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The Collected Poems of Bertolt Brecht

Page 29

by Tom Kuhn

Concerning man’s dependency on nature

  Always

  Man thinks he stands

  In the world unchangeable, the air

  May at times be full of fire, he has seen

  The ground quake, he stood

  Unchanging, himself, the same, and beside him

  He was accustomed to seeing

  Man wholly unchanged. Wrong:

  The ground did not cease to be ground

  The air did not cease to be air. But man

  Shrank away in fear

  And swelled out in foolishness

  It would not take much

  When I first sighted the great cities

  At once I thought, surely it will do

  For example, to send them a word and this

  They will accept and not ask any more of you

  The word that is like no other word, alas

  Always eluded me

  And time meanwhile has gone by very fast

  I dispatched it guilefully

  Words never were in short supply

  A man pukes one, another eats it

  Had I ever hooked the word, the one and only

  All men would have said: that’s it

  I would have given them peace, for sure

  And gathered up the coins they threw my way

  Enough to live on and to spare

  And they would have been content with me

  Spring

  Long before

  We fell upon iron, oil and ammoniac

  There was in every year

  The time of the wildly unstoppably leafing trees.

  The lengthening days

  We all remember

  Brighter skies

  Change in the air

  Of spring that was coming for certain.

  In books we still read

  Of that celebrated season

  And yet for a long time now

  Above our cities there has been no sight

  Of the famous flocks of birds.

  If anyone, the common people sitting in trains

  Still notice spring.

  The flatlands show it

  In the old clarity.

  True, very high

  Storms still seem to pass over but

  Nowadays they touch

  Only our aerials.

  As I dressed for my wedding . . .

  1

  As I dressed for my wedding

  My mother stood by me

  “He’ll tell you you are his now

  And his alone,” said she.

  That’s what they all want to hear:

  “Be mine for evermore!”

  And they take what you’ve got to give

  And they say that’s no way to live

  And knock at another’s door.

  The bed that you make you must lie on

  No one will tuck you up in it but you.

  So let him be the kicked and you the kicker

  If and when it is kicking it comes to.

  2

  I knew within a twelvemonth

  What she meant by those words of hers

  “One of you will be laughing

  And the other will be in tears.”

  “Treat me nice,” they all say that

  But what really matters is: who ends up boss?

  Take my word for it, child

  It’s either or, him or you, profit or loss:

  You rule him or be ruled.

  The bed that you make you must lie on

  No one will tuck you up in it but you.

  So let him be the kicked and you the kicker

  If and when it is kicking it comes to.

  Ballad of the virgins

  Behold the virgins, behold the flowers

  In the morning behold them in glorious May

  Commend them to God’s loving care in your prayers

  Plucked, they are over and pass with the day.

  Plucked, you must go to the grave for a dwelling

  For now you are rotting. Her happiest lot

  Is she may be purchased for less than a shilling

  Till rotting and stinking she’s trod under foot.

  A whore who’s so inclined, sir . . .

  A whore who’s so inclined, sir

  Will rob you on the way

  Of health and wealth and time, sir

  I make so bold . . ., she’ll say.

  Your daughter flying the nest, sir

  Will take your sheets with her

  The mother steals the rest, sir

  The question is: who for?

  The riddle

  1

  Where does he come from?

  He comes out of the flesh

  He comes out of the air

  Out of the river water

  Out of the desert

  He comes out of the cities

  When he has come

  He goes again.

  2

  What does he learn from?

  He learns from the river

  He learns from the book

  From people’s faces

  From fists

  From laughter

  When he has learned enough

  He goes again

  3

  Where does he go to?

  He goes everywhere

  He goes to the mountain passes

  To the cities

  To the seas

  To the springs

  When he has gone enough

  He goes no more

  Tercets on love

  See how those cranes fly arcing through the sky!

  The clouds they have for company on their way

  Were there already when they had to fly

  From one life to another far away.

  Together at the selfsame height and pace

  It seems an almost casual display.

