Crossroads

by Jonathan Franzen

  In his Fury, on the slow drive back to New Prospect, she was silent until one of the older widows asked her how her son, Larry, the tenth grader, was liking Crossroads. It was news to Russ that her son had joined the church’s youth group.

  “Rick Ambrose must be some kind of genius,” Frances said. “I don’t think there were thirty kids in that group when I was growing up.”

  “Were you in it?” the older widow asked.

  “Nope. Not enough cute boys. Not any, actually.”

  Coming from Frances, the word genius was like acid on Russ’s brain. He should have borne it stoically, but on his bad days he was unable not to do things he would later regret. It was almost as if he did them because he would later regret them. Writhing with retrospective shame, abasing himself in solitude, was how he found his way back to God’s mercy.

  “Do you know,” he said, “why the group is named Crossroads? It’s because Rick Ambrose thought kids could relate to the name of a rock song.”

  This was a scabrous half-truth. Russ himself had originally proposed the name.

  “And so I asked him—I had to ask—if he knew the original Robert Johnson song. And he gives me a blank look. Because to him, you know, music history started with the Beatles. Believe me, I’ve heard the Cream version of ‘Crossroads.’ I know exactly what it is. It’s a bunch of guys from England ripping off an authentic Black American blues master and acting like it’s their music.”

  Frances, in her hunting cap, had her eyes on the truck ahead of them. The older widows were holding their breath while their associate minister trashed the director of youth programming.

  “I happen to have the original recording of Johnson singing ‘Cross Road Blues,’” he bragged, repellently. “Back when I lived in Greenwich Village—you know, I used to live there, in New York City—I’d find old 78s in junk stores. During the Depression, the record companies went out in the field and made amazing authentic recordings—Lead Belly, Charley Patton, Tommy Johnson. I was working with an afterschool program in Harlem, and I’d come home every night and play those records, and it was like being carried straight into the South in the twenties. There was so much pain in those old voices. It helped me understand the pain I was dealing with in Harlem. Because that’s what the blues are really about. That’s what went missing when the white bands started aping the style. I can’t hear any pain at all in the new music.”

  An embarrassed silence fell. The last daylight of November was dying in crayon colors beneath the clouds on the suburban horizon. Russ now had more than enough to be ashamed of later, more than enough to be sure that he deserved to suffer. The sense of rightness at the bottom of his worst days, the feeling of homecoming in his humiliations, was how he knew that God existed. Already, as he drove toward the dying light, he had a foretaste of their reunion.

  In the First Reformed parking lot, Frances lingered in the car after the others had taken their leave. “Why did she hate me?” she said.

  “Ronnie’s mother?”

  “No one’s ever spoken to me like that.”

  “I’m very sorry that happened to you,” he said. “But this is what I meant about pain. Imagine being so poor that your kids are the only thing you have, the only people who care about you and need you. What if you saw some other woman treating them better than you were able to treat them? Can you imagine how that might feel?”

  “It would make me try to treat them better myself.”

  “Yes, but that’s because you’re not poor. When you’re poor, things just happen to you. You feel like you can’t control anything. You’re completely at God’s mercy. That’s why Jesus tells us that the poor are blessed—because having nothing brings you closer to God.”

  “That woman didn’t strike me as being especially close to God.”

  “Actually, Frances, you have no way of knowing. She was obviously angry and troubled—”

  “And stinking drunk.”

  “And stinking drunk at noon. But if we learn nothing else from these Tuesdays, it should be that you and I are not in a position to judge the poor. We can only try to serve them.”

  “So you’re saying it was my fault.”

  “Not at all. You were listening to something generous in your heart. That’s never a fault.”

  He was hearing something generous in his own heart: he could still be a good pastor to her.

  “I know it’s hard to see when you’re upset,” he said gently, “but what you experienced today is what people in that neighborhood experience on a daily basis. Abusive words, racial prejudice. And I know you’re no stranger to pain yourself—I can’t even imagine what you’ve been through. If you decide you’ve had enough pain and you’d rather not work with us right now, I won’t think less of you. But you have an opportunity, if you’re up for it, to turn your pain into compassion. When Jesus tells us to turn the other cheek, what is he really saying to us? That the person who’s abusing us is hopelessly evil and we just have to put up with it? Or is he reminding us that the person is a person like us, a person who feels the same kind of pain that we do? I know it can be hard to see, but that perspective is always available, and I think it’s one we all should strive for.”

