Where the Crawdads Sing

by Delia Owens

  “They look exactly the same. Same color, same size and thickness,” Joe said as both men studied the hat and sample.

  “They do. Both of them have fuzzy beige wool mixed in with the red.”

  “Man, this could be it.”

  “We’ll have to send the hat to the lab, of course. But if these fibers match, we’ll bring her in for questioning. Bag and label the hat.”

  After four hours of searching, the men met in the kitchen.

  Stretching his back, Ed said, “I reckon if there’s anything else, we would’ve found it by now. We can always come back. Call it a day.”

  Maneuvering the ruts back to town, Joe said, “Seems like if she’s guilty of this thing, she woulda hidden the red cap. Not just hung it in the open like that.”

  “She probably had no idea fibers would fall off the hat onto his jacket. Or that the lab could identify them. She just wouldn’t know something like that.”

  “Well, she might not a’ known that, but I bet she knows a bunch. Those male peacocks struttin’ around, competin’ so much for sex, they can’t hardly fly. I ain’t sure what it all means, but it adds up to something.”

  35.

  The Compass

  1969

  One July afternoon in 1969, more than seven months after Jodie’s visit, The Eastern Seacoast Birds by Catherine Danielle Clark—her second book, a volume of stark detail and beauty—appeared in her mailbox. She ran her fingers over the striking jacket—her painting of a herring gull. Smiling, she said, “Hey, Big Red, you made it to the cover.”

  Carrying the new book, Kya walked silently to the shady oak clearing near her shack, searching for mushrooms. The moist duff felt cool on her feet as she neared a cluster of intensely yellow toadstools. Midstride, she halted. There, sitting on the old feather stump, was a small milk carton, red and white, just like the one from so long ago. Unexpectedly, she laughed out loud.

  Inside the carton, wrapped in tissue paper, was an old army-issue compass in a brass case, tarnished green-gray with age. She breathed in at the sight of it. She had never needed a compass because the directions seemed obvious to her. But on cloudy days, when the sun was elusive, the compass would guide her.

  A folded note read: Dearest Kya, This compass was my grandpa’s from the First World War. He gave it to me when I was little, but I’ve never used it, and I thought maybe you would get the best out of it. Love, Tate. P.S. I’m glad you can read this note!

  Kya read the words Dearest and Love again. Tate. The golden-haired boy in the boat, guiding her home before a storm, gifting her feathers on a weathered stump, teaching her to read; the tender teenager steering her through her first cycle as a woman and arousing her first sexual desires as a female; the young scientist encouraging her to publish her books.

  Despite gifting him the shell book, she had continued to hide in the undergrowth when she saw him in the marsh, rowing away unseen. The dishonest signals of fireflies, all she knew of love.

  Even Jodie had said she should give Tate another chance. But every time she thought of him or saw him, her heart jumped from the old love to the pain of abandonment. She wished it would settle on one side or the other.

  Several mornings later, she slipped through the estuaries in an early fog, the compass tucked in her knapsack, though she would not likely need it. She planned to search for rare wild flowers on a wooded tongue of sand that jutted into the sea, but part of her scanned the waterways for Tate’s boat.

  The fog turned stubborn and lingered, twisting its tendrils around tree snags and low-lying limbs. The air was still; even the birds were quiet as she eased forward through the channel. Nearby, a clonk, clonk sounded as a slow-moving oar tapped a gunwale, and then a boat emerged ghoul-like from the haze.

  Colors, which had been muted by the dimness, formed into shapes as they moved into the light. Golden hair beneath a red cap. As if coming in from a dream, Tate stood in the stern of his old fishing boat poling through the channel. Kya cut her engine and rowed backward into a thicket to watch him pass. Always backward to watch him pass.

  At sundown, calmer, heart back in place, Kya stood on the beach, and recited:

  “Sunsets are never simple.

  Twilight is refracted and reflected

  But never true.

  Eventide is a disguise

  Covering tracks,

  Covering lies.

  “We don’t care

  That dusk deceives.

