The Myths of Mexico & Peru (Illustrated) (Myths and Legends of the Ancient World Book 5)

by Spence,Lewis

  A Pyramid of Skulls

  The principal fane of Huitzilopochtli was surrounded by upwards of forty inferior teocallis and shrines. In the Tzompantli (Pyramid of Skulls) were collected the grisly relics of the countless victims to the implacable war-god of the Aztecs, and in this horrid structure the Spanish conquerors counted no less than 136,000 human skulls. In the court or teopan which surrounded the temple were the dwellings of thousands of priests, whose duties included the scrupulous care of the temple precincts, and whose labours were minutely apportioned.

  Nahua Architecture and Ruins

  As we shall see later, Mexico is by no means so rich in architectural antiquities as Guatemala or Yucatan, the reason being that the growth of tropical forests has to a great extent protected ancient stone edifices in the latter countries from destruction. The ruins discovered in the northern regions of the republic are of a ruder type than those which approach more nearly to the sphere of Maya influence, as, for example, those of Mitla, built by the Zapotecs, which exhibit such unmistakable signs of Maya influence that we prefer to describe them when dealing with the antiquities of that people.

  Cyclopean Remains

  In the mountains of Chihuahua, one of the most northerly provinces, is a celebrated group called the Casas Grandes (Large Houses), the walls of which are still about 30 feet in height. These approximate in general appearance to the buildings of more modern tribes in New Mexico and Arizona, and may be referred to such peoples rather than to the Nahua. At Quemada, in Zacatecas, massive ruins of Cyclopean appearance have been discovered. These consist of extensive terraces and broad stone causeways, teocallis which have weathered many centuries, and gigantic pillars, 18 feet in height and 17 feet in circumference. Walls 12 feet in thickness rise above the heaps of rubbish which litter the ground. These remains exhibit little connection with Nahua architecture to the north or south of them. They are more massive than either, and must have been constructed by some race which had made considerable strides in the art of building.

  Pyramid of the Moon, San Juan Teotihuacan

  Photo C. B. Waite, Mexico

  Pyramid of the Sun, San Juan Teotihuacan

  Photo C. B. Waite, Mexico

  Teotihuacan

  In the district of the Totonacs, to the north of Vera Cruz, we find many architectural remains of a highly interesting character. Here the teocalli or pyramidal type of building is occasionally crowned by a covered-in temple with the massive roof characteristic of Maya architecture. The most striking examples found in this region are the remains of Teotihuacan and Xochicalco. The former was the religious Mecca of the Nahua races, and in its proximity are still to be seen the teocallis of the sun and moon, surrounded by extensive burying-grounds where the devout of Anahuac were laid in the sure hope that if interred they would find entrance into the paradise of the sun. The teocalli of the moon has a base covering 426 feet and a height of 137 feet. That of the sun is of greater dimensions, with a base of 735 feet and a height of 203 feet. These pyramids were divided into four stories, three of which remain. On the summit of that of the sun stood a temple containing a great image of that luminary carved from a rough block of stone. In the breast was inlaid a star of the purest gold, seized afterwards as loot by the insatiable followers of Cortés. From the teocalli of the moon a path runs to where a little rivulet flanks the “Citadel.” This path is known as “The Path of the Dead,” from the circumstance that it is surrounded by some nine square miles of tombs and tumuli, and, indeed, forms a road through the great cemetery. The Citadel, thinks Charnay, was a vast tennis or tlachtli court, where thousands flocked to gaze at the national sport of the Nahua with a zest equal to that of the modern devotees of football. Teotihuacan was a flourishing centre contemporary with Tollan. It was destroyed, but was rebuilt by the Chichimec king Xolotl, and preserved thenceforth its traditional sway as the focus of the Nahua national religion. Charnay identifies the architectural types discovered there with those of Tollan. The result of his labours in the vicinity included the unearthing of richly decorated pottery, vases, masks, and terra-cotta figures. He also excavated several large houses or palaces, some with chambers more than 730 feet in circumference, with walls over 7–1/2 feet thick, into which were built rings and slabs to support torches and candles. The floors were tessellated in various rich designs, “like an Aubusson carpet.” Charnay concluded that the monuments of Teotihuacan were partly standing at the time of the conquest.

  The Hill of Flowers

  Near Tezcuco is Xochicalco (The Hill of Flowers), a teocalli the sculpture of which is both beautiful and luxuriant in design. The porphyry quarries from which the great blocks, 12 feet in length, were cut lie many miles away. As late as 1755 the structure towered to a height of five stories, but the vandal has done his work only too well, and a few fragmentary carvings of exquisite design are all that to-day remain of one of Mexico’s most magnificent pyramids.

