The Complete Short Stories: Volume 1

by J. G. Ballard

  In the dim light from the street lamp I could make out only the faded designs painted years earlier in the traditional style of fairground marquees, the floral patterns and cartouches overlaid with lettering of some kind. Moving nearer the cages, I reached the edge of the clearing. The young woman turned and saw me. The dwarf was fixing the last of the signs, and she stood by the ladder, one hand on the shaft, regarding me with an unmoving gaze. Perhaps it was her protective stance as the diminutive figure moved about above her, but she seemed far older than when she had first appeared with her menagerie at the outskirts of the town. In the faint light her hair had become almost grey, and her bare arms seemed lined and work-worn. As I drew closer, passing the first of the cages, she turned to follow me with her eyes, as if trying to take some interest in my arrival on the scene.

  At the top of the ladder there was a flurry of movement. Slipping through the dwarf's fingers, the sign toppled from the roof and fell to the ground at the woman's feet. Whirling his short arms and legs, the dwarf leapt down from the ladder. He picked himself off the ground, wobbling about like a top as he regained his balance. He dusted his hat against his boots and put it back on his head, then started up the ladder again.

  The woman held his arm. She moved the ladder further along the cage, trying to balance the shafts against the bars.

  On an impulse, more or less out of sympathy, I stepped forward.

  'Can I help you?' I said. 'Perhaps I can reach the roof. If you hand me the sign..

  The dwarf hesitated, looking at me with his doleful eyes. He seemed prepared to let me help, but stood there with his hat in one hand as if prevented from saying anything to me by an unstated set of circumstances, some division of life as formal and impassable as those of the most rigid castes.

  The woman, however, gestured me to the ladder, turning her face away as I settled the shafts against the bars. Through the dim light she watched the horses cropping the grass along the bank.

  I climbed the ladder, and then took the sign lifted up to me by the dwarf. I settled it on the roof, weighing it down with two half bricks left there for the purpose, and read the legends painted across the warped panel. As I deciphered the words 'marvels' and 'spectacular' (obviously the signs bore no relation to the animals within the cages, and had been stolen from another fair or found on some refuse heap) I noticed a sudden movement from the cage below me. There was a burrowing through the straw, and a low, pale-skinned creature retreated into its burrow.

  This disturbance of the straw - whether the animal had darted out from fear or in an attempt to warn me off I had no means of telling had released a strong and obscurely familiar smell. It hung around me as I came down the ladder, muffled but vaguely offensive. I searched the hutch for a glimpse of the animal, but it had scuffled the straw into the door.

  The dwarf and the woman nodded to me as I turned from the ladder. There was no hostility in their attitude - the dwarf, if anything, was on the point of thanking me, his mouth moving in a wordless rictus - but for some reason they seemed to feel unable to make any contact with me. The woman was standing with her back to the street lamp, and her face, softened by the darkness, now appeared small and barely formed, like that of an unkempt child.

  'You're all ready,' I said half jocularly. With something of an effort, I added: 'It looks very nice.'

  I glanced at the cages when they made no comment. One or two of the animals sat at the backs of their hutches, their pale forms indistinct in the faint light. 'When do you open?' I asked. 'Tomorrow?'

  'We're open now,' the dwarf said.

  'Now?' Not sure whether this was a joke, I started to point at the cages, but the statement had obviously been meant at its face value.

  'I see... you're open this evening.' Searching for something to say they seemed prepared to stand there indefinitely with me - I went on: 'When do you leave?'

  'Tomorrow,' the woman told me in a low voice. 'We have to go in the morning.'

  As if taking their cue from this, the two of them moved across the small arena, clearing to one side the pieces of newspaper and other refuse. By the time I walked away, baffled by the entire purpose of this pitiful menagerie, they had already finished, and stood waiting between the cages for their first customers. I paused on the bank beside the cropping horses, whose quiet figures seemed as insubstantial as those of the dwarf and their mistress, and wondered what bizarre logic had brought them to the town, when a second fair, almost infinitely larger and gayer, was already in full swing.

