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JANE ELLEN HARRISON
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—, The Golden Echo (Chatto & Windus, 1953)
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EILEEN POWER
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—, Testament of Friendship (Macmillan, 1940)
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George Catlin, New Trends in Socialism (Dickson & Thompson, 1935)
— (ed.), War and Democracy: Essays on the Causes and Prevention of War (Routledge, 1938)
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—, The Fateful Years: Memoirs, 1931–1945 (Muller, 1957)
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—, Father Figures: Autobiography, 1897–1931 (Hutchinson, 1966)
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— and Rhoda Power, Boys and Girls of History (CUP, 1926)
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— and R. H. Tawney (eds), Tudor Economic Documents (Longmans, Green & Co, 1924–7)
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VIRGINIA WOOLF
Gillian Beer, Virginia Woolf: The Common Ground (Edinburgh UP, 1996)
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he Reader”: Virginia Woolf’s Last Essays’, in Twentieth Century Literature, vol. 25, no. 3/4 (Duke UP, 1979), pp. 356–441
—, Virginia Woolf’s Reading Notebooks (Princeton UP, 1983)
Anna Snaith, Virginia Woolf: Public and Private Negotiations (Palgrave Macmillan, 2000)
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Laurence Ward, The London County Council Bomb Damage Maps, 1939–45 (Thames & Hudson, 2015)
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—, Between the Acts (Hogarth Press, 1941)
—, The Collected Essays of Virginia Woolf, four vols (Chatto & Windus, 1966–7)
—, The Common Reader (Hogarth Press, 1935)
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—, Jacob’s Room (Hogarth Press, 1922)
—, The Letters of Virginia Woolf, six vols, eds Nigel Nicolson and Joanne Trautmann (Hogarth Press, 1975–82)
—, The Moment and Other Essays (Hogarth Press, 1947)
—, Moments of Being: Autobiographical Writings, ed. Jeanne Schulkind (Pimlico, 2002)
—, Mrs Dalloway (Hogarth Press, 1925)
—, Night and Day (Duckworth, 1919)
—, Orlando (Hogarth Press, 1928)
—, Roger Fry (Hogarth Press, 1940)
—, Roger Fry: A Series of Impressions (Cecil Woolf, 1994)
—, Selected Essays, ed. David Bradshaw (OUP, 2004)
—, To the Lighthouse (Hogarth Press, 1927)
—, The Voyage Out (Duckworth, 1915)
—, The Waves (Hogarth Press, 1931)
—, The Years (Hogarth Press, 1936)
ACKNOWLEDGEMENTS
In writing about this London square, I’ve benefited from the generosity and expertise of people across the world. I’ve pursued these women to Paris and Sussex, to America and to Cornwall (where I tried to stay as close as possible to the house where H. D. lived with Cecil Gray, and ended up staying at a farmhouse which, as it turned out, Virginia Woolf visited in 1910). Writing is always a collaborative enterprise and my research has been informed by that of many predecessors, whose works are listed in the bibliography; I’m also immensely grateful to the many scholars who have patiently answered questions, helped with leads, shared their own research with me, and shown so much enthusiasm for this project over the four years I’ve spent working on it.
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