The Complete Short Stories: Volume 1

by J. G. Ballard

  Once, as I ran through the darkness, my arm whirling before me, I passed the summer house where Captain Shelley kept guard over his dying wife, and heard him fire at me from the veranda.

  At last, late one afternoon, when the deepening ruby light of dusk settled through the forest, I entered a small clearing where the deep sounds of an organ reverberated among the trees. In the centre was a small church, its gilt spire fused to the surrounding trees.

  Raising my jewelled arm, I drove back the oak doors and entered the nave. Above me, refracted by the stained glass windows, a brilliant glow of light poured down upon the altar. Listening to the surging music, I leaned against the altar rail and extended my arm to the gold cross set with rubies and emeralds. Immediately the sheath slipped and dissolved like a melting sleeve of ice. As the crystals deliquesced the light poured from my arm like an overflowing fountain.

  Turning his head to watch me, the priest sat at the organ, his firm hands drawing from the pipes their great unbroken music, which soared away, interweaved by countless overtones, through the panels of the windows towards the dismembered sun.

  Life, like a dome of many-coloured glass, Stains the white radiance of eternity.

  For the next week I stayed with him, as the last crystal spurs dissolved from the tissues of my arm. All day I knelt beside him, working the bellows of the organ with my arm as the Pelestrina and Bach echoed around us. At dusk, when the sun sank in a thousand fragments into the western night, he would break off and stand on the porch, looking out at the spectral trees.

  I remembered him as Dr Thomas, the priest Captain Shelley had driven to the harbour. His slim scholar's face and calm eyes, their serenity belied by the nervous movements of his hands, like the false calm of someone recovering from an attack of fever, would gaze at me as we ate our small supper on a foot-stool beside the altar, sheltered from the cold allembalming wind by the jewels in the cross. At first I thought he regarded my survival as an example of the Almighty's intervention, and I made some token expression of gratitude. At this he smiled ambiguously.

  Why he had returned I did not try to guess. By now his church was surrounded on all sides by the crystal trellises, as if overtopped by the mouth of an immense glacier.

  One morning he found a blind snake, its eyes transformed into enormous jewels, searching hesitantly at the door of the porch, and carried it in his hands to the altar. He watched it with a wry smile when, its sight returned, it slid away noiselessly among the pews.

  On another day I woke to the early morning light and found him, alone, celebrating the Eucharist. He stopped, halfembarrassed, and over breakfast confided: 'You probably wonder what I was doing, but it seemed an appropriate moment to test the validity of the sacrament.' He gestured at the prismatic colours pouring through the stained glass windows, whose original scriptural scenes had been transformed into paintings of bewildering abstract beauty. 'It may sound heretical to say so, but the body of Christ is with us everywhere here - in each prism and rainbow, in the ten thousand faces of the sun.' He raised his thin hands, jewelled by the light. 'So you see, I fear that the church, like its symbol - ' here he pointed to the cross '- may have outlived its function.'

  I searched for an answer. 'I'm sorry. Perhaps if you left here - , 'No!' he insisted, annoyed by my obtuseness. 'Can't you understand? Once I was a true apostate - I knew God existed but could not believe in him. Now,' he laughed bitterly, 'events have overtaken me.'

  With a gesture he led me down the nave to the open porch, and pointed up to the dome-shaped lattice of crystal beams which reached from the rim of the forest like the buttresses of an immense cupola of diamond and glass. Embedded at various points were the almost motionless forms of birds with outstretched wings, golden orioles and scarlet macaws, shedding brilliant pools of light. The bands of liquid colour rippled outwards through the forest, the reflections of the melting plumage enveloping us in endless concentric patterns. The overlapping arcs hung in the air like the votive windows of a city of cathedrals. Everywhere around us I could see countless smaller birds, butterflies and insects, joining their miniature babes to the coronation of the forest.

  He took my arm. 'Here in this forest everything is transfigured and illuminated, joined together in the last marriage of time and space.'

  Towards the end, when we stood side by side with our backs to the altar, as the aisle transformed itself into an occluding tunnel of glass pillars, his conviction seemed to fail him. With an expression almost of panic he watched the keys of the organ manuals frosting like the coins of a bursting coffer, and I knew that he was searching for some means of escape.

