Orientalism

by Edward W. Said

  In the light of all this, consider Napoleon and de Lesseps. Everything they knew, more or less, about the Orient came from books written in the tradition of Orientalism, placed in its library of idées reçues; for them the Orient, like the fierce lion, was something to be encountered and dealt with to a certain extent because the texts made that Orient possible. Such an Orient was silent, available to Europe for the realization of projects that involved but were never directly responsible to the native inhabitants, and unable to resist the projects, images, or mere descriptions devised for it. Earlier in this chapter I called such a relation between Western writing (and its consequences) and Oriental silence the result of and the sign of the West’s great cultural strength, its will to power over the Orient. But there is another side to the strength, a side whose existence depends on the pressures of the Orientalist tradition and its textual attitude to the Orient; this side lives its own life, as books about fierce lions will do until lions can talk back. The perspective rarely drawn on Napoleon and de Lesseps—to take two among the many projectors who hatched plans for the Orient—is the one that sees them carrying on in the dimensionless silence of the Orient mainly because the discourse of Orientalism, over and above the Orient’s powerlessness to do anything about them, suffused their activity with meaning, intelligibility, and reality. The discourse of Orientalism and what made it possible—in Napoleon’s case, a West far more powerful militarily than the Orient—gave them Orientals who could be described in such works as the Description de l’Égypte and an Orient that could be cut across as de Lesseps cut across Suez. Moreover, Orientalism gave them their success—at least from their point of view, which had nothing to do with that of the Oriental. Success, in other words, had all the actual human interchange between Oriental and Westerner of the Judge’s “said I to myself, said I” in Trial by Jury.

  Once we begin to think of Orientalism as a kind of Western projection onto and will to govern over the Orient, we will encounter few surprises. For if it is true that historians like Michelet, Ranke, Toqueville, and Burckhardt emplot their narratives “as a story of a particular kind,”87 the same is also true of Orientalists who plotted Oriental history, character, and destiny for hundreds of years. During the nineteenth and twentieth centuries the Orientalists became a more serious quantity, because by then the reaches of imaginative and actual geography had shrunk, because the Oriental-European relationship was determined by an unstoppable European expansion in search of markets, resources, and colonies, and finally, because Orientalism had accomplished its self-metamorphosis from a scholarly discourse to an imperial institution. Evidence of this metamorphosis is already apparent in what I have said of Napoleon, de Lesseps, Balfour, and Cromer. Their projects in the Orient are understandable on only the most rudimentary level as the efforts of men of vision and genius, heroes in Carlyle’s sense. In fact Napoleon, de Lesseps, Cromer, and Balfour are far more regular, far less unusual, if we recall the schemata of d’Herbelot and Dante and add to them both a modernized, efficient engine (like the nineteenth-century European empire) and a positive twist: since one cannot ontologically obliterate the Orient (as d’Herbelot and Dante perhaps realized), one does have the means to capture it, treat it, describe it, improve it, radically alter it.

  The point I am trying to make here is that the transition from a merely textual apprehension, formulation, or definition of the Orient to the putting of all this into practice in the Orient did take place, and that Orientalism had much to do with that—if I may use the word in a literal sense—preposterous transition. So far as its strictly scholarly work was concerned (and I find the idea of strictly scholarly work as disinterested and abstract hard to understand: still, we can allow it intellectually), Orientalism did a great many things. During its great age in the nineteenth century it produced scholars; it increased the number of languages taught in the West and the quantity of manuscripts edited, translated, and commented on; in many cases, it provided the Orient with sympathetic European students, genuinely interested in such matters as Sanskrit grammar, Phoenician numismatics, and Arabic poetry. Yet—and here we must be very clear—Orientalism overrode the Orient. As a system of thought about the Orient, it always rose from the specifically human detail to the general transhuman one; an observation about a tenth-century Arab poet multiplied itself into a policy towards (and about) the Oriental mentality in Egypt, Iraq, or Arabia. Similarly a verse from the Koran would be considered the best evidence of an ineradicable Muslim sensuality. Orientalism assumed an unchanging Orient, absolutely different (the reasons change from epoch to epoch) from the West. And Orientalism, in its post-eighteenth-century form, could never revise itself. All this makes Cromer and Balfour, as observers and administrators of the Orient, inevitable.

