Nawabs, Nudes, Noodles

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Nawabs, Nudes, Noodles Page 29

by Ambi Parameswaran


  Toshiba, ref1

  tourism industry and advertising, ref1, ref2

  transparency and accountability, ref1

  Trikaya Advertising, ref1, ref2, ref3, ref4, ref5, ref6

  Trikaya Options, ref1

  Trivedi, Dinesh, ref1

  Trivedi, Harish, ref1

  Trivedi, Parag, ref1

  Tuffs shoes, xiii, ref1, ref2

  TVS, ref1

  TVS Scooty, ref1

  Twitchell, James, ref1

  Twitter, ref1

  Tyagi, Amelia, ref1

  U

  Uber, ref1, ref2

  Ulka Kolkata, ref1

  Uncle Chipps, ref1

  Underhill, Paco, ref1

  unemployment, ref1, ref2, ref3

  UNICEF, ref1

  Unique Identification System (UID), ref1

  Universal Banking, ref1

  Upadyay, Mukul, ref1

  Urban Ladder, ref1

  urbanization, ref1, ref2, ref3, ref4

  Uthup, Usha, ref1

  V

  Vaasan Eye Care institutions, ref1

  Vaastu, ref1

  Vajpayee, Atal Bihari, ref1, ref2

  value of values, ref1

  Van Heusen, ref1

  Vatsa Corporation, ref1

  Vazir Sultan Tobacco, ref1

  Velvette, ref1

  Venkateshwara Hatcheries (VH Group), ref1

  Verma, Pavan, ref1

  Veta, ref1

  Viagra, ref1

  Vicco, ref1

  Vicks Cough Drops, ref1

  Vicks Vaporub, ref1, ref2, ref3

  Vicky Donor, ref1

  Videocon, ref1, ref2

  Vijay, ref1

  Vimal, ref1

  VIP Frenchie, ref1

  Visvanathan, Shiv, ref1

  Viswanathan, Satyam, ref1, ref2, ref3, ref4

  Vites, ref1

  Vividh Bharati, ref1, ref2

  Vodafone (Hutch), ref1, ref2

  Volkswagen Beetle, ref1

  Voltas India Limited, ref1

  Voltas Megalaundrette, ref1

  VSNL, ref1

  W

  Walker, Johnny, ref1

  Walmart, ref1

  Wanson, ref1

  Warren, Elizabeth, ref1

  Washes Whiter, ref1

  wedding theme in advertisements, ref1

  Wells, HG, ref1

  Wheel, ref1

  Whirlpool, ref1, ref2, ref3

  White Light, ref1, ref2, ref3

  White Revolution, ref1

  Who Wants to Be a Millionaire?, ref1

  Wieden & Kennedy, ref1, ref2

  Wild Life Protection Act, ref1

  Wild Stone, ref1, ref2

  Wills Filter, ref1

  Wills Lifestyle, ref1

  Wills Navy Cut, ref1

  Wilmar, Adani, ref1

  WIMCO, ref1

  WomanMood, ref1

  Women and Media Committee of Bombay Union of Journalists, ref1

  women,

  changing aspirations, ref1

  depiction in advertising, ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12, ref13, ref14, ref15, ref16, ref17

  role in Bollywood, ref1, ref2, ref3

  empowerment, ref1, ref2

  concept of Missing Women, ref1

  working, ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8

  Woodwards Gripe Water, ref1

  World Cup Cricket

  (1983), ref1

  (1996), ref1

  (2003), and (2007), ref1

  World War II, ref1

  Wrangler, ref1

  Y

  Yamaha, ref1

  Youth Mood, ref1

  YouTube, ref1, ref2

  Z

  Zaheer, ref1

  Zaltman, Gerald, ref1, ref2

  Zandu, ref1, ref2, ref3

  Zanjeer, ref1

  Zara, ref1

  Zee Group, ref1, ref2, ref3, ref4

  Zee Khana Khazana, ref1

  Zee SaReGaMaPa, ref1

  Zee Studio and Zee Café, ref1

  Zeenat Aman, ref1

  Zindagi Na Milegi Dobara, ref1

  Zinta, Preity, ref1, ref2

  Zodiac, ref1, ref2

  Zozilla Engineering Works, Kargil, ref1, ref2

  Zuari, ref1

  ALSO BY AMBI PARAMESWARAN

  FCB-Ulka Brand Building Advertising: Concepts and Cases

  Understanding Consumers: Building Powerful Brands Using Consumer Research

  Building Brand Value: Five Steps to Building Powerful Brands

  Ride the Change: A Perspective on the Changing Indian Consumer, Market and Marketing

  DraftFCB + Ulka: Brand Building Advertising – Case Book II (with Kinjal Medh)

  Strategic Brand Management

  (with Kevin Lane Keller and Isaac Jacob)

  For God’s Sake: An Adman on the Business of Religion

  First published 2016 by Macmillan

  This electronic edition published 2016 by Macmillan

  an imprint of Pan Macmillan

  20 New Wharf Road, London N1 9RR

  Associated companies throughout the world

  www.panmacmillan.com

  ISBN 978-1-5098-4063-2

  Copyright © Ambi Parameswaran 2016

  All logos and visuals of the ads used in this book (including on the cover) are for representative purposes only and are solely owned by the respective copyright owners.

  You may not copy, store, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or by any means (electronic, digital, optical, mechanical, photocopying, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages.

  A CIP catalogue record for this book is available from the British Library.

  Visit www.panmacmillan.com to read more about all our books and to buy them. You will also find features, author interviews and news of any author events, and you can sign up for e-newsletters so that you’re always first to hear about our new releases.

  Table of Contents

  Title page

  Dedication page

  Contents

  Introduction

  Section One: People

  The [In] Complete Man

  I am a Complan Girl! I am a Complan Boy!

  The Tingling Freshness of Teens

  Jo Biwi Se Kare Pyaar…

  Ab Main Bilkul Boodha Hoon, Goli Kha Ke Jeeta Hoon!

  Twacha Se Meri Umar Ka Pata Hi Nahi Chalta

  Section Two: Products

  Only Vimal

  Bachche Toh Bachche, Baap Re Baap!

  Hamara Bajaj, Hamara Bajaj

  Ghar Ghar Ki Raunaq Badhani Ho

  Jai Jawan! Jai Kisan!

  Har Ek Friend Zaroori Hota Hai

  Section Three: Services

  Baraatiyon Ka Swagat

  Tan Ki Shakti, Man Ki Shakti

  Zindagi Ke Saath Bhi, Zindagi Ke Baad Bhi!

  God’s Own Country

  Naukri: H for Hitler, A for Arrogant

  Kyaa Haal Bana Rakha Hai!

  Asli Swad Hai Cricket Ka

  Section Four: Ad Narratives

  Doodh Doodh Doodh, Wonderful Doodh

  Meri Khubsurti Ka Raaz

  Bole Mere Lips, I Love Uncle Chipps

  No Squeeze, No Wheeze, No Navel Please!

  Last Word

  Acknowledgements

  Notes

  Suggested Reading

  Index

  ALSO BY AMBI PARAMESWARAN

  Copyright page

 

 

 
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