The Narrow Road to the Deep North

by Richard Flanagan

  But in their hearts they all knew that the Emperor would never hang and that they would. Just as surely as they had beaten and tortured and killed for the Emperor, the men who didn’t accept responsibility were now to hang for the Emperor. They hanged as well and as badly as the men who accepted responsibility or the men who said they never did any of it, for as they jiggled about beneath the trapdoor one after another, their legs jerked all the same and their arses shat all the same and their suddenly swollen penises spurted piss and semen all the same.

  During his trial, Choi Sang-min became aware of many things—the Geneva convention, chains of command, Japanese military structure and so on—about which he had hitherto only the vaguest idea. He discovered that the Australians he had feared and hated had, in a strange way, respected him as one who was different: a monster they called the Goanna. And Choi Sang-min wasn’t displeased to learn that he loomed so large in their hate.

  For he sensed in the Australians the same contempt for him that he had known in the Japanese. He understood that he was once more nothing, as he had been in Korea as a child, standing at the back of his class after being caught whispering in Korean instead of speaking in Japanese; as he had been when working for the Japanese family, where his position was worse than that of the family pet; as he was in the Japanese army, a guard, lower than the lowliest Japanese soldier. Better Kim Lee’s fate than his now. And yet some men who he knew had done far worse things than him or Kim Lee had their lives spared. How? Why? None of it made any sense.

  Beating the Australian prisoners, on the other hand, had made a lot of sense. However briefly, he felt he was somebody while he was beating the Australian soldiers who were so much larger than him, knowing he could slap them as much as he wanted, that he could hit them with his fists, with canes and pick handles and steel bars. That had made him something and someone, if only for as long as the Australians crumpled and moaned. He was vaguely aware that some had died because of his beatings. They probably would have died anyway. It was that sort of place and that sort of time, and no amount of thinking made any more or less sense of what had happened. Now his only regret was that he had not killed many more. And he wished he had taken more pleasure in the killing, and in the living that was so much part of the killing.

  As the Australians talked to each other during the trial, it dawned on Choi Sang-min that this was something beyond hate. It was a certainty about life that he had never had but that the Japanese above him had always had. And when he had been given power over the life and death of the Australians, he had at first beaten them only because it was the Japanese way that he had been brought up with, and he saw nothing remarkable about thrashing a man who you felt was too slow or shirking work.

  At Pusan he had undergone the same strict military training as that for Imperial Japanese Army privates. Only they were not Japanese, they were all Koreans and were never to be soldiers: their job was to be guarding enemy soldiers who had surrendered because they were too cowardly to kill themselves. As well as marching and shooting and bayoneting, he had been taught binta, the face slapping that the Japanese insisted on for even the most minor error. Even if only one person made a mistake, everyone had to be slapped. Every day they had all the trainee Korean guards line up in two rows facing each other, and each trainee had to slap the trainee opposite him, right hand on left cheek, left hand on right cheek, taking it in turns and only stopping when the face of the one being hit was badly swollen. All orders had to be obeyed. Binta and obeying orders, that was now Choi Sang-min’s life—right hand on left cheek, left hand on right cheek. He longed to run away and go home, but he knew there would be trouble for his family with the Japanese authorities if he did. And besides, he would shortly be earning fifty yen a month.

  He remembered how he had whispered to the trainee opposite him that he would go easy on him if he returned the favour. Their ruse was quickly spotted by their Japanese officer. He was a fine-looking man whom the recruits admired. Choi Sang-min even imitated his way of walking and his slow, precise way of turning when spoken to. Now the officer was shouting in Choi Sang-min’s ear.

  Want to pretend? he yelled. Pretend this doesn’t hurt.

  And with a short steel rod he hit Choi Sang-min in the kidneys on both sides so hard that he pissed blood for several days afterwards. The next morning, when the recruits were once more lined up in rows to slap each other, Choi Sang-min beat his counterpart with a desperate rage that never quite left him, right hand on left cheek, left hand on right cheek.

