The Grass Harp

by Truman Capote

  But Dolly really wanted not to hear. As thought scattering a dream she brushed back her veil. "I want to believe Catherine is gone; and I can't. If I could I would run to find her. I want to believe Verena has done this: and I can't. Collin, what do you think; is it that after all the world is a bad place? Last night I saw it so differently."

  The Judge focused his eyes on mine: he was trying, I think, to tell me how to answer. But I knew myself. No matter what passions compose them, all private worlds are good, they are never vulgar places: Dolly had been made too civilized by her own, the one she shared with Catherine and me, to feel the winds of wickedness that circulate elsewhere: No, Dolly, the world is not a bad place. She passed a hand across her forehead: "If you are right, then in a moment Catherine will be walking under the tree- she won't have found you or Riley, but she will have come back."

  "By the way," said the Judge, "where is Riley?"

  He'd run ahead of me, that was the last I'd seen of him; with an anxiety that struck us simultaneously, the Judge and I stood up and started yelling his name. Our voices, curving slowly around the woods, again, again swung back on silence. I knew what had happened: he'd fallen into an old Indian well.-many's the case I could tell you of. I was about to suggest this when abruptly the Judge put a finger to his Ups. The man must have had ears like a dog: I couldn't hear a sound. But he was right, there was someone on the path. It turned out to be Maude Riordan and Riley's older sister, the smart one, Elizabeth. They were very dear friends and wore white matching sweaters, Elizabeth was carrying a violin case.

  "Look here, Elizabeth," said the Judge, startling the girls, for as yet they had not discovered us. "Look here, child, have you seen your brother?"

  Maude recovered first, and it was she who answered. "We sure have," she said emphatically. "I was walking Elizabeth home from her lesson when Riley came along doing ninety miles an hour; nearly ran us over. You should speak to him, Elizabeth. Anyway, he asked us to come down here and tell you not to worry, said he'd explain everything later. Whatever that means."

  Both Maude and Elizabeth had been in my class at school; they'd jumped a grade and graduated the previous June. I knew Maude especially well because for a summer I'd taken piano lessons from her mother; her father taught violin, and Elizabeth Henderson was one of his pupils. Maude herself played the violin beautifully; just a week before I'd read in the town paper where she'd been invited to play on a radio program in Birmingham: I was glad to hear it. The Riordans were nice people, considerate and cheerful. It was not because I wanted to leam piano that I took lessons with Mrs. Riordan-è lather, I liked her blond largeness, the sympathetic, educated talk that went on while we sat before the splendid upright that smelled of polish and attention; and what I particularly liked was afterwards, when Maude would ask me to have a lemonade on the cool back porch. She was snub-nosed and elfin-eared, a skinny excitable girl who from her father had inherited Irish black eyes and from her mother platinum hair pale as morning-not the least like her best friend, the soulful and shadowy Elizabeth. I don't know what those two talked about, books and music maybe. But with me Maude's subjects were boys, dates, drugstore slander: didn't I think it was terrible, the awful girls Riley Henderson chased around with? she felt so sorry for Elizabeth, and thought it wonderful how, despite all, Elizabeth held up her head. It didn't take a genius to see that Maude was heartset on Riley; nevertheless, I imagined for a while that I was in love with her. At home I kept mentioning her until finally Catherine said Oh Maude Riordan, she's too scrawny-nothing on her to pinch, a man's crazy to give her the time of day. Once I showed Maude a big evening, made for her with my own hands a sweet-pea corsage, then took her to Phil's Cafe where we had Kansas City steaks; afterwards, there was a dance at the Lola Hotel. Still she behaved as though she hadn't expected to be kissed good night. "I don't think that's necessary, Collin-though it was cute of you to take me out." I was let down, you can see why; but as I didn't allow myself to brood over it our friendship went on little changed. One day, at the end of a lesson, Mrs. Riordan omitted the usual new piece for home practice; instead, she kindly informed me that she preferred not to continue with my lessons: "We're very fond of you, Collin, I don't have to say that you're welcome in this house at any time. But dear, (he truth is you have no ability for music; it happens that way occasionally, and I don't think it's fair on either of us to pretend otherwise." She was right, all the same my pride was hurt, I couldn't help feeling pushed-out, it made me miserable to think of the Riordans, and gradually, in about the time it took to forget my few hard-learned tunes, I drew a curtain on them. At first Maude used to stop me after school and ask me over to her house; one way or another I always got out of it; furthermore, it was winter then and I liked to stay in the kitchen with Dolly and Catherine. Catherine wanted to know: How come you don't talk any more about Maude Riordan? I said because I don't, that's all. But while I didn't talk, I must have been thinking; at least, seeing her there under the tree, old feelings squeezed my chest For the first time I considered the circumstances self-consciously: did we. Dolly, the Judge and I, strike Maude and Elizabeth as a ludicrous sight? I could be judged by them, they were my own age. But from their manner we might just have met on the street or at the drugstore.

