The October Country

by Ray Bradbury

  She sat down, thinking about it slowly, trying to turn it over and see it from every side. "I don't know. Maybe you're right. Oh, it's not just pity, Ralph, honest. But maybe it'd look like it to him. I've got to be awful careful."

  He shook her shoulder back and forth, pinching softly, with his fingers. "Hell, hell, lay off him, is all I ask; you'll get nothing but trouble for your dough. God, Aimee, I never seen you so hepped on anything. Look, you and me, let's make it a day, take a lunch, get us some gas, and just drive on down the coast as far as we can drive; swim, have supper, see a good show in some little town--to hell with the carnival, how about it? A damn nice day and no worries. I been savin' a coupla bucks."

  "It's because I know he's different," she said, looking off into darkness. "It's because he's something we can never be--you and me and all the rest of us here on the pier. It's so funny, so funny. Life fixed him so he's good for nothing but carny shows, yet there he is on the land. And life made us so we wouldn't have to work in the carny shows, but here we are, anyway, way out here at sea on the pier. Sometimes it seems a million miles to shore. How come, Ralph, that we got the bodies, but he's got the brains and can think things we'll never even guess?"

  "You haven't even been listening to me!" said Ralph.

  She sat with him standing over her, his voice far away. Her eyes were half shut and her hands were in her lap, twitching.

  "I don't like that shrewd look you're getting on," he said, finally.

  She opened her purse slowly and took out a small roll of bills and started counting. "Thirty-five, forty dollars. There. I'm going to phone Billie Fine and have him send out one of those tall-type mirrors to Mr. Bigelow at the Ganghes Arms. Yes, I am!"

  "What!"

  "Think how wonderful for him, Ralph, having one in his own room any time he wants it. Can I use your phone?"

  "Go ahead, be nutty."

  Ralph turned quickly and walked off down the tunnel. A door slammed.

  Aimee waited, then after a while put her hands to the phone and began to dial, with painful slowness. She paused between numbers, holding her breath, shutting her eyes, thinking how it might seem to be small in the world, and then one day someone sends a special mirror by. A mirror for your room where you can hide away with the big reflection of yourself, shining, and write stories and stories, never going out into the world unless you had to. How might it be then, alone, with the wonderful illusion all in one piece in the room. Would it make you happy or sad, would it help your writing or hurt it? She shook her head back and forth, back and forth. At least this way there would be no one to look down at you. Night after night, perhaps rising secretly at three in the cold morning, you could wink and dance around and smile and wave at yourself, so tall, so tall, so very fine and tall in the bright looking-glass.

  A telephone voice said, "Billie Fine's."

  "Oh, Billie!" she cried.

  Night came in over the pier. The ocean lay dark and loud under the planks. Ralph sat cold and waxen in his glass coffin, laying out the cards, his eyes fixed, his mouth stiff. At his elbow, a growing pyramid of burnt cigarette butts grew larger. When Aimee walked along under the hot red and blue bulbs, smiling, waving, he did not stop setting the cards down slow and very slow. "Hi, Ralph!" she said.

  "How's the love affair?" he asked, drinking from a dirty glass of iced water. "How's Charlie Boyer, or is it Cary Grant?"

  "I just went and bought me a new hat," she said, smiling. "Gosh, I feel good! You know why? Billie Fine's sending a mirror out tomorrow! Can't you just see the nice little guy's face?"

  "I'm not so hot at imagining."

  "Oh, Lord, you'd think I was going to marry him or something."

  "Why not? Carry him around in a suitcase. People say, Where's your husband? all you do is open your bag, yell, Here he is! Like a silver cornet. Take him outa his case any old hour, play a tune, stash him away. Keep a little sandbox for him on the back porch."

  "I was feeling so good," she said.

  "Benevolent is the word." Ralph did not look at her, his mouth tight. "Ben-eve-o-lent. I suppose this all comes from me watching him through that knothole, getting my kicks? That why you sent the mirror? People like you run around with tambourines, taking the joy out of my life."

  "Remind me not to come to your place for drinks any more. I'd rather go with no people at all than mean people."

  Ralph exhaled a deep breath. "Aimee, Aimee. Don't you know you can't help that guy? He's bats. And this crazy thing of yours is like saying, Go ahead, be batty, I'll help you, pal."

