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Maid

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by Stephanie Land




  Author’s Note: This memoir has been pieced together with the help of journals, photographs, blogs, and Facebook posts. Most names and identifying characteristics have been changed to protect them from recognition. Time has been compressed. Dialogue has been approximated and in some cases compositely arranged. Great care has been taken to tell my truths. This is my story and how I remember it.

  Copyright © 2019 by Stephanie Land

  Jacket design by Amanda Kain

  Jacket copyright © 2019 by Hachette Book Group, Inc.

  Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture.

  The scanning, uploading, and distribution of this book without permission is a theft of the author’s intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact permissions@hbgusa.com. Thank you for your support of the author’s rights.

  Hachette Books

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  First Edition: January 2019

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  LCCN 2018954908

  ISBNs: 978-0-316-50511-6 (hardcover), 978-0-316-50510-9 (ebook), 978-0-316-45450-6 (Canadian trade paperback)

  E3-20181115-DA-NF-ORI

  Contents

  Cover

  Title Page

  Copyright

  Dedication

  Epigraph

  Foreword

  PART ONE 1: THE CABIN

  2: THE CAMPER

  3: TRANSITIONAL HOUSING

  4: THE FAIRGROUNDS APARTMENT

  5: SEVEN DIFFERENT KINDS OF GOVERNMENT ASSISTANCE

  6: THE FARM

  7: THE LAST JOB ON EARTH

  8: THE PORN HOUSE

  9: THE MOVE-O UT CLEAN

  10: HENRY’S HOUSE

  PART TWO 11: THE STUDIO

  12: MINIMALIST

  13: WENDY’S HOUSE

  14: THE PLANT HOUSE

  15: THE CHEF’S HOUSE

  16: DONNA’S HOUSE

  17: IN THREE YEARS

  18: THE SAD HOUSE

  19: LORI’S HOUSE

  20: “I DON’T KNOW HOW YOU DO IT”

  21: THE CLOWN HOUSE

  22: STILL LIFE WITH MIA

  PART THREE 23: DO BETTER

  24: THE BAY HOUSE

  25: THE HARDEST WORKER

  26: THE HOARDER HOUSE

  27: WE’RE HOME

  Acknowledgments

  Newsletters

  For Mia:

  Goodnight

  I love you

  See you in the morning.

  —Mom

  I’ve learned that making a living is not the same thing as making a life.

  —Maya Angelou

  Foreword

  Welcome to Stephanie Land’s World

  The price of admission requires that you abandon any stereotypes of domestic workers, single parents, and media-derived images of poverty you may be harboring. Stephanie is hardworking and “articulate,” to use the condescending praise word bestowed by elites on unexpectedly intelligent people who lack higher education. Maid is about her journey as a mother, trying to provide a safe life and home for her daughter Mia while surviving on pieced-together bits of public assistance and the pathetically low income she earned as a maid.

  “Maid” is a dainty word, redolent of tea trays, starched uniforms, Downton Abbey. But in reality, the maid’s world is encrusted with grime and shit stains. These workers unclog our drains of pubic hairs, they witness our dirty laundry literally and metaphorically. Yet, they remain invisible—overlooked in our nation’s politics and policies, looked down upon at our front doors. I know because I briefly inhabited this life as a reporter working in low-wage jobs for my book Nickel and Dimed. Unlike Stephanie, I could always go back to my far-more-comfortable life as a writer. And unlike her, I was not trying to support a child on my income. My children were grown and had no interest in living with me in trailer parks as part of some crazy journalistic endeavor. So I know about the work of cleaning houses—the exhaustion and the contempt I faced when I wore my company vest, emblazoned with “The Maids International,” in public. But I could only guess at the anxiety and despair of so many of my coworkers. Like Stephanie, many of these women were single mothers who cleaned houses as a means of survival, who agonized throughout the day about the children they sometimes had to leave in dodgy situations in order to go to work.

  With luck, you have never had to live in Stephanie’s world. In Maid, you will see that it’s ruled by scarcity. There is never enough money and sometimes not enough food; peanut butter and ramen noodles loom large; McDonald’s is a rare treat. Nothing is reliable in this world—not cars, not men, not housing. Food stamps are an important pillar of her survival, and the recent legislation that people be required to work for their food stamps will only make you clench your fists. Without these government resources, these workers, single parents, and beyond would not be able to survive. These are not handouts. Like the rest of us, they want stable footing in our society.

  Perhaps the most hurtful feature of Stephanie’s world is the antagonism beamed out toward her by the more fortunate. This is class prejudice, and it is inflicted especially on manual laborers, who are often judged to be morally and intellectually inferior to those who wear suits or sit at desks. At the supermarket, other customers eye Stephanie’s shopping cart judgmentally while she pays with food stamps. One older man says, loudly, “You’re welcome!” as if he had personally paid for her groceries. This mentality reaches far beyond this one encounter Stephanie had and represents the views of much of our society.

