What's Your Message

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by Cam Barber


  public speaking anxiety, 58–59

  putting nerves in perspective, 87–88

  stress response, 123–126

  uncertainty as cause of, 96–100, 127–128, 223

  understanding your physical state, 100

  Apple, 30, 69. See also Jobs, Steve

  audience biases of, 141

  concerns of, 142

  listener overwhelm, 156–157

  perspective of, 108

  role of, 141

  wants, 141

  what do you want them to do or think? 142–144

  audience engagement

  clarification of language used for, 137

  contrast, 198–199

  emphasis, 202–203

  examples, 191–192

  “Imagine.” scenarios, 190–191

  memory hooks, 192–193

  message simplification, 61–62

  metaphors for, 187–190

  optional techniques for, 185–203

  storytelling, 193–198 (See also storytelling)

  testimonials, 192

  use of B key, 209–211

  variation, 200–202

  “You may be thinking…” (YMBT) technique, 186–187

  Australian Football League (AFL), 12–23

  Australian Liberal Party, 66–68

  B

  B key, 209–211

  bad messaging, 66–73

  Blu-Ray vs. HD DVD, 71–73

  bushfire warning, 70–71

  cake that lost a federal election, 66–67

  IBM, 68–69

  verbosity, 66–67

  Ballmer, Steven, 119

  Bay, Michael (meltdown), 89–90

  Bell Telephone Company, 153

  benefits of public speaking, 93–94

  Birdwhistell, Ray, 82

  Black Saturday, 70–71

  Blink: The Power of Thinking Without Thinking (Gladwell), 86

  Blu-Ray vs. HD DVD, 71–73

  body language, 75–85. See also natural style

  advantages of imperfections, 83–84

  contradictory (“double-edged”) messages, 77–80

  Delsarte System of Expression, 85

  Gates, Bill, 83–84

  orchestrated, 84–85

  original science of, 82–83

  Pease, Alan, 80–82

  Body Language Book (Pease), 81

  Body Shop, 40–42. See also Roddick, Anita

  book references

  Blink: The Power of Thinking Without Thinking (Gladwell), 86

  Body Language Book (Pease), 81

  Hand and Mind (McNeill), 116

  Nineteen Eighty-four (Orwell), 208

  A Physical Approach to Acting (Wangh), 85

  In Search of Excellence (Peters), 152

  Silent Messages (Mehrabian), 76

  Thinking, Fast and Slow (Kahnemann), 86

  Why Didn’t You Say That in the First Place? (Heymen), 109

  Why Men Don’t Listen and Women Can’t Read Maps (Pease), 81

  Boost Juice, 50–52

  Bradman, Donald, 4

  Branson, Richard, 57–59, 118

  public speaking anxiety, 58–59, 87

  “A Virgin mortgage can save the average homeowner $30,000…” 58

  “Well, we’re launching this business because…” 58

  breathing, and anxiety control, 128–129

  Busby, Matt (Sir), 16

  bushfire warning, 70–71

  C

  Carey, Dr. Marcus, 48–49

  Carr, Allan, 43–45

  “Smoking doesn’t relax you…”, 43

  cartoons

  snowballs or coconuts?, 66

  cop giving directions, 105

  information you need booth, 135

  “Nothing to say,” 103

  skip over interesting parts? 185

  tree swing pictures, 107

  Catholic Church, 62–65. See also Pope Francis

  cause and effect, vii, 44, 59, 124, 126, 136

  certainty, ways to increase, 98–100

  anticipating questions, 99–100

  key message clarification and structure, 99

  know your speaking environment, 99

  understanding your physical state, 100

  checklist, speech outline as, 133–134

  Chief Messaging Officer, 31

  Chopra, Deepak, 119

  chunk structure, 139

  Ashton Kutcher speech, 171

  benefits of, 165

  bottom line point, 164

  building, 161–165

  building into slide design, 215–218

  chunk headings, 161–163

  column format, 159, 169

  key points for each chunk, 163–164

  for more powerful delivery, 166–171

  overview, 148

  Steve Jobs and Stanford commencement speech, 167–170

  text format, 160, 170

  and transferable messages, 156

  chunking/chunks

  for emphasis, 203

  filling chunks with details, 164–165

  5 advantages for better delivery, 166–167

  overview, 179–180

  phone numbers, 151–152, 153–154

  for selling ideas, 154–156

  speaking in chunks, 167–170

  Churchill, Winston, 3

  Cicero, 141

  Clarityfirst principles, 95–129

  all anxiety is caused by uncertainty, 96–100

  the closeness problem, 105–111

  message transfer is your measure of success, 101–104

  you can control anxiety by understanding it, 120–129

  your natural style is the right style, 112–119

  Clarko’s Cluster, 17

  Clarkson, Alistair, 14, 17–20

  classic slide presentation design, 215, 216

  Clinton, Bill, 9, 119

  closeness problem, 105–111, 137

  forgetting what it’s like not to know something, 108

  giving directions analogy, 105–106

  jargon, 109–110

  misinterpreting messages, 108–109

  translating information for audience, 109–110

  tree swing cartoon, 107

  Coca Cola, 3, 4

  “We now have one key measure of success, return on capital…”, 5–6

  codifying knowledge

  Collins, Jim, 219

  communication

  delivery skills, 177-185, 223

  focus of, 7

  holy grail of, 65

  nonverbal (See body language)