  Frances considered his words for a moment. “You’re right,” she said. “I do have a hard time seeing it that way.”

  And that had seemed to be the end of it. When he phoned her the next day, as any good pastor would have done, she said her daughter had a fever and she couldn’t talk right then. He didn’t see her at services the following two Sundays, and she skipped the circle’s next trip to the South Side. He thought of calling her again, if only to resupply himself with shame, but the purity of the hurt of losing her was of a piece with the season’s dark afternoons and long nights. He would have lost her sooner or later—at the latest when one of them died, very probably much sooner than that—and his need to reconnect with God was so pressing that he seized on the hurt almost greedily.

  But then, four days ago, she’d called him. She’d had a wretched cold, she said, but she couldn’t stop thinking about his words in the car. She didn’t think she had the strength to be like him, but she felt like she’d turned a corner, and Kitty Reynolds had mentioned a Christmas delivery to the South Side. Could she come along with them for that?

  Russ would have been content to rejoice merely as her pastor, her enabler, if Frances hadn’t then asked if he might loan her some of his blues recordings.

  “Our turntable plays 78s,” she said. “I’m thinking, if I’m going to do this, I should try to understand their culture better.”

  He winced at the phrase their culture, but even he was not so bad at being bad as not to know what sharing music signified. He went up to the unheatable third floor of his hulking church-provided house and spent a good hour on his knees, selecting and reselecting 78s, trying to guess which ten of them together were likeliest to inspire feelings like the ones he already had for her. His connection with God had vanished, but this wasn’t a worry for now. The worry was Kitty Reynolds. It was imperative that he have Frances all to himself, but Kitty was sharp and he was bad at lying. Any ruse he tried, like telling her to meet him at three and then departing with Frances at two thirty, was bound to raise Kitty’s suspicions. He saw that he had no choice but to level with her, sort of, and say that Frances had suffered a small trauma in the city, and that he needed to be alone with her when she bravely revisited the scene of it.

  “It sounds to me,” Kitty had said when he called her, “like you fell down on the job.”

  “You’re right. I did. And now I need to try and regain her trust. It’s encouraging that she wants to go back, but it’s still very delicate.”

  “And she’s a cute one, and it’s Christmastime. If it were anyone but you, Russ, I might be worried about your motives.”

  He’d wondered about Kitty’s implication—whether she considered him uniquely good and trustworthy, or uniquely unsexed and unmanly and unthreatening. Either way, the effect
had been to make his impending date with Frances feel more thrillingly illicit. In anticipation of it, he’d smuggled out of his house and into the church his final selection of blues records and a grimy old coat, a sheepskin thing from Arizona, that he hoped might lend him a bit of an edge. In Arizona, he’d had an edge, and, fairly or not, he believed that what had dulled it was his marriage. When Marion, after his humiliation, had loyally undertaken to hate Rick Ambrose, calling him that charlatan, Russ had snapped at her—lashed out—and declared that Rick was many things but not a charlatan, the simple fact was that he, Russ, had lost his edge and couldn’t relate to young people anymore. He flagellated himself and resented Marion for interfering with the pleasure of it. His subsequent daily shame, whether of walking past Ambrose’s office or taking a craven detour to avoid it, had connected him to the sufferings of Christ. It was a torment that nourished him in his faith, whereas the too-gentle touch of Marion’s hand on his arm, when she tried to comfort him, was a torment without spiritual upside.

  From his office, as the hour finally approached two thirty, the page in his typewriter still blank, he could hear the afterschool influx of Crossroads teenagers buzzing around the honeypot of Ambrose, the pounding of running footsteps, the shouting of swear words that Mr. Fuck-Piss-Shit encouraged by using them incessantly himself. More than a hundred and twenty kids now belonged to Crossroads, among them two of Russ’s own children; and it was a measure of how focused he’d been on Frances, how mad with anticipation of their date, that only now, as he stood up from his desk and pulled on the sheepskin coat, did he consider that he and she might run into his son Perry.