  And, at first, when he—a small, skinny Korean kid of sixteen—had been sent to the jungle in a distant land, he had been frightened of the larger, taller and older Australian men, orang-utangs with their wide-set backs, thick arms and hairy thighs. They were always whistling and singing. In his experience, Koreans and Japanese didn’t do much of either in public, and he hated this strange cheerfulness. And so he went further than he strictly needed to with his punishments—to impress upon them that he was more man than they were, to make clear that their cheerfulness should end. And after a time the men began to shrink and shrivel, their arms withering and legs wasting; they whistled less and only sang sometimes.

  And in truth the prisoners deserved what they got. They tried to avoid work, and when they couldn’t avoid it they did it badly and lazily. Though they did it much less, they would still sometimes whistle or sing when he was about. They stole anything and everything—food, tools and money. If they could do a job badly they saw it as a triumph. They were skin and bones, and they’d just give up while they were working and die there on the railway. They’d die walking to work and they’d die walking back from work. They’d die sleeping, they’d die waiting for food. Sometimes they died when you beat them.

  It made Choi Sang-min angry with the world and with them when they died. It made him angry because it wasn’t his fault that there was no food or medicine. It wasn’t his fault that there was malaria and cholera. It wasn’t his fault that they were slaves. There was fate, and it was their fate and his fate to be there, it was their fate to die there and his fate to die here. He just had to provide whatever number of men the Japanese engineers needed each day, make sure they got to work and kept at the work the Japanese engineers wanted done. And he did his job. There was no food and no medicine and the line had to be built and the job had to be done and things ended up as they were always going to end up for them and for him. But he did these things, he did his job and their section of line got built. And Choi Sang-min was proud of that achievement, the only achievement he had ever known in his short life. He did these things, and these things felt good.

  The moments when he completely lost his temper were the most euphoric to him. In his world of darkness and ignorance, he felt free—and more, he felt alive for the first time in his life. All his hate and his fear, his anger and his pride, his triumph and his glory, came together when he hurt others, or so it seemed to him now, and his life had for that short time meant something. And at such moments he escaped his hate.

  Though the pressure was on from the engineers to get the railroad built, there was a pleasure and interest too in watching how the more he bashed them the less of men they became, how little they now whistled or sang, and how much more of a man he knew he was. For as long as he kept kicking and punching and beating, he was liberated. He had heard the stories of the IJA eating Australians and Americans in New Guinea, and he understood it was about something more than just starvation. And he knew none of this was a defence, and none of it would mean anything to the Australians, to their scalpel-eyed lawyers or candle-dripping judges. For when he was a guard, he lived like an animal, he behaved as an animal, he understood as an animal, he thought as an animal. And he understood that such an animal was the only human thing he had ever been allowed to be.

  He was not ashamed at his discovery of his humanity in being an animal, only perplexed as to where it had led him. When his sentence of death by hanging was translated for him, he bore it like
an animal, without understanding but with a dull awareness that he had had his freedom and now his end had come.

  The judge’s candle-wick eyes had looked down at him with flickering flames, and he had looked up with eyes he knew were dead already; and he had shaken his head back and forth and he had felt something large and terrible come down on him. He had wanted to ask about his fifty yen, but said nothing, and now he once more found himself pacing his cell, looking for a way he might escape. But there was none, and there never had been.

  4

  THEY DIED OFF quickly, strangely, in car smashes and suicides and creeping diseases. Too many of their children seemed born with problems and troubles, handicapped or backward or plain odd. Too many of their marriages faltered and staggered, and if they lasted it was sometimes more due to the codes and customs of the day than to their own capacity to make right all that was wrong; and what was wrong was too large for some of them. They went bush by themselves; they stayed in town with others and drank too much; they went a bit crazy like Bull Herbert, who lost his licence drunk and took to riding a horse into town when he wanted a drink, and he wanted a drink a lot after he made a suicide pact with his wife, shared poison with her and woke up to her dead and himself alive. They went silent or they talked too much, like Rooster MacNeice, run to fat and showing off his appendix scar and carrying on about the Japs bayoneting him. Like fuck they did, Rooster, said Gallipoli von Kessler, walking in on the performance one day in the Broadmeadows RSL.

