Infinite Jest
Page 48
‘John Wayne at A-1 18’s beat Port Washington’s Bob Francis of Great Neck, New New York, 6–0, 6–2,’ Troeltsch says, ‘while A-2 Singles’ Hal Incandenza defeated Craig Burda of Vivian Park, Utah, 6–2, 6–1; and while A-3 K. D. Coyle went down in a hard-fought loss to Port Wash’s Shelby van der Merwe of Hempstead, Long Island 6–3, 5–7, 7–5, A-4 Trevor “The Axhandle” Axford crushed P.W.’s Tapio Martti out of Sonora, Mexico, 7–5, 6–2.’
And so on. By the time it’s down to Boys A-14’s, Troeltsch’s delivery gets terser even as his attempts at verbiform variety tend to have gotten more lurid, e.g.: ‘LaMont Chu disembowelled Charles Pospisilova 6–3, 6–2; Jeff Penn was on Nate Millis-Johnson like a duck on a Junebug 6–4, 6–7, 6–0; Peter Beak spread Ville Dillard on a cracker like some sort of hors d’oeuvre and bit down 6–4, 7–6, while 14’s A-4 Idris Arslanian ground his heel into the neck of David Wiere 6–1, 6–4 and P.W.’s 5-man R. Greg Chubb had to be just about carried off over somebody’s shoulder after Todd Possalthwaite moonballed him into a narcoleptic coma 4–6, 6–4, 7–5.’
Some of Corbett Thorp’s class on geometric distortions a lot of kids find hard; likewise deLint’s class, for the software-inept. And though Tex Watson’s overall handle on Cold-Containment DT-annulation is shaky, his lay-physics survey of combustion and annulation has some sort of academic validity to it, especially because he some terms gets Pemulis to guest-lecture when he and Pemulis are in a period of détente. But the only really challenging prorected class ever for Hal Incandenza is turning out to be Mlle. Thierry Poutrincourt’s ‘Separatism and Return: Québecois History from Frontenac Through the Age of Interdependence,’ which to be candid Hal’d never heard much positive about and had always deflected his Moms’s suggestions that he might profitably take until finally this term’s schedule-juggling got dicey, and which (the class) he finds difficult and annoying but surprisingly less and less dull as the semester wears on, and is actually developing something of a layman’s savvy for Canadianism and O.N.A.N.ite politics, topics he’d previously found for some reason not only dull but queerly distasteful. The rub of this particular class’s difficulty is that Poutrincourt teaches only in Québecois French, which Hal can get by in because of his youthful tour through Orin’s real-French Pléiade Classics but has never all that much liked, particularly sound-wise, Québecois being a gurgly, glottal language that seems to require a perpetually sour facial expression to pronounce. Hal sees no way of Orin’s knowing he was taking Poutrincourt’s ‘Separatism and Return’ when he called to ask for help with Separatism, which Orin’s asking for help from him with anything was strange enough in itself.
‘Bernadette Longley reluctantly bowed to P.W.’s Jessica Pearlberg at 18 A-1 Singles 6–4, 4–6, 6–2, though A-2 Diane Prins hopped up and down on the thorax of Port’s Marilyn Ng-A-Thiep 7–6, 6–1, and Bridget Boone drove a hot thin spike into the right eye of Aimee Middleton-Law 6–3, 6–3’; and so on, in classroom after classroom, while instructors grade quizzes or read or tap a decreasingly patient foot, every Tues./Sat., while Schacht sketches prenatal dentition-charts in his exam’s margins w/ a concentrated look, not wanting to embarrass Thode by handing the no-brainer exam in too soon.
Most of the early-Québec stuff about Cartier and Roberval and Cap Rouge and Champlain and flocks of Ursuline nuns with frozen wimples covered up to like U.N. Day Hal’d found mostly dry and repetitive, the wigand-jerkin gentlemanly warfare stilted and absurd, like slow-motion slapstick, though everyone’d been sort of queasily intrigued by the way the English Commander Amherst had handled the Hurons by dispensing free blankets and buckskin that had been carefully coated with smallpox variola.
‘14’s A-3 Felicity Zweig went absolutely SACPOP on P.W.’s Kiki Pfefferblit 7–6, 6–1, while Gretchen Holt made PW’s Tammi Taylor-Bing sorry her parents were ever even in the same room together 6–0, 6–3. At 5, Ann Kittenplan grimaced and flexed her way to a 7–5, 2–6, 6–3 win over Paisley Steinkamp, right next to where Jolene Criess at 6 was doing to P.W.’s Mona Ghent what a quality boot can do to a toadstool, 2 and 2.’