  We see brilliant colors,

  And never learn

  The sun has dropped

  Beneath the earth

  By the time we see the burn.

  “Sunsets are in disguise,

  Covering truths, covering lies.

  “A.H.”

  36.

  To Trap a Fox

  1969

  Joe walked through the opened door of the sheriff’s office. “Okay, got the report.”

  “Let’s have a look.”

  Both men scanned quickly to the last page. Ed said, “That’s it. A perfect match. Fibers from her hat were on Chase’s jacket as he lay dead.” The sheriff slapped the report across his wrist, then continued. “Let’s review what we have here. Number one, the shrimper will testify that he saw Miss Clark boating toward the fire tower just before Chase fell to his death. His colleague will back him up. Two, Patti Love said Miss Clark made the shell necklace for Chase, and it disappeared the night he died. Three, fibers from her hat were on his jacket. Four, motive: the woman wronged. And an alibi we can refute. That should do it.”

  “A better motive might help,” Joe said. “Being jilted doesn’t seem like enough.”

  “It’s not like we’re finished with the investigation, but we have enough to bring her in for questioning. Probably enough to charge her. We’ll see how it goes once we get her here.”

  “Well, that’s the problem, isn’t it? How? She’s outrun everybody for years. Truant officers, census takers, you name it, she’s outwit ’em all. Includin’ us. We go out there chasin’ her through swamp grass, we’ll make fools of ourselves.”

  “I’m not afraid of that. Just because nobody else could catch her doesn’t mean we can’t. But that wouldn’t be the smartest way of doing it. I say we set a trap.”

  “Oh yeah. Well,” the deputy said, “I know a thing or two ’bout trappin’. And when you go to trap a fox, it’s usually the trap that gets foxed. It’s not like we have surprise on our side. We been out there knockin’ on her door enough to scare off a brown bear. What about the hounds? That’d be a sure thing.”

  The sheriff was silent a few seconds. “I don’t know. Maybe I’m getting old and soft at the grand ol’ age of fifty-one. But running down a woman with hounds for questioning doesn’t seem right. It’s fine for escaped convicts, people already convicted of some crime. But, like everybody else, she’s innocent until proven guilty, and I can’t see setting hounds on a female suspect. Maybe as a last resort, but not yet.”

  “Okay. What kinda trap?”

  “That’s what we gotta figure out.”

  * * *

  • • •

  ON DECEMBER 15, as Ed and Joe discussed options of how to bring Kya in, someone knocked on the door. The large form of a man loomed behind the frosted glass.

  “Come on in,” the sheriff called.

  As the man stepped inside, Ed said, “Well, hello, Rodney. What can we do for you?”

  Rodney Horn, a retired mechanic, spent most of his days fishing with his pal Denny Smith. The villagers knew him as quiet and settled, always in bib overalls. Never missed church, but wore his overalls there as well, with a nice fresh shirt ironed and starched stiff as a plank by his wife, Elsie.

  Rodney took off his felt hat and held it in front of his belly. Ed offered him a chair, but Rodney shook his head. “This won’t take long,” he said. “Just something mi
ght be rel’vant to the Chase Andrews thing.”

  “What ya got?” Joe asked.

  “Well, it was a while back, now. Me and Denny were out fishin’ on August 30, this year, and we seen something out at Cypress Cove. Think it might be of interest to ya.”

  “Go ahead,” the sheriff said. “But please sit down, Rodney. We’d all feel more comfortable if you sat.”

  Rodney took the chair offered and, for the next five minutes, told them his story. After he left, Ed and Joe looked at each other.

  Joe said, “Well, now we’ve got motive.”

  “Let’s get her in here.”

  37.

  Gray Sharks

  1969

  Just days before Christmas and earlier in the morning than usual, Kya motored slowly and quietly toward Jumpin’s. Ever since the sheriff or his deputy had been sneaking out to her place, trying to catch her at home—failed efforts she’d observed from the palmettos—she’d bought her gas and supplies before first light, when only fishermen were about. Now, low clouds scudded just above a sloshing sea, and to the east, a squall—twisted tightly like a whip—threatened from the horizon. She’d have to finish at Jumpin’s quickly and get home before it hit. From a quarter of a mile out, she saw his wharf billowed in with fog. She slowed even more and looked around for other boats in the soggy quiet.