  Don’t worry, Rooster MacNeice said. That’s just Kes. He always was a commie but he’s okay. It was a guard they called the Mountain Lion; I testified about the bastard after the war.

  They drank though. They drank and they drank, and they couldn’t get drunk no matter how much they drank. When they were demobbed the army quacks told them and their families not to talk about it, that talk was no good. It was hardly a hero’s tale in the first place. It wasn’t Kokoda or a Lancaster over the Ruhr Valley. It wasn’t the Tirpitz or Colditz or Tobruk. What was it, then? It was being the slave of the yellow man. That’s what Chum Fahey said when they met up at the Hope and Anchor.

  Isn’t exactly something to boast about, Sheephead Morton said.

  Blokes were funny. Some disappeared. Ronnie Owen married an Italian woman, and she told Sheephead Morton’s missus, Sally, that it was two years before she even knew he’d been a soldier. It was like that.

  Bonox Baker said nothing for years, then one night took a shotgun to his oven, Jimmy Bigelow said. Shot the shit out of it. Looked like the back of a bloody cheese grater. Then he went quiet again. It was like that too.

  Poor old Lizard Brancussi, Sheephead Morton said. And that story was too sad for anyone to repeat. He had carried the pencil sketch of his wife through the camps, on the hellship to Japan, held on to it when the Mitsubishi shipworks in Nagasaki, where he was slave labouring, vanished in the A-bomb and he somehow survived. He made it to safety in the hills, walking past the dead who filled the river like floating firewood, and the living fleeing with skin falling away in long ribbons like seaweed; he’d stumbled on past carbon sculptures of human beings walking, cycling, or running; past all those Japanese in agony in that roiling hell of blue fire and black rain, who, like the POWs he remembered, called for their mother as they were dying. And all the time he tried to see Maisie as Rabbit Hendricks had sketched her that morning in a Syrian village that smelt of human beings in trouble.

  He tried to imagine her as the one thing in the world that was not this, and as long as she was there, he would not die or go mad, that as long as she was there, the world was good. On his way to Manila on a US aircraft carrier he had shown the postcard to the American sailors, who agreed he was a very lucky man. He finally got to Fremantle on a ship that was going through to Melbourne, and there he had telephoned home.

  Dave and Maisie’s phone, a man’s voice answered. Dave speaking.

  Lizard Brancussi had hung up. When his ship steamed out of Fremantle he was spotted slipping over the side on the first night and was never found.

  Suddenly the beer was like fuel for a fire. They drank to make themselves feel as they should feel when they didn’t drink, that way they had felt when they hadn’t drunk before the war. For that night they felt ferocious and whole and not yet undone, and they would laugh at all that had happened. And when they laughed the war was nothing, and everybody dead was alive in them, and everything that had happened to them was just this vibrating jumping thing beating inside them so hard they needed another drink quickly to slow the feeling.

  And that night Lizard Brancussi was alive in them, and little Wat Cooney was alive in them, and Yabby Burrows and Jack Rainbow and Tiny Middleton were alive in them, all the many dead, and Sheephead Morton said he even sometimes remembered fondly that dirty miserable bastard Rooster MacNeice who should have been dead. And Gallipoli von Kessler—who had turned up in an old pair of worsted trousers so frayed around the cuffs they looked as if he had bought them from a scarecrow—mentioned Darky Gardiner, and then Jimmy Bigelow started singing—

  Every day in every way it’s getting a little bit better.

  They were standing around the pub fire at the Hope and Anchor that night, until the backs of their trousers got so hot they pushed them forward into another beer. It was forty-eight or maybe forty-seven. Whenever it was, it wasn’t much of a night, and it felt good to be inside, warm. They hadn’t all got together since being demobbed. Jimmy Bigelow wasn’t saying much. The marriage he had come back to wasn’t the marriage he had left. Or he had come back different.