Saluki-faced Thierry Poutrincourt leans back in her chair and closes her eyes and presses her palms hard against her temples and stays like that all the way through every WETA broadcast, which always interrupts her last-period lecture and puts this section slightly and maddeningly behind Separation & Return’s other section, resulting in two required lesson-preps instead of one. The sour Saskatchewanese kid next to Hal has been making impressive schematic drawings of automatic weaponry in his notebook all semester. The kid’s assigned ROM-diskettes are always visible in his book-bag still in their wrapper, yet the Skatch kid always finishes quizzes in like five minutes. It had taken up to the week before Halloween to get through with the B.S. ’67 Levesque-Parti-and-Bloc Québecois 109 and early Fronte de la Libération Nationale stuff and up to the present Interdependent era. Poutrincourt’s lecture-voice has gotten quieter and quieter as history’s approached its contemporary limit; and Hal, finding the stuff rather more high-concept and less dull than he’d expected — seeing himself as at his innermost core apolitical — nevertheless found the Québecois-Separatism mentality almost impossibly convolved and confused and impervious to U.S. parsing, 110 plus was both com- and repelled by the fact that the contemporary-anti-O.N.A.N.-insurgence stuff provoked in him a queasy feeling, not the glittery disorientation of nightmares or on-court panic but a soggier, more furtively nauseous kind of sense, as if someone had been reading mail of Hal’s that he thought he’d thrown away.
The proud and haughty Québecois had been harassing and even terrorizing the rest of Canada over the Separation issue for time out of mind. It was the establishment of O.N.A.N. and the gerrymandering of the Great Convexity (Poutrincourt’s Canadian, recall) that turned the malevolent attention of Québec’s worst post-F.L.N. insurgents south of the border. Ontario and New Brunswick took the continental Anschluss and territorial Reconfiguration like good sports. Certain far-right fringes in Alberta weren’t too pleased, but not much pleases an Albertan far-rightist anyway. It was, finally, only the proud and haughty Québecois who whinged, 111 and the insurgent cells of Québec who completely lost their political shit.
Québec’s anti-O.N.A.N. and thus -U.S. Séparatisteurs, the different terrorist cells formed when Ottawa had been the foe, proved to be not a very nice bunch at all. The earliest unignorable strikes involved a then-unknown terrorist cell 112 that apparently snuck down from the E.W.D.-blighted Papineau region at night and dragged huge standing mirrors across U.S. Interstate 87 at selected dangerous narrow winding Adirondack passes south of the border and its Lucite walls. Naïvely empiricist north-bound U.S. motorists — a good many of them military and O.N.A.N.ite personnel, this close to the Concavity — would see impending headlights and believe some like suicidal idiot or Canadian had transversed the median and was coming right for them. They’d flash their high beams, but to all appearances the impending idiot would just flash his high beams right back. The U.S. motorists — usually not to be fucked with in their vehicles, historically, it was well known — would brazen it out as long as anyone right-minded possibly could, but right before apparent impact with the impending lights they’d always veer wildly and leave shoulderless I-87 and put their arm over their head in that screaming pre-crash way and go ass-over-teakettle into an Adirondack chasm with a many-petaled bloom of Hi-Test flame, and the then-unknown Québecois terrorist cell would remove the huge mirror and truck off back up north via checkpointless back roads back into the blighted bowels of southern Québec until next time. There were fatalities this way well into the Year of the Tucks Medicated Pad before anyone had any idea they were diabolic-cell-related. For over twenty months the scores of burnt-out hulls piling up in Adirondack chasms were regarded as either suicides or inexplicable doze-behind-the-wheel-type single-car accidents by NNY State Troopers who had to detach their chinstraps to scratch under their big brown hats over the mysterious sleepiness that seemed to afflict Adiro
ndack motorists at what looked to be high-adrenaline mountaintop passes. Chief of the new United States Office of Unspecified Services Rodney Tine pressed, to his later embarrassment, for a series of anti–driving-when-drowsy Public Service spots to be InterLace-disseminated in upstate New New York. It was an actual U.S. would-be suicide, a late-stage Valium-addicted Amway distributor from Schenectady who was at the end of her benzodioxane-rope and all over the road anyway, and who by historical accounts saw the sudden impending headlights in her northbound lane as Grace and shut her eyes and floored it right for them, the lights, never once veering, spraying glass and micronized silver over all four lanes, this unwitting civilian who ‘SMASHED THE ILLUSION,’ ‘MADE THE BREAKTHROUGH’ (media headlines), and brought to light the first tangible evidence of an anti-O.N.A.N. ill will way worse than anything aroused by plain old historical Separatism, up in Québec.