  Finally, at about forty yards out, she could see Jumpin’s form in the old chair leaning against the wall. She waved. He did not. He did not stand. He shook his head slightly, just a whisper. She let go of the throttle.

  She waved again. Jumpin’ stared at her, but did not move.

  Jerking the stick, she turned abruptly back toward the sea. But coming in from the fog was a large boat, the sheriff at the helm. Another couple of boats, flanking. And just behind them, the squall.

  Gunning her engine, she threaded the needle between the oncoming rigs, her boat banging whitecaps as she raced for the open sea. She wanted to cut back toward the marsh, but the sheriff was too close; he’d catch her before she got there.

  The sea no longer swelled in symmetrical waves but tossed in confusion. The water grew meaner as the edge of the storm engulfed her. In seconds it released a torrent. She was soaked through, long strands of hair stringing across her face. She turned into the wind to keep from capsizing, but the sea pushed over the bow.

  Knowing their boats were faster, she hunched forward into the ragged wind. Maybe she could lose them in this soup or dive into the sea and make a swim for it. Her mind raced through the details of jumping in, which seemed her best chance. This close to shore, there’d be a backwash or rip, which would zip her along underwater, much faster than they’d think she could swim. Popping up to breathe now and then, she could get to land and sneak out on a brushy shore.

  Behind her their motors raced louder than the storm. Getting closer. How could she simply stop? She’d never given up. She had to jump now. But suddenly, like gray sharks they massed around her, pulling close. One of the boats whipped in front of her, and she rammed its side. Thrown back against the outboard, her neck jerked. The sheriff reached out and grabbed her gunwale, all of them wallowing in the churning wakes. Two men swung into her boat as the deputy said, “Miss Catherine Clark, you’re under arrest for the murder of Mr. Chase Andrews. Ya have the right to remain silent . . .”

  She didn’t hear the rest of it. No one hears the rest of it.

  38.

  Sunday Justice

  1970

  Kya’s eyes blinked shut against sharp light that poured from overhead lamps and windows as tall as the ceiling. For two months she’d lived in dimness, and now, opening her eyes again, caught a soft edge of the marsh outside. Rounded oaks sheltering shrub-sized ferns and winter holly. She tried to hold the vital green a second longer but was led by firm hands toward a long table and chairs where her attorney, Tom Milton, sat. Her wrists were cuffed in front, forcing her hands into an awkward prayer pose. Dressed in black slacks and a plain white blouse, with a single braid falling between her shoulder blades, she didn’t turn her head to look at the spectators. Still, she felt the heat and rustle of people knotted into the courtroom for her murder trial. Could sense people’s shoulders and heads waggling to catch a glimpse of her. To see her in handcuffs. A smell of sweat, old smoke, and cheap perfume increased her nausea. Coughing noises ceased but the hubbub rose as she neared her seat—all distant sounds to her, because mostly she heard the sickness of her own jagged breathing. She stared at the floorboards—highly polished heart pine—while the cuffs were removed, and then sat heavy into the chair. It was 9:30 A.M. on February 25, 1970.

  Tom leaned close to her and whispered that everything would be all right. She said nothing but searched his eyes for sincerity, anything to hang on. Not that she believed him, but for the first time ever, she had to put herself in the charge of another. Rather tall for seventy-one years, he wore his thick white hair and frumpy linen suits with the accidental if clichéd grace of a country statesman. He moved gently and spoke quietly behind a pleasant smile that lived on his face.

  Judge Sims had appointed a young attorney for Miss Clark, since she had taken no action to do so herself, but when Tom Milton heard of this, he came out of retirement and requested to represent her pro bono. Like everyone else, he had heard stories about the Marsh Girl, and over the years had seen her occasionally, either drifting sleekly through waterways as part of the current or scurrying from the grocery like a coon from a rubbish bin.

