Infinite Jest

by David Foster Wallace

  His mom’s special couch for TV was nubbly red chintz, and when she shifted from seated upright to lying on her side with her arm between her head and the little protective doily on the couch’s armrest and the glass held tilting on the little space her breasts left at the cushion’s edge, it was a sign she was going under. Gately at like ten or eleven used to pretend to listen and watch TV on the floor but really be dividing his attention between how close his Mom was to unconsciousness and how much Stolichnaya was left in the bottle. She would only drink Stolichnaya, which she called her Comrade in Arms and said Nothing but the Comrade would do. After she went under for the evening and he’d carefully taken the tilted glass out of her hand, Don’d take the bottle and mix the first couple vodkas with Diet Coke and drink a couple of those until it lost its fire, then drink it straight. This was like a routine. Then he’d put the near-empty bottle back next to her glass with its vegetables darkening in the undrunk vodka, and she’d wake up on the couch in the morning with no idea she hadn’t drank the whole thing. Gately was careful to always leave her enough for a wake-up swallow. But this gesture of leaving some, Gately’s now realized, wasn’t just filial kindness on his part: if she didn’t have the wake-up swallow she wouldn’t get off the red couch all day, and then there would be no new bottle that night.

  This was at age ten or eleven, as he now recalls. Most of the furniture was wrapped in plastic. The carpet was burnt-orange shag that the landlord kept saying he was going to take up and go to wood floors. The M.P. worked nights or else most nights went out, and then she’d take the plastic off the couch.

  Why the couch had little protective doilies on the arms when it usually had a plastic cover on it Gately cannot recall or explain.

  For a while in Beverly they had Nimitz the kitty.

  This all came burpling greasily up into memory in the space of two or three weeks in May, and now more stuff steadily like dribbles up, for Gately to Touch.

  Sober, she’d called him Bimmy or Bim because that’s what she heard his little friends call him. She didn’t know the neighborhood cognomen came from an acronym for ‘Big Indestructible Moron.’ His head had been huge, as a child. Out of all proportion, though with nothing especially Estonian about it, that he could see. He’d been very sensitive about it, the head, but never told her not to call him Bim. When she was drunk and conscious she called him her Doshka or Dochka or like that. Sometimes, well in the bag himself, when he turned off the uncabled set and covered her with the afghan, easing the mostly empty Stoly bottle back onto the little TV Guide table by the bowl of darkening chopped peppers, his unconscious Mom would groan and titter and call him her Doshka and good sir knight and last and only love, and ask him not to hit her anymore.

  In June he Got In Touch with memories that their front steps in Beverly were a pocked cement painted red even in the pocks. Their mailbox was part of a whole tract-housing complex’s honeycomb of mailboxes on a like small pole, brushed-steel and gray with a postal eagle on it. You needed a little key to get your mail out, and for a long time he thought the sign on it said ‘US MAIL,’ as in us instead of U.S. His mom’s hair had been dry blond-white with dark roots that never lengthened or went away. No one tells you when they tell you you have cirrhosis that eventually you’ll all of a sudden start choking on your own blood. This is called a cirrhotic hemorrhage. Your liver won’t process any more of your blood and it quote shunts the blood and it goes up your throat in a high-pressure jet, is what they told him, is why he’d first thought the M.P.’d come back and cut his Mom or stabbed her, when he first came in, after football, his last season, at age seventeen. She’d been Diagnosed for years. She’d go to Meetings 179 for a few weeks, then drink on the couch, silent, telling him if the phone rang she wasn’t home. After a few weeks of this she’d spend a whole day weeping, beating at herself as if on fire. Then she’d go back to Meetings for a while. Eventually her face began to swell and make her eyes piggy and her big breasts pointed at the floor and she turned the deep yellow of quality squash. This was all part of the Diagnosis. At first Gately just couldn’t go out to the Long-Term place, couldn’t see her out there. Couldn’t deal. Then after some time passed he couldn’t go because he couldn’t face her and try and explain why he hadn’t come before now. Ten-plus years have gone like that. Gately hadn’t probably consciously thought of her once for three years, before getting straight.

  Right after their neighbor Mrs. Waite got found by the meter-guy dead, so he must have been nine, when his Mom was first Diagnosed, Gately had gotten the Diagnosis mixed up in his head with King Arthur. He’d ride a mop-handle horse and brandish a trashcan-lid and a batteryless plastic Light-Saber and tell the neighborhood kids he was Sir Osis of Thuliver, most fearsomely loyal and fierce of Arthur’s vessels. Since the summer now, when he mops Shattuck Shelter floors, he hears the Clopaclopaclop he used to make with his big square tongue as Sir Osis, then, riding.

