Delphi Complete Works of Lucian

by Lucian Samosata

  All this was food for laughter, as well it might be, to the Indians and their king: Take the field? array their hosts against him? no, indeed; at worst they might match their women with his, if he still came on; for themselves such a victory would be a disgrace; a set of mad women, a general in a snood, a little old drunkard, a half- soldier, and a few naked dancers; why should they murder such a droll crew? However, when they heard how the God was wasting their land with fire, giving cities and citizens to the flames, burning their forests, and making one great conflagration of all India — for fire is the Bacchic instrument, Dionysus’s very birthright — , then they lost no more time, but armed; they girthed, bitted, and castled their elephants, and out they marched; not that they had ceased to scorn; but now they were angry too, and in a hurry to crush this beardless warrior with all his host.

  When the two armies came to sight of one another, the Indians drew up their elephants in front and advanced their phalanx; on the other side, Dionysus held the centre, Silenus led his right, and Pan his left wing; his colonels and captains were the satyrs, and the word for the day evoe. Straightway tambourines clattered, cymbals sounded to battle, a satyr blew the war-note on his horn, Silenus’s ass sent forth a martial bray, and the maenads leapt shrill-voiced on the foe, girt with serpents and baring now the steel of their thyrsus-heads. In a moment Indians and elephants turned and fled disordered, before even a missile could carry across; and the end was that they were smitten and led captive by the objects of their laughter; they had learnt the lesson that it is not safe to take the first report, and scorn an enemy of whom nothing is known.

  But you wonder what all this is about — suspect me, possibly, of being only too fresh from the company of Bacchus. Perhaps the explanation, involving a comparison of myself with Gods, will only more convince you of my exalted or my drunken mood; it is, that ordinary people are affected by literary novelties (my own productions, for instance) much as the Indians were by that experience. They have an idea that literary satyr-dances, absurdities, pure farce, are to be expected from me, and, however they reach their conception of me, they incline to one of two attitudes. Some of them avoid my readings altogether, seeing no reason for climbing down from their elephants and paying attention to revelling women and skipping satyrs; others come with their preconceived idea, and when they find that the thyrsus-head has a steel point under it, they are too much startled by the surprise to venture approval. I confidently promise them, however, that if they will attend the rite repeatedly now as in days of yore, if my old boon-companions will call to mind the revels that once we shared, not be too shy of satyrs and Silenuses, and drink deep of the bowl I bring, the frenzy shall take hold upon them too, till their evoes vie with mine.

  Well, they are free to listen or not; let them take their choice. Meanwhile, we are still in India, and I should like to give you another fact from that country, again a link between Dionysus and our business. In the territory of the Machlaeans, who occupy the left bank of the Indus right down to the sea, there is a grove, of no great size, but enclosed both round about and overhead, light being almost excluded by the profusion of ivy and vine. In it are three springs of fair pellucid water, called, one of them the satyrs’ well, the second Pan’s, and the other that of Silenus. The Indians enter this grove once a year at the festival of Dionysus, and taste the wells, not promiscuously, however, but according to age; the satyrs’ well is for the young, Pan’s for the middle-aged, and Silenus’s for those at my time of life.

  What effect their draught produces on the children, what doings the men are spurred to, Pan-ridden, must not detain us; but the behaviour of the old under their water intoxication has its interest. As soon as one of them has drunk, and Silenus has possessed him, he falls dumb for a space like one in vinous lethargy; then on a sudden his voice is strong, his articulation clear, his intonation musical; from dead silence issues a stream of talk; the gag would scarce restrain him from incessant chatter; tale upon tale he reels you off. Yet all is sense and order withal; his words are as many, and find their place as well, as those ‘winter snowflakes’ of Homer’s orator. You may talk of his swan- song if you will, mindful of his years; but you must add that his chirping is quick and lively as the grasshopper’s, till evening comes; then the fit is past; he falls silent, and is his common self again. But the greatest wonder I have yet to tell: if he leave unfinished the tale he was upon, and the setting sun cut him short, then at his next year’s draught he will resume it where the inspiration of this year deserted him.

