowed up, and can do nothing to confuse the majestic order of these merchant princes. In an age when the ship-of-the-line is already a thing of the past, and we can never again hope to go coasting in a cock-boat between the “wooden walls” of a squadron at anchor, there is perhaps no place on earth where the power and beauty of sea architecture can be so perfectly enjoyed as in this bay.

  The Non-Fiction

  Stevenson’s last home at Vailima on the island of Upolu, Samoa, where he lived from 1890 until his death in 1894. Stevenson became a popular figure amongst the locals, who bestowed upon him the Samoan name Tusitala (‘teller of tales’).

  VIRGINIBUS PUERISQUE AND OTHER PAPERS

  CONTENTS

  “VIRGINIBUS PUERISQUE”

  ON FALLING IN LOVE

  TRUTH OF INTERCOURSE

  CRABBED AGE AND YOUTH

  AN APOLOGY FOR IDLERS

  ORDERED SOUTH

  ÆS TRIPLEX

  EL DORADO

  THE ENGLISH ADMIRALS

  SOME PORTRAITS BY RAEBURN

  CHILD’S PLAY

  WALKING TOURS

  PAN’S PIPES

  A PLEA FOR GAS LAMPS

  “VIRGINIBUS PUERISQUE”

  I.

  With the single exception of Falstaff, all Shakespeare’s characters are what we call marrying men. Mercutio, as he was own cousin to Benedick and Biron, would have come to the same end in the long run. Even Iago had a wife, and, what is far stranger, he was jealous. People like Jacques and the Fool in Lear, although we can hardly imagine they would ever marry, kept single out of a cynical humour or for a broken heart, and not, as we do nowadays, from a spirit of incredulity and preference for the single state. For that matter, if you turn to George Sand’s French version of As You Like It (and I think I can promise you will like it but little), you will find Jacques marries Celia just as Orlando marries Rosalind.

  At least there seems to have been much less hesitation over marriage in Shakespeare’s days; and what hesitation there was was of a laughing sort, and not much more serious, one way or the other, than that of Panurge. In modern comedies the heroes are mostly of Benedick’s way of thinking, but twice as much in earnest, and not one quarter so confident. And I take this diffidence as a proof of how sincere their terror is. They know they are only human after all; they know what gins and pitfalls lie about their feet; and how the shadow of matrimony waits, re
solute and awful, at the cross-roads. They would wish to keep their liberty; but if that may not be, why, God’s will be done! “What, are you afraid of marriage?” asks Cécile, in Maître Guerin. “Oh, mon Dieu, non!” replies Arthur; “I should take chloroform.” They look forward to marriage much in the same way as they prepare themselves for death: each seems inevitable; each is a great Perhaps, and a leap into the dark, for which, when a man is in the blue devils, he has specially to harden his heart. That splendid scoundrel, Maxime de Trailles, took the news of marriages much as an old man hears the deaths of his contemporaries. “C’est désespérant,” he cried, throwing himself down in the arm-chair at Madame Schontz’s; “c’est désespérant, nous nous marions tous!” Every marriage was like another gray hair on his head; and the jolly church bells seemed to taunt him with his fifty years and fair round belly.

  The fact is, we are much more afraid of life than our ancestors, and cannot find it in our hearts either to marry or not to marry. Marriage is terrifying, but so is a cold and forlorn old age. The friendships of men are vastly agreeable, but they are insecure. You know all the time that one friend will marry and put you to the door; a second accept a situation in China, and become no more to you than a name, a reminiscence, and an occasional crossed letter, very laborious to read; a third will take up with some religious crotchet and treat you to sour looks thence-forward. So, in one way or another, life forces men apart and breaks up the goodly fellowships for ever. The very flexibility and ease which make men’s friendships so agreeable while they endure, make them the easier to destroy and forget. And a man who has a few friends, or one who has a dozen (if there be any one so wealthy on this earth), cannot forget on how precarious a base his happiness reposes; and how by a stroke or two of fate — a death, a few light words, a piece of stamped paper, a woman’s bright eyes — he may be left, in a month, destitute of all. Marriage is certainly a perilous remedy. Instead of on two or three, you stake your happiness on one life only. But still, as the bargain is more explicit and complete on your part, it is more so on the other; and you have not to fear so many contingencies; it is not every wind that can blow you from your anchorage; and so long as Death withholds his sickle, you will always have a friend at home. People who share a cell in the Bastile, or are thrown together on an uninhabited isle, if they do not immediately fall to fisticuffs, will find some possible ground of compromise. They will learn each other’s ways and humours, so as to know where they must go warily, and where they may lean their whole weight. The discretion of the first years becomes the settled habit of the last; and so, with wisdom and patience, two lives may grow indissolubly into one.