  "Once in a lifetime anyway, it's nice to make a mistake if you think it'll do somebody some good," she said.

  "God deliver me from do-gooders, Aimee."

  "Shut up, shut up!" she cried, and then said nothing more.

  He let the silence lie awhile, and then got up, putting his finger-printed glass aside. "Mind the booth for me?"

  "Sure. Why?"

  She saw ten thousand cold white images of him stalking down the glassy corridors, between mirrors, his mouth straight and his fingers working themselves.

  She sat in the booth for a full minute and then suddenly shivered. A small clock ticked in the booth and she turned the deck of cards over, one by one, waiting. She heard a hammer pounding and knocking and pounding again, far away inside the Maze; a silence, more waiting, and then ten thousand images folding and refolding and dissolving, Ralph striding, looking out at ten thousand images of her in the booth. She heard his quiet laughter as he came down the ramp.

  "Well, what's put you in such a good mood?" she asked, suspiciously.

  "Aimee," he said carelessly, "we shouldn't quarrel. You say tomorrow Billie's sending that mirror to Mr. Big's?"

  "You're not going to try anything funny?"

  "Me?" He moved her out of the booth and took over the cards, humming, his eyes bright. "Not me, oh no, not me." He did not look at her, but started quickly to slap out the cards. She stood behind him. Her right eye began to twitch a little. She folded and unfolded her arms. A minute ticked by. The only sound was the ocean under the night pier, Ralph breathing in the heat, the soft ruffle of the cards. The sky over the pier was hot and thick with clouds. Out at sea, faint glows of lightning were beginning to show.

  "Ralph," she said at last.

  "Relax, Aimee," he said.

  "About that trip you wanted to take down the coast--"

  "Tomorrow," he said. "Maybe next month. Maybe next year. Old Ralph Banghart's a patient guy. I'm not worried, Aimee. Look." He held up a hand. "I'm calm."

  She waited for a roll of thunder at sea to fade away.

  "I just don't want you mad, is all. I just don't want anything bad to happen, promise me."

  The wind, now warm, now cool, blew along the pier. There was a smell of rain in the wind. The clock ticked. Aimee began to perspire heavily, watching the cards move and move. Distantly, you could hear targets being hit and the sound of the pistols at the shooting gallery.

  And then, there he was.

  Waddling along the lonely concourse, under the insect bulbs, his face twisted and dark, every movement an effort. From a long way down the pier he came, with Aimee watching. She wanted to say to him, This is your last night, the last time you'll have to embarrass yourself by coming here, the last time you'll have to put up with being watched by Ralph, even in secret. She wished she could cry out and laugh and say it right in front of Ralph. But she said nothing.

  "Hello, hello!" shouted Ralph. "It's free, on the house, tonight! Special for old customers!"

  The Dwarf looked up, startled, his little black eyes darting and swimming in confusion. His mouth formed the word thanks and he turned, one hand to his neck, pulling his tiny lapels tight up about his convulsing throat, the other hand clenching the silver dime secretly. Looking back, he gave a little nod, and then scores of dozens of compressed and tortured faces, burnt a strange dark color by the lights, wandered in the glass corridors.

  "Ralph," Aimee took his elbow. "What
's going on?"

  He grinned. "I'm being benevolent, Aimee, benevolent."

  "Ralph," she said.

  "Sh," he said. "Listen."

  They waited in the booth in the long warm silence.

  Then, a long way off, muffled, there was a scream.

  "Ralph!" said Aimee.

  "Listen, listen!" he said.

  There was another scream, and another and still another, and a threshing and a pounding and a breaking, a rushing around and through the maze. There, there, wildly colliding and ricocheting, from mirror to mirror, shrieking hysterically and sobbing, tears on his face, mouth gasped open, came Mr. Bigelow. He fell out in the blazing night air, glanced about wildly, wailed, and ran off down the pier.

  "Ralph, what happened?"

  Ralph sat laughing and slapping at his thighs.

  She slapped his face. "What'd you do?"

  He didn't quite stop laughing. "Come on. I'll show you!"