  The story of Stephanie’s world has an arc that seems headed for a disastrous breakdown. First, there is the physical wear and tear that goes along with lifting, vacuuming, and scrubbing six-to-eight hours a day. At the housecleaning company that I worked for, every one of my coworkers, from the age of nineteen on, seemed to suffer from some sort of neuromuscular damage—back pain, rotator cuff injuries, knee and ankle problems. Stephanie copes with the alarming number of ibuprofen she consumes per day. At one point, she looks wistfully at the opioids stored in a customer’s bathroom, but prescription drugs are not an option for her, nor are massages or physical therapy or visits to a pain management specialist.

  On top of, or intertwined with the physical exhaustion of her lifestyle, is the emotional challenge Stephanie faces. She is the very model of the “resilience” psychologists recommend for the poor. When confronted with an obstacle, she figures out how to move forward. But the onslaught of obstacles sometimes reaches levels of overload. All that keeps her together is her bottomless love for her daughter, which is the clear bright light that illuminates the entire book.

  It’s hardly a spoiler to say that this book has a happy ending. Throughout the years of struggle and toil reported here, Stephanie nourished a desire to become a writer. I met Stephanie years ago, when she was in the early stages of her writing career. In addition to being an author, I am the founder of the Economic Hardship Reporting Project, an organization that promotes high-quality journalism on economic inequality, especially by people who are themselves struggling to get by. Stephanie sent us a query, and
we snatched her up, working with her to develop pitches, polish drafts, and place them in the best outlets we could find, including the New York Times and the New York Review of Books. She is exactly the kind of person we exist for—an unknown working-class writer who needed just a nudge to launch her career.

  If this book inspires you, which it may, remember how close it came to never being written. Stephanie might have given in to despair or exhaustion; she might have suffered a disabling injury at work. Think too of all the women who, for reasons like that, never manage to get their stories told. Stephanie reminds us that they are out there in the millions, each heroic in her own way, waiting for us to listen.

  —Barbara Ehrenreich

  PART ONE

  1

  THE CABIN

  My daughter learned to walk in a homeless shelter.

  It was an afternoon in June, the day before her first birthday. I perched on the shelter’s threadbare love seat, holding up an old digital camera to capture her first steps. Mia’s tangled hair and thinly striped onesie contrasted with the determination in her brown eyes as she flexed and curled her toes for balance. From behind the camera, I took in the folds of her ankles, the rolls of her thighs, and the roundness of her belly. She babbled as she made her way toward me, barefoot across the tiled floor. Years of dirt were etched into that floor. As hard as I scrubbed, I could never get it clean.

  It was the final week of our ninety-day stay in a cabin unit on the north side of town, allotted by the housing authority for those without a home. Next, we’d move into transitional housing—an old, run-down apartment complex with cement floors that doubled as a halfway house. However temporary, I had done my best to make the cabin a home for my daughter. I’d placed a yellow sheet over the love seat not only to warm the looming white walls and gray floors, but to offer something bright and cheerful during a dark time.

  By the front door, I’d hung a small calendar on the wall. It was filled with appointments with caseworkers at organizations where I could get us help. I had looked under every stone, peered through the window of every government assistance building, and joined the long lines of people who carried haphazard folders of paperwork to prove they didn’t have money. I was overwhelmed by how much work it took to prove I was poor.

  We weren’t allowed to have visitors, or to have very much at all. We had one bag of belongings. Mia had a single basket of toys. I had a small stack of books that I’d placed on the little shelves separating the living area from the kitchen. There was a round table that I clipped Mia’s high chair to, and a chair where I sat and watched her eat, often drinking coffee to quell my hunger.

  As I watched Mia take those first few steps, I tried to keep my eyes from the green box behind her where I kept the court documents detailing my fight with her father for custody. I fought to keep my focus on her, smiling at her, as if everything was fine. Had I turned the camera around, I wouldn’t have recognized myself. The few photos of me showed almost a different person, possibly the skinniest I had been in my whole life. I worked part-time as a landscaper, where I spent several hours a week trimming shrubs, fighting back overgrown blackberries, and picking tiny blades of grass from places they weren’t supposed to be. Sometimes I cleaned the floors and toilets of homes whose owners I knew, friends who had heard I was desperate for money. They weren’t rich, but these friends had financial cushions beneath them, something I didn’t. A lost paycheck would be a hardship, not a start of events that would end with living in a homeless shelter. They had parents or other family members who could swoop in with money and save them from all of that. No one was swooping in for us. It was just Mia and me.

  On the intake papers for the housing authority, when asked about my personal goals for the next few months, I wrote about trying to make it work with Mia’s dad, Jamie. I thought if I tried hard enough, we could figure it out. Sometimes I would imagine moments when we were a real family—a mother, a father, a beautiful baby girl. I’d grasp onto those daydreams, like they were a string tied to a huge balloon. The balloon would carry me over Jamie’s abuse and the hardship of being left as a single parent. If I kept hold of that string, I’d float above it all. If I focused on the portrait of the family I wanted to be, I could pretend the bad parts weren’t real; like this life was a temporary state of being, not a new existence.