  At the thought of the animals I recalled the peculiar smell that hung about the cages, vaguely unpleasant but reminiscent of an odour I was certain I knew well. For some reason I was also convinced that this familiar smell was a clue to the strange nature of the circus. Beside me the horses gave off a pleasant scent of bran and sweat. Their downcast heads, lowered to the grass by the water's edge, seemed to hide from me some secret concealed within their luminous eyes.

  I walked back towards the centre of the town, relieved to see the illuminated superstructure of the ferris wheel rotating above the rooftops. The roundabouts and amusement arcades, the shooting galleries and the tunnel of love were part of a familiar world. Even the witches and vampires painted over the house of horrors were nightmares from a predictable quarter of the evening sky. By contrast the young woman - or was she young? - and her dwarf were travellers from an unknown country, a vacant realm where nothing had any meaning. It was this absence of intelligible motive that I found so disturbing about them.

  I wandered through the crowds below the marquees, and on an impulse decided to ride on the ferris wheel. As I waited my turn with the group of young men and women, the electrified gondolas of the wheel rose high into the evening air, so that all the music and light of the fair seemed to have been scooped from the star-filled sky.

  I climbed into my gondola, sharing it with a young woman and her daughter, and a few moments later we were revolving through the brilliant air, the fairground spread below us. During the two or three minutes of the ride I was busy shouting to the young woman and her child as we pointed out to each other familiar landmarks in the town. However, when we stopped and sat at the top of the wheel as the passengers below disembarked, I noticed for the first time the bridge I had crossed earlier that evening. Following the course of the river, I saw the single street lamp that shone over the waste ground near the warehouses where the white-faced woman and the dwarf had set up their rival circus. As our gondola moved forward and began its descent the dim forms of two of the wagons were visible in an interval between the rooftops.

  Half an hour later, when the fair began to close, I walked back to the river. Small groups of people were moving arm in arm through the streets, but by the time the warehouses came into sight I was almost alone on the cobbled pavements that wound between the terraced cottages. Then the street lamp appeared, and the circle of wagons beyond it.

  To my surprise, a few people were actually visiting the menagerie. I stood in the road below the street lamp and watched the two couples and a third man who were wandering around the cages and trying to identify the animals. Now and then they would go up to the bars and peer through them, and there was a shout of laughter as one of the women pretended to flinch away in alarm. The man with her held a few shreds of straw in his hand and threw them at the door of the hutch, but the animal refused to appear. The group resumed their circuit of the cages, squinting in the dim light.

  Meanwhile the dwarf and the woman remained silent to one side. The woman stood by the steps of the caravan, looking out at her patrons as if unconcerned whether they came or not. The dwarf, his bulky hat hiding his face, stood patiently on the other side of the arena, moving his ground as the party of visitors continued their tour. He was not carrying a collection bag or roll of tickets, and it seemed likely, even if only reasonable, that there was no charge for admission.

  Something of the peculiar atmosphere, or perhaps their failure to bring the animals from their hutches, seemed
to transmit itself to the party of visitors. After trying to read the signs, one of the men began to rattle a stick between the bars of the cages. Then, losing interest abruptly, they made off together without a backward glance at either the woman or the dwarf. As he passed me the man with the stick pulled a face and waved his hand in front of his nose.

  I waited until they had gone and then approached the cages. The dwarf appeared to remember me at least, he made no effort to scuttle away but watched me with his drifting eyes. The woman sat on the steps of the caravan, gazing across the cinders with the expression of a tired and unthinking child.

  I glanced into one or two of the cages. There was no sign of the animals, but the smell that had driven off the previous party was certainly pronounced. The familiar pungent odour quickened my nostrils. I walked over to the young woman.

  'You've had some visitors,' I commented.

  'Not many,' she replied. 'A few have come.'

