Song of Solomon

by Toni Morrison

  Four little colored girls had been blown out of a church, and his mission was to approximate as best he could a similar death of four little white girls some Sunday, since he was the Sunday man. He couldn’t do it with a piece of wire, or a switchblade. For this he needed explosives, or guns, or hand grenades. And that would take money. He knew that the assignments of the Days would more and more be the killing of white people in groups, since more and more Negroes were being killed in groups. The single, solitary death was going rapidly out of fashion, and the Days might as well prepare themselves for it.

  So when Milkman came to him with a proposal to steal and share a cache of gold, Guitar smiled. “Gold?” He could hardly believe it.

  “Gold.”

  “Nobody got gold, Milkman.”

  “Pilate does.”

  “It’s against the law to have gold.”

  “That’s why she got it. She can’t use it, and she can’t report its being stolen since she wasn’t supposed to have it in the first place.”

  “How do we get rid of it—get greenbacks for it?”

  “Leave that to my father. He knows bank people who know other bank people. They’ll give him legal tender for it.”

  “Legal tender.” Guitar laughed softly. “How much legal tender will it bring?”

  “That’s what we have to find out.”

  “What’s the split?”

  “Three ways.”

  “Your papa know that?”

  “Not yet. He thinks it’s two ways.”

  “When you gonna tell him?”

  “Afterwards.”

  “Will he go for it?”

  “How can he not go for it?”

  “When do we get it?”

  “Whenever we want to.”

  Guitar spread his palm. “My man.” Milkman slapped his hand. “Legal tender. Legal tender. I love it. Sounds like a virgin bride.” Guitar rubbed the back of his neck and lifted his face to the sun in a gesture of expansiveness and luxury.

  “Now we have to come up with something. A way to get it,” said Milkman.

  “Be a breeze. A cool cool breeze,” Guitar continued, smiling at the sun, his eyes closed as though to ready himself for the gold by trying out a little bit of the sun’s.

  “A breeze?” Now that Guitar was completely enthusiastic, Milkman’s own excitement was blunted. Something perverse made him not want to hand the whole score to his friend on a platter. There should be some difficulty, some complication in this adventure. “We just walk over there and snatch it off the wall, right? And if Pilate or Reba say anything, we just knock them out the way. That what you have in mind?” He summoned as much irony as he could into his voice.

  “Defeatism. That’s what you got. Defeatism.”

  “Common sense is what I got.”

  “Come on, old dude. Your pappy give you a good thing and you want to fight it.”

  “I’m not fighting. I just want to get out alive and breathing so what I snatch does me some good. I don’t want to have to give it to a brain surgeon to pull an ice pick out the back of my head.”

  “Can’t no ice pick get through the back of your head, nigger”

  “Can get through my heart.”

  “What you doin with a heart anyway?”

  “Pumping blood. And I’d like to keep on pumping it.”

  “Okay. We got us a problem. A little bitty problem: how can two big men get a fifty-pound sack out of a house with three women in it—women who all together don’t weigh three hundred pounds.”

  “What you have to weigh to pull a trigger?”

  “What trigger? Nobody in that house got a gun.”

  “You don’t know what Hagar’s got.”

  “Look, Milk. She’s been trying to kill you for almost a year. Used everything she could get her hands on and never once did she use a gun.”

  “So? Maybe she’s thinking. Wait till next month.”

  “Next month she’ll be too late, won’t she?” Guitar leaned his head over to the side and smiled at Milkman, an engaging boyish smile. Milkman hadn’t seen him this relaxed and cordial in a long long time. He wondered if that’s why he had let him in on it. Obviously he could pull it off alone, but maybe he wanted to see Guitar warm and joking again, his face open and smiling instead of with that grim reaper look.

  They met again on Sunday on route 6 away from the colored part of town. A road consisting of used-car lots, Dairy Queens, and White Castle hamburger places. It was empty of shoppers that morning—nothing but the occasional sound of automobiles breaking the graveyard silence of the cars in the lots, lined up like tombstones.

