The Ruskin Bond Horror Omnibus

by Ruskin Bond

  It is set upon a little hill, and the lawn runs down to a small formal garden with box-hedges mounted by animals fancifully cut, a sun-dial, a little stone temple. Fields spread on either side of it and are bordered completely by a green tangled wood. The trees climb skywards on every side, but they are not too close about the house. They are too friendly to it to hurt it in any way. Over the arched porch a very amiable gargoyle hangs his head. He has one eye closed and a protruding chin from which the rain drips on a wet day, and in the winter icicles hang from it.

  All the country about the house is very English, and the villages have names like Croxton, Little Pudding, Big Pudding, Engleheart and Applewain. A stream runs at the end of the lower field, runs through the wood, under the road, by other fields, so far as Bonnet where it becomes a river and broadens under bridges at Peckwit, the country town.

  The house is called Candil Place, and is very proud of its name. Its history for the last hundred years has been very private and personal. No one save myself and the house knows the real crises of its history, just as no one knows the real crisis of your history save yourself. You have doubtless been often surprised that neighbours think that such and such events have been the dramatic changing moments in your life—as when you lost your wife or your money or had scarlet fever—when in reality it was the blowing of a window curtain, the buying of a ship in silver, or the cry of a child on the stair.

  So it has been with this house which has had its heart wrung by the breaking of a bough in the wind, a spark flying from the chimney, or a mouse scratching in the wainscot. From its birth it has had its own pride, its own reserve, its own consequence. Everything that has happened in it, every person who has come to it or gone from it, every song that has been sung in it, every oath sworn in it, every shout, every cry, every prayer, every yawn has found a place in its history.

  Its heart has been always kind, hospitable, generous; it has had as many intentions as we have all had, towards noble ends and fine charities. But life is not so easy as that.

  Its first days were full of light and colour. Of course it was always a small house; Sir Mortimer Candil, who helped to create it, loved it, and the house gave him its heart. The house knew that he did for it what he could with his means; the house suffered with him when his first wife died of the plague, rejoiced with him when he married again so beautiful a lady, suffered with him once more when the beautiful lady ran away to Spain with a rascal.

  There is a little room, the Priest's Room, where Sir Mortimer shut himself in and cried, one long summer day, his heart away. When he came out of there he had no heart any more, and the house, the only witness of that scene, put its arms about him, loved him more dearly than it had ever done, and mourned him most bitterly when he died.

  Sir Edmund had a sister Henrietta, who was the cause of all the later trouble. The house never from the beginning liked Henrietta.

  The house was willing to grant that Henrietta loved her brother, but in a mean, grasping, greedy manner, and jealousy was her other name.

  They were children of a late marriage and their parents died of the smallpox when Edmund was nineteen and Henrietta twenty-one. After that Henrietta ruled the house because Edmund was scarcely ever there, and the house disliked exceedingly her rule. This house was, as I have said, a loyal and faithful friend and servant of the Candil family. Some houses are always hostile to their owners, having a great unreasoning pride of their own and considering the persons who inhabit them altogether unworthy of their good fortune. But partly for the sake of Sir Mortimer, who had created and loved it, and partly because it was by nature kindly, and partly because it always hoped for the best, the house had always chosen only the finest traits in the Candil character and refused to look at any other.

  But, if there is one thing that a house resents, it is to be shabbily and meanly treated. When a carpet is worn, a window rattling in the breeze, a pipe in rebellion, a chair on the wobble, the house does everything towards drawing the attention of its master. This house had been always wonderfully considerate of expense and the costliness of all repair. It knew that its masters were not men of great wealth and must go warily with their purposes, but, until Henrietta, the Candils had been generous within their powers. They had had a pride in the house which made them glad to be generous. Henrietta had no such pride. She persisted in what she called an 'adequate economy,' declaring that it was her duty to her brother who drove her, but as the house (who was never deceived about anything) very well knew, this so-called 'economy' became her god and to save money her sensual passion.