  Bad criminals overlook obvious things. Relations with his daughter, Becky, had been strained ever since she’d joined Crossroads, gratuitously, in October, but at least she was aware of how deeply she’d wounded him by joining, and he rarely saw her at the church after school. Perry, however, knew nothing of tact. Perry, whose IQ had been measured at 160, saw too much and smirked too much at what he saw. Perry was fully capable of chatting up Frances, his manner seemingly forthright and respectful but somehow neither, and he would definitely notice the sheepskin coat.

  Russ could have used the detour to the parking lot, but the man who resorted to it wasn’t the man he meant to be today. He squared his shoulders, deliberately forgot to take the blues recordings, so that he and Frances would have a reason to return to his office after dark, and stepped into a dense bank of smoke from the cigarettes of a dozen kids camped out in the hallway. There was no immediate sign of Perry. One chubby, apple-cheeked girl was splayed out happily on the laps of three boys on the saggy old divan that someone, over Russ’s quiet objections to Dwight Haefle (the hallway was a fire escape route), had dragged in for kids waiting their turn to be confronted by Ambrose, with brutal but loving honesty, in the privacy of his office.

  Russ moved forward with his eyes on the floor, stepping around blue-jeaned shins and sneakered feet. But as he approached his adversary’s office he could see, peripherally, that its door was halfway open; and then he heard her voice.

  He stopped without having wanted to.

  “It’s so great,” he heard Frances gush. “A year ago, I practically had to put a gun to his head to get him to church.”

  Of Ambrose, through the doorway, only ragged denim cuffs and beat-up work boots were visible. But the chair Frances was sitting in faced the hallway. She saw Russ, waved to him, and said, “See you outside?”

  God only knew what expression was on his face. He walked on, blindly overshot the main entrance, and found himself outside the function hall. He was taking on dark water through large holes in his hull. The stupidity of never once imagining that she could go to Ambrose. The clairvoyant certainty that Ambrose would take her away from him. The guilt of having hardened his heart against the wife he’d vowed to cherish. The vanity of believing that his sheepskin coat made him look like anything but a fatuous, obsolete, repellent clown. He wanted to tear off the coat and retrieve his regular wool one, but he was too much of a coward to walk back up the hallway, and he was afraid that if he took the detour and saw the dusty crèche steer, in the state he was in, he might cry.

  Oh God, he prayed from within the loathsomeness of his coat. Please help me.

  If God answered his prayer, it was by reminding him that the way to endure misery was to humble himself, think of the poor, and be of service. He went to the church secretary’s office and ferried cartons of toys and canned goods to the parking lot. Each passing minute deepened the late-dawning badness of the day. Why was she with Ambrose? What could they be discussing that was taking so long? The toys all appeared to be new or indestructible enough to pass as new, but Russ was able to survive further minutes by rooting through the food cartons, culling the lazy or thoughtless donations (cocktail onions, water chestnuts) and taking comfort in the weight of jumbo cans of pork and beans, of Chef Boyardee, of pear halves in syrup: the thought of how welcome each would be to a person who was genuinely hungry and not merely, like him, starved in spirit.

  It was 2:52 when Frances came bounding up to him, like a boy, full of bounce. She was wearing the hunting cap and, today, a matching wool jacket. “Where’s Kitty?” she said brightly.

  “Kitty was afraid she wouldn’t fit, with all the boxes.”

  “She’s not coming?”

  Unable to look Frances in the eye, he couldn’t tell if she was disappointed or, worse yet, suspicious. He shook his head.

  “That’s silly,” she said. “I could have sat on her lap.”

  “Do you mind?”

  “Mind? It’s a privilege! I’m feeling very special today. I’ve turned a corner.”

  She made an airy little ballet move, expressive of turning a corner. He wondered if her feeling had preceded or been caused by her visit with Ambrose.

  “Good, then,” he said, slamming the Fury’s rear door. “We should probably get going.”

  It was a subtle reference to her lateness, the only one he intended to permit himself, and she didn’t pick up on it. “Is there anything I need to bring?”

  “No. Just yourself.”

  “The one thing I never leave home without! Let me just make sure I locked my car.”