  Since that last conversation—the important one in which Guitar explained his work, not the brief chancy talks they’d had afterward—Milkman wished he had the nerve to ask Guitar the question that was bothering him. “Has he?” He could hardly phrase the question in his own mind, and certainly could never say it aloud. Guitar had impressed him with the seriousness and the dread of the work of the Days, and the danger. He had said that the Days never even talked about the details among themselves, so Milkman was sure any inquiry from him would only make Guitar sullen again. And cold. But the question was there. “Has he done it? Has he really killed somebody?” Like the old men on Tenth Street, now he bought the morning and evening papers, and once every two weeks the black newspaper, and read nervously, looking for reports of murders that appeared suspicious, pointless. When he found one, he followed the news stories until a suspect was found. Then he had to see if there were any black people murdered by someone other than their own.

  “Did you do it yet?” He was like a teen-age girl wondering about the virginity of her friend, the friend who has a look, a manner newly minted—different, separate, focused somehow. “Did you do it yet? Do you know something both exotic and ordinary that I have not felt? Do you now know what it’s like to risk your one and only self? How did it feel? Were you afraid? Did it change you? And if I do it, will it change me too?”

  Maybe he could ask him one day, but not this day when it was so much like old times. Taking risks together the way they did when Milkman was twelve and Guitar was a teen-ager and they swaggered, haunched, leaned, straddled, ran all over town trying to pick fights or at least scare somebody: other boys, girls, dogs, pigeons, old women, school principals, drunks, ice cream vendors, and the horses of junkyard men. When they succeeded they rode the wind and covered their mouths to aggravate their laughter. And when they didn’t, when somebody out-insulted them, or ignored them, or sent them running, they wisecracked and name-called until the sweat of embarrassment evaporated from the palms of their hands. Now they were men, and the terror they needed to provoke in others, if for no other reason than to feel it themselves, was rarer but not lighter. Dominion won by fear and secured by fear was still sweeter than any that could be got another way. (Except for women, whom they liked to win with charm but keep with indifference.)

  It was like that again now, and Milkman didn’t want to lose it.

  There was something else too. Guitar had placed himself willingly and eagerly in a life cause that would always provide him with a proximity to knife-cold terror. Milkman knew his own needs were milder, for he could thrive in the presence of someone who inspired fear. His father, Pilate, Guitar. He gravitated toward each one, envious of their fearlessness now, even Hagar’s, in spite of the fact that she was no longer a threat, but a fool who wanted not his death so much as his attention. Guitar could still create the sense of danger and life lived on the cutting edge. So Milkman had brought him into this scheme only partially for his help. Mostly because this escapade cried out for a cutting edge to go with its larklike quality. With Guitar as his co-conspirator, Milkman could look forward to both fun and fear.

  They sauntered on down route 6, stopping frequently to examine the cars, gesticulating, bantering each other about the best way to burglarize a shack that, as Guitar said, “didn’t have a door or window with a lock.”

  “But it’s got p
eople,” Milkman insisted. “Three. All crazy.”

  “Women.”

  “Crazy women.”

  “Women.”

  “You’re forgetting, Guitar, how Pilate got the gold in the first place. She waited in a cave with a dead man for three days to haul it out, and that was when she was twelve. If she did that at twelve to get it, what you think she’ll do now when she’s almost seventy to keep it?”

  “We don’t have to be rough. Cunning is all we need to be.”

  “Okay. Tell me how you gonna cunning them out of the house.”

  “Well, let’s see now.” Guitar stopped to scratch his back on a telephone pole. He closed his eyes, in either the ecstasy of relief or the rigors of concentration. Milkman stared off into the sky for inspiration, and while glancing toward the rooftops of the used-car places, he saw a white peacock poised on the roof of a long low building that served as headquarters for Nelson Buick. He was about to accept the presence of the bird as one of those waking dreams he was subject to whenever indecisiveness was confronted with reality, when Guitar opened his eyes and said, “Goddam! Where’d that come from?”