  That crane and cloud just chance to share the space

  Of the wide skies through which they pass so briefly

  So neither one may linger in this place

  And all they see is one another slightly

  Rocking on the wind in loose accord

  Who now in flight lie side by side so lightly

  The wind may carry them off into the void.

  If they remain themselves, and hold on tight

  They can be touched by nothing untoward

  It doesn’t matter if they’re driven out

  Threatened by gunshots or by stormy weather.

  Indifferent to the sun and moon’s pale light

  They journey on, besotted with each other.

  What are you fleeing from? —The world. —Where to? —Wherever.

  You ask how long now have they been together?

  Not long. —And when they’ll part? —Oh, soon enough.

  So love appears secure to those who love.

  In the chophouse and the drawing room . . .

  In the chophouse and the drawing room, over rooftops, under bridges

  Black-masked mostly, ever more outrageous

  There the bad guy lives the life of Riley, always has—

  Of course he does.

  Not far off, alone perhaps or maybe plural

  Always lovely legs and lots of hair and sex appeal

  Lives the innocent girl, unspoilt, intact still—

  Of course she does.

  Guilt and innocence with the man unceasingly

  Now must struggle, virtuously, disgracefully

  And the innocent is always grateful, isn’t she?

  And who wins? The innocent, naturally.

  Oh what manner of world is this then? Hollywood

  Naturally

  Every story ends there as it should

  Happily.

  The making of long-lasting works

  1

  How long

  Do works last? They last

  Till they are finished.

  For so long as they still require effort

  They do not decay.

  Inviting effort />
  Rewarding participation

  They will live and last for as long

  As they invite and reward.

  Useful works

  Need people

  Works full of artistry

  Have room for art in them

  Wise works

  Need wisdom

  Those intending completeness

  Show gaps

  The long-lasting

  Are forever on the brink of falling in

  Those planned on a truly grand scale

  Are unfinished.

  Uncompleted still

  Like the wall awaiting ivy

  (It was once unfinished

  Ages ago, before the ivy came, bare!)

  Not able to be halted there

  Like a machine that is needed and used

  But does not suffice

  But promises better

  Like that if it is to last

  A work must be built like

  The machine full of shortcomings.

  2

  When things are to be said that will not immediately be understood

  When advice is given that it takes a long time to follow

  When we fear human weakness

  The enemy’s staying power, the catastrophes that bury everything

  Then we must lend our works the power to last.

  3

  The desire to make works that will last a long time

  Is not always to be welcomed.

  The man who addresses the as yet unborn

  Often does nothing for their birth.

  He does not fight, but wants the victory.

  He sees no enemy

  Except being forgotten.

  Why should every wind last forever?

  You may take note of a good pronouncement

  So long as the occasion may come again

  For which it was good.

  Certain experiences handed on in perfected form

  Enrich mankind

  But we can have too much of riches.

  Not only experiences

  Memories too make us old.

  So the desire to lend a work long-lastingness

  Is not always to be welcomed.

  Remember, these are the years . . .

  Remember, these are the years

  In which it is not a matter of winning victories but

  Of winning the defeats

  Who lives in order to be victorious

  Is ignorant of victory

  Swimming from the sinking ship

  You don’t seek the best island but

  The nearest.

  Changing the world

  Does not mean: winning victories.

  Do not go forth

  To change the world, and

  Be victorious in your own town which

  Remains unchanged.

  You have prepared the victory

  You have fought the fight, now

  You could be victorious

  Don’t be victorious!

  Fight on!

  But in these years that I tell you

  Are not the years of victories

  Be present at all your defeats

  Without exception, hear

  Every insult but hear every single one like a question and shout each its answer!

  Eat and drink, fighter

  Waiting eagerly for the fight

  Repair the chair you are sitting on

  Laugh with those who are laughing

  Give your kidneys time to heal

  Read the thoughts of the dead in peace

  The years of the victories may

  Come after you.

  A ballad for Article 218

  Doctor, my period . . .

