Death's End

by Liu Cixin

  Auntie Wide had been Dewdrop’s wet nurse, and then cared for her as she grew up. The princess felt closer to her than even her own mother, the queen. Auntie Wide stared at the captain of the palace guards outside the door, whose armor still gave off the chill air of the night.

  “Have you gone mad? How dare you wake the princess! She hasn’t been sleeping well the last few nights.”

  The captain ignored Auntie Wide. He bowed slightly to Dewdrop. “Princess, someone wants to see you.” Then he stepped aside, revealing an old man.

  The old man’s white hair and beard surrounded his face like silver flames. His gaze was both sharp and deep. This was the man who had been in the first portrait shown to the prince by Needle-Eye. His face and cape were caked with grime, his boots were covered in mud, and he carried a large canvas bag on his back; clearly, he had been on a long journey.

  But, oddly, he was holding up an umbrella. Stranger still was the fashion in which he held it: The umbrella spun nonstop in his hand. A closer examination of the umbrella revealed his reason: The pole and the canopy were both pure black, and at the tip of each rib was a small sphere made of some translucent, weighty stone. The stretchers for the ribs within the umbrella were all broken and could not hold the canopy up. Only by spinning the umbrella continuously to make the stones fly up could the canopy be kept open.

  “How can you allow random strangers in here? And such a strange old man at that,” said Auntie Wide.

  “The sentries stopped him, of course, but he said”—the captain of the guards gave an anxious look to the princess—“that the king is already gone.”

  “What are you talking about? You are mad!” Auntie Wide shouted.

  But the princess said nothing. Her hands clutched at the front of her nightgown.

  “But the king really has disappeared, as has the queen. My men said that both bedchambers were empty.”

  The princess cried out and held on to Auntie Wide for support.

  The old man spoke. “Your Royal Highness, please let me explain.”

  “Master, please come in,” the princess said. Then she turned to the captain. “Guard this door.”

  Still spinning the umbrella, the old man bowed to the princess, as though respecting her for her calmness in the face of a crisis.

  “Why are you spinning that umbrella like some clown?” Auntie Wide asked.

  “I must keep this umbrella open lest I disappear like the king and the queen.”

  “Then come in with the umbrella,” the princess said. Auntie Wide opened the door more so that the old man could come in with the spinning umbrella.

  Once inside, the man set down the canvas bag on his back and let out an exhausted sigh. But the umbrella never stopped moving in his hand, and the small stone balls along the rim of the canopy flickered in the candlelight, casting bright spots along the walls like racing stars.

  “I am Ethereal, a painter from He’ershingenmosiken. The new royal painter, Needle-Eye, is—was—my student.”

  “I’ve met him,” said the princess.

  “Did he look at you?” Ethereal asked, anxious.

  “Yes, of course.”

  “Terrible news, Princess. Terrible!” Ethereal sighed. “He is a devil. With his devilish art, he paints people into pictures.”

  “That’s a lot of wasted breath,” said Auntie Wide. “Isn’t the job of a painter to paint people into pictures?”

  “You misunderstand me,” said Ethereal. “After he paints a portrait, the subject is gone. A live person turns into a dead picture.”

  “Then we must dispatch men to kill him right away.”

  The captain poked his head into the room. “I’ve sent all the guards. We can’t find him. I wanted to find the minister of war and ask him to mobilize the capital garrison. But Master Ethereal said that the minister of war is probably already gone as well.”

  Ethereal shook his head. “More soldiers won’t be of any use. Prince Ice Sand and Needle-Eye are certainly no longer anywhere near the palace. Needle-Eye could be painting anywhere in the world and still kill everyone here.”

  “Did you say Prince Ice Sand?” asked Auntie Wide.

  “Yes. The prince wants to wield Needle-Eye as a weapon and eliminate the king and all those loyal to him, so that he can become the king.”

  Ethereal saw that the princess, Auntie Wide, and the captain of the guards were not surprised by this revelation.

  “We have to worry about the matter at hand! Needle-Eye could be painting the princess any second—he might already be doing it right now.” Auntie Wide wrapped her arms around the princess, as if she could keep her safe.