  Then at last he rallied, seized the cross from the altar and pressed it into my arms, with a sudden anger born of absolute certainty dragged me roughly to the porch and propelled me to one of the narrowing vaults.

  'Go! Get away from here! Find the river!'

  When I hesitated, the heavy sceptre weighing upon my arms, he shouted fiercely: 'Tell them I ordered you to take it!'

  I last saw him standing arms outstretched to the approaching walls, in the posture of the illuminated birds, his eyes filled with wonder and relief at the first circles of light conjured from his upraised palms.

  Struggling with the huge golden incubus of the cross, I made my way towards the river, my tottering figure reflected in the hanging mirrors of the spanish moss like a lost Simon of Cyrene pictured in a medieval manuscript.

  I was still sheltering behind it when I reached Captain Shelley's summer house. The door was open, and I looked down at the bed in the centre of a huge fractured jewel, in whose frosted depths, like swimmers asleep on the bottom of an enchanted pool, Emerelda and her husband lay together. The Captain's eyes were closed, and the delicate petals of a blood-red rose blossomed from the hole in his breast like an exquisite marine plant. Beside him Emerelda slept serenely, the unseen motion of her heart sheathing her body in a faint amber glow, the palest residue of life.

  Something glittered in the dusk behind me. I turned to see a brilliant chimera, a man with incandescent arms and chest, race past among the trees, a cascade of particles diffusing in the air behind him. I flinched back behind the cross, but he vanished as suddenly as he had appeared, whirling himself away among the crystal vaults. As his luminous wake faded I heard his voice echoing across the frosted air, the plaintive words jewelled and ornamented like everything else in that transmogrified world.

  'mretba...! Qmerttba... Here on this calm island of Puerto Rico, in the garden of the British Embassy these few months later, the strange events of that phantasmagoric forest seem a dozen worlds away. Yet in fact I am no more than 1,000 miles from Florida as the crow (or should I say, the gryphon) flies, and already there have been numerous other outbreaks at many times this distance from the three focal areas. Somewhere I have seen a report that at the present rate of progress at least a third of the earth's surface will be affected by the end of the next decade, and a score of the world's capital cities petrified beneath layers of prismatic crystal, as Miami has already been - some reporters have described the abandoned resort as a city of a thousand cathedral spires, like a vision of St John the Divine.

  To tell the truth, however, the prospect causes me little worry. It is obvious to me now that the origins of the Hubble Effect are more than physical. When I stumbled out of the forest into an army cordon ten miles from Maynard two days after seeing the helpless phantom that had once been Charles Marquand, the gold cross clutched in my arms, I was determined never to visit the Everglades again. By one of those ludicrous inversions of logic, I found myself, far from acclaimed as a hero, standing summary trial before a military court and charged with looting. The gold cross had apparently been stripped of its jewels, and in vain did I protest that these vanished stones had been the price of my survival. At last I was rescued by the embassy in Washington under the plea of diplomatic immunity, but my suggestion that a patrol equipped with jewelled crosses should enter the forest and attempt to save the priest an
d Charles Marquand met with little success. Despite my protests I was sent to San Juan to recuperate.

  The intention of my superiors was that I should be cut off from all memory of my experience - perhaps they sensed some small but significant change in me. Each night, however, the fractured disc of the Echo satellite passes overhead, illuminating the midnight sky like a silver chandelier. And I am convinced that the sun itself has begun to effloresce. At sunset, when its disc is veiled by the crimson dust, it seems to be crossed by a distinctive latticework, a vast portcullis which will one day spread outwards to the planets and the stars, halting them in their courses.

  I know now that I shall return to the Everglades. As the example of that brave apostate priest who gave the cross to me illustrates, there is an immense reward to be found in that frozen forest. There in the Everglades the transfiguration of all living and inanimate forms occurs before our eyes, the gift of immortality a direct consequence of the surrender by each of us of our own physical and temporal identity. However apostate we may be in this world, there perforce we become apostles of the prismatic sun.

