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Collected Works of Algernon Blackwood

Page 41

by Algernon Blackwood


  “Tired?” asked the clergyman, kindly.

  “Winded, Mr. Skale, thank you — nothing more,” was the reply. He looked up at the square mass of the house looming dark against the sky, and the noise his companion made opening the door — the actual rattle of the iron knob did it — suddenly brought to him a clear realization of two things: First, he understood that the whole way from the station Mr. Skale had been watching him closely, weighing, testing, proving him, though by ways and methods so subtle that they had escaped his observation at the time; secondly, that he was already so caught in the network of this personality, vaster and more powerful than his own, that escape if he desired it would be exceedingly difficult. Like a man in a boat upon the upper Niagara river, he already felt the tug and suction of the current below — the lust of a great adventure drawing him forward. Mr. Skale’s hand upon his shoulder as they entered the house was the symbol of that. The noise of the door closing behind him was the passing of the last bit of quiet water across which a landing to the bank might still have been possible.

  Faint streamers from the dark, inscrutable house of fear reached him even then and left their vague, undecipherable signatures upon the surface of his soul. The forces that vibrated so strangely in the atmosphere of Mr. Skale were already playing about his own person, gathering him in like a garment. Yet while he shuddered, he liked it. Was he not already losing something of his own insignificant and diminutive self?

  IV

  The clergyman, meanwhile, had closed the heavy door, shutting out the darkness, and now led the way across a large, flagged hall into a room, ablaze with lamp and fire, the walls lined thickly with books, furnished cozily if plainly. The laden tea table, and a kettle hissing merrily on the hob, were pleasant to look upon, but what instantly arrested the gaze of the secretary was the face of the old woman in cap and apron — evidently the housekeeper already referred to as “Mrs.” Mawle — who stood waiting to pour out tea. For about her worn and wrinkled countenance there lay an indefinable touch of something that hitherto he had seen only in pictures of the saints by the old masters. What attracted his attention, and held it so arrestingly, was this singular expression of happiness, aye, of more than mere happiness — of joy and peace and blessed surety, rarely, if ever, seen upon a human face alive, and only here and there suggested behind that mask of repose which death leaves so tenderly upon the features of those few who have lived their lives to noblest advantage.

  Spinrobin caught his breath a little, and stared. Aged and lined as it unquestionably was, he caught that ineffable suggestion of radiance about it which proclaimed an inner life that had found itself and was in perfect harmony with outer things: a life based upon certain knowledge and certain hope. It wore a gentle whiteness he could find only one word to describe — glory. And the moment he saw it there flashed across him the recognition that this was what Mr. Skale also possessed. That giant, athletic, vigorous man, and this bent, worn old woman both had it. He wondered with a rush of sudden joy what produced it; — whether it might perhaps one day be his too. The flame of his own spirit leapt within him.

  And, so wondering, he turned to look at the clergyman. In the softer light of fire and lamp his face had the appearance of forty rather than sixty as he had first judged; the eyes, always luminous, shone with health and enthusiasm; a great air of youth and vitality glowed about him. It was a fine head with that dominating nose and the shaggy tangle of hair and beard; very big, fatherly and protective he looked, a quite inexpressible air of tenderness mingled in everywhere with the strength. Spinrobin felt immensely drawn to him as he looked. With such a leader he could go anywhere, do anything. There, surely, was a man whose heart was set not upon the things of this world.

  An introduction to the housekeeper interrupted his reflections; it did not strike him as at all out of the way; doubtless she was more mother than domestic to the household. At the name of “Mrs.” Mawle (courtesy-title, obviously), he rose and bowed, and the old woman, looking from one to the other, smiled becomingly, curtseyed, put her cap straight, and turned to the teapot again. She said nothing.

  “The only servant I have, practically,” explained the clergyman, “cook, butler, housekeeper and tyrant all in one; and, with her niece, the only other persons in the house besides ourselves. A very simple ménage, you see, Mr. Spinrobin. I ought to warn you, too, by-the-by,” he added, “that she is almost stone deaf, and has only got the use of one arm, as perhaps you noticed. Her left arm is” — he hesitated for a fraction of a second— “withered.”