  Well doesn’t it make you glad

  You’ll be helping the population figures along a bit?

  Doctor, our place isn’t fit . . .

  Don’t tell me you haven’t a bed

  Look after yourself a bit

  And keep yourself nice and warm

  You’ll make a nice little mother

  Of a bit more factory-fodder.

  That’s what your belly is for

  And that’s what you’re there to do

  You know the score

  And whether you like it or no

  That’s that: you’re a mother-to-be.

  Doctor, a man out of work, he can’t have a child, can he?

  Oh he’ll soon find work now, my dear lady.

  Doctor . .

  Mrs Renner, I don’t understand you.

  The state needs men, can’t you see

  To mind the machinery.

  You’ll make a nice little mother

  Of a bit more factory-fodder.

  That’s what your belly is for

  And that’s what you’re there to do

  You know the score

  And whether you like it or no

  That’s that: you’re a mother-to-be.

  Doctor, where’ll I lie in?

  Mrs Renner, enough being silly.

  First you wanted the fun

  And now you won’t do your duty.

  When we prohibit a thing

  We know very well what we’re doing

  So leave it all to us

  And let us have no more fuss.

  You’ll make a nice little mother

  Of a bit more factory-fodder.

  That’s what your belly is for

  And that’s what you’re there to do

  You know the score

  And whether you like it or no

  Fact is you’re a mother-to-be.

  Chorus

  But below us also there are

  Further levels

  And below them so it seems

  Further levels still and even we

  The unhappy

  Are yet by others

  Called

  Happy.

  The way down!

  Comrade, don’t ask

  Where your way leads

  Your way leads

  Down.

  Comrade, when you were one year old

  You began to walk

  You were going—

  Down.

  You went to learn

  You went to work

  You went fresh

  You went in weariness

  Comrade, don’t go too fast

  You are going down.

  Comrade, you marry

  You have children

  Together you go the way

  Down.

  But on Sundays you walk in procession with your comrades

  You sing, you follow the waving flag

  You march to the beat of the drum

  Down.

  Comrade, we have marched together

  We have demonstrated together

  We have spoken of the new time

  We go our separate ways.

  Where

  Shall we meet?

  Down below.

  For not even you, comrade

  Will always go

  Down

  Once you lie underground

  You’ll have done going down.

  The jobless

  1

  Here it’s warm, here do penance

  Here eat for the last time all you want

  Here are benches, sit and listen

  To the word of God, thou shalt, thou shan’t.

  2

  Leave self-respect and shame to the rich people

  Confess your sins and they will give you bread

  Whatever else they demand of you, do it

  For being dead won’t do you any good.

  3

  Here’s some soup now. Sup it and confess

  The sins that have been committed against you

  Say sorry here beside this warming hearth

  Fast for everything they’ve done to you.

  I saw a bowl of soup once . . .

  1

  I saw a bowl of soup once

  It didn’t belong to m
e

  The soup was oversalty

  But that didn’t bother me

  2

  I saw another bowl of soup once

  And nothing wrong with it

  Still I didn’t eat it

  It wasn’t mine to eat

  3

  So long as I don’t work for them

  I don’t have any rights

  And so long as I do work for them

  They own my days and nights

  4

  And now that there’s no work to do

  They’re mine, my days and nights

  Truth is I have no right to work

  Nor right to any rights.

  You coming from just having eaten . . .

  You coming from just having eaten

  Permit us to make you aware

  Of our ceaseless struggle

  For food to eat such as yours

  And worse would also content us

  We beg you: behold us

  In the ceaseless search for work!

  But alas over work and food to eat

  There are laws, immutable

  Unknown laws

  But all the while downwards

  Fall

  Through grids in the asphalt

  Many and various unremarkable

  Undistinguished people down

  Suddenly, fast, without a sound, they go down

  Walking beside us, cheerful people, from out of the midst

  Of the throng of people, down

  Inexactly selected

  Six out of seven go down but the seventh

  Enters the eating place.

 

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