  He watched her bounce over to her own, newer car. Her spirits seemed higher than his not only at this moment but possibly in his entire life. Certainly higher than he’d ever seen Marion’s.

  “Ha!” Frances exulted from across the lot. “Locked!”

  He gave her two thumbs up. He never gave anyone two thumbs up. It felt so strange he wasn’t sure he’d done it right. He looked around to see if anyone else, Perry in particular, had witnessed it. There was no one in sight but a pair of teenagers carrying guitar cases toward the church, not looking in his direction, perhaps intentionally. One was a boy he’d known since he was a second grader in Sunday school.

  What would it be like to live with a person capable of joy?

  As he was getting into the Fury, a single, floppy snowflake, the first of the multitude the sky had promised all day, came to rest on his forearm and dissolved in itself. Frances, climbing in from the other side, said, “That’s a great old coat. Where’d you get it?”

  Resolved: that the soul is independent of the body and immutable. First affirmative speaker: Perry Hildebrandt, New Prospect Township High School.

  Ahem.

  Tempting though it may be, let’s not make the mistake of misreading the experience, familiar to any pothead worthy of the name, of being in one place, doing one thing—say, struggling to tear open a bag of marshmallows in Ansel Roder’s kitchen—and then, the very next instant, finding one’s bodily self performing an entirely different task in a wholly different setting. Such spatio-temporal elisions or (in common but misleading parlance) “blackouts” need not suggest a division of soul and body; any decent mechanistic theory of mind can account for them. Let’s begin, instead, by considering a question that may at first glance seem trivial or unanswerable or even nonsensical:
Why am I me and not someone else? Let’s peer into the dizzying depths of this question …

  It was curious the way time slowed, almost stopped, when he was feeling well: wonderful (but also not, because of the sleepless night it augured) the number of laps his mind could run in the seconds it took him to climb one staircase. The pulsing nowness of it all, body and soul in sync, his skin registering each degree of falling temperature as he approached the third floor of the Crappier Parsonage, his nose the mustiness of the cold air flowing down toward the door at the bottom of the stairs, which he’d left open in case his mother came home unexpectedly; his ears the assurance that she hadn’t, his retinas the slightly less gloomy December light in windows nearer to the sky, less shaded by trees, his soul the almost déjà vu familiarity of climbing these stairs alone.

  He had once (only once) asked the higher powers if one of the third-floor rooms could be his, or really not so much asked as rationally pointed out the third floor’s suitability for the third child he ineluctably was, and when the answer had come down from on maternal high—no, sweetie, it’s too cold in the winter, too hot in the summer, and Judson likes sharing a room with you—he’d accepted it without protest or renewed entreaty, because, by his own rational assessment, he was the one child in the family with no rightful claim to a room of his own, being neither the oldest nor the youngest nor the prettiest, and he was used to operating at a level of rationality inaccessible to others.

  Nevertheless, in his mind, the third floor belonged to him. Many a lungful of depleted smoke had been puffed out the storage-room window, many an ash smudged into the polleny dust on the outer sill, and the Reverend Father’s home office, which he now brazenly entered, had no secrets from him. He had read, partly out of curiosity, partly to gauge just how miserable a worm he could be, the entirety of his mother’s premarital correspondence with his father, except for two letters that his father himself had never opened. Searching, with little optimism, for Playboys, he’d exhumed his father’s stacks of The Other Side and The Witness, the fruit of minds so woody that not a drop of sweetness could be pressed from them, along with a year’s worth of Psychology Todays, in one of which he’d dwelled on the words clitoris and clitoral orgasm, sadly not illustrated. (Ansel Roder’s father stored his collection of Playboys in hinged archival cardboard boxes, labeled by calendar year, which was impressive but discouraged pilferage.) The Reverend’s jazz and blues recordings were so much mute plastic and moldering sleeve, and the old coats in the slope-ceilinged closet weren’t covetable, cut as they were for a man much bigger than Perry, who could feel, literally in his bones, that he would end up as the physical runt of the Hildebrandt litter, his growth spurt, the year before, having resembled the bottle rocket that goes off at a faltering angle and dies with a dull pop. The closet interested him only in December, when the floor of it filled up with presents.