  Ruins of the Pyramid of Xochicalco

  Photo C. B. Waite, Mexico

  Tollan

  We have already indicated that on the site of the “Toltec” city of Tollan ruins have been discovered which prove that it was the centre of a civilisation of a type distinctly advanced. Charnay unearthed there gigantic fragments of caryatides, each some 7 feet high. He also found columns of two pieces, which were fitted together by means of mortise and tenon, bas-reliefs of archaic figures of undoubted Nahua type, and many fragments of great antiquity. On the hill of Palpan, above Tollan, he found the ground-plans of several houses with numerous apartments, frescoed, columned, and having benches and cisterns recalling the impluvium of a Roman villa. Water-pipes were also actually unearthed, and a wealth of pottery, many pieces of which were like old Japanese china. The ground-plan or foundations of the houses unearthed at Palpan showed that they had been designed by practical architects, and had not been built in any merely haphazard fashion. The cement which covered the walls and floors was of excellent quality, and recalled that discovered in ancient Italian excavations. The roofs had been of wood, supported by pillars.

  Picture-Writing

  The Aztecs, and indeed the entire Nahua race, employed a system of writing of the type scientifically described as “pictographic,” in which events, persons, and ideas were recorded by means of drawings and coloured sketches. These were executed on paper made from the agave plant, or were painted on the skins of animals. By these means not only history and the principles of the Nahua mythology were communicated from generation to generation, but the transactions of daily life, the accountings of merchants, and the purchase and ownership of land were placed on record. That a phonetic system was rapidly being approached is manifest from the method by which the Nahua scribes depicted the names of individuals or cities. These were represented by means of several objects, the names of which resembled that of the person for which they stood. The name of King Ixcoatl, for example, is represented by the drawing of a serpent (coatl) pierced by flint knives (iztli), and that of Motequauhzoma (Montezuma) by a mouse-trap (montli), an eagle (quauhtli), a lancet (zo), and a hand (maitl). The phonetic values employed by the scribes varied exceedingly, so that at times an entire syllable would be expressed by the painting of an object the name of which commenced with it. At other times only a letter would be represented by the same drawing. But the general intention of the scribes was undoubtedly more ideographic than phonetic; that is, they desired to convey their thoughts more by sketch than by sound.

  Interpretation of the Hieroglyphs

  These pinturas, as the Spanish conquerors designated them, offer no very great difficulty in their elucidation to modern experts, at least so far as the general trend of their contents is concerned. In this they are unlike the manuscripts of the Maya of Central America with which we shall make acquaintance further on. Their interpretation was largely traditional, and was learned by rote, being passed on by one generation of amamatini (readers) to another, and was by no means capable of elucidation by all and sundry.

&n
bsp; Native Manuscripts

  The pinturas or native manuscripts which remain to us are but few in number. Priestly fanaticism, which ordained their wholesale destruction, and the still more potent passage of time have so reduced them that each separate example is known to bibliophiles and Americanists the world over. In such as still exist we can observe great fullness of detail, representing for the most part festivals, sacrifices, tributes, and natural phenomena, such as eclipses and floods, and the death and accession of monarchs. These events, and the supernatural beings who were supposed to control them, were depicted in brilliant colours, executed by means of a brush of feathers.

  The Interpretative Codices

  Luckily for future students of Mexican history, the blind zeal which destroyed the majority of the Mexican manuscripts was frustrated by the enlightenment of certain European scholars, who regarded the wholesale destruction of the native records as little short of a calamity, and who took steps to seek out the few remaining native artists, from whom they procured copies of the more important paintings, the details of which were, of course, quite familiar to them. To those were added interpretations taken down from the lips of the native scribes themselves, so that no doubt might remain regarding the contents of the manuscripts. These are known as the “Interpretative Codices,” and are of considerable assistance to the student of Mexican history and customs. Three only are in existence. The Oxford Codex, treasured in the Bodleian Library, is of a historical nature, and contains a full list of the lesser cities which were subservient to Mexico in its palmy days. The Paris or Tellerio-Remensis Codex, so called from having once been the property of Le Tellier, Archbishop of Rheims, embodies many facts concerning the early settlement of the various Nahua city-states. The Vatican MSS. deal chiefly with mythology and the intricacies of the Mexican calendar system. Such Mexican paintings as were unassisted by an interpretation are naturally of less value to present-day students of the lore of the Nahua. They are principally concerned with calendric matter, ritualistic data, and astrological computations or horoscopes.

  The Mexican “Book of the Dead”

  Perhaps the most remarkable and interesting manuscript in the Vatican collection is one the last pages of which represent the journey of the soul after death through the gloomy dangers of the Other-world. This has been called the Mexican “Book of the Dead.” The corpse is depicted dressed for burial, the soul escaping from its earthly tenement by way of the mouth. The spirit is ushered into the presence of Tezcatlipoca, the Jupiter of the Aztec pantheon, by an attendant dressed in an ocelot skin, and stands naked with a wooden yoke round the neck before the deity, to receive sentence. The dead person is given over to the tests which precede entrance to the abode of the dead, the realm of Mictlan, and so that he may not have to meet the perils of the journey in a defenceless condition a sheaf of javelins is bestowed upon him. He first passes between two lofty peaks, which may fall and crush him if he cannot skilfully escape them. A terrible serpent then intercepts his path, and, if he succeeds in defeating this monster, the fierce alligator Xochitonal awaits him. Eight deserts and a corresponding number of mountains have then to be negotiated by the hapless spirit, and a whirlwind sharp as a sword, which cuts even through solid rocks, must be withstood. Accompanied by the shade of his favourite dog, the harassed ghost at length encounters the fierce Izpuzteque, a demon with the backward-bent legs of a cock, the evil Nextepehua, the fiend who scatters clouds of ashes, and many another grisly foe, until at last he wins to the gates of the Lord of Hell, before whom he does reverence, after which he is free to greet his friends who have gone before.

