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Modernists and Mavericks

Page 34

by Martin Gayford


  and Sandra Blow 88–89

  studios 219–21

  and Surrealism 77–78

  working methods 115, 117–20, 122–23

  Francis Bacon 115, 116, 218

  Girl with Leaves 78

  Girl with Roses 74, 75

  Girl with a White Dog 74

  Interior at Paddington 118–20, 119

  John Deakin 217–19, 218

  Naked Girl 221–24, 223

  The Painter’s Room 20

  Time magazine cover 122, 123–24

  Freud, Sigmund 15, 77, 78

  Frost, Terry 40–41, 93–94, 100, 103–4, 144, 168

  Fry, Roger 93, 322

  Futurists 62, 164, 291, 292

  Gainsborough, Thomas 231, 232

  Gaitskell, Hugh 91

  Gallery One 290–91, 295, 330

  Gargoyle Club 114

  Garman, Kitty 73–76, 75, 78, 115

  Gauguin, Paul 93, 108, 252, 315

  Gear, William, Autumn Landscape 91, 92, 98

  Geldzahler, Henry 274, 288

  General Motors 149

  George V, King 93

  George, Patrick 259

  Gertler, Mark 62

  Giacometti, Alberto 39, 83, 153

  Gibson Smith, Ian 13

  Gilbert & George 242, 337

  Giotto 172, 236, 334

  Godard, Jean-Luc 239

  Goethe, J. W. von 20

  Goldsmiths’ College 16, 44, 296–97

  Gooding, Mel 168–69

  Gordon, ‘Lucky’ 240–41

  Gormley, Antony 337

  Gowing, Lawrence 44, 46, 76, 94–95

  Goya, Francisco 34, 107, 209, 325

  Grant, Duncan 23

  Greaves, Derrick 154–55, 154, 157

  Green, William 165–66, 166

  Greenberg, Clement 141–42, 274, 298, 300–1, 322

  Greenwood, Michael 171, 173

  Grierson, John 44

  Group 2 150–52

  Group 6 152

  Gruen, John 108

  Guggenheim, Peggy 161

  Guston, Philip 88

  Haley, Bill 231

  Hall, Eric 28, 86, 115, 212

  Hals, Frans 221

  Hambidge, Jay 311

  Hamilton, Richard 97, 104–6, 137–39, 145–50, 225, 227, 277, 311, 330

  Hers is a Lush Situation 147

  Hommage à Chrysler Corp. 147–49, 148

  Just what is it that makes today’s homes so different, so appealing? 151, 152

  Swingeing London 67 332–33, 332

  Hancock, Tony 165–66, 167

  Hanover Gallery 79, 83, 177

  hard-edge painting 182–84, 192, 230, 273, 278

  Harrison, Martin 81, 178, 208

  Hart, George Overbury ‘Pop’ 145

  Hatton Gallery, Newcastle 106

  Haworth, Jann 330

  Hayes, Colin 197

  Hayward Gallery 338

  Hazlitt, William 52

  Heath, Adrian 93–94, 100, 103

  Hegel, G. W. F. 210

  Henderson, Nigel 137, 152, 155

  Hepworth, Barbara 18

  Heraclitus of Ephesus 264

  Herbert, Albert 113–14

  Hergé 329

  Heron, Delia 168

  Heron, Patrick 8–9, 158, 160, 163, 168, 170, 176–78, 187, 311

  Black Painting – Red, Brown and Olive: July 1959 175–76, 179–80

  Horizontal Stripe Painting: November 1957–January 1958 180

  Hill, Anthony 94, 98, 103

  Hilton, Roger 9, 18, 100–4, 168, 176–78, 180–81, 202, 300

  August 1953 (Red, Ochre, Black and White) 102, 104

  February 1954 104

  Himmler, Heinrich 81, 208, 209

  Hitchens, Ivon 91

  Hitler, Adolf 208, 209

  Hockney, David 8, 9, 17, 23, 203, 271, 335, 336

  on Abstract Expressionism 163–64

  appearance 269–70

  at the Royal College 195, 199–205, 270–71

  double portraits 288–89

  exhibitions 274, 289

  on Freud 222

