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Collected Poems

Page 32

by Peter Redgrove


  And distilling by its queries passionless thought

  In small puffs from the alembics

  Of sleeves and collars

  With the tiny writing motions

  And slight nods of head; everybody

  In this well-lighted room

  Of sharp pencils and dazzling pages

  And cleanest clothes is exhaling subtexts,

  Is inhaling information secretly colluding;

  The invigilator knows there is no copying –

  But how can all the answers be identical?

  He is suspicious of the brightest boy

  And the dullest, equally.

  BLACKTHORN WINTER

  A blackthorn winter. The trees lighter

  Than at other times, showing

  The inwards of their leaves; the stars

  Because of the bitter wind

  Twinkle fiercely; the masses of air

  Create a hollow echoing in the woodland;

  Sunset’s slant light rebuilds ghost villages, echoing

  In their shadow-plane out of moist deep foundations,

  And celtic boundaries pulse in ceaseless wind-markings;

  To smell the touch of the wind, to hear the contours.

  UNDER THE RESERVOIR

  The reservoir great as the weight

  Of a black sun radiates through the cracks

  In the concrete, expresses water supercharged

  By pressure and darkness, the whole body

  Of water leaning on the hairline cracks,

  Water pumping itself through masonry

  Like light through glass. Water charged

  By the mystery of lying there in storeys

  In transparent tons staring both upwards and downwards

  (His coffee hand spills on his shirt the regalia

  Of his worried mind in linked splashes like medals

  Of a muddy war)

  The reservoirs in their unending battle to flow

  Turned into steely strain like hammered pewter

  Endure their thousand tons of mud, as though

  They held their surfaces open like Samson

  To the dust that sifts on to their cold pewter,

  And rejoice in their dark linings, as they might

  Rejoice in plentiful seed,

  Black seed of illimitable forest cracking

  Open the stone rooms when the water has gone.

  FALMOUTH CLOUDS

  I

  The weather, opening and closing

  Doors in the head,

  Opening them gently like

  A gradual suffusion of sun, or

  Slamming thunder-splattered doors shut,

  II

  With a jangle of chairs disclosing

  A writhing chain-locker of cloud

  Slithering away into itself.

  III

  A chalky bust of Beethoven breaks open

  On rows of ruffled theatre-chocolates which gleam

  In the lightning; then, the stars

  Walking in long chiffons of rain

  IV

  Where later chiffons are unrolled

  Along a blue counter, a bolt of silk thumped down

  So it unrolls with an astonishing perfume

  And a blaze of white.

  V

  In the high wind implosions of dark-cloaked cloud

  As through the stage trapdoors called ‘vampires’, plunge.

  VI

  An exploding herb-garden or laboratory

  Shoots across the sky,

  Arrests one’s head and simultaneously

  Across the inside of that dome

  Plants horticultures of changeable perfumes.

  VII

  That ice-cathedral which built itself from nothing

  But faith, is being shot from a cannon

  For charity, with silver candlesticks and sonorous

  arches And clergy scattering in their whitest surplices;

  VIII

  The cathedral was full of dazzling tablecloths

  Which come rolling everywhere above on which are thrown

  Dark shadows from much higher, of personages who appear

  To be eating supper at a long table in an upper room.

  IX

  These clouds are packed with white gulls, while those

  Are an aviary of dark rainbirds; when they collide

  There is suddenly nothing but sun, hey presto.

  X

  Skywalkers with immense tension of presence

  And extreme visibility and invisibility as well,

  The cascades roll past, turn dragonish and then

  They are all simple lace very high

  On a blue robe which darkens with emergency generating stations

  Black as floating mines of coal.

  XI

  I wake from a dream of crowned and grimacing white faces

  To my bedroom window which crowds with vast white faces grimacing.

  SNIFFING TOM

  One who goes to and fro in summer

  Sniffing the saddles of girls’ cycles:

  A Sniffing Tom.

  The same chap (I know him well)

  Farts in the bath and bites the bubbles:

  He doubles as a Snorkist.

  To secure his rank, the prince

  Catches in his mouth the rank breath

  Of the dying king: this is the Air Apparent.

  He is crowned soon enough

  And married with Holy Rites, which should

  More properly be called Holy Ruts,

  For after copulation the rank dream comes,

  And he that dreams also sweats, farts, snores

  And erects and should revere

  Le rêve, its reverie, for he has dreamed

  A classy one, that he unlocked

  The school shed among the daffodils

  And it contained 100 girls’ cycles,

  So he sleeps to dream again, and sweats,

  And he is juicy; that is, sapient;

  By Jiminy, this is sooth! by the twins

  Of the two worlds, soothe, sleep

  And wake; by Gemini!