  And then she was in the maze, rushed from white-hot mirror to mirror, seeing her lipstick all red fire a thousand times repeated on down a burning silver cavern where strange hysterical women much like herself followed a quick-moving, smiling man. "Come on!" he cried. And they broke free into a dust-smelling tiny room.

  "Ralph!" she said.

  They both stood on the threshold of the little room where the Dwarf had come every night for a year. They both stood where the Dwarf had stood each night, before opening his eyes to see the miraculous image in front of him.

  Aimee shuffled slowly, one hand out, into the dim room.

  The mirror had been changed.

  This new mirror made even tall people little and dark and twisted smaller as you moved forward.

  And Aimee stood before it thinking and thinking that if it made big people small, standing here, God, what would it do to a dwarf, a tiny dwarf, a dark dwarf, a startled and lonely dwarf?

  She turned and almost fell. Ralph stood looking at her. "Ralph," she said. "God, why did you do it?"

  "Aimee, come back!"

  She ran out through the mirrors, crying. Staring with blurred eyes, it was hard to find the way, but she found it. She stood blinking at the empty pier, started to run one way, then another, then still another, then stopped. Ralph came up behind her, talking, but it was like a voice heard behind a wall late at night, remote and foreign.

  "Don't talk to me," she said.

  Someone came running up the pier. It was Mr. Kelly from the shooting gallery. "Hey, any you see a little guy just now? Little stiff swiped a pistol from my place, loaded, run off before I'd get a hand on him! You help me find him?"

  And Kelly was gone, sprinting, turning his head to search between all the canvas sheds, on away under the hot blue and red and yellow strung bulbs.

  Aimee rocked back and forth and took a step.

  "Aimee, where you going?"

  She looked at Ralph as if they had just turned a corner, strangers passing, and bumped into each other. "I guess," she said, "I'm going to help search."

  "You won't be able to do nothing."

  "I got to try anyway. Oh God, Ralph, this is all my fault! I shouldn't have phoned Billie Fine! I shouldn't've ordered a mirror and got you so mad you did this! It's me should've gone to Mr. Big, not a crazy thing like I bought! I'm going to find him if it's the last thing I ever do in my life."

  Swinging about slowly, her cheeks wet, she saw the quivery mirrors that stood in front of the Maze, Ralph's reflection was in one of them. She could not take her eyes away from the image; it held her in a cool and trembling fascination, with her mouth open.

  "Aimee, what's wrong? What're you--"

  He sensed where she was looking and twisted about to see what was going on. His eyes widened.

  He scowled at the blazing mirror.

  A horrid, ugly little man, two feet high, with a pale, squashed face under an ancient straw hat, scowled back at him. Ralph stood there glaring at himself, his hands at his sides.

  Aimee walked slowly and then began to walk fast and then began to run. She ran down the empty pier and the wind blew warm and it blew large drops of hot rain out of the sky on her all the time she was running.

  THE NEXT IN LINE

  It was a little caricature of a town square. In it were the following fresh ingredients: a candy-box of a bandstand where men stood on Thursday and Sunday nights exploding music; fine, green-patinated bronze-copper benches all scrolled and flourished; fine blue and pink tiled walks--blue as women's newly lacquered eyes, pink as women's hidden wonders; and fine French-clipped trees in the shapes of exact hatboxes. The whole, from your hotel window, had the fresh ingratiation and unbelievable fantasy one might expect of a French villa in the nineties. But no, this was Mexico! and this a plaza in a small colonial Mexican town, with a fine State Opera House (in which movies were shown for two pesos admission: Rasputin and the Empress, The Big House, Madame Curie, Love Affair, Mama Loves Papa).

  Joseph came out on the sun-heated balcony in the morning and knelt by the grille, pointing his little box Brownie. Behind him, in the bath, the water was running and Marie's voice came out:

  "What're you doing?"

  He muttered "--a picture." She asked again. He clicked the shutter, stood up, wound the spool inside, squinting, and said, "Took a picture of the town square. God, didn't those men shout last night? I didn't sleep until two-thirty. We would have to arrive when the local Rotary's having its whingding."

  "What're our plans for today?" she asked.

  "We're going to see the mummies," he said.

  "Oh," she said. There was a long silence.

  He came in, set the camera down, and lit himself a cigarette.

  "I'll go up and see them alone," he said, "if you'd rather."