  The Judge said, "Maude, how's your daddy? Heard he hasn't been feeling too good."

  "He can't complain. You know how men are, always looking for an ailment. And yourself, sir?"

  "That's a pity," said the Judge, his mind wandering. "You give your daddy my regards, and tell him I hope he feels better."

  Maude submitted agreeably: "I will, sir, thank you. I know hell appreciate your concern." Draping her skirt, she dropped on the moss and settled beside her an unwilling Elizabeth. For Elizabeth no one used a nickname; you might begin by calling her Betty, but in a week it would be Elizabeth again: that was her effect Languid, banana-boned, she had dour black hair and an apathetic, at moments saintly face-in an enamel locket worn around her lily-stalk neck she preserved a miniature of her missionary father. "Look, Elizabeth, isn't that a becoming hat Miss Dolly has on? Velvet, with a veil."

  Dolly roused herself; she patted her head. "I don't generally wear hats-we intended to travel."

  "We heard you'd left home," said Maude; and, proceeding more frankly; "In fact that's all anyone talks about, isnt it, Elizabeth?" Elizabeth nodded without enthusiasm. "Gracious, there are some peculiar stories going around. I mean, on the way here we met Gus Ham and he said that colored woman Catherine Crook (is that her name?) had been arrested for hitting Mrs. Buster with a mason jar."

  In sloping tones. Dolly said, "Catherine-had nothing to do with it."

  "I guess someone did," said Maude. "We saw Mrs. Buster in the post office this morning; she was showing everybody a bump on her head, quite large. It looked genuine to us, didn't it Elizabeth?" Elizabeth yawned. "To be sure, I don't care who hit her, I think they ought to get a medal"

  "No," sighed Dolly, "it isn't proper, it shouldn't have happened. We all will have a lot to be sorry for."

  At last Maude took account of me. "I've been wanting to see you, Collin," she said hurrying as though to hide an embarrassment: mine, not hers. "Elizabeth and I are planning a Halloween party, a real scary one, and we thought it would be grand to dress you in a skeleton suit and sit you in a dark room to tell people's fortunes: because you're so good at..."

  "Fibbing," said Elizabeth disinterestedly.

  "Which is what fortune-telling is," Maude elaborated.

  I don't know what gave them the idea I was such a storyteller, unless it was at school I'd shown a superior talent for alibis. I said it sounded fine, the party. "But you better not count on me. We might be in jail by then."

  "Oh well, in that case," said Maude, as if accepting one of my old and usual excuses for not coming to her house.

  "Say, Maude," said the Judge, helping us out of the silence that had fallen, "you're getting to be a celebrity: I saw in the paper where you're going to play on t
he radio."

  As though dreaming aloud, she explained the broadcast was the finals of a state competition; if she won, the prize was a musical scholarship at the University: even second prize meant a half-scholarship. "I'm going to play a piece of daddy's, a serenade: he wrote it for me the day I was born. But it's a surprise, I don't want him to know."

  "Make her play it for you," said Elizabeth, unclasping her violin case.

  Maude was generous, she did not have to be begged. The wine-colored violin, coddled under her chin, trilled as she tuned it; a brazen butterfly, lighting on the bow, was spiraled away as the bow swept across the strings singing a music that seemed a blizzard of butterflies flying, a sky-rocket of spring sweet to hear in the gnarled fall woods. It slowed, saddened, her silver hair drooped across the violin. We applauded; after we'd stopped there went on sounding a mysterious extra pair of hands. Riley stepped from behind a bank of fem, and when she saw him Maude's cheeks pinked. I don't think she would have played so well if she'd known he was listening.