  Ethereal continued. “Only I can stop Needle-Eye. He’s already painted me, but this umbrella can ensure that I don’t disappear. If I paint him, he’ll be gone.”

  “Then start painting!” said Auntie Wide. “I’ll hold up the umbrella for you.”

  Ethereal shook his head again. “No. The magic only works if I paint on snow-wave paper. But the paper I have with me hasn’t been flattened, and cannot be used for painting.”

  Auntie Wide opened the master painter’s canvas bag and retrieved a section of a snow-wave tree. The bark had already been peeled off, revealing the paper roll underneath. Auntie Wide and the princess unrolled a section, and the white paper seemed to brighten the room. They tried to flatten the paper on the floor, but no matter how much they pressed, as soon as they let go, the paper rolled back up.

  The painter said, “It won’t work. Only a slate made from the obsidian of He’ershingenmosiken can flatten snow-wave paper. That type of obsidian is very rare, and I only had one slab, which Needle-Eye stole from me.”

  “There’s really nothing else that will flatten this?”

  “No. Only the obsidian from He’ershingenmosiken will do the job. I was hoping to get the obsidian slab back from Needle-Eye.”

  “He’ershingenmosiken? Obsidian?” Auntie Wide slapped her forehead. “I have an iron that I use for pressing the princess’s best formal gowns. It was made in He’ershingenmosiken, and it’s obsidian!”

  “That might work!”

  Auntie Wide dashed out of the room and returned soon with a shiny black iron. She and the princess once again unrolled a section of the snow-wave scroll, and she pressed the iron against a corner for a few seconds. She lifted the iron, and the corner remained flat.

  “Hold the umbrella for me, please, and I’ll flatten the paper,” Ethereal said to Auntie Wide. As he handed the umbrella over, he said, “Keep it spinning! If it ever falls closed, I’ll disappear.” He watched until Auntie Wide was spinning the umbrella overhead to his satisfaction. Then he squatted and began to flatten the paper, one small section at a time.

  “Can’t you fix the stretchers for the ribs?” asked the princess as she stared at the spinning umbrella.

  “The umbrella did have stretchers.” The painter continued to press the paper as he answered. “This umbrella has an unusual history. In the past, other painters of He’ershingenmosiken also had Needle-Eye’s and my skill. Besides people, they were also able to capture animals and plants. One day, an abyss dragon came to our land. The dragon was black in color, and it could fly as well as swim in the deep sea. Three painters painted it, but it continued to fly and swim. Then, the painters pooled their money and hired a magic warrior, who finally managed to slay the dragon with a fire sword. The struggle was so fierce that the ocean near He’ershingenmosiken boiled. Most of the abyss dragon’s body was burnt to charcoal, but I was able to collect some body parts out of the ashes to make this umbrella. The canopy is made from the dragon’s wing membranes, and the pole, handle, and ribs were all made from the dragon’s bones. The stones you see at the tips of the ribs were taken from the ashes of the dragon’s kidneys. The umbrella has the power to protect the user from being painted into a picture.

  “Later, the stretchers broke, and I tried to repair it with bamboo stretchers, but found the umbrella’s magic disappeared. I took the bamboo out,
and the magic returned. Then I tried to hold the canopy up with my hand, and that didn’t work either. Apparently, no foreign material of any kind could be used in the umbrella. But I don’t have any more dragon bones, and this is the only way to keep the umbrella open.…”

  The clock in the corner of the room sounded. Ethereal looked up and saw it was almost sunrise. He looked down and saw that only about a palm’s width of the snow-wave paper lay flat on the floor, not enough for a painting. He dropped the iron and sighed.

  “There’s no time. It will take too long for me to paint my portrait of Needle-Eye, but he could be done with his painting of the princess at any moment. You two.” He pointed at Auntie Wide and the captain. “Has Needle-Eye seen you?”

  “I’m sure he hasn’t seen me,” said Auntie Wide.

  “I saw him from a distance when he came into the palace,” said the captain. “But I’m sure he didn’t see me.”