  Gentlemen, I have been pointing Momus-like at my own foibles; I need not trouble you with the application; you can make out the resemblance for yourselves. But if you find me babbling, you know now what has loosed my tongue; and if there is shrewdness in any of my words, then to Silenus be the thanks.

  HERACLES — Ἡρακλῆς

  Translated by H. W. Fowler and F. G. Fowler

  HERACLES, AN INTRODUCTORY LECTURE

  Our Heracles is known among the Gauls under the local name of Ogmius; and the appearance he presents in their pictures is truly grotesque. They make him out as old as old can be: the few hairs he has left (he is quite bald in front) are dead white, and his skin is wrinkled and tanned as black as any old salt’s. You would take him for some infernal deity, for Charon or Iapetus, — any one rather than Heracles. Such as he is, however, he has all the proper attributes of that God: the lion’s-skin hangs over his shoulders, his right hand grasps the club, his left the strung bow, and a quiver is slung at his side; nothing is wanting to the Heraclean equipment.

  Now I thought at first that this was just a cut at the Greek Gods; that in taking these liberties with the personal appearance of Heracles, the Gauls were merely exacting pictorial vengeance for his invasion of their territory; for in his search after the herds of Geryon he had overrun and plundered most of the peoples of the West. However, I have yet to mention the most remarkable feature in the portrait. This ancient Heracles drags after him a vast crowd of men, all of whom are fastened by the ears with thin chains composed of gold and amber, and looking more like beautiful necklaces than anything else. From this flimsy bondage they make no attempt to escape, though escape must be easy. There is not the slightest show of resistance: instead of planting their heels in the ground and dragging back, they follow with joyful alacrity, singing their captor’s praises the while; and from the eagerness with which they hurry after him to prevent the chains from tightening, one would say that release is the last thing they desire. Nor will I conceal from you what struck me as the most curious circumstance of all. Heracles’s right hand is occupied with the club, and his left with the bow: how is he to hold the ends of the chains? The painter solves the difficulty by boring a hole in the tip of the God’s tongue, and making that the means of attachment; his head is turned round, and he regards his followers with a smiling countenance.

  For a long time I stood staring at this in amazement: I knew not what to make of it, and was beginning to feel somewhat nettled, when I was addressed in admirable Greek by a Gaul who stood at my side, and who besides possessing a scholarly acquaintance with the Gallic mythology, proved to be not unfamiliar with our own. ‘Sir,’ he said, ‘I see this picture puzzles you: let me solve the riddle. We Gauls connect eloquence not with Hermes, as you do, but with the mightier Heracles. Nor need it surprise you to see him represented as an old man. It is the prerogative of eloquence, that it reaches perfection in old age; at least if we may believe your poets, who tell us that

  Youth is the sport of every random gust,

  whereas old age

  Hath that to say that passes youthful wit.

  Thus we find that from Nestor’s lips honey is distilled; and that the words of the Trojan counsellors are compared to the lily, which, if I have not forgotten my Greek, is the name of a flower. Hence, if you will consider the relation that exists between tongue and ear, you will find nothing more natural than the way in which our Heracles, who is Eloquence personified, draws men
along with their ears tied to his tongue. Nor is any slight intended by the hole bored through that member: I recollect a passage in one of your comic poets in which we are told that

  There is a hole in every glib tongue’s tip.

  Indeed, we refer the achievements of the original Heracles, from first to last, to his wisdom and persuasive eloquence. His shafts, as I take it, are no other than his words; swift, keen-pointed, true-aimed to do deadly execution on the soul.’ And in conclusion he reminded me of our own phrase, ‘winged words.’

  Now while I was debating within myself the advisability of appearing before you, and of submitting myself for a second time to the verdict of this enormous jury, old as I am, and long unused to lecturing, the thought of this Heracles portrait came to my relief. I had been afraid that some of you would consider it a piece of youthful audacity inexcusable in one of my years. ‘Thy force,’ some Homeric youth might remark with crushing effect, ‘is spent; dull age hath borne thee down’; and he might add, in playful allusion to my gouty toes,

  Slow are thy steeds, and weakness waits upon thee.