  So, when my convalescence is complete and I return to Washington, I shall seize an opportunity to visit the Florida peninsula again with one of the many scientific expeditions. It should not be too difficult to arrange my escape and then I shall return to the solitary church in that enchanted world, where by day fantastic birds fly through the petrified forest and jewelled alligators glitter like heraldic salamanders on the banks of the crystalline rivers, and where by night the illuminated man races among the trees, his arms like golden cartwheels and his head like a spectral crown.

  1964

  The Delta at Sunset

  Each evening, when the dense powdery dusk lay over the creeks and drained mud-basins of the delta, the snakes would come out on to the beaches. Half-asleep on the wicker stretcher-chair below the awning of his tent, Charles Gifford watched their sinuous forms coiling and uncoiling as they wound their way up the slopes. In the opaque blue light the dusk swept like a fading searchlight over the damp beaches, and the interlocked bodies shone with an almost phosphorescent brilliance.

  The nearest creeks were three hundred yards from the camp, but for some reason the appearance of the snakes always coincided with Gifford's recovery from his evening fever. As this receded, carrying with it the familiar diorama of reptilian phantoms, he would sit up in the stretcher-chair and find the snakes crawling across the beaches, almost as if they had materialized from his dreams. Involuntarily he would search the sand around the tent for any signs of their damp skins.

  'The strange thing is they always come out at the same time,' Gifford said to the Indian head-boy who had emerged from the mess tent and was now covering him with a blanket. 'One minute there's nothing there, and the next thousands of them are swarming all over the mud.'

  'You not cold, sir?' the Indian asked.

  'Look at them now, before the light goes. It's really fantastic. There must be a sharply defined threshold - ' He tried to lift his pale, bearded face above the hillock formed by the surgical cradle over his foot, and snapped: 'All right, all right!'

  'Doctor?' The head-boy, a thirty-year-old Indian named Mechippe, continued to straighten the cradle, his limpid eyes, set in a face of veined and weathered teak, watching Gifford.

  'I said get out of the damned way!' Leaning weakly on one elbow, Gifford watched the last light fade across the winding causeways of the delta, taking with it a final image of the snakes. Each evening, as the heat mounted with the advancing summer, they came out in greater numbers, as if aware of the lengthening periods of his fever.

  'Sir, I get more blanket for you?'

  'No, for God's sake.' Gifford's thin shoulders shivered in the dusk air, but he ignored the discomfort. He looked down at his inert, corpse-like body below the blanket, examining it with far more detachment than he had felt for the unknown Indians dying in the makeshift WHO field hospital at Taxcol. At least there was a passive repose about the Indians, a sense of the still intact integrity of flesh and spirit, if anything reinforced by the failure of one of the partners. It was this paradigm of fatalism which Gifford would have liked to achieve - even the most wretched native, identifying himself with the irrevocable flux of nature, had bridged a greater span of years than the longest-lived European or American with his obsessive timeconsciousness, cramming so-called significant experiences into his life like a glutton. By contrast, Gifford realized, he himself had merely thrown aside his own body, divorcing it like some no longer useful partner in a functional business marriage. So marked a lack of loyalty depressed him.

  He tapped his bony loins. 'It's not this, Mechippe, that ties us to mortality, but our confounded egos.' He smiled slyly at the head-boy. 'Louise would appreciate that, don't you think?'

  The head-boy was watching a refuse fire being raised behind the mess tent. He looked down sharply at the supine figure on the stretcher-chair, his half-savage eyes glinting like arrow heads in the oily light of the burning brush. 'Sir? You want - ?'

  'Forget it,' Gifford told him. 'Bring two whisky sodas. And some more chairs. Where's Mrs Gifford?'

  He glanced up at Mechippe when he failed to reply. Briefly their eyes met, in an instant of absolute clarity. Fifteen years earlier, when Gifford had come to the delta with his first archaeological expedition, Mechippe had been one of the junior camp-followers. Now he was in the late middle age of the Indian, the notches on his cheeks lost in the deep hatchwork of lines and scars, wise in the tent-lore of the visitors.

  'Miss' Gifford - resting,' he said cryptically. In an attempt to alter the tempo and direction of their dialogue, he added: 'I tell Mr Lowry, then bring whiskies and hot towel, Doctor.'