  “Good.” Ethereal stood up. “Please accompany the princess to the Glutton’s Sea, and find Prince Deep Water on Tomb Island.”

  “But … even if we get to the Glutton’s Sea, we can’t get onto Tomb Island. You know that the sea has—”

  “Cross that bridge when you get to it. This is the only way. By dawn, all the ministers loyal to the king will have been painted into pictures, and Prince Ice Sand will have control of the capital garrison and the palace guards. He will seize the throne, and only Prince Deep Water can stop him.”

  “If Prince Deep Water returns to the palace, won’t Needle-Eye paint him into a picture as well?” asked the princess.

  “Don’t worry. Needle-Eye will not be able to paint Prince Deep Water. The prince is the only person in the kingdom who cannot be painted by Needle-Eye. Luckily, I only taught Needle-Eye how to paint in the Western style, but never taught him Eastern painting.”

  The princess and the other two weren’t sure what the master painter was talking about, but Ethereal didn’t elaborate. He went on. “You must bring Deep Water back to the palace and kill Needle-Eye. Then you must find the painting of the princess and burn it. It’s the only way to keep her safe.”

  “What if we can find the paintings of the king and the queen—”

  “Your Royal Highness, it’s too late. They’re gone. They’re now only paintings. If you find them, don’t burn them. Keep them for memory.”

  Grief crushed Princess Dewdrop, and she fell to the floor sobbing.

  “Princess, now is not the time for sorrow. If you want to avenge your father and mother, you had better be on your way.” The old master turned to Auntie Wide and the captain. “Remember, until you locate and destroy the princess’s portrait, you must keep the umbrella open over her. She can’t be without its protection, not even for a second.” He took the umbrella from Auntie Wide’s hands, and kept spinning it. “Don’t spin it too slowly, because it will fall closed; but don’t spin it too fast, because the umbrella is old, and it may fall apart. The umbrella is alive, in a sense. If you spin it too slow, it will cry out like a bird. Listen—” He slowed down the spinning until the stones at the rim of the canopy began to droop, and the umbrella emitted a nightingale-like sound. The slower he spun it, the louder the noise. The old master sped up the spinning. “If you spin it too fast, it will ring like a bell. Like this—” The old master spun the umbrella even faster, and the umbrella began to sound like a wind chime, but faster and louder. “All right. Now protect the princess.” He handed the umbrella back to Auntie Wide.

  “Master Ethereal, let’s leave together,” Princess Dewdrop said, looking up with tear-filled eyes.

  “No. The dragon umbrella is only able to protect one person. If two individuals who have been painted by Needle-Eye try to use it together, they’ll both die a terrible death: Half of each person will be painted into the picture, and the other half will remain under the umbrella.… Now raise the umbrella over the princess and go! Each moment you delay increases the danger. Needle-Eye may finish the picture any moment now!”

  Auntie Wide kept spinning the umbrella over the old master. She looked at the princess, then back to the painter, hesitating.

  “I taught that vile spawn how to paint. Death is what I deserve. What are you waiting for? Do you want to see the princess disappear before your eyes?”

  Auntie Wide shivered. She moved the umbrella over the princess.

  The old painter stroked his beard and smiled. “It’s all right. I’ve painted all my life. To be turned into a painting is not a bad way to go. I trust my student’s technique. The portrait will be excellent.…”

  As he spoke, his body slowly became transparent, then faded away like a wisp of fog.

  Princess Dewdrop stared at the empty space where the painter had been and muttered, “Let’s go. To the Glutton’s Sea.”

  Auntie Wide said to the captain, “Can you keep the umbrella up for a while? I need to go pack.”

  The captain took over. “Hurry! Prince Ice Sand’s men are everywhere. We’ll have trouble getting away after daylight.”

  “But I have to pack! The princess has never been away. I’ve got to take her traveling cloak and boots, and lots of clothes, and her water, and … also the bath soap from He’ershingenmosiken—she can’t sleep if she doesn’t bathe with it.…” Auntie Wide continued to mutter as she left.