  on Hollywood films 138

  on Kitaj 201

  in the 1960s 219, 267–89

  paintings of tea packets 235–36

  and photography 284, 285–88

  problems of depiction 43

  and Renaissance art 285

  swimming pool pictures 278–79

  theatre designs 275

  in the US 229, 266, 269, 274–75, 277–85, 338

  on ways of seeing 59, 63, 67

  words in paintings 202

  Beverly Hills Housewife 277

  Christopher Isherwood and Don Bachardy 286–87

  Doll Boy 203

  Early Morning, Sainte-Maxim 285–88

  Flight into Italy – Swiss Landscape 273

  Mr and Mrs Clark and Percy 199, 288–89

  Play within a Play 272, 273–74

  Portrait Surrounded by Artistic Devices 275–76, 276

  The Room, Tarzana 282, 284–85

  Sunbather 278–79, 281

  Tea Painting in an Illusionistic Style 236, 237

  The Third Love Painting 203

  We Two Boys Together Clinging 203, 203

  Hodgkin, Howard 10, 31, 189–92, 190, 222, 277, 311, 313–18, 338

  Memoirs 188, 189–90

  Mr and Mrs E.J.P. 316

  Mr and Mrs Robyn Denny 190–91, 191

  R.B.K. 317, 318

  Small Japanese Screen 313–16, 314

  The Tilsons 318

  Widcombe Crescent 318

  Hodgkins, Frances 260

  Hofmann, Hans 100

  Hogarth, William 289

  Hollywood 137–38, 142, 143

  Horace 320

  Horizon 14, 19, 50, 69

  Hornsey College of Art 164

  Horton, Percy 200

  House, Gordon 185, 192

  Hoyland, John 268, 298–99, 328, 329

  7.11.66 299, 299

  Hughes, Robert 35, 115, 262–63, 313

  Hume, Gary 334

  Hunter, Sam 26, 80, 81

  Impressionism 46, 125, 292

  Independent Group 139–42, 143, 145, 150, 155

  Ingres, J.-A.-D. 44, 200

  Institute of Contemporary Arts (ICA) 97, 104–6, 138–42, 146, 149, 160, 169, 180–82, 225–28, 230, 277

  Isherwood, Christopher 286–87, 288

  Jagger, Mick 144, 232, 331–33

  Jaray, Tess 193

  Jarman, Derek 138

  Jarry, Alfred 275

  Jeffress, Arthur 39, 79

  John, Augustus 15, 73, 91, 146

  John, Gwen 44

  John Moores Painting Prize 157, 175–76, 179, 180

  Johnstone, William 40

  Jones, Allen 9, 137, 164, 195, 198–99, 198, 200, 201, 204, 205, 219, 225, 228–30, 274, 301–5, 338

  The Artist Thinks 195, 196, 198–99

  Chair 304

  First Step 302–3, 303

  Hat-Stand 304

  Man Woman 198, 303

  Table 304

  Wet Seal 302, 303

  Kafka, Franz 117

  Kahneman, Daniel 82

  Kandinsky, Wassily 93, 336

  Kapoor, Anish 337

  Kar, Ida 290, 308, 308

  Karp, Marilynn 306

  Kasmin, John 88, 160, 175, 205, 216, 233, 267–68, 270, 273–74, 277–79, 289, 290, 298, 330

  Kasmin Gallery 243, 246, 274, 278, 298, 311

  Keeler, Christine 240–41

  Kelly, Ellsworth 184, 229, 230

  Kiff, Ken 164

  King, Phillip 301

  Kirkman, James 216–17

  Kitaj, R. B. 9–10, 195, 200–4, 225, 269, 313, 318–23, 319, 325, 334, 335, 339

  The Murder of Rosa Luxemburg 319

  The Ohio Gang 319–20, 320

  Synchromy with F.B. 321, 322, 323

  Kitchen, Paddy 179, 312

  Kitchen Sink School 153–57, 235

  Kle
e, Paul 93, 210

  Klein, Yves 162

  Kline, Franz 160, 162, 255

  Knight, Laura 15, 91

  Knights, Winifred 44

  Kossoff, Leon 9, 61, 67, 125–27, 128–33, 129, 136, 144, 189–90, 246–48, 250, 259, 260, 263–66, 338