  'Okay, Mechippe.' Lying back with an ironic smile, Gifford listened to the head-boy's footsteps move away softly through the sand. The muted sounds of the camp stirred around him - the cooling plash of water in the shower stall, the soft interchanges of the Indians, the whining of a desert dog waiting to approach the refuse dump - and he sank downwards into the thin tired body stretched out in front of him like a collection of bones in a carpet bag, rekindling the fading senses of touch and pressure in his limbs.

  In the moonlight, the white beaches of the delta glistened like banks of luminous chalk, the snakes festering on the slope like the worshippers of a midnight sun.

  Half an hour later they drank their whiskies together in the dark tinted air. Revived by Mechippe's massage, Charles Gifford sat upright in the stretcher-chair, gesturing with his glass. The whisky had momentarily cleared his brain; usually he was reluctant to discuss the snakes in his wife's presence, let alone Lowry's, but the marked increase in their numbers seemed important enough to mention. There was also the mildly malicious pleasure - less amusing now than it had been - of seeing Louise shudder at any mention of the snakes.

  'What is so unusual,' he explained, 'is the way they emerge on to the banks at the same time. There must be a precise level of luminosity, an exact number of photons, to which they all respond - presumably an innate trigger.'

  Dr Richard Lowry, Gifford's assistant and since his accident the acting leader of the expedition, watched Gifford uncomfortably from the edge of his canvas chair, rotating his glass below his long nose. He had been placed downwind from the loose bandages swaddling Gifford's foot (little revenges of this kind, however childish, alone sustained Gifford's interest in the people around him), and carefully averted his face as he asked: 'But why the sudden increase in numbers? A month ago there was barely a snake in sight?'

  'Dick, please!' Louise Gifford turned an expression of martyred weariness on Lowry. 'Must we?'

  'There's an obvious answer,' Gifford said to Lowry. 'During the summer the delta drains, and begins to look like the half-empty lagoons that were here 50 million years ago. The giant amphibians had died out, and the small reptiles were the dominant species. These snakes are probably carrying around what is virtually a coded internal landscape, a picture of the Paleo
cene as sharp as our own memories of New York and London.' He turned to his wife, the shadows cast by the distant refuse fire hollowing his cheeks. 'What's the matter, Louise? Don't say you can't remember New York and London?'

  'I don't know whether I can or not.' She pushed a lock of fraying blonde hair off her forehead. 'I wish you wouldn't think about the snakes all the time.'

  'Well, I'm beginning to understand them. I was always baffled by the way they'd appear at the same time. Besides, there's nothing else to do. I don't want to sit here staring at that damned Toltec ruin of yours.'

  He gestured towards the low ridge of sandstone, its profile illuminated against the white moonlit clouds, which marked the margins of the alluvial bench half a mile from the camp. Before Gifford's accident their chairs had faced the ruined terrace city emerging from the thistles which covered the ridge. But Gifford had tired of staring all day at the crumbling galleries and colonnades where his wife and Lowry worked together. He told Mechippe to dismantle the tent and turn it through ninety degrees, so that he could watch the last light of the sunset fading over the western delta. The burning refuse fires they now faced provided at least a few wisps of motion. Gazing for hours across the endless creeks and mud-banks, whose winding outlines became more and more serpentine as the summer drought persisted and the level of the water table fell, he had one evening discovered the snakes.

  'Surely it's simply a shortage of dissolved oxygen,' Lowry commented.

  He noticed Gifford regarding him with an expression of critical distaste, and added: 'Jung believes the snake is primarily a symbol of the unconscious, and that its appearance always heralds a crisis in the psyche.'

  'I suppose I accept that,' Charles Gifford said. With rather forced laughter he added, shaking his foot in the cradle: 'I have to. Don't I, Louise?' Before his wife, who was watching the fires with a distracted expression, could reply he went on: 'Though in fact I disagree with Jung. For me the snake is a symbol of transformation. Every evening at sunset the great lagoons of the Paleocene are re-created here, not only for the snakes but for you and I too, if we care to look. Not for nothing is the snake a symbol of wisdom.'