  A passing wonder as to what the niece would be like accompanied the swallowing of his buttered toast and tea, but the personalities of Mr. Skale and his housekeeper had already produced emotions that prevented this curiosity acquiring much strength. He could deal with nothing more just yet. Bewilderment obstructed the way, and in his room before dinner he tried in vain to sort out the impressions that so thickly flooded him, though without any conspicuous degree of success. The walls of his bedroom, like those of corridor and hall, were bare; the furniture solid and old-fashioned; scanty, perhaps, yet more than he was accustomed to; and the spaciousness was very pleasant after the cramped quarters of stuffy London lodgings. He unpacked his few things, arranged them with neat precision in the drawers of the tallboy, counted his shirts, socks, and ties, to see that all was right, and then drew up an armchair and toasted his toes before the comforting fire. He tried to think of many things, and to decide numerous little questions roused by the events of the last few hours; but the only thing, it seems, that really occupied his mind, was the rather overpowering fact that he was — with Mr. Skale and in Mr. Skale’s house; that he was there on a month’s trial; that the nature of the work in which he was to assist was unknown, immense, singular; and that he was already being weighed in the balances by his uncommon and gigantic employer. In his mind he used this very adjective. There was something about the big clergyman — titanic.

  He was in the middle of a somewhat jumbled consideration about “Knowledge of Hebrew — tenor voice — courage and imagination — unworldly,” and so forth, when a knock at the door announced Mrs. Mawle who came to inform him that dinner was ready. She stood there, a motherly and pleasant figure in black, and she addressed him in the third person. “If Mr. Spinrobin will please to come down,” she said, “Mr. Skale is waiting. Mr. Skale is always quite punctual.” She always spoke thus, in the third person; she never used the personal pronoun if it could be avoided. She preferred the name direct, it seemed. And as Spinrobin passed her on the way out, she observed further, looking straight into his eyes as she said it: “and should Mr. Spinrobin have need of anything, that,” indicating it, “is the bell that rings in the housekeeper’s room. Mrs. Mawle can see it wag, though she can’t hear it. Day or night,” she added with a faint curtsey, “and no trouble at all, just as with the other gentlemen—”

  So there had been other gentlemen, other secretaries! He thanked her with a nod and a smile, and hurried pattering downstairs in a neat blue suit, black silk socks and a pair of bright new pumps, Mr. Skale having told him not to dress. The phrase “day or night,” meanwhile, struck him as significant and peculiar. He remembered it later. At the moment he merely noted that it added one more to the puzzling items that caused his bewilderment.

  V

  Before he had gone very far, however, there came another — crowningly perplexing. For he was halfway down the darkened passage, making for the hall that glimmered beyond like the mouth of a cave, when, without the smallest warning, he became suddenly conscious that something attractive and utterly delicious had invaded the stream of his being. It came from nowhere — inexplicably, and at first it took the form of a naked sensation of delight, keen as a thrill of boyhood days. There passed into him very swiftly something that satisfied. “I mean, whatever it was,” he says, “I couldn’t have asked or wanted more of it. It was all there, complete, supreme, sufficient.” And the same instant he saw close beside him, in the comparative g
loom of the narrow corridor, a vivid, vibrating picture of a girl’s face, pale as marble, of flower-like beauty, with dark voluminous hair and large grey eyes that met his own from behind a wavering net of eyelashes. Down to the shoulders he saw her.

  Erect and motionless she stood against the wall to let him pass — this slim young girl whose sudden and unexpected presence had so electrified him. Her eyes followed him like those of a picture, but she neither bowed nor curtseyed, and the only movement she made was the slight turning of the head and eyes as he went by. It was extraordinarily effective, this silent and delightful introduction, for swift as lightning, and with lightning’s terrific and incalculable surety of aim, she leapt into his heart with the effect of a blinding and complete possession.