  Half an hour later, by the faint glow of dawn, a light carriage left the palace from a side door. The captain drove. In the carriage were the princess and Auntie Wide, who held up the spinning umbrella. They were all dressed as commoners, and the carriage soon disappeared in the fog.

  In that distant underground bunker, Needle-Eye had just completed the portrait of Princess Dewdrop.

  “This is the most beautiful portrait I’ve ever painted,” he said to Prince Ice Sand.

  The Second Tale of Yun Tianming

  “The Glutton’s Sea”

  Once they were outside the palace, the captain drove the horses as fast as they would go. All three were anxious. In the brightening darkness, they felt danger looming in every shadowy copse and field they passed. After the sky brightened even more, the carriage came to the top of a hill, where the captain stopped so they could look back along the road. The kingdom spread out below the hill, and the road was like a straight line that divided the world in half. At the end of the line was the palace, looking like a pile of toy blocks forgotten on the horizon. No one was chasing after them; apparently Prince Ice Sand thought the princess no longer existed because she had been captured by Needle-Eye’s brush.

  They continued in a more relaxed manner. As the sky continued to brighten and illuminate everything around them, the world resembled a picture being painted. At first, there were only vague outlines and hazy colors; later, the outlines became more defined, the colors richer and more vivid. The moment just before the sun rose was when the painting became complete.

  The princess, who had always lived in the palace, had never seen such large patches of vibrant colors: the green of forests, grassland, and fields, the bright red and brilliant yellow of wildflowers, the silver of the sky reflected in lakes and ponds, the snowy white of flocks of sheep … As the sun rose, it was as if the painter of this world-picture scattered a handful of gold dust boldly over the surface of the painting.

  “It’s so lovely outside,” said the princess. “It’s as if we’re already in the picture.”

  “That’s true,” said Auntie Wide, spinning the umbrella. “But you’re alive in this picture. In the other picture, you’re already dead.”

  The princess was reminded of her departed parents. She forced herself to not cry. She understood that she was no longer a young girl, but a queen with duties she had to bear.

  They talked about Prince Deep Water.

  “Why was he exiled to Tomb Island?” asked the princess.

  “They say he’s a monster,” said the captain.

  “Prince Deep Water is no monster!” said Auntie Wide.

  “They say he’s a giant.”

  “H
e’s no giant. I held him when he was a baby. I know.”

  “When we get to the sea, you’ll see. Many others have seen him. He really is a giant.”

  “Even if he’s a giant, he’s still the prince,” said the princess. “Why was he exiled to the island?”

  “He wasn’t exiled. When he was little, he took a boat to Tomb Island to fish. But that was when the glutton fish appeared in the sea. He couldn’t come back, so he had to grow up on the island.”

  * * *

  Now that it was light out, the road gradually filled with more pedestrians and carriages. Since the princess had rarely set foot outside the palace in the past, people did not recognize her. She was also wearing a veil so that only her eyes showed, but anyone who saw her still exclaimed at her beauty. The people also admired the handsome young carriage driver and chuckled at the sight of the silly old mother holding up the umbrella for her pretty daughter—and what a strange way to keep the umbrella up! It was a bright, sunny day, and everyone thought it was a parasol.

  It was noon, and the captain shot two hares with his bow. The three ate by the side of the road in an open space between some trees. Princess Dewdrop caressed the soft grass next to her, inhaled the fragrance of herbs and wildflowers, watched the sunlight dappling the ground, and listened to the birds singing in the woods and some distant shepherd playing his flute—she was curious and delighted by this new world.

  But Auntie Wide sighed. “Oh, Princess, I’m so sorry you have to be away from the palace, suffering.”

  “I think being outside is better than being in the palace.”

  “Silly girl, how can out here be better than the palace? You don’t know what it’s like out here. Right now, it’s spring. But in winter, it’s cold, and in summer, it’s hot. There are gales, and rainstorms, and all kinds of different people out here—”

  “I never knew anything about the outside before. In the palace, I studied music, painting, poetry, mathematics, and two languages that no one speaks anymore. But no one told me what was outside. How am I supposed to govern this kingdom?”