  When he first visited Kya in jail two months ago, he’d been led into a small dark room, where she sat at a table. She had not looked up at him. Tom had introduced himself, saying he would represent her, but she didn’t speak or raise her eyes. He had an overpowering urge to reach out and pat her hand, but something—maybe her upright posture or the way she stared, vacant-eyed—shielded her from touch. Moving his head at different angles—trying to capture her eyes—he explained the court procedures, what she should expect, and then asked her some questions. But she never answered, never moved, and never looked at him. As they led her from the room, she turned her head and glimpsed through a small window where she could see the sky. Seabirds shrieked over the town harbor, and Kya seemed to be watching their songs.

  On his next visit Tom reached into a brown paper bag and slid a glossy coffee-table book toward her. Titled The Rarest Shells of the World, it opened to life-sized oil paintings of shells from the most distant shores on Earth. Her mouth partly open, she turned slowly through the pages, nodding at particular specimens. He gave her time. Then, once again he spoke to her, and this time she looked into his eyes. With easy patience, he explained the court procedures and even drew a picture of the courtroom, showing the jury box, the judge’s bench, where the attorneys and she would sit. Then he added stick figures of the bailiff, the judge, and the recorder and explained their roles.

  As on the first meeting, he tried to explain the evidence against her and to ask about her whereabouts on the night Chase died, but she pulled back into her shell at any mention of details. Later, when he stood to leave, she slid the book back across the table, but he said, “No, I brought it for you. It’s yours.”

  She bit her lips and blinked.

  * * *

  • • •

  AND NOW IN THE COURTROOM for the first time, he tried to distract her from the bustle behind them by pointing out the features of the courtroom in the drawing. But diversion was useless. By 9:45 A.M. the gallery overflowed with villagers filling every pew and buzzed with high-pitched comments about the evidence, the death penalty. A small balcony at the rear seated twenty more, and though not marked, everybody understood colored people were restricted to the balcony. Today, it was filled mostly with whites, with only a few blacks, this being a white case through and through. Sectioned off near the front sat a few journalists from the Atlanta Constitution and the Raleigh Herald. People who couldn’t find seats bunched along th
e back wall and along the sides by the tall windows. Fidgeting, muttering, gossiping. The Marsh Girl put up for murder; it didn’t get any better than this. Sunday Justice, the courthouse cat—his back black, his face white with a black mask around green eyes—stretched out in a puddle of sunlight in one of the deep windowsills. A courthouse fixture for years, he cleared the basement of rats and the courtroom of mice, earning his place.

  Because Barkley Cove was the first village settled in this torn and marshy stretch of the North Carolina coast, the Crown had declared it the county seat and built the original courthouse in 1754. Later, even though other towns such as Sea Oaks became more populated and developed, Barkley Cove remained the official hub for county government.

  Lightning struck the original courthouse in 1912, burning much of the wooden structure to ashes. Rebuilt the next year on the same square at the end of Main Street, it was a brick two-story with twelve-foot windows trimmed in granite. By the 1960s, wild grasses and palmettos, and even a few cattails, had moved in from the marsh and taken over the once-groomed grounds. A lily-choked lagoon flooded in spring and, over the years, had eaten part of the sidewalk.

  In contrast, the courtroom itself, designed to replicate the original, was imposing. The elevated judge’s bench, made of dark mahogany with a colorful inlay of the state’s seal, stood under multiple flags, including the Confederate. The half wall of the jury box, also of mahogany, was trimmed in red cedar, and the windows that lined one side of the room framed the sea.

  As the officials entered the courtroom, Tom pointed to the stick figures in his drawing and explained who they were. “That’s the bailiff, Hank Jones,” he said as a lanky man of sixty with a hairline that receded past his ears, making his head almost exactly half bald and half not, walked to the front of the room. He wore a gray uniform and a wide belt, hung with a radio, a flashlight, an impressive set of keys, and a holstered Colt six-shooter.