  It was, of course, he realized, the niece — the fourth member of the household, and the first clear thought to disentangle itself from the resultant jumble of emotions was his instinctive wonder what her name might be. How was this delightful apparition called? This was the question that ran and danced in his blood. In another minute he felt sure he would discover it. It must begin (he felt sure of that) with an M.

  He did not pause, or alter his pace. He made no sign of recognition. Their eyes swallowed each other for a brief moment as he passed — and then he was pattering with quick, excited steps down the passage beyond, and the girl was left out of sight in the shadows behind him. He did not even turn back to look, for in some amazing sense she seemed to move on beside him, as though some portion of her had merged into his being. He carried her on with him. Some sweet and marvelous interchange they had undergone together. He felt strangely blessed, soothed inwardly, made complete, and more than twice on the way down the name he knew must belong to her almost sprang up and revealed itself — yet never quite. He knew it began with M, even with Mir — but could get nothing more. The rest evaded him. He divined only a portion of the name. He had seen only a portion of her form.

  The first syllable, however, sang in him with an exquisitely sweet authority. He was aware of some glorious new thing in the penetralia of his little spirit, vibrating with happiness. Some portion of himself sang with it. “For it really did vibrate,” he said, “and no other word describes it. It vibrated like music, like a string; as though when I passed her she had taken a bow and drawn it across the strings of my inmost being to make them sing….”

  “Come,” broke in the sonorous voice of the clergyman whom he found standing in the hall; “I’ve been waiting for you.”

  It was said, not complainingly nor with any idea of fault-finding, but rather — both tone and manner betrayed it — as a prelude to something of importance about to follow. Somewhat impatiently Mr. Skale took his companion by the arm and led him forwards; on the stone floor Spinrobin’s footsteps sounded light and dancing, like a child’s. The clergyman strode. At the dining room door he stopped, turning abruptly, and at the same instant the figure of the young girl glided noiselessly towards them from the mouth of the dark corridor where she had been waiting.

  Her entry, again, was curiously effective; like a beautiful thought in a dream she moved into the hall, and into Spinrobin’s life. Moreover, as she came wholly into view in the light, he felt, as positively as though he heard it uttered, that he knew her name complete. The first syllable had come to him in the passageway when he saw her partly, and the feeling of dread that “Mir—” might prove to be part of “Miranda,” “Myrtle,” or some other enormity, passed instantly. These would only have been gross and cruel misnomers. Her right name — the only one that described her soul — must end, as it began, with M. It flashed into his mind, and at the same moment Mr. Skale picked it off his very lips.

  “Miriam,” he said in deep tones, rolling the name along his mouth so as to extract every shade of sound belonging to it, “this is Mr. Spinrobin about whom I told you. He is coming, I hope, to help us.”

  VI

  At first Spinrobin was only aware of the keen delight produced in him by the manner of Skale’s uttering her name, for it entered his consciousness with a murmuring, singing sound that continued on in his thoughts like a melody. His racing blood carried it to every portion of his body. He heard her name, not with his ears alone but with his whole person — a melodious, haunting phrase of music that thrilled him exquisitely. Next, he knew that she stood close before him, shaking his hand, and looking straight into his eyes with an expression of the most complete trust and sympathy imaginable, and that he felt a well-nigh irresistible desire to draw her yet closer to him and kiss her little shining face. Thirdly — though the three impressions were as a matter of fact almost simultaneous — that the huge figure of the clergyman stood behind them, watching with the utmost intentness and interest, like a keen and alert detective eager for some betrayal of evidence, inspired, however, not by mistrust, but by a very zealous sympathy.

  He understood that this meeting was of paramount importance in Mr.

  Skale’s purpose.