  Children’s Swimming Pool 265–66, 265

  Head of Seedo 131–33, 132

  Kozloff, Max 230, 302

  Labour Party 297–98

  Lacy, Peter 86, 109–12, 109, 176–77, 211, 212

  Lamothe, Louis 200

  Lanyon, Peter 9, 168, 176

  le Brocquy, Louis 177

  Lefevre Gallery 22–23, 27, 31, 33

  Léger, Fernand 43

  Lehmann, John 19, 71

  Leicester Galleries 14

  Leigh Fermor, Patrick 69

  Leonardo da Vinci 173

  Lessore, Helen 125, 154, 154, 246–48, 252–53

  Symposium I 247–48, 247

  Lessore, John 130–31, 247, 252–53

  Lewis, Wyndham 62, 82, 95

  Lichtenstein, Roy 230

  Lightfoot, Jessie 28, 86

  Lissitsky, El 94

  London Gallery 77, 78

  Long, Richard 337

  Lopez, Antonio 307

  Los Angeles 274–75, 277–82, 338

  Louis, Morris 273

  Luxemburg, Rosa 319

  Lyttelton, Humphrey 40, 41, 142

  MacBryde, Robert 17, 18, 19

  McCartney, Paul 330

  McHale, John 145, 150, 152

  Maclean, Donald 58

  McLuhan, Marshall 146, 227, 233

  Macmillan, Harold 194

  MacNeice, Louis 71

  Macy’s department store 283–84, 283

  Magritte, René 77, 329

  Malevich, Kasimir 93, 94

  Man, Felix 122

  Manchester City Art Gallery 91

  Manet, Edouard 55, 319

  Mann, Thomas 14

  Manvell, Roger 85

  Marlborough Fine Art 123, 177, 192, 206–7, 216–17, 225, 267–68, 320, 322

  Martha Jackson Gallery, New York 305

  Martin, Anne 159

  Martin, Kenneth 98, 103

  Martin, Mary 103

  Marx, Karl 94

  Matisse, Henri 43, 65, 93, 108, 224, 275, 301, 322, 335

  Matsumoto, Hiroko 243

  Medley, Robert 91

  Megaw, Dr Helen 98

  Melly, George 77, 78, 142

  Melville, Robert 207

  Mesens, E. L. T. 77, 78, 141

  ‘Metavisual Tachiste Abstract’ (1957) 168–71

  Metzger, Gustav 260

  Michelangelo 35, 64, 101, 165

  Middleditch, Edward 154–55, 154

  Pigeons in Trafalgar Square 155

  Mies van der Rohe, Ludwig 277, 298

  Miles, Barry 169

  Miller, Jonathan 296

  Ministry of Education 40, 270

  Minton, John 19, 20, 41, 71, 79, 113, 142, 158–59, 165–66, 168, 197, 250

  Jam Session 41, 42

  Miró, Joan 39, 205, 207

  Mondrian, Piet 89, 93, 101, 106, 141, 146, 171, 210, 227–28, 258, 263, 329

  Monet, Claude 55, 125, 197, 229

  Monitor (BBC) 233, 235

  Monroe, Marilyn 150, 238–39, 240

  Moore, Henry 23, 73, 141, 300

  Moorhouse, Paul 316

  Moraes, Henrietta 212–16, 214–15, 251–52

  Morley, Lewis 239, 240

  Morley, Malcolm 195–97

  Morphet, Richard 225, 227, 230, 246, 298, 317, 318, 332

  Moynihan, Rodrigo 45, 164, 168

  Portrait Group 197–98, 197

  Mulligan, Gerry 232

  Mundy, Henry 40, 53, 54, 100, 188, 192

  murals 171–74, 184–85

  Murphy, Myles 247

  Musée des Beaux-Arts, Liège 168

  Museum of Modern Art (MoMA), New York 39, 78–79, 160, 269, 305–7

  Musgrave, Victor 290–91, 330

  Nadar 81

  Namuth, Hans 167

  Nan Kivell, Rex 168, 169–70

  Nash, Paul 44

  National Gallery 11, 129, 131

  Nazis 50, 81, 209, 212

  Neo-Romantics 19, 23, 35, 43, 56

  Neumann, John von 146

  New York 35–36, 45, 159–60, 162–63, 227–29, 269, 274, 305–7

  Newman, Barnett 35, 185, 199, 229

  Newton, Eric 182, 211

  Nicholson, Ben 18, 23, 93, 95–97, 141, 168, 178

  Nietzsche, F. W. 37, 210

  Nine Abstract Artists 103–4

  Noland, Kenneth 233, 243, 273, 298, 301, 311

  Oldenburg, Claes 145, 330

  Op art 150, 305–8, 311

  Origo, Iris 127

  Orpen, William 15

  Oster, Gisela 305–6

  Packard, Vance 233–35

  Palmer, Samuel 19–20, 46

  Paolozzi, Eduardo 97, 137, 139, 147, 152, 155

  Dr Pepper 140

  Paris 10, 15, 43, 45, 51, 89

  Pasmore, Victor 8, 18, 37, 42–43, 45–46, 49–52, 56–59, 88, 94–98, 103–6, 168, 299–300, 335

