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The Man Who Called Himself Poe

Page 9

by Sam Moskowitz


  "Really,” returned I, feeling unpleasantly like a confi-

  dence-operator in the act of entrapping his victim, "I don t

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  THE M AN WHO CALLED HIMSELF POE

  know whether I have or not. There is something in your

  appearance that is very familiar to me; and yet I can’t give

  you your name.”

  “You can, perhaps, give me yours?” was his quiet answer.

  “With pleasure!” said I; and I mentioned it.

  “Ah!” he said; “the novelist? I have read—indeed, I have

  reviewed—your writings; but that was over fifty years—I

  would say they could hardly have been yours. You are too

  young a man.”

  “I should be surprised if I were not older than you,” said

  I, with a smile. He certainly could not have been over forty.

  “Your impression is a natural one,” he replied; “But the

  circumstances happen to be peculiar. I was born in 1809.”

  “In 1849, you mean!” exclaimed I.

  He shook his head. “Oddly enough,” he remarked, “you

  have named the year in which (according to the general

  belief) I died. I need hardly add,” he continued, with a

  faint smile, “that the belief is a mistaken one. I did not die,

  and I am not an insubstantial specter. And yet, perhaps, I

  am hardly justified in calling myself eighty-two years old.

  The truth is, sir—though this is a m atter to which, for rea-

  sons you will appreciate, I am not accustomed to refer—

  the truth is, I have been the subject of a very unusual expe-

  rience, and, what is more, of one which I had myself in

  some sort foreshadowed. It is possible you may have hap-

  pened to read a little fancy of mine called ‘The Premature

  Burial’—”

  “Pardon me for interrupting you,” said I at this point,

  “but I think I must be misinterpreting your meaning. The

  only story called ‘The Premature Burial’ that I am ac-

  quainted with was written by—”

  “By Edgar Allan Poe. And that, sir, is my name.”

  At this juncture the widow brought in my lunch, and this

  diversion, together with the extremity of my stupefaction,

  which had an outwardly composing effect, prevented my

  saying anything for several moments. If I were describing

  THE M A N WHO CALLED HIMSELF POE

  5 9

  an imaginary incident, I should say that my first impulse

  was to regard the man as a lunatic; for between the altema-

  tives of believing either him or myself insane, I would

  naturally select the least distressing. Edgar Allan Poe was

  dead and buried forty-two years ago; that was certain.

  This man was alive and in the flesh, and was not more than

  forty years of age. And yet he asserted he was the great

  author. Of course he must be out of his mind.

  I am not aware of being a particularly credulous man;

  but the simple truth is that, in the face of the above consid-

  erations, I believed on the spot that Edgar Allan Poe sat

  before me. In the first place, the manner with which he

  made the statement was convincing. His voice was quiet,

  distinct, and grave, his countenance serious, and his glance

  direct. He was not mad, nor was he jesting; he was a gentle-

  man, making a statement to another. But he was also Poe

  in every contour of his face and line of his figure. I now

  understood how I had come to think that I had seen him

  before. There was in my possession an engraving from a

  daguerreotype of the poet, taken, I believe, about 1846. I

  had often studied this portrait, which had a singular fas-

  cination for me, and I had completely familiarized myself

  with it. The man before me did not merely bear a resem-

  blance to the picture; he was the original of it. I should have

  known it without his assistance, but that one does not

  spontaneously invite a miracle.

  “It is a great pleasure to me to meet you, Mr. Poe,” I said,

  at length. “I suppose I needn’t add that it is an unexpected

  one.”

  “My return to this life was as unexpected to myself as it

  could have been to any one else,” was his reply. “I ought,

  perhaps, to say that you are the first person to whom I have

  spoken of the affair, and that I should not like it to go further.

  I have taken the name of Arnold, which was that of

  my mother’s family. It is my intention, for obvious reasons,

  to preserve the incognito. I am not disposed to let my new

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  THE M AN WHO CALLED HIMSELF POE

  life be disturbed by constant efforts to establish my iden-

  tity, or to become the cynosure of fools should the attem pt

  succeed. I have laid out a course of existence for myself,

  and I purpose to pursue it, quietly and unobtrusively, so

  long as destiny may permit.”

  “And when—that is—how long is it since your new career

  began?” I inquired.

  “It is about a week since I obtained a position as private

  secretary to a gentleman in the banking business here,” he

  replied. “My handwriting attracted him—as it did my friend

  Kennedy when, in 1833, I competed for a literary prize

  offered by the Saturday Visiter. An interview satisfied him

  as to my other qualifications, and he engaged me at a

  salary which—according to my ideas—is a generous one.