  I was about to point out that she could hardly expect a huge attendance if none of the animals in the cages was prepared to make an appearance, but the girl's hangdog look restrained me. The top of her robe revealed a small childlike breast, and it seemed impossible that this pale young woman should have been put in sole charge of such a doomed enterprise. Searching for an excuse that might console her, I said: 'It's rather late, there's the other fair...' I pointed to the cages. 'That smell, too. Perhaps you're used to it, it might put people off.' I forced a smile. 'I'm sorry, I don't mean to - '

  'I understand,' she said matter-of-factly. 'It's why we have to leave so soon.' She nodded at the dwarf. 'We clean them every day.'

  I was about to ask what animals the cages held - the smell reminded me of the chimpanzee house at the zoo - when there was a commotion from the direction of the bank. A group of sailors, two or three girls among them, came swaying along the towpath. They greeted the sight of the menagerie with boisterous shouts. Linked arm in arm, they made a drunken swerve up the bank, then stamped across the orders to the cages. The dwarf moved out of their way, and watched from the shadows between two of the wagons, hat in hand.

  The sailors pushed over to one of the cages and pressed their trees to the bars, nudging each other in the ribs and whistling in an effort to bring the creature out of its hutch. They moved over to the next cage, pulling at each other in a struggling mle.

  One of them shouted at the woman, who sat on the steps of the caravan. 'Are you closed, or what? The perisher won't come out of his hole!'

  There was a roar of laughter at this. Another of the sailors rattled one of the girls' handbags, and then dug into his pockets.

  'Pennies out, lads. Who's got the tickets?'

  He spotted the dwarf and tossed the penny towards him. A moment later a dozen coins showered through the air around the dwarf's head. He scuttled about, warding them off with his hat, but made no effort to pick up the coins.

  The sailors moved on to the third cage. After a fruitless effort to draw the animal towards them they began to rock the wagon from side to side. Their good humour was beginning to fade. As I left the young woman and strolled past the cages several of the sailors had started to climb up onto the bars.

  At this point one of the doors sprang open. As it clanged against the bars the noise fell away. Everyone stepped back, as if expecting some huge striped tiger to spring out at them from its hutch. Two of the sailors moved forward and gingerly reached for the door. As they closed it one of them peered into the cage. Suddenly he leapt up into the doorway. The others shouted at him, but the sailor kicked aside the straw and and stepped across to the hutch.

  'It's bloody empty!'

  As he shouted this out there was a delighted roar. Slamming the door curiously enough, the bolt was on the inside the sailor began to prance around the cage, gibbering like a baboon through the bars. At first I thought he must be mistaken, and looked round at the young woman and the dwarf. Both were watching the sailors but gave no inkling that there was any danger from the animal within. Sure enough, as a second sailor was let into the cage and dragged the hutch over to the bars, I saw that it was unoccupied.

  Involuntarily I found myself staring at the young woman. Was this, then, the point of this strange and pathetic menagerie - that there were no animals at all, at least in most of the cages, and that what was being exhibited was simply nothing, merely the cages themselves, the essence of imprisonment with all its ambiguities? Was this a zoo in the abstract, some kind of bizarre comment on the meaning of life? Yet neither the young woman nor the dwarf seemed subtle enough for this, and possibly there was a less farfetched explanation. Perhaps once there had been animals, but these had died out, and the girl and her companion had found that people would still come and gaze at the empty cages, with much the same fascination of visitors to disused cemeteries. After a while they no longer charged any admission, but drifted aimlessly from town to town Before I could pursue this train of thought there was a shout behind me. A sailor ran past, brushing my shoulder. The discovery of the empty cage had removed any feelings of restraint, and the sailors were chasing the dwarf among the wagons. At this first hint of violence the woman stood up and disappeared into the caravan, and the poor dwarf was left to fend for himself. One of the sailors tripped him up and snatched the hat off his head as the little figure lay in the dust with his legs in the air.