  company values messaging, 38–39

  complicated messages, 61–62

  consultants, 10

  contradictory messages, 77–80

  contrast, 198–199

  Covey, Stephen, 119

  creative opening, 181–182

  CSIRO (Commonwealth Scientific and Industrial Research Organisation), 61–62

  “We make cool new materials…”, 62

  D

  Dawkins, Richard, 119

  death by PowerPoint, 208

  Degeneres, Ellen, 119

  delivery skills, 177–185, 223

  audience engagement techniques (optional), 185–203

  effortless delivery skills, 7, 50, 52, 92, 177, 203,

  ending a speech, 183–184

  starting a speech, 179–182

  Delsarte, Francois, 84–85

  Delsarte System of Expression, 85

  Descartes, Rene,

  “I chunk therefore I can think,” 152

  directions, giving, 105–106

  doorway to ideas, 10–11, 40–49, 104

  DOS operating system, 69

  double-edged messages, 77–80

  E

  EasyWay to stop smoking, 43–45

  Einstein, Albert, 28, 188, 190

  emphasis, 202–203

  chunking/chunks, 203

  vs. variation, 202

  wording, 202–203

/>   ending a speech, 183–184

  final message, 184

  making the most of last words, 183

  wrap-up, 184

  engagement, audience. See audience engagement

  errors, eliminating, 89–90

  ethnomethodology, 109

  examples, use of, 191–192

  execution of ideas, 17, 18

  the expert’s dilemma, 108

  F

  fight or flight response, 124

  final message, 184, 223

  “First, kill all the consultants” (Fortune), 10

  first impressions, 86–87

  5 Principles to control nerves and think clearly. See Clarityfirst principles flip-chart, 204

  format wars (Blu-Ray vs. HD DVD), 71–73

  Fortune magazine, 3–4

  Fremantle Dockers Football Club, 14–15

  “Anyone, anywhere, anytime,” 14

  G

  Gandhi, Mohandas, 25–28

  “Be the change you wish to see in the world,” 26

  “I want to change their minds…” 27

  “In this cause, I am prepared to die, but…” 26

  Gates, Bill, 83–84, 118–119

  Geelong Cats football club, 19–23

  General Electric (GE), 3, 4

  Ghostbusters (film), 116

  giving directions, 205–206

  Gladwell, Malcolm, 86

  Goizueta, Roberto, 4–6

  “We now have one key measure of success, return on capital…” 5–6

  Gore, Al, 9–10, 119

  Great Explanations, 94, 177–178

  audience engagement techniques (optional), 185–203

  ending a speech, 183–184

  starting a speech, 179–182

  GST (Australian Tax), 66–68

  guidelines vs. rules, 116–118

  H

  Hand and Mind (McNeill), 116

  Hawking, Stephen, 119

  Hawthorn Hawks Football Club, 12–13, 17–23, 188

  “We aim to be the most professional club in the competition,” 13

  HD DVD vs. Blu-Ray, 71–73

  headings, 161–163

  Hell’s Angels (film), 198

  To Her Door (song), 192–193

  Hewson, John, 66

  Heyman, Richard, 109

  Hinkley, Ken, 14

  Hitch (film), 75

  holy grail of communication, 65

  Hot Tub Ski Lodge marketing message, 59–61

  Howard, John, 67

  Hughes, Howard, 198

  I

  IBM, 68–69

  ideas

  execution of, 17

  messages as doorway to, 10–11, 40–49, 104

  structuring (See chunk structure)