  IN THE LAB WITH THE LADY DOCTOR

  The Old Woman resembles a fairy-tale princess

  Who has stayed too long in her tower unrescued,

  She precedes me among the benches, she puts

  Her protective goggles on, and in this mood

  Resembles that gnome who captured me; I look closer:

  It is that gnome. She comes in again

  With a flock of young men in white flapping coats

  To whom she is goosegirl. I insist that the chemicals

  On this side of the bench are strictly mine, and this includes

  The bottle of gold salts, and the retort distilling

  An infusion of bull-semen. There will be a fight, it’s plain,

  One of the young Privatdocents has his white coat off already

  Underneath which he is naked, and in mock compliment I reach out

  And shake him firmly by the wedding-muscle, upon which

  He hits me all over maybe sixty times

  In five seconds with karate blows, one of which

  Catches me near my Person but safely thuds

  On pubic bone, and I declare ‘This assault should not

  Have helped your case, but nevertheless this does not mean

  That certain experiments cannot be performed in joint names …’

  At my resolve, a spattering of applause, and the Old Girl

  Crosses over from her young squires in dazzling plumage

  And asks to see the bruises, so I strip off my shirt.

  The marks of striking hands patter across my chest

  And already the dark bruises are rainbowing like pieces

  Of peacock tail. The young chap who inflicted them

  Stands by, sniffing my retort’s nozzle; with a shyly winning smile

  ‘Will you give me a drink of this?’ he asks. I feel like a fruit


  Which has been bruised in order to ferment

  Some delicious rare liquor; I say so; they applaud again.

  from FOUR POEMS OF LOVE AND TRANSITION

  I

  Her great thoroughfare,

  Her sunlit valley; from the testes

  Pass multitudes of liquid pearl. Her clitoris

  Is a pearl stud on the jade step whereby

  The jade pavilion is set on fire.

  Thus the train was laid,

  The rising stair, tides, docks, sluices,

  Saltworks; now they drink

  At the fountain of jade and raise

  Their heads, dripping, and look around

  At the chambers of paradise richly furnished

  With the perfume which are prayers

  Said on the prayer-mats of flesh and bone.

  […]

  IV

  The cat returning after his night’s foray,

  All the smells of it about him,

  All the dews soaked deep into his midnight fur

  By passage through the midnight grass

  Which is the multitude observatory of the sky,

  Each blade a green telescope poring upwards

  A tube of green ichor-lenses

  To which the whole earth puts her eye;

  This observatory absorbs within itself

  The rays of moon and stars, they sweat

  Green recording-dew, these vessels,

  A liquor which contains their transits,

  And these cassettes of crystal are transferred

  Like unction to the cat’s black coat.

  He is a walking astronomy.

  He is liquor-of-moon in its animal form,

  He is one whole-body deep-perfumed black moustache

  Wandering thunderstruck full of kisses

  Of astrological perfume through the grass verges.

  from BUVEUR’S FAREWELL

  Afore Ye Go!

  II

  The brown light of God all around,

  The mature autumnal light, soaked

  Into the eyepods of pure ambrosia,

  He says, leaning back, his elbow

  On the bar, and sucks his cigarette,

  An impalpable meal that will not stick

  On a fork, a satisfactory intangible meal

  Of talk in syllables of tobacco ash,

  A communion in a temple of fellowdrinkers

  Sharing the one round belly, one acrid breath.

  III

  Like Gods, we relish

  The burnt sacrifice,

  A meal of grey ghost

  Inhaled, and we scatter

  The yellow ashes

  Of earth-brown beer used up

  Pissed out clean,

  For we are plumbers and purifiers

  In the place where women

  May not enter and which is dirtier

  Than they would believe; we gaze

  At the ceiling like astronomers

  As we grab our pub-tackle

  In dreamy relaxation,

  Tributory stream, contributing,

  Sings Piss-on-Boots.

  V

  The benefits receding

  Cigarettes and beer

  Make small turds;

  And the poet caught on a shingle

  Seething with fag-ends

  And dead men, which is what

  With prophetic insight

  They call empty bottles;

  The dead men outnumber all the stars.

  VII

  And in the abrasive return

  To the house of children and regular meals

  Do these spirits satisfy actually?