  She grew into a long bony woman with a faint moustache on her upper lip and a strange, heavy, flat-footed way of walking. The Staircase, a little conceited perhaps because of its lovely banisters that were as delicate as lace, hated her tread and declared that she was so common that she could not be a Candil. Several times the Staircase tripped her up out of sheer maliciousness. The Storeroom hated her more than did any other part of the house. Every morning she was there, skimping and cheese-paring, making this last and doing without that, wondering whether this were not too expensive and that too 'outrageous'. Of course, her maidservants would not stay with her. She found it cheapest to engage little charity-girls, and when she had them she starved them. It is true that she also starved herself, but that was no virtue; the house would see the little charity-girls crying from sheer hunger in their beds, and its heart would ache for them.

  This was of course to some degree different when Edmund came home from his travels, but not very different, because he was always considerably under his sister's influence. He was soft-hearted and she was hard, and, as the house very well knew, the hard ones always win.

  Henrietta loved her brother, but she was also afraid of him. She was very proud of him but yet more proud of her domination over him. When he was thirty and she thirty-two, she was convinced that he would never marry. It had been once her terror that he should, and she would lie awake thinking one moment of the household accounts and the next of wicked girls who might entrap her brother. But it seemed that he was never in love; he returned from every travel as virgin as before.

  She said to him one morning, smiling her rather grim smile: 'Well, brother, you are a bachelor for life, I think.'

  It was then that he told her that he was shortly to marry Miss Dorothy Preston of Cathwick Hall.

  He spoke very quietly, but, as the armchair in the Adam Room noticed, he was not quite at his ease. They were speaking in the Adam Room at the time, and this armchair had only recently been purchased by Edmund Candil. The room was not known then as the Adam Room (it had that title later) but it was the room of Edmund's heart. The fireplace was in the Adam style and so were the ceiling, and the furniture, the chairs, the table, the sofa, the commode Edmund had had made for him in London.

  Very lovely they were, of satin-wood and mahogany, with their general effect of straight line but modified by lovely curves, delicate and shining. In the centre of the commode was a painted vase of flowers, on the ceiling a heavenly tracing of shell-like circles. Everywhere grace and strength and the harmony of perfect workmanship.

  This room was for Edmund the heart of England, and he would stand in it, his dark eyes glowing, fingering his stock, slapping his tight thigh with his riding-whip, a glory at his heart. Many things he had brought with him from foreign countries. There was the Chinese room, and the little dining-room was decorated with Italian pictures. In his own room that he called the Library there was an ink-horn that had been (they said) Mirabeau's, a letter of Marie Antoinette's, a yellow lock cut from the hair of a mermaid and some of the feathers from the head-dress of an African chieftain. Many more treasures than these. But it was the Parlour with the fine furniture bought by him in London that was England, and it was of this room that he thought when he was tossing on the Bay of Biscay or studying pictures in Florence or watching the ablutions of natives in the Sacred River.

  It was in this room that he told his sister that he int
ended marriage.

  She made no protest. She knew well enough when her brother's mind was made up. But it was a sunny morning when he told her, and as the sun, having embraced merrily the box-hedge peacocks and griffins, looked in to wish good-morning to the sofa and the round shining satin-wood table that balanced itself so beautifully on its slim delicate legs, it could tell that the table and chairs were delighted about something.

  'What is it?' said the sun, rubbing its chin on the window-sill.

  'There's a new mistress coming,' said the table and chairs.

  And, when she came, they all fell at once in love with her. Was there ever anyone so charming and delicate in her primrose-coloured gown, her pretty straw bonnet and the grey silk scarf about her shoulders? Was there ever anyone so charming?

  Of course, Henrietta did not think so. This is an old story, this one of the family relations greeting so suspiciously the new young bride, but it is always actual enough in its tragedy and heartbreak, however often it may have happened before.