  Riley sent the girls home; they seemed reluctant to go, but Elizabeth was not used to disobeying her brother. "Lock the doors," he told her, "and Maude, I'd appreciate it if you'd spend the night at our place: anybody comes by asking for me, say you don't know where I am."

  I had to help him into the tree, for he'd brought back his gun and a knapsack heavy with provisions-a bottle of rose and raisin wine, oranges, sardines, wieners, rolls from the Katydid Bakery, a jumbo box of animal crackers: each item appearing stepped up our spirits, and Dolly, overcome by the animal crackers, said Riley ought to have a kiss.

  But it was with grave face that we listened to his report.

  When we'd separated in the woods it was toward the sound of Catherine that he'd run. This had brought him to the grass: he'd been watching when I had my encounter with Big Eddie Stover. I said well why didn't you help me? "You were doing all right; I don't figure Big Eddie's liable to forget you too soon: poor fellow limped along doubled over." Besides, it occurred to him that no one knew he was one of us, that he'd Joined us in the tree: he was right to have stayed hidden, it made it possible for him to follow Catherine and the deputies into town. They'd stuffed her into the rumble-seat of Big Eddie's old coupe and driven straight to jail: Riley trailed them in his car. "By the time we reached the jail she seemed to have got quieted down; there was a little crowd hanging around, lads, some old farmers-you would have been proud of Catherine, she walked through them holding her dress together and her head like this." He tilted his head at a royal angle. How often I'd seen Catherine do that, especially when anyone criticized her (for hiding puzzle pieces, spreading misinformation, not having her teeth fixed); and Dolly, recognizing it too, had to blow her nose. "But," said Riley, "as soon as she was inside the jail she kicked up another fuss." In the jail there are only four cells, two for colored and two for white. Catherine had objected to being put in a colored people's cell.

  The Judge stroked his chin, waved his head. "You didn't get a chance to speak to her? She ought to have had the comfort of knowing one of us was there."

  'I stood around hoping she'd come to the window. But then I heard the other news."

  Thinking back, I don't see how Riley could have waited so bug to tell us. Because, my God: our friend from Chicago, that hateful Dr. Morris Ritz, had skipped town after rifling Verena's safe of twelve thousand dollars in negotiable bonds and more than seven hundred dollars in cash: that, as we later learned, was not half his loot. But wouldn't you know? I realized this was what baby-voiced Will Harris had been recounting to the Sheriff: no wonder Verena had sent a hurry call: her troubles with us must have become quite a side issue. Riley had a few details: he knew that Verena, upon discovering the safe door swung open (this happened in the office she kept above her drygoods store) had whirled around the comer to the Lola Hotel, there to find that Morris Ritz had checked out the previous evening: she fainted: when they-revived her she fainted all over again.

  Dolly's soft face hollowed; an urge to go to Verena was rising, at the same moment some sense of self, a deeper will, held her. Regretfully she gazed at me. "It's better you know it now, Collin; you shouldn't have to wait until you're as old as I am: the world is a bad place."

  A change, like a shift of wind, overcame the Judge: he looked at once his age, autumnal, bare, as though he believed that Dolly, by accepting wickedness, had forsaken him. But I knew she had not: he'd called her a spirit, she was really a woman. Uncorking the rose and raisin wine, Riley spilled its topaz color into four glasses; after a moment he filled a fifth, Catherine's. The Judge, raising the wine to his lips, proposed a toast: "To Catherine, give her trust." We lifted our glasses, and "Oh Collin," said Dolly, a sudden stark thought widening her eyes, "you and I, we're the only ones that can understand a word she says!"

  Five

  The following day, which was the first of October, a Wednesday, is one day I won't forget.