  The Coast of the Inland Sea 97

  The Gardens of Hammersmith No.2 58, 58

  The Quiet River: The Thames at Chiswick 52, 53

  restaurant mural 95, 96

  Pathé films 165, 173

  Pavlova, Anna 87

  Penrose, Roland 141, 205

  Peppiatt, Michael 219

  Perlin, Bernard 144

  Peterlee, County Durham 299–300

  Phillips, Peter 195, 202, 204, 233, 268

  Photo Realism 285

  photography 45, 74, 81–82, 120–22, 210, 212–16, 284–88, 334–36

  Picard, Lil 305

  Picasso, Pablo 21, 22, 30, 43, 51, 125, 141, 185, 266, 322, 335

  influence of 16, 23–25, 36, 69, 78, 108, 161, 171, 211, 224

  Guernica 20

  Pick, Hella 306

  Piero della Francesca 146, 248, 258, 285

  Pinsent, Christopher 46–48

  Piper, John 93

  Piranesi, Giovanni Battista 64, 165, 274–75

  ‘Place’ exhibition (1959) 180–82, 227

  Pointillism 56, 292

  Pollock, Jackson 141, 153, 160–65, 167–68, 171–74, 178, 199, 202, 210, 291, 335

  Pop art 138, 144–52, 155, 199, 229, 233–45, 246, 333

  ‘Pop Goes the Easel’ (BBC) 233, 235, 236

  Pope-Hennessy, James 114

  Poussin, Nicolas 24, 25, 162, 187

  Powell, Anthony 117

  Power, E. J. ‘Ted’ 205, 316

  Presley, Elvis 143, 232

  Price, Cedric 230

  Procktor, Patrick 204, 275

  Profumo, John 240–41, 248

  Purcell, Henry 89

  Quant, Mary 232, 301–2

  Rabin, Sam 44, 296

  Raphael 44, 71

  Rauschenberg, Robert 194

  Rawsthorne, Isabel 212–13

  Ray, Johnnie 232

  RBA Galleries 204

  Read, Herbert 36, 38, 141, 145, 182

  The Rebel (film) 165–66, 167

  Redfern Gallery 95, 168, 169–70

  Redgrave, William 177–78

  Rees-Mogg, William 333

  Regatta Restaurant 95, 96, 97–98

  Rego, Paula 10, 96, 313, 323–25, 335

  Stray Dogs (The Dogs of Barcelona) 324, 325

  Reinhardt, Ad 297

  Rembrandt 31, 34, 112, 129, 131, 165, 209, 248

  Renaissance art 44, 88, 206, 236, 246, 275, 285, 335

  Renoir, Pierre Auguste 125

  Richards, Keith 331–32

  Richardson, John 30, 38, 111

  Riley, Bridget 10, 40, 44, 98, 210, 290–98, 305–8, 308, 311, 330, 335, 337, 338

  Continuum 308

  Crest 294, 295–96

  Fall 296

  Kiss 293–95, 293

  Movement in Squares 295

  The Nude 297


  Pink Landscape 292, 295

  Rivers, Larry 233

  Roberts, William 62

  Robertson, Bryan 153, 264–65, 268

  Rodchenko, Alexander 94

  Rodin, Auguste 82

  Rogers, Claude 49, 50–51, 91