  Is it sentimental to be sorry because the new Lady Candil was sad and lonely and cried softly for hours at night while her husband slept beside her? At that time at least the house did not think so. Possibly by now it has grown more cynical. It cannot, any more than the humans who inhabit it, altogether be unaware of the feeling and colour of its time.

  In any case the house loved Dorothy Candil and was deeply grieved at her trouble. That trouble was, one must realise, partly of her own making.

  Her husband loved her, nay, he adored her with all the tenderness and tenacity that were part of his character. He adored her and was bored by her: as everyone knows, this is a most aggravating state of feeling. He thought her beautiful, good, amiable and honest, but he had nothing at all to say to her. For many a man she would have been exactly fitting, for it was not so much that she was stupid as that she had no education and no experience. He gave her none of these things as he should have done. Nor did he realise that this life, in the depths of English country, removed from all the enterprise and movement of the town, removed also by the weather from any outside intercourse for weeks at a time, was for someone without any great resources in herself depressing and enervating.

  And then she was frightened of him. How well the house understood this! It too was, at times, afraid of him, of his silences, his obstinacy and easy capacity of semi-liveliness, a sensitiveness that his reticence forbade him to express.

  How often in the months that followed the marriage did the house long to advise her as to her treatment of him. The sofa in the parlour was especially wise in such cases. Long before it had been covered with its gay cherry-coloured silk, it had been famous among friends and neighbours for its delicacy in human tactics.

  There came a morning when Lady Candil sat on a corner of it, her lovely little hand (she was delicate, slim, fragile, her body had the consistency of egg-shell china) clenching the shining wood of its strong arm for support, and a word from her would have put everything right. The sofa could feel the throbbing of her heart, and looking across to the thick, stiff, obstinate body of her husband, longed to throw her into his arms. But she could not say the word, and the mischanced moment became history for both of them. Had they not loved so truly it might have been easier for them; as it was, shyness and obstinacy built the barrier.

  And of course Henrietta assisted. How grimly was she pleased as she sat in her ugly old russet gown, pretending to read Lord Clarendon's History (for she made a great pretence of improving her mind), but in reality listening to the unhappy silences between them and watching for the occasion when a word from her to her brother would skilfully widen the breach. For she hated poor Dorothy. She must in any case have done so out of jealousy and disappointment, but Dorothy was also precisely the example in woman whom she most despised. A weak, feckless, helpless thing whose pretty looks were an insult!

  Then Dorothy felt her peril and rose to meet it. The house may have whispered in her ear!

  Yes, she rose to meet it, but, as life only too emphatically teaches us, it is no good crying for the moon—and it is no good, however urgent we may be, begging for qualities that we have not got. She had a terrible habit of being affectionate at the wrong time. A kind of fate pursued her in this. He would return from his afternoon's ride, pleasantly weary, eager for his wife and happy in the thought of a little romantic dalliance, and she, fancying that he would not be disturbed, would leave him to snore beside the fire. Or, a neighbour squire would visit him and he be off with him for the afternoon and she feel neglected. Or, he would be absorbed in a newsletter with a lively account of French affairs and she choose that moment to sit on his knee and tug his hair.

  Dorothy was in truth one of those unfortunate persons—and they are among the most unfortunate in the world—who are insensitive to the moods and atmospheres of others. These err not through egotism nor stupidity, but rather through a sort of colour-blindness so that they see their friend red when he is yellow and green when he is blue. Neither Dorothy nor Edmund had any gift of words.

  So, a year and a half after his marriage, Edmund, with an ache in his heart, although he would own this to nobody, went once again to foreign parts. The house implored him not to go: he almost heard its protests.

  On one of his last evenings there—a windy spring evening—he came in from a dark twilight walk, splashed with the mud of the country paths, the sense of the pale hedgerow primroses yet in his eye, the chatter of birds in his ear, and standing in the hall heard the William and Mary clock with the moon and stars, the banisters of the staircase, the curtains of the long hall window whisper to him:

  'Don't' go! Don't go! Don't go!'