  The sailor in front of me caught the hat and was about to toss it up onto one of the wagon roofs. Stepping forward, I held his arm, but he wrenched himself away. The dwarf had vanished from sight, and another group of the sailors were trying to turn one of the wagons and push it towards the river. Two of them had got among the horses and were lifting the women onto their backs. The grey stallion which had led the procession across the bridge suddenly bolted along the bank. Running after it through the confusion, I heard a warning shout behind me. There was the thud of hooves on the wet turf, and a woman's cry as a horse swerved above me. I was struck on the head and shoulder and knocked heavily to the ground.

  It must have been some two hours later that I awoke, lying on a bench beside the bank. Under the night sky the town was silent, and I could hear the faint sounds of a water vole moving along the river and the distant splash of water around the bridge. I sat up and brushed away the dew that had formed on my clothes. Further along the bank the circus wagons stood in the clearing darkness, the dim forms of the horses motionless by the water.

  Collecting myself, I decided that after being knocked down by the horse I had been carried to the bench by the sailors and left there to recover when and as soon as I could. Nursing my head and shoulders, I looked around for any sign of the party, but the bank was deserted. Standing up, I slowly walked back towards the circus, in the vague hope that the dwarf might help me home.

  Twenty yards away, I saw something move in one of the cages, its white form passing in front of the bars. There was no sign of the dwarf or the young woman, but the wagons had been pushed back into place.

  Standing in the centre of the cages, I peered about uncertainly, aware that their occupants had at last emerged from the hutches. The angular grey bodies were indistinct in the darkness, but as familiar as the pungent smell that came from the cages.

  A voice shouted behind me, a single obscene word. I turned to find its source, and saw one of the occupants watching me with cold eyes. As I stared he raised his hand and moved the fingers in a perverted gesture.

  A second voice called out, followed by a chorus of abusive catcalls. With an effort, I managed to clear my head, then began a careful walk around the cages, satisfying myself for the last time as to the identity of their tenants. Except for the one at the end, which was empty, the others were occupied. The thin figures stood openly in front of the bars that protected them from me, their pallid faces shining in the dim light. At last I recognised the smell that came from the cages.

  As I walked away their derisive voices called after me, and the young woman roused from her bed in the caravan watched quietly from the
steps.

  1967

  The Cloud-Sculptors of Coral D

  All summer the cloud-sculptors would come from Vermilion Sands and sail their painted gliders above the coral towers that rose like white pagodas beside the highway to Lagoon West. The tallest of the towers was Coral D, and here the rising air above the sand-reefs was topped by swan-like clumps of fair-weather cumulus. Lifted on the shoulders of the air above the crown of Coral D, we would carve seahorses and unicorns, the portraits of presidents and film stars, lizards and exotic birds. As the crowd watched from their cars, a cool rain would fall on to the dusty roofs, weeping from the sculptured clouds as they sailed across the desert floor towards the sun.

  Of all the cloud-sculptures we were to carve, the strangest were the portraits of Leonora Chanel. As I look back to that afternoon last summer when she first came in her white limousine to watch the cloud-sculptors of Coral D, I know we barely realized how seriously this beautiful but insane woman regarded the sculptures floating above her in that calm sky. Later her portraits, carved in the whirlwind, were to weep their storm-rain upon the corpses of their sculptors.

  I had arrived in Vermilion Sands three months earlier. A retired pilot, I was painfully coming to terms with a broken leg and the prospect of never flying again. Driving into the desert one day, I stopped near the coral towers on the highway to Lagoon West. As I gazed at these immense pagodas stranded on the floor of this fossil sea, I heard music coming from a sand-reef two hundred yards away. Swinging on my crutches across the sliding sand, I found a shallow basin among the dunes where sonic statues had run to seed beside a ruined studio. The owner had gone, abandoning the hangar-like building to the sand-rays and the desert, and on some half-formed impulse I began to drive out each afternoon. From the lathes and joists left behind I built my first giant kites and, later, gliders with cockpits. Tethered by their cables, they would hang above me in the afternoon air like amiable ciphers.