  The Spirit of the dead Aztec is attacked by an Evil Spirit who scatters Clouds of Ashes

  Gilbert James

  The Calendar System

  As has been said, the calendar system was the source of all Mexican science, and regulated the recurrence of all religious rites and festivals. In fact, the entire mechanism of Nahua life was resident in its provisions. The type of time-division and computation exemplified in the Nahua calendar was also found among the Maya peoples of Yucatan and Guatemala and the Zapotec people of the boundary between the Nahua and Maya races. By which of these races it was first employed is unknown. But the Zapotec calendar exhibits signs of both Nahua and Maya influence, and from this it has been inferred that the calendar systems of these races have been evolved from it. It might with equal probability be argued that both Nahua and Maya art were offshoots of Zapotec art, because the characteristics of both are discovered in it, whereas the circumstance merely illustrates the very natural acceptance by a border people, who settled down to civilisation at a relatively later date, of the artistic tenets of the two greater peoples who environed them. The Nahua and Maya calendars were in all likelihood evolved from the calendar system of that civilised race which undoubtedly existed on the Mexican plateau prior to the coming of the later Nahua swarms, and which in general is loosely alluded to as the “Toltec.”

  The Mexican Year

  The Mexican year was a cycle of 365 days, without any intercalary addition or other correction. In course of time it almost lost its seasonal significance because of the omission of the extra hours included in the solar year, and furthermore many of its festivals and occasions were altered by high-priests and rulers to suit their convenience. The Mexican nexiuhilpililztli (binding of years) contained fifty-two years, and ran in two separate cycles—one of fifty-two years of 365 days each, and another of seventy-three groups of 260 days each. The first was of course the solar year, and embraced eighteen periods of twenty days each, called “months” by the old Spanish chroniclers, with five nemontemi (unlucky days) over and above. These days were not intercalated, but were included in the year, and merely overflowed the division of the year into periods of twenty days. The cycle of seventy-three groups of 260 days, subdivided into groups of thirteen days, was called the “birth-cycle.”

  Lunar Reckoning

  People in a barbarous condition almost invariably reckon time by the period between the waxing and waning of the moon as distinct from the entire passage of a lunar revolution, and this period of twenty days will be found to be the basis in the time-reckoning of the Mexicans, who designated it cempohualli. Each day included in it was denoted by a sign, as “house,” “snake,” “wind,” and so forth. Each cempohualli was subdivided into four periods of five days each, sometimes alluded to as “weeks” by the early Spanish writers, and these were known by the sign of their middle or third day. These day-names ran on without reference to the length of the year. The year itself was designated by the name of the middle day of the week in which it began. Out of twenty day-names in the Mexican “month” it was inevitable that the four calli (house), tochtli (rabbit), acatl (reed), and tecpatl (flint) should always recur in sequence because of the incidence of these days in the Mexican solar year. Four years made up a year of the sun. During the nemontemi (unlucky days) no work was done, as they were regarded as ominous and unwholesome.

  We have seen that the civil year permitted the day-names to run on continuously from one year to another. The ecclesiastical authorities, however, had a reckoning of their own, and made the year begin always on the first day of their calendar, no matter what sign denominated that day in the civil system.

  The Demon Izpuzteque

  Photo Mansell & Co.

  Groups of Years

  As has been indicated, the years were formed into groups. Thirteen years constituted a xiumalpilli (bundle), and four of these a nexiuhilpilitztli (complete binding of the years). Each year had thus a double aspect, first as an individual period of time, and secondly as a portion of the “year of the sun,” and these were so numbered and named that each year in the series of fifty-two possessed a different description.

  The Dread of the Last Day

  With the conclusion of each period of fifty-two years a terrible dread came upon the Mexicans that the world would come to an end. A stated period of time had expired, a period which was regarded as fix
ed by divine command, and it had been ordained that on the completion of one of those series of fifty-two years earthly time would cease and the universe be demolished. For some time before the ceremony of toxilmolpilia (the binding up of the years) the Mexicans abandoned themselves to the utmost prostration, and the wicked went about in terrible fear. As the first day of the fifty-third year dawned the people narrowly observed the Pleiades, for if they passed the zenith time would proceed and the world would be respited. The gods were placated or refreshed by the slaughter of the human victim, on whose still living breast a fire of wood was kindled by friction, the heart and body being consumed by the flames so lighted. As the planets of hope crossed the zenith loud acclamations resounded from the people, and the domestic hearths, which had been left cold and dead, were rekindled from the sacred fire which had consumed the sacrifice. Mankind was safe for another period.