  He stood there and thought: 'By Gemini, I'll not leave this!' Dorothy came down the stairs to greet him and, seeing him lost in thought, stole upstairs again. In any case he had taken his seat in the coach, and his place in the packet-boat was got for him by a friend in London.

  'Don't go!' said the portrait of old Uncle Candil.

  He strode upstairs and Dorothy was reading Grandison by the fire, and although her heart was beating with love for him, was too timid to say so.

  So to foreign parts he went again and, loving her so dearly, wrote letters to her which he tore up without sending lest she should think him foolish—such being the British temperament.

  How the house suffered then, that Dorothy should be left to the harsh economies of sister Henrietta. Henrietta was not a bad woman, but she was mean, selfish, proud and stupid. She was also jealous. Very quickly and with little show of rebellion Dorothy submitted to her ways. If true love is in question, absence does indeed make the heart grow fonder, and Dorothy thought of her husband night, morning, and night again.

  She was snubbed, starved, and given a thorough sense of her insufficiencies. It is surprising how completely one human being can convince another of incompetence, ignorance and silly vanity if they be often alone together and one of them a woman. Women are more whole-hearted than men in what they do, whether for good or ill, and Henrietta was very whole-hearted indeed in this affair.

  She convinced Dorothy before her husband's return that she was quite unworthy of his love, that he found her dull and unresponsive, that he was deeply disappointed in the issue of his marriage, and that she had deceived him most basely. You may say that she was a poor-spirited little thing, but she was very lonely, half-starved, and her love made her defenceless.

  The appetite grows with what it feeds on, and Henrietta found that 'educating Dorothy,' as she called it, was a very worthy and soul-satisfying occupation. Dorothy began to be frightened, not only of herself and of Henrietta but of everything around her, the house, the gardens, the surrounding country.

  The house did its utmost to reassure her. When she lay awake in her bed at night, the house would hush any noise that might disturb her—the furniture of her room, the hangings above her bed, the old chest of Cromwell's time, the Queen Anne wardrobe, the warming-pan, the fire-irons that had the heads
of grinning dogs, the yellow rug from Turkey, the Italian lamp beside her bed, they all crowded about her to tell her that they loved her. After a while she was conscious of their affection. Her bedroom and the parlour were for her the happiest places in the house, the only places indeed where she was not afraid.

  She did not know that they were saying anything to her—she had not that kind of perception—but she felt reassured by them, and she would lock herself into her bedroom and sit there for hours thinking of her husband and wondering where he might be.

  She became so painfully aware of Henrietta that she saw her when she wasn't there. She saw her always just around a corner, behind a tree, on the other side of the rose-garden well, peering over the sun-dial, hiding behind the curtain. She became a slave to her, doing all that she was told, going where she was bid. The house considered it a disgusting business.

  One evening she broke into a flash of rebellion.

  'Edmund loves me!' she cried, her little breasts panting, her small hands clenched. And you hate me! Why do you hate me? I have never done you any harm.'

  'Hate! Hate! I have other things to do—and if he loves you, why does he stay so long away?'

  Ah! why indeed? The house echoed the question, the very floors trembling with agitation. The stupid fool! Could he not see the treasure that he had? Did he think that such glories were to be picked up anywhere, any day, for the asking? The fire spat a piece of coal on to the hearthrug in contempt of human blindness.

  When the time arrived at last for Edmund's return, Dorothy was in a fitting condition of miserable humility. Edmund did not love her. He was bored with her too dreadfully. But indeed how could he love her? How could anybody love her, poor incompetent stupid thing that she was! And yet in her heart she knew that she was not so stupid. Did Edmund love her only a little she could jump all the barriers and be really rather brilliant—much more brilliant than Henrietta, who was certainly not brilliant at all. It was this terrible shyness that held her back, that and Henrietta's assurance that Edmund did not love her. And indeed he did not seem to. It was but too likely that Henrietta was right.