  The closeness between politics and Orientalism, or to put it more circumspectly, the great likelihood that ideas about the Orient drawn from Orientalism can be put to political use, is an important yet extremely sensitive truth. It raises questions about the predisposition towards innocence or guilt, scholarly disinterest or pressure-group complicity, in such fields as black or women’s studies. It necessarily provokes unrest in one’s conscience about cultural, racial, or historical generalizations, their uses, value, degree of objectivity, and fundamental intent. More than anything else, the political and cultural circumstances in which Western Orientalism has flourished draw attention to the debased position of the Orient or Oriental as an object of study. Can any other than a political master-slave relation produce the Orientalized Orient perfectly characterized by Anwar Abdel Malek?

  a) On the level of the position of the problem, and the problematic … the Orient and Orientals [are considered by Orientalism] as an “object” of study, stamped with an otherness—as all that is different, whether it be “subject” or “object”—but of a constitutive otherness, of an essentialist character.… This “object” of study will be, as is customary, passive, non-participating, endowed with a “historical” subjectivity, above all, non-active, non-autonomous, non-sovereign with regard to itself: the only Orient or Oriental or “subject” which could be admitted, at the extreme limit, is the alienated being, philosophically, that is, other than itself in relationship to itself, posed, understood, defined—and acted—by others.

  b) On the level of the thematic, [the Orientalists] adopt an essentialist conception of the countries, nations and peoples of the Orient under study, a conception which expresses itself through a characterized ethnist typology … and will soon proceed with it towards racism.

  According to the traditional orientalists, an essence should exist—sometimes even clearly described in metaphysical terms—which constitutes the inalienable and common basis of all the beings considered; this essence is both “historical,” since it goes back to the dawn of history, and fundamentally a-historical, since it transfixes the being, “the object” of study, within its inalienable and nonevolutive specificity, instead of defining it as all other beings, states, nations, peoples, and cultures—as a product, a resultant of the vection of the forces operating in the field of historical evolution.

  Thus one ends with a typology—based on a real specificity, but detached from history, and, consequently, conceived as being intangible, essential—which makes of the studied “object” another being with regard to whom the studying subject is transcendent; we will have a homo Sinicus, a homo Arabicus (and why not a homo Aegypticus, etc.), a homo Africanus, the man—the “normal man,” it is understood—being the European man of the historical period, that is, since Greek antiquity. One sees how much, from the eighteenth to the twentieth century, the hegemonism of possessing minorities, unveiled by Marx and Engels, and the anthropocentrism dismantled by Freud are accompanied by europocentrism in the area of human and social sciences, and more particularly in those in direct relationship with non-European peoples.88

  Abdel Malek sees Orientalism as having a history which, according to the “Oriental” of the late twentieth century, led it to
the impasse described above. Let us now briefly outline that history as it proceeded through the nineteenth century to accumulate weight and power, “the hegemonism of possessing minorities,” and anthropocentrism in alliance with Europocentrism. From the last decades of the eighteenth century and for at least a century and a half, Britain and France dominated Orientalism as a discipline. The great philological discoveries in comparative grammar made by Jones, Franz Bopp, Jakob Grimm, and others were originally indebted to manuscripts brought from the East to Paris and London. Almost without exception, every Orientalist began his career as a philologist, and the revolution in philology that produced Bopp, Sacy, Burnouf, and their students was a comparative science based on the premise that languages belong to families, of which the Indo-European and the Semitic are two great instances. From the outset, then, Orientalism carried forward two traits: (1) a newly found scientific self-consciousness based on the linguistic importance of the Orient to Europe, and (2) a proclivity to divide, subdivide, and redivide its subject matter without ever changing its mind about the Orient as being always the same, unchanging, uniform, and radically peculiar object.