  First off, Riley woke me by stepping on my fingers. Dolly, already awake, insisted I apologize for cursing him. Courtesy, she said, is more important in the morning than at any other time: particularly when one is living in such close quarters. The Judge's watch, still bending the twig like a heavy gold apple, gave the time as six after six. I don't know whose idea it was, but we breakfasted on oranges and animal crackers and cold hotdogs. The Judge grouched that a body didn't feel human till he'd had a pot of hot coffee. We agreed that coffee was what we all most missed. Riley volunteered to drive into town and get some; also, he would have a chance to scout around, find out what was going on. He suggested I come with him: "Nobody's going to see him, not if he stays down in the seat." Although the Judge objected, saying he thought it foolhardy. Dolly could tell I wanted to go: I'd yearned so much for a ride in Riley's car that now the opportunity presented itself nothing, even the prospect that no one might see me, could have thinned my excitement. Dolly said, "I can't see there's any harm. But you ought to have a clean shirt: I could plant turnips in the collar of that one."

  The field of grass was without voice, no pheasant rustle, furtive flurry; the pointed leaves were sharp and blood-red as the aftermath arrows of a massacre; their brittieness broke beneath our feet as we waded up the hill into the cemetery. The view from there is very fine: the limitless trembling surface of River Woods, fifty unfolding miles of ploughed, wind-milled farmland, far-off the spired courthouse tower, smoking chimneys of town. I stopped by the graves of my mother and father. I had not often visited them, it depressed me, the tomb-cold stone-so unlike what I remembered of them, their aliveness, how she'd cried when he went away to sell his frigid-aires, how he'd run naked into the street. I wanted flowers for the terracotta jars sitting empty on the streaked and muddied marble. Riley helped me; he tore beginning buds off a japonica tree, and watching me arrange them, said: "I'm glad your ma was nice. Bitches, by and large." I wondered if he meant his own mother, poor Rose Henderson, who used to make him hop around (he yard reciting the multiplication table. It did seem to me, though, that he'd made up for those hard days. After all, he had a car that was supposed to have cost three thousand dollars. Second-hand, mind you. It was a foreign car, an Alfa-Romeo roadster (Romeo's Alfa, the joke was) he'd bought in New Orleans from a politician bound for the penitentiary.

  As we purred along the unpaved road toward town I kept hoping for a witness: there were certain persons it would have done my heart good to have seen me sailing by in Riley Hen-derson's car. But it was too early for anyone much to be about; breakfast was still on the stove, and smoke soared out the chimneys of passing houses. We turned the comer by the church, drove around the square and parked in the dirt lane that runs between Cooper's Livery and the Katydid Bakery. There Riley left me with orders to stay put: he wouldn't be more than an hour. So, stretching out on the seat, I listened to the chicanery of thieving sparrows in the livery stable's haystacks, breathed the fresh bread, tart as currant odors escaping from the bakery. The couple who owned this bakery, County was their name, Mr.
and Mrs. C. C. County, had to begin their day at three in the morning to be ready by opening time, eight o'clock. It was a clean prosperous place. Mrs. County could afford the most expensive clothes at Verena's drygoods store. While I lay there smelling the good things, the back door of the bakery opened and Mr. County, broom in hand, swept flour dust into the lane. I guess he was surprised to see Riley's car, and surprised to find me in it.

  "What you up to. Coffin?"

  "Up to nothing, Mr. County," I said, and asked myself if he knew about our trouble.

  "Sure am happy October's here," he said, rubbing the air with his fingers as though the chill woven into it was a material he could feel. "We have a terrible time in the summer: ovens and all make it too hot to live. See here, son, there's a gingerbread man waiting for you-come on in and run him down."

  Now he was not the kind of man to get me in there and then call the Sheriff.

  His wife welcomed me into the spiced heat of the oven room as though she could think of nothing pleasanter than my being there. Most anyone would have liked Mrs. County. A chunky woman with no fuss about her, she had elephant ankles, developed arms, a muscular face permanently fire-flushed; her eyes were like blue cake-icing, her hair looked as if she'd mopped it around in a flour barrel, and she wore an apron that trailed to the tips of her toes. Her husband also wore one; sometimes, with the fulsome apron still tied around him, I'd seen him crossing the street to have a time-off beer with the men that lean around the comer at Phil's Cafe: he seemed a painted clown, flopping, powdered, elegantly angular.

  Clearing a place on her work table, Mrs. County set me down to a cup of coffee and a warm tray of cinnamon rolls, the kind Dolly relished. Mr. County suggested I might prefer something else: "I promised him, what did I promise? a gingerbread man." His wife socked a lump of dough: "Those are for kids. He's a grown man; or nearly. Collin, just how old are you?"