  Milkman was relieved. “Must of come from the zoo.”

  “That raggedy-ass zoo? Ain’t nothing in there but two tired monkeys and some snakes.”

  “Well, where then?”

  “Beats me.”

  “Look—she’s flying down.” Milkman felt again his unrestrained joy at anything that could fly. “Some jive flying, but look at her strut.”

  “He.”

  “Huh?”

  “He. That’s a he. The male is the only one got that tail full of jewelry. Son of a bitch. Look at that.” The peacock opened its tail wide. “Let’s catch it. Come on, Milk,” and Guitar started to run toward the fence.

  “What for?” asked Milkman, running behind him. “What we gonna do if we catch him?”

  “Eat him!” Guitar shouted. He swung easily over the double pipes that bordered the lot and began to circle the bird at a distance, holding his head a little to the side to fool the peacock, which was strutting around a powder-blue Buick. It closed its tail and let the tips trail in the gravel. The two men stood still, watching.

  “How come it can’t fly no better than a chicken?” Milkman asked.

  “Too much tail. All that jewelry weighs it down. Like vanity. Can’t nobody fly with all that shit. Wanna fly, you got to give up the shit that weighs you down.”

  The peacock jumped onto the hood of the Buick and once more spread its tail, sending the flashy Buick into oblivion.

  “Faggot.” Guitar laughed softly. “White faggot.”

  Milkman laughed too, and they watched a while more before leaving the used cars and the pure white peacock.

  But the bird had set them up. Instead of continuing the argument about how they would cop, they began to fantasize about what the gold could buy when it became legal tender. Guitar, eschewing his recent asceticism, allowed himself the pleasure of waking up old dreams: what he would buy for his grandmother and her brother, Uncle Billy, the one who had come up from Florida to help raise them all after his father died; the marker he would buy for his father’s grave, “pink with lilies carved on it”; then stuff for his brother and sisters, and his sisters’ children. Milkman fantasized too, but not for the stationary things Guitar described. Milkman wanted boats, cars, airplanes, and the command of a large crew. He would be whimsical, generous, mysterious with his money. But all the time he was laughing and going on about what he would do and how he planned to live, he was aware of a falseness in his voice. He wanted the money—desperately, he believed—but other than making tracks out of the city, far away from Not Doctor Street, and Sonny’s Shop, and Mary’s Place, and Hagar, he could not visualize a life that much different from the one he had. New people. New places. Command. That was what he wanted in his life. And he couldn’t get deep into Guitar’s talk of elegant clothes for himself and his brother, sumptuous meals for Uncle Billy, and week-long card games in which the stakes would be a yard and a half and then a deuce and a quarter. He screamed and shouted “Wooeeeee!” at Guitar’s list, but because his life was not unpleasant and even had a certain amount of luxury in addition to its comfort, he felt off center. He just wanted to beat a path away from his parents’ past, which was also their present and which was threatening to become his present as well. He hated the acridness in his mother’s and father’s relationship, the conviction of righteousness they each held on to with both hands. And his efforts to ignore it, transcend it, seemed to work only when he spent his days looking for whatever was light-hearted and without grave consequences. He avoided commitment and strong feelings, and shied away from decisions. He wanted to know as little as possible, to feel only enough to get through the day amiably and to be interesting enough to warrant the curiosity of other people—but not their all-consuming devotion. Hagar had given him this last and more drama than he could ever want again. He’d always believed his childhood was sterile, but the knowledge Macon and Ruth had given him wrapped his memory of it in septic sheets, heavy with the odor of illness, misery, and unforgiving hearts. His rebellions, minor as they were, had all been in the company of, or shared with, Guitar. And this latest Jack and the Beanstalk bid for freedom, even though it had been handed to him by his father—assigned almost—stood some chance of success.