  “How do you do, Mr. Spinrobin,” he heard a soft voice saying, and the commonplace phrase served to bring him back to a more normal standard of things. But the tone in which she said it caused him a second thrill almost more delightful than the first, for the quality was low and fluty, like the gentle note of some mellow wind instrument, and the caressing way she pronounced his name was a revelation. Mr. Skale had known how to make it sound dignified, but this girl did more — she made it sound alive. “I will give thee a new name” flashed into his thoughts, as some memory-cell of boyhood discharged its little burden most opportunely and proceeded to refill itself.

  The smile of happiness that broke over Spinrobin’s face was certainly reflected in the eyes that gazed so searchingly into his own, without the smallest sign of immodesty, yet without the least inclination to drop the eyelids. The two natures ran out to meet each other as naturally as two notes of music run to take their places in a chord. This slight, blue-eyed youth, light of hair and sensitive of spirit, and this slim, dark-skinned little maiden, with the voice of music and the wide-open grey eyes, understood one another from the very first instant their atmospheres touched and mingled; and the big Skale, looking on intently over their very shoulders, saw that it was good and smiled down upon them, too, in his turn.

  “The harmony of souls and voices is complete,” he said, but in so low a tone that the secretary did not hear it. Then, with a hand on a shoulder of each, he half pushed them before him into the dining room, his whole face running, as it were, into a single big smile of contentment. The important event had turned out to his entire satisfaction. He looked like some beneficent father, well pleased with his two children.

  But Spinrobin, as he moved beside the girl and heard the rustle of her dress that almost touched him, felt as though he stood upon a sliding platform that was moving ever quicker, and that the adventure upon which he was embarked had now acquired a momentum that nothing he could do would ever stop. And he liked it. It would carry him out of himself into something very big….

  And at dinner, where he sat opposite to the girl and studied her face closely, Mr. Skale, he was soon aware, was occupied in studying the two of them even more closely. He appeared always to be listening to their voices. They spoke little enough, however, only their eyes met continually, and when they did so there was no evidence of a desire to withdraw. Their gaze remained fastened on one another, on her part without shyness, without impudence on his. That Mr. Skale wished for them an intimate and even affectionate understanding was evident, and the secretary warmed to him on that account more than ever, if on no other.

  It surprised him too — when he thought of it, which was rarely — that a girl who was perforce of humble origin could carry herself with an air of such complete and natural distinction, and prove herself so absolutely “the lady.” For there was something about her of greater value than any mere earthly rank or class could confer; her spirit was in its very essence distinguished, perfectly simple, yet strong with a great and natural pride. It never
occurred to her soul to doubt its own great value — or to question that of others. She somehow or other made the little secretary feel of great account. He had never quite realized his own value before. Her presence, her eyes, her voice served to bring it out. And a very curious detail that he always mentions just at this point is the fact that it never occurred to him to wonder what her surname might be, or whether, indeed, she had one at all. Her name, Miriam, seemed sufficient. The rest of her — if there was any other part of her not described by those three syllables — lay safely and naturally included somewhere in his own name. “Spinrobin” described her as well as himself. But “Miriam” completed his own personality and at the same time extended it. He felt all wrapped up and at peace with her. With Philip Skale, Mrs. Mawle and Miriam, he, Robert Spinrobin, felt that he naturally belonged as “one of the family.” They were like the four notes in the chord: Skale, the great bass; Mawle, the mellow alto; himself and Miriam, respectively, the echoing tenor and the singing soprano. The imagery by which, in the depths of his mind, he sought to interpret to himself the whole singular business ran, it seems, even then to music and the analogies of music.

  The meal was short and very simple. Mrs. Mawle carved the joint at the end of the table, handed the vegetables and looked after their wants with the precision of long habit. Her skill, in spite of the withered arm, was noteworthy. They talked little, Mr. Skale hardly at all. Miriam spoke from time to time across the table to the secretary. She did not ask questions, she stated facts, as though she already knew all about his feelings and tastes. She may have been twenty years of age, perhaps, but in some way she took him back to childhood. And she said things with the simple audacity of a child, ignoring Mr. Skale’s presence. It seemed to the secretary as if he had always known her.

 

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