  Friedrich Schlegel, who learned his Sanskrit in Paris, illustrates these traits together. Although by the time he published his Über die Sprache und Weisheit der Indier in 1808 Schlegel had practically renounced his Orientalism, he still held that Sanskrit and Persian on the one hand and Greek and German on the other had more affinities with each other than with the Semitic, Chinese, American, or African languages. Moreover, the Indo-European family was artistically simple and satisfactory in a way the Semitic, for one, was not. Such abstractions as this did not trouble Schlegel, for whom nations, races, minds, and peoples as things one could talk about passionately—in the ever-narrowing perspective of populism first adumbrated by Herder—held a lifelong fascination. Yet nowhere does Schlegel talk about the living, contemporary Orient. When he said in 1800, “It is in the Orient that we must search for the highest Romanticism,” he meant the Orient of the Sakuntala, the Zend-Avesta, and the Upanishads. As for the Semites, whose language was agglutinative, unaesthetic, and mechanical, they were different, inferior, backward. Schlegel’s lectures on language and on life, history, and literature are full of these discriminations, which he made without the slightest qualification. Hebrew, he said, was made for prophetic utterance and divination; the Muslims, however, espoused a “dead empty Theism, a merely negative Unitarian faith.”89

  Much of the racism in Schlegel’s strictures upon the Semites and other “low” Orientals was widely diffused in European culture. But nowhere else, unless it be later in the nineteenth century among Darwinian anthropologists and phrenologists, was it made the basis of a scientific subject matter as it was in comparative linguistics or philology. Language and race seemed inextricably tied, and the “good” Orient was invariably a classical period somewhere in a long-gone India, whereas the “bad” Orient lingered in present-day Asia, parts of North Africa, and Islam everywhere. “Aryans” were confined to Europe and the ancient Orient; as Léon Poliakov has shown (without once remarking, however, that “Semites” were not only the Jews but the Muslims as well90), the Aryan myth dominated historical and cultural anthropology at the expense of the “lesser” peoples.

  The official intellectual genealogy of Orientalism would certainly include Gobineau, Renan, Humboldt, Steinthal, Burnouf, Remusat, Palmer, Weil, Dozy, Muir, to mention a few famous names almost at random from the nineteenth century. It would also include the diffusive capacity of learned societies: the Société asiatique, founded in 1822; the Royal Asiatic Society, founded in 1823; the American Oriental Society, founded in 1842; and so on. But it might perforce neglect the great contribution of imaginative and travel literature, which strengthened the divisions established by Orientalists between the various geographical, temporal, and racial departments of the Orient. Such neglect would be incorrect, since for the Islamic Orient this literature is especially rich and makes a significant contribution to building the Orientalist discourse. It includes work by Goethe, Hugo, Lamartine, Chateaubriand, Kinglake, Nerval, Flaubert, Lane, Burton, Scott, Byron, Vigny, Disraeli, George Eliot, Gautier. Later, in the late nineteenth and early twentieth centuries, we could add Doughty, Barrès, Loti, T. E. Lawrence, Forster. All these writers give a bolder outline to Disraeli’s “great Asiatic mystery.” In this enterprise there is considerable support not only from the unearthing of dead Oriental civilizations (by European excavators) in Mesopotamia, Egypt, Syria, and Turkey, but also from major geographical surveys done all through the Orient.

  By the end of the nineteenth century these achievements were materially abetted by the European occupation of the entire Near Orient (with the exception of parts of the Ottoman Empire, which was swallowed up after 1918). The principal colonial powers once again were Britain and France, although Russia and Germany played some role as well.91 To colonize meant at first the identification—indeed, the creation—of interests; these could be commercial, communicational, religious, military, cultural. With regard to Islam and the Islamic territories, for example, Britain felt that it had legitimate interests, as a Christian power, to safeguard. A complex apparatus for tending these interests developed. Such early organizations as the Society for Promoting Christian Knowledge (1698) and the Society for the Propagation of the Gospel in Foreign Parts (1701) were succeeded and later abetted by the Baptist Missionary Society (1792), the Church Missionary Society (1799), the British and Foreign Bible Society (1804), the London Society for Promoting Christianity Among the Jews (1808). These missions “openly joined the expansion of Europe.”92 Add to these the trading societies, learned societies, geographical exploration funds, translation funds, the implantation in the Orient of schools, missions, consular offices, factories, and sometimes large European communities, and the notion of an “interest” will acquire a good deal of sense. Thereafter interests were defended with much zeal and expense.