  "No," she said, not very loud. "I'll go along. But I wish we could forget the whole thing. It's such a lovely little town."

  "Look here!" he cried, catching a movement from the corner of his eyes. He hurried to the balcony, stood there, his cigarette smoking and forgotten in his fingers. "Come quick, Marie!"

  "I'm drying myself," she said.

  "Please, hurry," he said, fascinated, looking down into the street.

  There was movement behind him, and then the odor of soap and water-rinsed flesh, wet towel, fresh cologne; Marie was at his elbow. "Stay right there," she cautioned him, "so I can look without exposing myself. I'm stark. What is it?"

  "Look!" he cried.

  A procession traveled along the street. One man led it, with a package on his head. Behind him came women in black rebozos, chewing away the peels of oranges and spitting them on the cobbles; little children at their elbows, men ahead of them. Some ate sugar cane, gnawing away at the outer bark until it split down and they pulled it off in great hunks to get at the succulent pulp, and the juicy sinews on which to suck. In all, there were fifty people.

  "Joe," said Marie behind him, holding his arm.

  It was no ordinary package the first man in the procession carried on his head, balanced delicately as a chicken-plume. It was covered with silver satin and silver fringe and silver rosettes. And he held it gently with one brown hand, the other hand swinging free.

  This was a funeral and the little package was a coffin.

  Joseph glanced at his wife.

  She was the color of fine, fresh milk. The pink color of the bath was gone. Her heart had sucked it all down to some hidden vacuum in her. She held fast to the french doorway and watched the traveling people go, watched them eat fruit, heard them talk gentle, laugh gently. She forgot she was naked.

  He said, "Some little girl or boy gone to a happier place."

  "Where are they taking--her?"

  She did not think it unusual, her choice of the feminine pronoun. Already she had identified herself with that tiny fragment parceled like an unripe variety of fruit. Now, in this moment, she was being carried up the hill within compressing darkness, a stone in a peach, silent and terrified, the touch of the father against the coffin material outside;
gentle and noiseless and firm inside.

  "To the graveyard, naturally; that's where they're taking her," he said, the cigarette making a filter of smoke across his casual face.

  "Not the graveyard?"

  "There's only one cemetery in these towns, you know that. They usually hurry it. That little girl had probably been dead only a few hours."

  "A few hours--"

  She turned away, quite ridiculous, quite naked, with only the towel supported by her limp, untrying hands. She walked toward the bed. "A few hours ago she was alive, and now--"

  He went on, "Now they're hurrying her up the hill. The climate isn't kind to the dead. It's hot, there's no embalming. They have to finish it quickly."

  "But to that graveyard, that horrible place," she said, with a voice from a dream.

  "Oh, the mummies," he said. "Don't let that bother you."

  She sat on the bed, again and again stroking the towel laid across her lap. Her eyes were blind as the brown paps of her breasts. She did not see him or the room. She knew that if he snapped his fingers or coughed, she wouldn't even look up.

  "They were eating fruit at her funeral, and laughing," she said.

  "It's a long climb to the cemetery."

  She shuddered, a convulsive motion, like a fish trying to free itself from a deep-swallowed hook. She lay back and he looked at her as one examines a poor sculpture; all criticism, all quiet and easy and uncaring. She wondered idly just how much his hands had had to do with the broadening and flattening and changement of her body. Certainly this was not the body he'd started with. It was past saving now. Like clay which the sculptor has carelessly impregnated with water, it was impossible to shape again. In order to shape clay you warm it with your hands, evaporate the moisture with heat. But there was no more of that fine summer weather between them. There was no warmth to bake away the aging moisture that collected and made pendant now her breasts and body. When the heat is gone, it is marvelous and unsettling to see how quickly a vessel stores self-destroying water in its cells.

  "I don't feel well," she said. She lay there, thinking it over. "I don't feel well," she said again, when he made no response. After another minute or two she lifted herself. "Let's not stay here another night, Joe."

  "But it's a wonderful town."

  "Yes, but we've seen everything." She got up. She knew what came next. Gayness, blitheness, encouragement, everything quite false and hopeful. "We could go on to Patzcuaro. Make it in no time. You won't have to pack, I'll do it all myself, darling! We can get a room at the Don Posada there. They say it's a beautiful little town--"