  It may be not, but it is still the way

  To achieve the serenity of the woman

  In her temple with her child

  Where the raw is cooked and spooned

  Into the hungry mouths sweet as flowers;

  Accordingly we like hunters quaff the raw

  Blood of the world out of barrels, the darting

  Lightning of brandies. I say it is a womb-state,

  A gentleman’s lodge on the way home, and communion,

  This meal taken in a male Sabbath

  Or sewer, as you prefer.

  VIII

  Not just a meal

  But a frenzy,

  A three-and-a-half-hour’s feast

  With messages from Booze Country;

  The poet will get an idea, with trembling hand

  Unhasp the small pocket pad or tablet …

  The morning after – what disgrace!

  The script too shaking to be read:

  It is in Doctor Death’s handwriting

  Illegibly prescribing from his own pharmacy.

  IX

  Buveur

  A gallon-an-hour man,

  He is a river below the waist

  Sliding towards the sea

  He has drunk up his legs

  Staggering from this church

  Its stained glass

  The quaffable brown light of God

  Of the Real (meaning Royal) Ale Hall;

  The depth and sheer well

  Of opening time not deep enough

  Not if it were all the beer in the world –

  Why, he could leak it!

  Or the globe of the world turned to beer

  Whirling about the sun

  In one great tun,

  The cloud-capped towers of alcohol …

  X

  The skin tight at extreme

  He has the notably bad idea of taking drink back

  For the wife and the daughter –

  In the brown earth-light

  Of the spirit of earth

  Passing through him,

  At last he has the Sight!

  The town is a harmony, the people orient wheat,

  Each man is a spirit, the ships

  In the harbour are one ship

  Containing the same spirit

  Who is three hundred men

  All piss-pals.

  XII

  The liturgy is out of hand,

  The brown eyes of God shining

  From all the tables

  We sit round tables

  Furnished with pint-eyes,

  Brown eyes in glass sockets –

  We blind them all, one after another,

  To obtain the Sight.

  XIII

  The dust interests,

  And the ashes,

  The goblet of dog-ends,

  The sheer well of all beer

  Interests

  The brown light

  Which is all places on earth at once

  And the Mass of ships on the estuary

  Interest, every detail seen

  Through a precise microscope of pints and at once

  Forgotten, because of the greater interest

  Of the next grain of dust,

  Or sufflation of the breeze, forgotten.

  I am a wax face through which beer pours

  Into a self greater than I can understand

  Or remember, I feel eternal and young,

  For I drink up the brown child of beer,

  All beers are young beers,

  I drink up the adolescent,

  I drink up my childhood,

  My health, my wealth, my safety.

  XV

  To stroll home from his church

  After purification by pickling,

  The brown light of God about him,

  The khaki earth-light, the cackie air,

  The women in their skirts of fine foam

  And light ale in bottles of pubic hair,

  All clothes drinking-clothes

  The company of saints swaggering and staggering

  From home to pub to home to pub

  Pace down the bottomless well

  To the brown basis of things.

  XVI

  The women shine, it is something

  They distil from the booze

 
; And redistil as they talk

  Filling up the retort sip by sip;

  The brown leather benches shine

  With the polishing transit of

  Boozers past, present and finished,

  Things shine of themselves

  At the bottom of this well, it is

  Neo-platonic and like the brown back of books,

  Study-pub, the volumes bound in glass

  And with a handle and all precisely

  The same length, or a prescribed length

  Like easy books, and you can tell

  In this library who is well-read by their gait.

  XVII

  Taking new surroundings

  With each pint,

  The feet carrying me without my volition

  Back to the drowning-place

  Where I sit under flavoured brown water

  Drinking from never-empty glasses;

  The whole air is my tears and urine;

  We converse as the fishes do

  By gobbling and presentiment,

  The entire room is our bubbling voice

  We are a school of people who drink

  Like fish and are pissed as newts

  And piss the brown of exhausted blood,

  The mud of nicotine and decay,

  Brown years, brown bread, mud bed,

  Brown moss; the curtains

  Sweep open, they have let

  Too much light into this place, the drowned

  Corpses puff up to the ceiling.

  XVIII

  Bed to pub to bed to pub

  Despite wife and daughter –

  They will take you on again,

  Like ships, under their white sails

  Blinding as blossom, masts of cherry-tree,

  Who, blown along by their blossom,

  Sail in willing to take you

  Aboard again

  Brown sailor

  Bronzed by his voyages

  Through his sabbaths and sewers

  As ballast

 

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