  And his dreams late that night, after the Braintree/Bob Death Commitment, seem to set him under a sort of sea, at terrific depths, the water all around him silent and dim and the same temperature he is.

  VERY LATE OCTOBER Y.D.A.U.

  Hal Incandenza had this horrible new recurring dream where he was losing his teeth, where his teeth had become like shale and splintered when he tried to chew, and fragmented and melted into grit in his mouth; in the dream he was going around squeezing a ball and spitting fragments and grit, getting more and more hungry and scared. Everything in there loosened by a great oral rot that the nightmare’s Teddy Schacht wouldn’t even look at, saying he was late for his next appointment, everyone Hal saw seeing Hal’s crumbling teeth and looking at their watch and making vague excuses, a general atmosphere of the splintering teeth being a symptom of something way more dire and distasteful that no one wanted to confront him about. He was pricing dentures when he woke. It was about an hour before dawn drills. His keys were on the floor by the bed with his College Board prep books. Mario’s great iron bed was empty and made up tight, all five pillows neatly stacked. Mario’d been spending the last few nights over at HmH, sleeping on an air mattress in the living room in front of Tavis’s Tatsuoka receiver, listening to WYYY–109 into the wee hours, weirdly agitated about Madame Psychosis’s unannounced sabbatical from the ‘60 Minutes +/−’ midnight thing where she’d been an unvarying M-F presence for several years, it seemed like. WYYY had been evasive and unforthcoming about the whole thing. For two days some alto grad student had tried to fill in, billing herself as Miss Diagnosis, reading Horkheimer and Adorno against a background of Partridge Family slowed down to a narcotized slur. At no time had anyone of managerial pitch or timbre mentioned Madame Psychosis or what her story was or her date of expected return. Hal’d told Mario that the silence was a positive sign, that if she’d left the air for good the station would have had to say something. Hal, Coach Schtitt, and the Moms had all remarked Mario’s odd mood. Mario was usually next to impossible to agitate. 180

  Now WYYY was back to running ‘Sixty Minutes More or Less’ without anybody at all at the helm. For the past several nights Mario has lain there in a sarcophagally tapered sleeping bag of GoreTex and fiberfill and listened to them run the weird static ambient musics Madame Psychosis uses for background, but now without any spoken voice as foreground; and the static, momentumless music as subject instead of environment is somehow terribly disturbing: Hal listened to a few minutes of the stuff and told his brother it sounded like somebody’s mind coming apart right before your ears.

  9 NOVEMBER

  YEAR OF THE DEPEND ADULT UNDERGARMENT

  The Enfield Tennis Academy has an accredited capacity of 148 junior players — of whom 80 are to be male — but an actual Fall Y.D.A.U. population of 95 paying and 41 scholarship students, so 136, of which 72 are female, right now, for some reason, meaning that while there’s room for twelve more (preferably full-tuition) junior players, there ought ideally to be fully sixteen more males than there are, meaning Charles Tavis and Co. are
wanting to fill all twelve available spots with males — plus they wouldn’t exactly mind, is the general scuttlebutt, if a half dozen or so of the better girls left before graduation and tried for the Show, simply because housing more than 68 girls means putting some in the male dorms, which creates tensions and licensing- and conservative-parent-problems, given that coed hall bathrooms are not a good idea what with all the adolescent glands firing all over the place.

  It also means that, since there are twice as many male prorectors as female, A.M. drills have to be complexly staggered, the boys in two sets of 32, the girls in three of 24, which creates problems in terms of early-P.M. classes for the lowest-ranked C-squad girls, who drill last.

  Matriculations, gender quotas, recruiting, financial aid, room-assignments, mealtimes, rankings, class v. drill schedules, prorector-hiring, accommodating changes in drill schedule consequent to a player’s movement up or down a squad. It’s all the sort of thing that’s uninteresting unless you’re the one responsible, in which case it’s cholesterol-raisingly stressful and complex. The stress of all the complexities and priorities to be triaged and then weighted against one another gets Charles Tavis out of bed in the Headmaster’s House at an ungodly hour most mornings, his sleep-swollen face twitching with permutations. He stands in leather slippers at the living-room window, looking southeast past West and Center Courts at the array of A-team players assembling stiffly in the gray glow, carrying gear with their heads down and some still asleep on their feet, the first bit of snout of the sun protruding through the city’s little skyline far beyond them, the aluminum glints of river and sea, east, Tavis’s hands working nervously around the cup of hazlenut decaf that steams upward into his face as he holds it, hair unarranged and one side hanging, high forehead up against the window’s glass so he can feel the mean chill of the dawn just outside, his lips moving slightly and without sound, the thing it’s not entirely impossible he may have fathered asleep up next to the sound system with its claws on its chest and four pillows for bradypnea-afflicted breathing that sounds like soft repetitions of the words sky or ski, making no unnecessary sound, not eager to wake it and have to interface with it and have it look up at him with a terrible calm and accepting knowledge it’s quite possible is nothing but Tavis’s imagination, so lips moving w/o sound but breath and cup’s steam spreading on the glass, and little icicles from the rainy melt of yesterday’s snow hanging from the anodized gutters just above the window and seen by Tavis as a distant skyline upside-down. In the lightening sky the same two or three clouds seem to move back and forth like sentries. The heat comes on with a distant whoom and the glass against his forehead trembles slightly. A hiss of low static from the speaker it had fallen into sleep without turning off. The A-team’s array keeps shifting and melding as they await Schtitt. Permutations of complications.