  I’m doing the best I can, he said at one point.

  There were kids. He had four of them in the end and was called a family man. He wasn’t. He was a man who had four kids. No one said anything much more about Darky Gardiner, except for Gallipoli von Kessler who said, Nikitaris’s.

  Yeah, said Sheephead Morton. Bloody Nikitaris’s fish shop. Never shut up about it, did he?

  5

  JIMMY BIGELOW SAID nothing. He was trying, that was the point, surely? But he didn’t speak. His hopes of becoming a musician, somebody, something, hadn’t worked out. He worked at the zinc works as a storeman. The big-band music he loved was no longer in fashion. The new music, the bebop and modern jazz, wasn’t music to him. It was choppy noise pretending to make music out of traffic jams. You couldn’t dance or fall in love with it, thought Jimmy. It wasn’t Al Bowlly. It wasn’t Benny Goodman or the Duke. It was the end of music. And the end of hope for someone like Jimmy Bigelow. The big bands were all folding, if not gone.

  The things he believed in were heading out to sea, vanishing, lost forever. The things he thought he was coming home to. The things that he had hoped to become and make his life. It turned out that they weren’t worth a brass razoo. He didn’t fit with his own life anymore, his own life was breaking down, and all that did fit—his job, his family—seemed to be coming apart. He wanted to set things right with Dulcie, with his life, with bebop and swing, but it was over. He’d like to set things right, he thought, but it wasn’t possible.

  But that wasn’t why they left the pub and headed up Elizabeth Street towards Nikitaris’s fish shop. To make all the wrong right. They left because it was near midnight, way past closing, and they were drunk and thrown out and they had nothing better to do.

  It was one of those Hobart spring nights, cold as charity, snow coming down hard on the mountain, the harbour a lather, sleet slapping and scratching at windows and tin roofs like a wild drunk who’s been locked out.

  They tramped up Elizabeth Street to Nikitaris’s fish shop, following the frayed trousers of Gallipoli von Kessler as he strode out the front. You could have fired a mortar down the street and hit no one. The fish shop wasn’t how they had imagined it in the camps, with people everywhere and steam and the smell of frying food and Darky’s girlfriend sitting up there waiting for them to walk in and do what they had to do. No, it was nothing like that.

  As closed as a nun’s proverbial
, Sheephead Morton said when they arrived.

  Nikitaris’s was shut—the doors were locked, the shop interior lifeless, the lights all off save for those that illuminated the long fish tank at the front of the shop. The fish swam round and round in the window. A couple of flatheads, a trumpeter, two silver trevally and a leatherjacket. Other than them staring in at an aquarium, the night-slicked street was empty.

  Well, Sheephead Morton said. You can’t say they look exactly unhappy.

  Maybe in the camps we didn’t either at any given moment, Jimmy Bigelow said.

  They stood around, hands in pockets, shrugging shoulders for warmth, hopping leg to leg, as if waiting for a midnight train to arrive. Or leave.

  Nothing as clueless as a mob of drunks, Gallipoli von Kessler said. Even chooks do something.

  Jimmy Bigelow felt himself all appearance with nothing inside. He had trouble feeling. He wished to feel, but it was not something one could have by wishing for it. He picked up a rock and rolled it around in his palm. He looked up at the shop window. It was a big plate glass number, all beautifully painted with NIKITARIS’S FISH SHOP on it, very flash and fancy. He brought his hand back past his shoulder and, without warning, threw the rock as hard as he could at the window.

  They heard the glass crack. Not all at once. But, like time, a long fracture slowly opened with a sigh. Jimmy Bigelow was smiling as if someone had sliced his mouth at the corners.

  Then they were all throwing rocks, the window broke apart and fell away, and they were in. Gallipoli von Kessler, with an orchardist’s gift for improvisation, grabbed a chip fryer and used it to scoop the fish out. After a few mishaps they had all the fish in two mop buckets, and they walked back down to the docks, trying not to slop the water away.