  Rolling Stones 330, 331

  Rosenberg, Harold 166–67

  Rosenthal, Norman 285

  Ross, Alan 71, 79

  Rothenstein, John 206–7, 211, 212

  Rothermere, Lady 73

  Rothko, Mark 35, 160, 162, 164, 178, 185, 199, 299, 311, 335

  Royal Academy Schools 146

  Royal College of Art 9, 86, 312

  attitudes to abstraction 198–99

  Auerbach at 128, 133

  Bacon at 30, 113–14

  Bowling expelled from 179

  Hockney at 270–71

  in the 1960s 194–205

  Peter Blake at 144

  ‘Sketch Club’ 113, 158–59

  ‘Young Contemporaries’ exhibitions 154, 204–5, 267

  Royal Society of British Artists 186

  Rumney, Ralph 169, 170, 180–82

  The Change 171

  Ruscha, Ed 86, 279

  Russell, John 14, 23, 38, 145–46, 219, 232, 264–65

  Russell, Ken 233

  St Ives 8–9, 96, 176–78

  St Martin’s School of Art 128, 130, 301, 338

  Sargent, John Singer 65

  Sartre, Jean-Paul 83

  Schapiro, Meyer 163

  Schlesinger, Peter 282–84, 288

  ‘School of London’ 248, 250, 260, 339

  Schwitters, Kurt 139

  Scott, Ridley 199

  Scott, Tim 301

  Scott, William 103–4, 162–63, 175–76

  Still Life with Frying Pan 105

  sculpture 9, 103, 182, 300–1, 304–5, 337

  Second World War 11–12, 17–19, 127, 194

  Seedo, N. M. 131–33, 132

  Self, Colin 275

  Seurat, Georges 291–92

  Shahn, Ben 144

  Shakespeare, William 89, 97

  Sharrer, Honoré 144

  Sherman, Cindy 242

  Sickert, Walter 15, 21, 35, 65, 76, 143, 154, 162, 209, 260

  ‘Situation’ exhibitions 186–87, 192, 210, 227, 229, 238, 243, 246, 299

  Situationist International 169

  ‘60 Paintings for ’51’ (1951) 91, 120, 197–98

  Slade School of Fine Art 44, 50, 96, 137, 147, 204, 253–56, 335

  Sleigh, Sylvia, The Situation Group 192–93, 193

  Smee, Sebastian 114

  Smith, Jack 154–55, 154

  Smith, Matthew 15, 31, 178

  Smith, Richard 9, 144, 159, 180–82, 210, 219, 225–32, 279, 291, 300, 339

  Flip-Top 226, 227

  Panatella 227

  Smithson, Alison and Peter 145, 152, 155

  Snowdon, Lord 220, 265, 271–73, 271

  Soby, James Thrall 207–8

  Socialist Realism 51, 55, 153

  South Hampstead High School for Girls 171–74, 172–73

  Spalding, Frances 54–55

  Spear, Ruskin 195, 197–98, 205

  Spencer, Stanley 44, 78, 289

  Spender, Humphrey 48

  Spender, Stephen 11, 19

  Stella, Frank 184, 273, 278

 

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