  He had half expected his friend to laugh at him, to refuse with some biting comment that would remind Milkman that Guitar was a mystery man now, a man with blood-deep responsibilities. But when he watched Guitar’s face as he described what could be had almost for the asking, he knew right away he hadn’t guessed wrong. Maybe the professional assassin had had enough, or had changed his mind. Had he…? “Did you…?” As he listened to him go over each detail of meals, clothes, tombstones, he wondered if Guitar simply could not resist the lure of something he had never had—money.

  Guitar smiled at the sun, and talked lovingly of televisions, and brass beds, and week-long card games, but his mind was on the wonders of TNT.

  By the time they’d exhausted their imaginative spending, it was almost noon and they were back on the edge of Southside. They picked up where they’d left off in the discussion of the scheme. Guitar was ready now; Milkman was still cautious. Too cautious for Guitar.

  “I don’t understand you. You come running after me with a dynamite proposition, and for three days we talk about it, the best news I’ve had since pussy, but when we get down to business, you come up with some shit about how it can’t be done. You shucking me or what?”

  “What would I be shucking for? I didn’t have to tell you about it.”

  “I don’t know. I don’t even know why you doing it. You know about me—you can guess why I’m in it. But money ain’t never been what you needed or couldn’t get.”

  Milkman ignored the reference to why Guitar was “in it,” and said as calmly as he could, “I need it to get away. I told you, man. I got to get out of here. Be on my own.”

  “On your own? With a million-dollar wallet, you call that on your own?”

  “Fuck you. What difference does it make why I want it?”

  “Cause I’m not sure you do want it. At least not bad enough to go ahead and cop.”

  “I just want it right. No hassles. No…You know, burglary is a serious crime. I don’t want to end up in—”

  “What burglary? This ain’t no burglary. This is Pilate.”

  “So?”

  “So! They’re your people.”

  “They re still people, and people scream.”

  “What’s the worst? What’s the worst thing can happen? We bust in, right? Suppose all three of them are there. They’re women. What can they do? Whip us?”

  “Maybe.”

  “Come on! Who? Hagar? Right up in your face she blows it. Pilate? She loves you, boy. She wouldn’t touch you.”

  “You believe that?”

  “Yeah, I believe it! Look. You got qualms, tell me about them. Because you rela
ted? Your daddy’s more related than you are, and it’s his idea.”

  “It’s not that.”

  “Then what?”

  “They’re crazy, Guitar. Nobody knows what they’ll do; they don’t even know.”

  “I know they’re crazy. Anybody live like they do, selling fifty-cent wine and peeing in a bucket, with one million dollars hanging over their nappy heads, has to be. You scared of craziness? If you are, you’re crazy.”

  “I don’t want to be caught, that’s all. I don’t want to do time. I want to plan it so neither one happens. How come that’s too much to ask? To plan.”

  “It don’t look like planning. Looks like stalling.”

  “It is planning. Planning how to get them out the house. How to get us in the house. How to cut that sack off the ceiling and then get back out the house and on down the street. And it’s hard to plan with them. They’re not regular. They don’t have regular habits. And then there’s the wineheads. One of them liable to drop in any old time. They’re not clock people, Guitar. I don’t believe Pilate knows how to tell time except by the sun.”

  “They sleep at night.”

  “Anybody sleep can wake up.”

  “Anybody woke up can be knocked down.”

  “I don’t want to knock nobody down. I want them gone when we hit.”

  “And what’s gonna make them leave?”

  Milkman shook his head. “An earthquake, maybe.”

  “Then let’s make an earthquake.”

  “How?”

  “Set the house on fire. Put a skunk in there. A bear. Something. Anything.”

  “Be serious, man.”

  “I’m trying, baby. I’m trying. Don’t they go nowhere?”

  “All together?”

  “All together.”

  Milkman shrugged. “Funerals. They go to funerals. And circuses.”

  “Oh, man! We have to wait for somebody to die? Or for Ringling Brothers to come to town?”

  “I’m trying to figure it out is all. At the moment we don’t have a chance.”