  But the thought of having that venerable hero to keep me in countenance emboldens me to risk everything: I am no older than he. Good-bye, then, to bodily perfections, to strength and speed and beauty; Love, when he sees my grey beard, is welcome to fly past, as the poet of Teos [Footnote: Anacreon.] has it, with rush of gilded wings; ’tis all one to Hippoclides. Old age is Wisdom’s youth, the day of her glorious flower: let her draw whom she can by the ears; let her shoot her bolts freely; no fear now lest the supply run short. There is the old man’s comfort, on the strength of which he ventures to drag down his boat, which has long lain high and dry, provision her as best he may, and once more put out to sea.

  Never did I stand in more need of a generous breeze, to fill my sails and speed me on my way: may the Gods dispose you to contribute thereto; so shall I not be found wanting, and of me, as of Odysseus, it shall be said

  How stout a thigh lurked ‘neath the old man’s rags!

  AMBER; OR, THE SWANS — Περὶ τοῦ Ἡλέκτρου ἢ Κύκνων

  Translated by H. W. Fowler and F. G. Fowler

  SWANS AND AMBER

  You have no doubt a proper faith in the amber legend — how it is the tears shed by poplars on the Eridanus for Phaethon, the said poplars being his sisters, who were changed to trees in the course of their mourning, and continue to distil their lacrimal amber. That was what the poets taught me, and I looked forward, if ever fortune should bring me to the Eridanus, to standing under a poplar, catching a few tears in a fold of my dress, and having a supply of the commodity.

  Sure enough, I found myself there not long ago upon another errand, and had occasion to go up the Eridanus; but, though I was all eyes, I saw neither poplars nor amber, and the natives had not so much as heard of Phaethon. I started my inquiries by asking when we should come to the amber poplars; the boatmen only laughed, and requested explanations. I told them the story: Phaethon was a son of Helius, and when he grew up came to his father and asked if he might drive his car, and be the day-maker just that once. His father consented, but he was thrown out and killed, and his mourning sisters ‘in this land of yours,’ I said, ‘where he fell on the Eridanus, turned into poplars, and still weep amber for him.’

  ‘What liar took you in like that, sir?’ they said; ‘we never saw a coachman spilt; and where are the poplars? why, do you suppose, if it was true, we would row or tow up stream for sixpences? we should only have to collect poplar-tears to be rich men.’ This truth impressed me a good deal; I said no more, and was painfully conscious of my childishness in trusting the poets; they deal in such extravagant fictions, they come to scorn sober fact. Here was one hope gone; I had set my heart upon it, and was as much chagrined as if I had dropped the amber out of my hands; I had had all my plans ready for the various uses to which it was to be put.

  However, there was one thing I still thought I really should find there, and that was flocks of swans singing on the banks. We were still on the way up, and I applied to the boatmen again: ‘About what time do the swans take post for their famous musical entertainment? — Apollo’s fellow craftsmen, you know, who were changed here from men to birds, and still sing in memory of their ancient art.’

  But they only jeered at me: ‘Are you going to lie all day about our country and our river, pray? We are always on the water; we have worked all our lives on the Eridanus; well, we do see a swan now and again in the marshes; and a harsh feeble croak their note is; crows or jackdaws are sirens to them; as for sweet singing such as you tell of, not a ghost of it. We cannot make out where you folk get all these tales about us.’

  Such disappointments are the natural consequence of trusting picturesque reporters. Well now, I am afraid the newcomers among you, who hear me for the first time, may have been expecting swans and amber from me, and may presently depart laughing at the people who encouraged them to look for such literary treasures. But I solemnly aver that no one has ever heard or ever shall hear me making any such claims. Other persons in plenty you may find who are Eridanuses, rich not in amber, but in very gold, and more melodious far than the poets’ swans. But you see how plain and unromantic is my material; song is not in me. Any one who expects great things from me will be like a man looking at an object in water. Its image is magnified by an optical effect; he takes the reality to correspond to the appearance, and when he fishes it up is disgusted to find it so small. So I pour out the water, exhibit my wares, and warn you not to hope for a large haul; if you do, you have only yourselves to blame. H.