The first birth of the Incandenzas’ second son was a surprise. The tall and eye-poppingly curvaceous Avril Incandenza did not show, bled like clock-work; no hemorrhoids or gland-static; no pica; affect and appetite normal; she threw up some mornings but who didn’t in those days?
It was on a metal-lit November evening in the seventh month of a hidden pregnancy that she stopped, Avril, on her husband’s long arm as they ascended the maple staircase of the Back Bay brownstone they were soon to leave, stopped, turned partly toward him, ashen, and opened her mouth in a mute way that was itself eloquent.
Her husband looked down at her, paling: ‘What is it?’
‘It’s pain.’
It was pain. Broken water had made several steps below them gleam. She seemed to James Incandenza to sort of turn in toward herself, hold herself low, curl and sink to a stairstep she barely made the edge of, hunched, her forehead against her shapely knees. Incandenza saw the whole slow thing in a light like he was Vermeer: she sank steadily from his side and he bent to hers and she then tried to rise.
‘Wait wait wait wait. Wait.’
‘It’s pain.’
A bit ragged from an afternoon of Wild Turkey and low-temperature holography, James had thought Avril was dying right before his eyes. His own father had dropped dead on a set of stairs. Luckily Avril’s half-brother Charles Tavis was upstairs, using the portable StairMaster he’d brought with him for an extended and emotional-battery-recharging visit the preceding spring, after the horrible snafu with the video-scoreboard at Toronto’s Skydome; and he heard the commotion and scuttled out and down and promptly took charge.
He had to be more or less scraped out, Mario, like the meat of an oyster from a womb to whose sides he’d been found spiderishly clinging, tiny and unobtrusive, attached by cords of sinew at both feet and a hand, the other fist stuck to his face by the same material. 113 He was a complete surprise and terribly premature, and withered, and he spent the next many weeks waggling his withered and contractured arms up at the Pyrex ceilings of incubators, being fed by tubes and monitored by wires and cupped in sterile palms, his head cradled by a thumb. Mario had been given the name of Dr. James Incandenza’s father’s father, a dour and golf-addicted Green Valley AZ oculist who made a small fortune, just after Jim grew up and fled east, by inventing those quote X-Ray Specs! that don’t work but whose allure for mid-’60s pubescent comic-book readers almost compelled mail-order, then selling the copyrights to New England novelty-industry titan AcméCo, then promptly in mid-putt died, Mario Sr. did, allowing James Incandenza Sr. to retire from a sad third career as the Man From Glad 114 in sandwich-bag commercials during the B.S. 1960s and move back to the saguaro-studded desert he loathed and efficiently drink himself to a cerebral hemorrhage on a Tucson stairway.
Anyway, Mario II’s incomplete gestation and arachnoidal birth left the kid with some lifelong character-building physical challenges. Size was one, he being in sixth grade about the size of a toddler and at 18+ in a range somewhere between elf and jockey. There was the matter of the withered-looking and bradyauxetic arms, which just as in a hair-raising case of Volk-mann’s contracture 115 curled out in front of his thorax in magiscule S’s and were usable for rudimentary knifeless eating and slapping at doorknobs until they sort of turned just enough and doors could be kicked open and forming a pretend lens-frame to scout scenes through, plus maybe tossing tennis balls very short distances to players who wanted them, but not for much else, though the arms were impressively — almost familial-dysautonomically — pain-resistant, and could be pinched, punctured, singed, and even compressed in a basement optical-device-securing viselike thing by Mario’s older brother Orin without effect or complaint.
Bradypedestrianism-wise, Mario had not so much club feet as more like block feet: not only flat but perfectly square, good for kicking knob-fumbled doors open with but too short to be conventionally employed as feet: together with the lordosis in his lower spine, they force Mario to move in the sort of lurchy half-stumble of a vaudeville inebriate, body tilted way forward as if into a wind, right on the edge of pitching face-first onto the ground, which as a child he did fairly often, whether given a bit of a shove from behind by his older brother Orin or no. The frequent forward falls help explain why Mario’s nose was squished severely in and so flared out to either side of his face but did not rise from it, with the consequence that his nostrils tended to flap just a bit, particularly during sleep. One eyelid hung lower than the other over his open eyes — good and gently brown eyes, if a bit large and protrusive to qualify as conventionally human eyes — the one lid hung like an ill-tempered windowshade, and his older brother Orin had sometimes tried to give the recalcitrant lid that smart type of downward snap that can unstick a dicky shade, but had succeeded only in gradually loosening the lid from its sutures, so that it eventually had to be refashioned and reattached in yet another blepharoplasty-procedure, because it was in fact not Mario’s real eyelid — that had been sacrificed when the fist stuck to his face like a tongue to cold metal had been peeled away, at nativity — but an extremely advanced blepharoprosthesis of dermal fibropolymer studded with horsehair lashes that curved out into space well beyond the reach of his other lid’s lashes and together with the lazy lid-action itself gave even Mario’s most neutral expression the character of an oddly friendly pirate’s squint. Together with the involuntarily constant smile.