  But marriage, if comfortable, is not at all heroic. It certainly narrows and damps the spirits of generous men. In marriage, a man becomes slack and selfish, and undergoes a fatty degeneration of his moral being. It is not only when Lydgate misallies himself with Rosamond Vincy, but when Ladislaw marries above him with Dorothea, that this may be exemplified. The air of the fireside withers out all the fine wildings of the husband’s heart. He is so comfortable and happy that he begins to prefer comfort and happiness to everything else on earth, his wife included. Yesterday he would have shared his last shilling; to-day “his first duty is to his family,” and is fulfilled in large measure by laying down vintages and husbanding the health of an invaluable parent. Twenty years ago this man was equally capable of crime or heroism; now he is fit for neither. His soul is asleep, and you may speak without constraint; you will not wake him. It is not for nothing that Don Quixote was a bachelor and Marcus Aurelius married ill. For women, there is less of this danger. Marriage is of so much use to a woman, opens out to her so much more of life, and puts her in the way of so much more freedom and usefulness, that, whether she marry ill or well, she can hardly miss some benefit. It is true, however, that some of the merriest and most genuine of women are old maids; and that those old maids, and wives who are unhappily married, have often most of the true motherly touch. And this would seem to show, even for women, some narrowing influence in comfortable married life. But the rule is none the less certain: if you wish the pick of men and women, take a good bachelor and a good wife.

  I am often filled with wonder that so many marriages are passably successful, and so few come to open failure, the more so as I fail to understand the principle on which people regulate their choice. I see women marrying indiscriminately with staring burgesses and ferret-faced, white-eyed boys, and men dwell in contentment with noisy scullions, or taking into their lives acidulous vestals. It is a common answer to say the good people marry because they fall in love; and of course you may use and misuse a word as much as you please, if you have the world along with you. But love is at least a somewhat hyperbolical expression for such luke-warm preference. It is not here, anyway, that Love employs his golden shafts; he cannot be said, with any fitness of language, to reign here and revel. Indeed, if this be love at all, it is plain the poets have been fooling with mankind since the foundation of the world. And you have only to look these happy couples in the face, to see they have never been in love, or in hate, or in any other high passion, all their days. When you see a dish of fruit at dessert, you sometimes set your affections upon one particular peach or nectarine, watch it with some anxiety as it comes round the table, and feel quite a sensible disappointment when it is taken by some one else. I have used the phrase “high passion.” Well, I should say this was about as high a passion as generally leads to marriage. One husband hears after marriage that some poor fellow is dying of his wife’s love. “What a pity!” he exclaims; “you know I could so easily have got another!” And yet that is a very happy union. Or again: A young man was telling me the sweet story of his loves. “I like it well enough as long as her sisters are there,” said this amorous swain; “but I don’t know what to do when we’re alone.” Once more: A married lady was debating the subject with another lady. “You know, dear,” said the first, “after ten years of marriage, if he is nothing else, your husband is always an old friend.” “I have many old friends,” returned the other, “but I prefer them to be nothing more.” “Oh, perhaps I might prefer that also!” There is a common note in these three illustrations of the modern idyll; and it must be owned the god goes among us with a limping gait and blear eyes. You wonder whether it was so always; whether desire was always equally dull and spiritless, and possession equally cold. I cannot help fancying most people make, ere they marry, some such table of recommendations as Hannah Godwin wrote to her brother William anent her friend, Miss Gay. It is so charmingly comical, and so pat to the occasion, that I must quote a few phrases. “The young lady is in every sense formed to make one of your disposition really happy. She has a pleasing voice, with which she accompanies her musical instrument with judgment. She has an easy politeness in her manners, neither free nor reserved. She is a good housekeeper and a good economist, and yet of a generous disposition. As to her internal accomplishments, I have reason to speak still more highly of them: good sense without vanity, a penetrating judgment without a disposition to satire, with about as much religion as my William likes, struck me with a wish that she was my William’s wife.” That is about the tune: pleasing voice, moderate good looks, unimpeachable internal accomplishments after the style of the copy-book, with about as much religion as my William likes; and then, with all speed, to church.