  Outside of office-hours I am master of my own time. I do

  not go into society, and I see no one. I spend my time in

  reading, and I am well content. I was just glancing over this

  little jeu desprit by Mr. Andrew Lang. He writes well. He

  has treated me with great consideration. But I am amused

  to learn, from his le tte r / as he calls it, that the animosi-

  ties aroused by my critical divagations, a generation and a

  half ago, are not forgotten, nor forgiven, yet.”

  “Mr. Lang is an Englishman, and perhaps exaggerates

  the American sentiment on that subject,” I said. “For my

  own part, I have always found your genius recognized as

  unique and unapproachable. But did I understand you to

  say that it is only a week since you returned to this world?”

  “No: that event took place some three months ago, as

  near as I can recollect,” he answered. “To be frank, my

  impressions as to the details of my resuscitation are a trifle

  hazy. As you may be aware—I was not myself aware of it

  until quite recently—I was interred in the graveyard of

  Westminster Church, in Baltimore. The place was not

  marked, and, fortunately for me, my coffin was placed in

  a sort of vault. I presume some alterations were being made;

  at all events, my first sensation was of a draught of cold air;

  THE M A N WHO CALLED HIMSELF POE

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  I supposed I was sleeping by an open window, and I en-

  deavored to draw the blanket around me. Gradually—I can

  hardly tell how—I began obscurely to realize my position.

  I was not agitated; probably my nerves were in a state of

  insensibility from my long torpor. I have often, since I es-

  caped from my tomb, felt a deeper thrill of horror at
my

  position than I did at the moment. My coffin had decayed

  sufficiently to enable me to leave it without much difficulty.

  Some stones had been removed from the sides of the vault,

  and I emerged through the aperture. I was, as yet, scarcely

  alive, and had no more strength than an infant. It was

  night: I heard the clock of the church strike midnight as I

  lifted myself into the open air. Under the wall of the church

  I found, rolled up, a rough coat and a pair of overalls,

  doubtless the property of a workman. I appropriated them,

  for my own garments were dropping to pieces. In the

  pocket of the coat was a piece of bread, which I ate, and it

  gave me a little vigor. But I was greatly emaciated, and my

  mind was bewildered. I believe I spent that night in the

  station-house, and the following day I was removed to a

  hospital, where I remained two weeks, slowly recovering

  the use of my faculties. Of course I did not soon realize the

  lapse of time, and the questions I asked and the remarks

  I let fall doubtless led the attendants to suppose me de-

  mented. But,״ he added, breaking off, “I must apologize for

  my loquacity. This is the first time I have spoken of this

  subject. I dislike even to dwell upon it in thought. And my

  further experiences are commonplace, and would not in-

  terest you.״

  “I have never before listened to so interesting a narrative:

  it surpasses even your own published romances,״ I said. “But

  is it not your intention, Mr. Poe, to re-enter the literary

  profession?״

  “I think not,״ he replied. “I have never found it remu-

  nerative. And the art must have advanced so far since my

  time that I should have no chance in the competition. Be-

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  THE M A N WHO CALLED HIMSELF HOE

  sides, all the men of my generation are gone, and the sense

  of loneliness, and of vanished associations, would render

  the experiment too painful.”

  “As regards the question of remuneration—do you happen

  to recollect what was paid you for your story of ‘The Mur-

  ders in the Rue M orgue?”

  “I could not say, precisely, but it might be forty or fifty

  dollars.”

  “And it contains upward of twelve thousand words. Well,

  Mr. Poe, I saw your original manuscript of the story in the

  collection of a friend of mine the other day, and I am confi-

  dent he would have refused a thousand dollars for it. I am

  willing to guarantee that you could sell anything you chose

  to write at the rate of a dollar a word. If fact, if I were your

  agent, I would agree to pay you that, and to make a hand-

  some commission for myself besides.”

  “You fairly astonish me,” said Poe, in his low voice. “Lit-

  erature must indeed have taken a step forward since my

  day. Writers, then, are among the wealthiest classes of the

  community?”

  “No, I can hardly say that,” I returned. “There are so

  many of us, you see, that we somewhat interfere with one

  another's profits. Besides, we have suffered from the lack

  of an international copyright law, subjecting us to the

  rivalry of stolen English books at nominal prices—”

  “Is it possible,” exclaimed Poe, “that no such law yet

  exists? Is the situation unchanged since 1842, when Dickens

  was over here, co-operating with W ebster and Clay? I was

  hardly prepared to learn this I”