This is probably also the place to mention Hal’s older brother Mario’s khaki-colored skin, an odd dead gray-green that in its corticate texture and together with his atrophic in-curled arms and arachnodactylism gave him, particularly from a middle-distance, an almost uncannily reptilian/dinosaurian look. The fingers being not only mucronate and talonesque but nonprehensile, which is what made Mario’s knifework untenable at table. Plus the thin lank slack hair, at once tattered and somehow too smooth, that looked at 18+ like the hair of a short plump 48-year-old stress engineer and athletic director and Academy Headmaster who grows one side to girlish length and carefully combs it so it rides thinly up and over the gleaming yarmulke of bare gray-green-complected scalp on top and down over the other side where it hangs lank and fools no one and tends to flap back up over in any wind Charles Tavis forgets to carefully keep his left side to. Or that he’s slow, Hal’s brother is, technically, Stanford-Binet-wise, slow, the Brandeis C.D.C. found — but not, verifiably not, retarded or cognitively damaged or bradyphrenic, more like refracted, almost, ever so slightly epistemically bent, a pole poked into mental water and just a little off and just taking a little bit longer, in the manner of all refracted things.
Or that his status at the Enfield Tennis Academy — erected, along with Dr. and Mrs. I’s marriage’s third and final home at the northern rear of the grounds, when Mario was nine and Hallie eight and Orin seventeen and in his one E.T.A. year B-4 Singles and in the U.S.T.A.’s top 75 — that Mario’s life there is by all appearances kind of a sad and left-out-type existence, the only physically challenged minor in residence, unable even to grip a regulation stick or stand unaided behind a boundaried space. That he and his late father had been, no pun inten
ded, inseparable. That Mario’d been like an honorary assistant production-assistant and carried the late Incandenza’s film and lenses and filters in a complex backpack the size of a joint of beef for most of the last three years of the late-blooming filmmaker’s life, attending him on shoots and sleeping with multiple pillows in small soft available spaces in the same motel room as Himself and occasionally tottering out for a bright-red plastic bottle of something called Big Red Soda Water and taking it to the apparently mute veiled graduate-intern down the motel’s hall, fetching coffee and joe and various pancreatitis-remedies and odds and ends for props and helping D. Leith out with Continuity when Incandenza wanted to preserve Continuity, basically being the way any son would be whose dad let him into his heart’s final and best-loved love, lurching gamely but not pathetically to keep up with the tall stooped increasingly bats man’s slow patient two-meter stride through airports, train stations, carrying the lenses, inclined ever forward but in no way resembling any kind of leashed pet.
When required to stand upright and still, like when videotaping an E.T.A.’s service motion or manning the light meters on the set of a high-contrast chiaroscuro art film, Mario in his forward list is supported by a NNYC-apartment-door-style police lock, a .7-meter steel pole that extends from a special Velcroed vest and angles about 40° down and out to a slotted piece of lead blocking (a bitch to carry, in that complicated pack) placed by someone understanding and prehensile on the ground before him. He stood thus buttressed on sets Himself had him help erect and furnish and light, the lighting usually unbelievably complex and for some parts of the crew sometimes almost blinding, sunbursts of angled mirrors and Marino lamps and key-light kliegs, Mario getting a thorough technical grounding in a cinematic craft he never even imagined being able to pursue on his own until Xmas of the Year of the Trial-Size Dove Bar, when a gaily wrapped package forwarded from the offices of Incandenza’s attorney revealed that Himself had designed and built and legally willed (in a codicil) to be gaily wrapped and forwarded for Mario’s thirteenth Xmas a trusty old Bolex H64 Rex 5 116 tri-lensed camera bolted to an oversized old leather aviator’s helmet and supported by struts whose ends were the inverted tops of training-room crutches and curved nicely over Mario’s shoulders, so the Bolex H64 required no digital prehensility because it fit over Mario’s oversized face 117 like a tri-plated scuba mask and was controlled by a sewing-machine-adapted foot treadle, and but even then it took some serious getting used to, and Mario’s earliest pieces of digital juvenilia are marred/enhanced by this palsied, pointing-every-which-way quality of like home movies shot at a dead run.