  So far my outline is a gross one. What of the typical experiences and emotions that accompany both the scholarly advances of Orientalism and the political conquests aided by Orientalism? First, there is disappointment that the modern Orient is not at all like the texts. Here is Gérard de Nerval writing to Théophile Gautier at the end of August 1843:

  I have already lost, Kingdom after Kingdom, province after province, the more beautiful half of the universe, and soon I will know of no place in which I can find a refuge for my dreams; but it is Egypt that I most regret having driven out of my imagination, now that I have sadly placed it in my memory.93

  This is by the author of a great Voyage en Orient. Nerval’s lament is a common topic of Romanticism (the betrayed dream, as described by Albert Béguin in L’Ame romantique et le rêve) and of travelers in the Biblical Orient, from Chateaubriand to Mark Twain. Any direct experience of the mundane Orient ironically comments on such valorizations of it as were to be found in Goethe’s “Mahometsgesang” or Hugo’s “Adieux de l’hôtesse arabe.” Memory of the modern Orient disputes imagination, sends one back to the imagination as a place preferable, for the European sensibility, to the real Orient. For a person who has never seen the Orient, Nerval once said to Gautier, a lotus is still a lotus; for me it is only a kind of onion. To write about the modern Orient is either to reveal an upsetting demystification of images culled from texts, or to confine oneself to the Orient of which Hugo spoke in his original preface to Les Orientales, the Orient as “image” or “pensée,” symbols of “une sorte de préoccupation générale.”94

  If personal disenchantment and general preoccupation fairly map the Orientalist sensibility at first, they entail certain other more familiar habits of thought, feeling, and perception. The mind learns to separate a general apprehension of the Orient from a specific experience of it; each goes its separate way, so to speak. In Scott’s novel The Talisman (1825), Sir Kenneth (of the Crouching Leopard) battles a single Saracen to a standoff somewhere in the Palestinian desert; as the Crusader and his opponent,
who is Saladin in disguise, later engage in conversation, the Christian discovers his Muslim antagonist to be not so bad a fellow after all. Yet he remarks:

  I well thought … that your blinded race had their descent from the foul fiend, without whose aid you would never have been able to maintain this blessed land of Palestine against so many valiant soldiers of God. I speak not thus of thee in particular, Saracen, but generally of thy people and religion. Strange is it to me, however, not that you should have the descent from the Evil One, but that you should boast of it.95

  For indeed the Saracen does boast of tracing his race’s line back to Eblis, the Muslim Lucifer. But what is truly curious is not the feeble historicism by which Scott makes the scene “medieval,” letting Christian attack Muslim theologically in a way nineteenth-century Europeans would not (they would, though); rather, it is the airy condescension of damning a whole people “generally” while mitigating the offense with a cool “I don’t mean you in particular.”

  Scott, however, was no expert on Islam (although H. A. R. Gibb, who was, praised The Talisman for its insight into Islam and Saladin96), and he was taking enormous liberties with Eblis’s role by turning him into a hero for the faithful. Scott’s knowledge probably came from Byron and Beckford, but it is enough for us here to note how strongly the general character ascribed to things Oriental could withstand both the rhetorical and the existential force of obvious exceptions. It is as if, on the one hand, a bin called “Oriental” existed into which all the authoritative, anonymous, and traditional Western attitudes to the East were dumped unthinkingly, while on the other, true to the anecdotal tradition of storytelling, one could nevertheless tell of experiences with or in the Orient that had little to do with the generally serviceable bin. But the very structure of Scott’s prose shows a closer intertwining of the two than that. For the general category in advance offers the specific instance a limited terrain in which to operate: no matter how deep the specific exception, no matter how much a single Oriental can escape the fences placed around him, he is first an Oriental, second a human being, and last again an Oriental.