  Mia got new shoes for her birthday. I’d saved up for a month. They were brown with little pink-and-blue birds embroidered on them. I sent out party invitations like a normal mom and invited Jamie like we were a normal co-parenting couple. We celebrated at a picnic table overlooking the ocean on a grassy hillside at Chetzemoka Park in Port Townsend, the city in Washington State where we lived. People sat smiling on blankets they’d brought. I’d bought lemonade and muffins with my remaining food stamp money for that month. My dad and my grandfather had traveled for almost two hours from opposite directions to attend. My brother and a few friends came. One brought a guitar. I asked a friend to take pictures of Mia, Jamie, and me, because it was so rare, the three of us sitting together like that. I wanted Mia to have a good memory to look back on. But Jamie’s face in the photos showed disinterest, anger.

  My mom had flown in with her husband, William, all the way from London, or France, or wherever they were living at the time. The day after Mia’s party, they came over—violating the homeless shelter’s “no visitors” rule—to help me move to the transitional apartment. I shook my head a little at their outfits—William in his skinny black jeans, black sweater, and black boots; Mom in a black-and-white-striped dress that hugged her round hips too tight, black leggings, and low-top Converse shoes. They looked ready for sipping espresso, not moving. I hadn’t let anyone see where we’d been living, so the intrusion of their British accents and Euro outfits made the cabin, our home, feel even dirtier.

  William seemed surprised to see that there was only one duffel bag to move us out. He picked it up to bring it outside, and Mom followed him. I turned back to take a final look at that floor, at the ghosts of myself reading books on the love seat, of Mia rummaging through her basket of toys, of her sitting in the built-in drawer under the twin bed. I was happy to be gone. But it was a brief moment to take in what I had survived, a bittersweet goodbye to the fragile place of our beginning.

  Half the residents in our new apartment building, the Northwest Passage Transitional Family Housing Program, were like me, moving out of homeless shelters, but the other half were people who had just gotten out of jail. It was supposed to be a step up from the shelter, but I already missed the seclusion of the cabin. Here, in this building, my reality felt exposed for all to see, even me.

  Mom and William waited behind me as I approached the door to our new home. I struggled with the key, setting the box down to fumble harder with the lock, until finally we were in. “Well, at least that’s secure,” William joked.

  We walked into a narrow entryway; the front door sat opposite the bathroom. Right away I noticed the tub, where Mia and I could take a bath together. We hadn’t had the luxury of a tub in a long time. Our two bedrooms were on the right. Each had a window that faced the road. In the tiny kitchen, the refrigerator door grazed the cupboards on the opposite side. I walked across the large white tiles, which resembled the floor at the shelter, and opened the door to a small outdoor deck. It was just wide enough where I could sit with my legs stretched out.

  Julie, my caseworker, had briefly shown me the place in a walk-through two weeks earlier. The last family who’d lived in the apartment had stayed for twenty-four months, the maximum amount of time possible. “You’re lucky this one opened up,” she said. “Especially since your days were up at the shelter.”

  When I first met with Julie, I sat across from her, stammering in my attempts to answer questions about what my plans were, how I planned to provide shelter for my child. What my path to financial stability looked like. What jobs I could do. Julie seemed to understand my bewilderment, offering some suggestions on how to proceed. Moving in
to low-income housing seemed to be my only option. The trouble was finding an empty slot. There were advocates at the Domestic Violence and Sexual Assault Services Center who kept a protected shelter available for victims who had nowhere to turn, but I had gotten lucky when the housing authority offered me my own space and a path to stability.

  Julie and I went over a four-page list of terse rules during that first meeting, rules I’d have to agree to in order to stay at their shelter.

  Guest understands that this is an emergency shelter;

  it is NOT your home.

  RANDOM URINALYSIS may be requested

  at any time.

  Visitors are NOT allowed at the shelter.

  NO EXCEPTIONS.

  Julie made clear they’d still do random checks to make sure the daily household chore minimums were met, like cleaning the dishes, not leaving food out on the counter, and keeping the floor tidy. I again agreed to random urine analysis tests, random unit inspections, and a ten p.m. curfew. Overnight visitors were not allowed without permission, and for no more than three days. All changes in income had to be reported immediately. Monthly statements had to be submitted with details about what money came in and how and why it went out.

  Julie was always nice and kept smiling as she spoke. I appreciated that she didn’t have that worn, drawn-out look that other caseworkers in government offices seemed to have. She treated me like a person, tucking her short, copper-red hair behind her ear as she spoke. But my thoughts were stuck on when she called me “lucky.” I didn’t feel lucky. Grateful, yes. Definitely. But having luck, no. Not when I was moving into a place with rules that suggested that I was an addict, dirty, or just so messed up in life that I needed an enforced curfew and pee tests.

  Being poor, living in poverty, seemed a lot like probation—the crime being a lack of means to survive.

 

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