  THE FLY — Μυίας Ἐγκώμιον

  Translated by H. W. Fowler and F. G. Fowler

  THE FLY, AN APPRECIATION

  The fly is not the smallest of winged things, on a level with gnats, midges, and still tinier creatures; it is as much larger than they as smaller than the bee. It has not feathers of the usual sort, is not fledged all over like some, nor provided with quill- feathers like other birds, but resembles locusts, grasshoppers, and bees in being gauze-winged, this sort of wing being as much more delicate than the ordinary as Indian fabrics are lighter and softer than Greek. Moreover, close inspection of them when spread out and moving in the sun will show them to be peacock-hued.

  Its flight is accompanied neither by the incessant wing-beat of the bat, the jump of the locust, nor the buzz of the wasp, but carries it easily in any direction. It has the further merit of a music neither sullen as with the gnat kind, deep as with the bee, nor grim and threatening as with the wasp; it is as much more tuneful than they as the flute is sweeter than trumpet or cymbals.

  As for the rest of its person, the head is very slenderly attached by the neck, easily turned, and not all of one piece with the body as in the locust; the eyes are projecting and horny; the chest strong, with the legs springing freely from it instead of lying close like a wasp’s. The belly also is well fortified, and looks like a breastplate, with its broad bands and scales. Its weapons are not in the tail as with wasp and bee, but in its mouth and proboscis; with the latter, in which it is like the elephant, it forages, takes hold of things, and by means of a sucker at its tip attaches itself firmly to them. This proboscis is also supplied with a projecting tooth, with which the fly makes a puncture, and so drinks blood. It does drink milk, but also likes blood, which it gets without hurting its prey much. Of its six legs, four only are for walking, and the front pair serves for hands; you may see it standing on four legs and holding up a morsel in these hands, which it consumes in very human fashion.

  It does not come into being in its ultimate shape, but starts as a worm in the dead body of man or animal; then it gradually develops legs, puts forth wings and becomes a flying instead of a creeping thing, which generates in turn and produces a little worm, one day to be a fly. Living with man, sharing his food and his table, it tastes everything except his oil, to drink which is death to it. In any case it soon perishes, having but a short span of life allotted to
it, but while it lives it loves the light, and is active only under its influence; at night it rests, neither flying nor buzzing, but retiring and keeping quiet.

  I am able to record its considerable wisdom, shown in evading the plots of its enemy the spider. It is always on the look-out for his ambushes, and in the most circumspect way dodges about, that it may not be caught, netted, and entangled in his meshes. Its valour and spirit require no mention of mine; Homer, mightiest-voiced of poets, seeking a compliment for the greatest of heroes, likens his spirit not to a lion’s, a panther’s, a boar’s, but to the courage of the fly, to its unshrinking and persistent assault; mark, it is not mere audacity, but courage, that he attributes to it. Though you drive it off, he says, it will not leave you; it will have its bite. He is so earnest an admirer of the fly that he alludes to it not once nor twice, but constantly; a mention of it is felt to be a poetic ornament. Now it is its multitudinous descent upon the milk that he celebrates; now he is in want of an illustration for Athene as she wards off a spear from the vitals of Menelaus; so he makes her a mother caring for her sleeping child, and in comes the fly again. Moreover he gives them that pretty epithet, ‘thick- clust’ring’; and ‘nations’ is his dignified word for a swarm of them.

  The fly’s force is shown by the fact that its bite pierces not merely the human skin, but that of cattle and horses; it annoys the elephant by getting into the folds of its hide, and letting it know the efficiency of even a tiny trunk. There is much ease and freedom about their love affairs, which are not disposed of so expeditiously as by the domestic fowl; the act of union is prolonged, and is found quite compatible with flight. A fly will live and breathe for some time after its head is cut off.