  “I am glad to be able to tell you that a measure was

  actually passed on the last day of the recent session of

  Congress,” said I. “It is true that most of the members were

  absent, and that nearly all of those present were asleep:

  nevertheless, the vote was favorable, and the law is ex-

  pected to go into effect next July. So we may look forward

  to better days. But, in any case, such a question would have

  THE M AN WHO CALLED HIMSELF POE

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  no application to you. Apart from the extraordinary sensa-

  tion that would be caused by your reappearance, you are

  still as far above the level of average writers as you were

  in the forties. I doubt if any living man could rival your

  prose style. I am certain none of us have a tithe of your

  genius. As to your poetry, there you stand alone, and you

  always will. Another *Raven/ or *To Helen’—”

  **I should hardly care,״ said Poe, with a wave of his hand,

  “to attem pt that vein again. There can be no enduring

  merit in such verses. They were constructed on a poetical

  theory which I now perceive to have been fallacious. The

  true music of poetry should lie, not in its sound to the ear,

  but in its sense to the mind. It should be a rational pursuit,

  not a passion. I should be more inclined to try my hand at a

  blank-verse drama, in the style of my Politian. Or perhaps

  a prose comedy of contemporary life would be better yet.”

  “You are no doubt the best judge of what you would like

  to do,” said I; **but it is my impression that a continuance of

  your old manner would be expected by the public, and

  might be more popular. Suppose, however, you begin with

  a series of short stories, in the style of *The Gold-Bug’?”

  Poe shook his head meditatively. “The short story,” said

  he, “is not a satisfactory form of fiction. To properly gauge

  the quality of a genius, we must see it in longer flights. If I

  returned to the region of romance at all, it would be to

  write a long novel, like Martin Chuzzlewit or The Last Days

  of Pompeii. But, to tell the truth, fiction in any form has few

  charms for me. I am more impressed by the realities of life

  than by its fancies. I should like to write a treatise embody-

  ing my ideas on the equitable division of land among its

  inhabitants. Such a work, I think, would be useful, and

  would constitute a reasonable basis for a reputation. W hat

  you intimate concerning the present popularity of my short

  tales and poems is, I confess, a disappointment to me. It

  seems to show a regrettable frivolity in the human mind.

  Perhaps, had my readers, like myself, passed forty years in

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  THE M A N WHO CALLED HIMSELF POE

  the tomb, they would be disposed to modify their point of

  view.״

  I thought this not improbable, but, as the contingency

  was never likely to occur, I wished that Mr. Poe had shown

  a greater willingness to accommodate himself to actual

  circumstances. I began to perceive, moreover, that although

  the great writer's prolonged absence from the activities of

  the world had wrought no noticeable change in his personal

  appearance, it had had a singularly disenchanting effect on

  his mind. All traces of his weird imagination seemed to have

  died out of him. He was contentedly filling the position of

  amanuensis to a prosperous banker, and his thoughts were

  running on political economy. The amazing experience of

  which he had been the subject, instead of stimulating tran-

  scendental speculations in h
is soul, was merely a disagree-

  able matter, about which he did not care to think. I even

  suspected that he felt irritated with himself for having been

  the hero of so unique and sensational an occurrence. His

  love of fame was gone; to spare himself a little temporary

  annoyance he was satisfied to conceal his identity and live

  unknown and unsought. Could it be that the qualities

  which gave Poe his renown were but a transient ebullition

  of youthful spirits, having no deep roots in his nature? Was

  this the real man that sat here chatting with me, and was

  the other, whom the world knew and honored, but an arti-

  ficial role that he deliberately played, with no sincere and

  hearty purpose?

  “The more I reflect upon it,״ said he, breaking in upon

  my speculations, “the more reluctant I feel to embark again

  on the uncertain sea of literature. W hat is really worth

  having in this life? Surely nothing save the sense of reason-

  able security against vicissitudes, the certainty of bodily

  support and comfort from day to day, the feeling that, one

  is performing a useful, if humble, work in the world, the

  freedom from the agitations of passion, the hopes and de-

  spairs of ambitioni I was never happy in my former exist­

  THE M AN WHO CALLED HIMSELF POE

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  ence; I am happy now. Why should I tem pt a renewal of

  those old doubts and emotions? Our experience is given to

  us, we may suppose, as a lesson. We act foolishly, and we are

  taught the folly of our actions. Few of us are granted the

  opportunity to profit by our instruction. That opportunity

  has been vouchsafed to me, and I should be remiss in my

  duty did I venture to disregard it. No, my dear sir, I shall

  never resume the pen. I am conscious of no impulse to

  do so, and I will not act against my nature.״

  *'Mr. Poe,״ I said, looking him in the face, “are you not

  making a virtue of necessity? Is it not because you feel the

  decay in you of the powers you once possessed that you

  profess to care no longer to use them? Are you not conceal-

  ing the loss of your genius by pretending to be indifferent

  to the honor that genius commands?״

  I had hoped that this attack would have the effect of

  rousing him from his apathy. If any sparks of the old fire

  yet lingered in him, surely they would burst into flame now!

 

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