  IKEA syndrome, 157

  images/illustrations

  Ashton Kutcher (Business Insider article), 171

  chunk structure, (column format), 159

  chunk structure (text format), 160

  chunk structure of Steve Jobs’ Stanford speech, 169

  classic slide presentation design, 216

  cop giving directions, 105

  four ways to get more certainty, 98

  information you need booth, 135

  “Nothing to say,” 103

  rules vs. guidelines, 118

  signpost slide presentation design, 218

  skip over interesting parts? 185

  snowballs or coconuts?, 66

  stepping into projector light, 214

  tree swing pictures, 107

  two-by-two grid, 206

  Vivid logo, 189–190

  “You may be thinking.” (YMBT) technique, 187

  Zen slide presentation design, 217

  “Imagine…” scenarios, 190–191

  interactivity with the audience, 200

  iPod launch, 31–32

  J

  jargon, 109–110

  Jobs, Steve, 30–36, 119

  as Chief Messaging Officer, 31

  “Do you want to sell sugar water the rest of your life…” 33

  iPhone launch, 32–34

  “The iPod. 1000 songs in your pocket.” 32

  iPod launch, 31–32

  “The new iPhone is 3 products in 1…” 32

  “The people who created all the stuff in the world…” 33

  Stanford commencement speech, 88, 167–170

  “Stay hungry. Stay foolish.” 35

  “These are not 3 separate devices…” 32

  “This is shit!,” 33

  two-by-two grid, 205–206

  use of metaphors, 189

  “We’re not perfect. Phones are not perfect…” 34

  “You can change the world…” 33

  “Just before we get started” tactic, ix, 180–181

  K

  Kahnemann, Daniel, 86

  Kelly, Paul, 192

  Kennett, Jeff, 12, 20

  Kennett Curse, 20

  key points, 138–139

  Kinesics, 82

  King, Martin Luther, 26, 91

  Kirby, James, 52

  Klein, Joe, 10

  knowledge, codifying and leveraging, 53–55

  Koch, David, 14

  Kutcher, Ashton, 171

  L

  last words, 183

  leadership messaging, 16, 25–39

  Lenovo, 69

  listener overwhelm, 156–157

  listeners. See audience lists, popularity of, 150

  LucidChart, 207–208

  Lund, Jules, 50–52, 201–202

  Lyon, Garry, 17

  Lyon, Ross, 15

  M

  Manchester United Football Club, “If you’re good enough, you’re old enough,” 15–16

  Mandela, Nelson, 26, 28–30

  “I learned that courage was not the absence of fear…” 29

  “No one is born hating another person…” 29

  “Resentment is like drinking poison…” 29

  market value added (MVA), 3–4

  marketing

  Hot Tub Ski Lodge marketing message, 59–61

  standing out from the crowd, 59–61

  word-of-mouth, 58

  measure of success in public speaking, 101–104

  media

  exposure without advertising, 40–42

  negative messaging in, 16

  Mehrabian, Albert, 76–80

  memorising a speech, 173

  memory hooks, 192–193

  Merck, 4

  message recall, xi, 37

  message statements, 138, 141–147

  finalising, 145–146

  language to use, 142

  summary, 147

  tips for, 146–147

  what do you want your audience to do or think? 142–144

  who are you talking to? 141–142

  why would your audience think or do this? 144–145

  message transfer, 101–104

  messages

  adapting level of detail in, 53–55

  as anchors, 52

  bad, 66–73 (See also bad messaging) Black Saturday, 70–71

  Branson, Richard, 57–59

  brevity vs. clarity, 70–71

  Carr, Allan, 43–45

  Catholic Church, 62–65

  contradictory (“double-edged”), 77–80

  conversational flow, 71–73

  CSIRO (Commonwealth Scientific and Industrial Research Organisation), 61–62

  and delivery skills, 37

  as doorway to details, 61–62

  as doorway to ideas, 10–11, 104

  dropping in normal conversation, 58–59

  editorial exposure of, 32–33

  Gandhi, Mohandas, 25–28

  Goizueta, Roberto, 5–6

  good, 11

  Hot Tub Ski Lodge, 59–61

  isolating and supporting with examples, 45–47

  Jobs, Steve, 30–36

  Lund, Jules, 50–52

  Mandela, Nelson, 28–30

  mi
sinterpreting, 108–111

  Morrison, David, 36–37

  Pope Francis, 63

  Port Adelaide Football Club, 14

  Roddick, Anita, 40–42

  simplifying, 61–62

  speaking in, 51

  sub messages, 13

  transferable, 25, 31–32, 65

  vague vs. clear, 68–69

  values vs. value message, 38–39

  Waugh, Steve, 45–47

  messaging

  building personal brands through, 50–56

  and company values, 38–39

  as doorway to ideas, 40–49

  for driving behavior, 16

  for leadership, 16, 25–39

  message hierarchy, 13

  for promoting organisations, 53–55

  sports messaging, 12–23

  metaphors, 187–190

  Einstein’s use of, 188

  props as, 189–190

  sharks/forward momentum (Hawthorne Hawks), 19-20

  Steve Job’s use of, 189

  Vivid logo/red ball, 189-190

  white line crossing (Hawthorn Hawks), 21-23

  microphones, 99

  Microsoft, 4, 69, 83–84. See also Gates, Bill

  Miller, George A., 152

  Miracle on the Hudson, 133

  misdirected practice, 93

  misinterpreting messages, 108–111

  Morrison, David, 36–37

  “The standard you walk past is the standard you accept…” 36

  movement, 200

  movie references

  Ghostbusters, 116

  Hell’s Angels, 198

  Hitch, 75

  Pulp Fiction, 101–102

  muscle contraction, in stress response, 124–125

  myths of public speaking

  bad first impressions can’t be overcome, 86–87

  body language, 75–85

  good speakers don’t use notes, 88–89

  need for a particular type of voice, 90–91

  need for acting skills, 91–92

  need for error elimination, 89–90

  need to eliminate nerves, 87–88

  over-rehearsing, 92–93

  N

  natural style, xi, 112–119

  connection with the audience, 191–198 (See also audience engagement)

  effortless style, 203

  examples, 118–119

  finding, 118

  over-efforting, 200–201

  problems with rules, 114–115

  vs. traditional speaking training, 112–114

  nerves/nervousness, 96–100. See also anxiety

  Nineteen Eighty-four (Orwell), 208

  non-verbal communication, 75–80. See also body language

  notes, use during a speech, 88–89

 

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