  Tavis watches the boys stretch and confer and sips from the cup with both hands, the concerns of the day assembling themselves in a sort of tree-diagram of worry. Charles Tavis knows what James Incandenza could not have cared about less: the key to the successful administration of a top-level junior tennis academy lies in cultivating a kind of reverse-Buddhism, a state of Total Worry.

  So the best E.T.A. players’ special perk is they get hauled out of bed at dawn, still crusty-eyed and pale with sleep, to drill in the first shift.

  Dawn drills are of course alfresco until they erect and inflate the Lung, which Hal Incandenza hopes is soon. His circulation is poor because of tobacco and/or marijuana, and even with his DUNLOP-down-both-legs sweatpants and a turtleneck and thick old white alpaca tennis jacket that had been his father’s and has to be rolled up at the sleeves, he’s sullen and chilled, Hal is, and by the time they’ve run the pre-stretch sprints up and down the E.T.A. hill four times, swinging their sticks madly in all directions and (at A. deLint’s dictate) making various half-hearted warrior-noises, Hal is both chilled and wet, and his sneakers squelch from dew as he hops in place and looks at his breath, wincing as the cold air hits the one bad tooth.

  By the time they’re all stretching out, lined up in rows along the service-and baselines, flexing and bowing, genuflecting to nothing, changing postures at the sound of a whistle, by this time the sky has lightened to the color of Kaopectate. The ATHSCME fans are idle and the E.T.A.s can hear birds. Smoke from the stacks of the Sunstrand complex is weakly sunlit as it hangs in plumes, completely still, as if painted on the air. Tiny cries and a repetitive scream for help come up from someplace downhill to the east, presumably Enfield Marine. This is the one time of day the Charles doesn’t look bright blue. The pines’ birds don’t sound any happier than the players. The grounds’ non-pines are bare and canted at circuitous hillside angles all up and down the hill when they sprint again, four more times, then on bad days another four, maybe the most hated part of the day’s conditioning. Somebody always throws up a little; it’s like the drills’ reveille. The river at dawn is a strip of foil’s dull side. Kyle Coyle keeps saying it’s co-wo-wold. All the lesser players are still abed. Today there’s multiple retching, from last night’s sweets. Hal’s breath hangs before his face until he moves through it. Sprints produce the sick sound of much squelching; everyone wishes the hill’s grass would die.

  Twenty-four girls are drilled in groups of six on four of the Center Courts. The 32 boys (minus, rather ominously, J. J. Penn) are split by rough age into fours and take a semi-staggered eight of the East Courts. Schtitt is up in his little observational crow’s nest, a sort of apse at the end of the iron transom players call the Tower that extends west to east over the centers of all three sets of courts and terminates w/ the nest high above the Show Courts. He has a chair and an ashtray up there. Sometimes from the courts you can see him leaning over the railing, tapping the edge of the bullhorn with his weatherman’s pointer; from the West and Center Courts the rising sun behind him gives his white head a pinkish corona. When he’s seated you just see misshapen smoke-rings coming up out of the nest and moving off with the wind. The sound of the bullhorn is scarier when you can’t see him. The waffled iron stairs leading up to the transom are west of the West Courts, all the way across from the nest, so sometimes Schtitt paces back and forth along the transom with his pointer behind his back, his boots ringing out on the iron. Schtitt seems immune to all weather and always dresses the same for drills: the warm-ups and boots. When the E.T.A.s’ strokes or play’s being filmed for study, Mario Incandenza is positioned on the railing of Schtitt’s nest, leaning way out and filming down, his police lock protruding into empty air, with somebody beefy assigned to stand behind him and grip the back of the Velcro vest: it always scares hell out of Hal because you can never see Dunkel or Nwangi behind Mario and it always looks like he’s leaning way out to dive Bolex-first down onto Court 7’s net.