And there, when at length he opened, stood the figure of a man — staring at him and smiling.
Disappointment seized him instantly. He had expected, almost believed, that he would see something unordinary; and instead, there stood a man who had merely mistaken the door of his room, and was now bowing his apology for the interruption. Then, to his amazement, he saw that the man beckoned: the figure was some one who sought to draw him out.
‘Come with me,’ it seemed to say.
But Meiklejohn only realised this afterwards, he says, when it was too late and he had already shut the door in the stranger’s face. For the man had withdrawn into the darkness a little, and the curate had taken the movement for a mere acknowledgment of his mistake instead of — as he afterwards felt — a sign that he should follow.
‘And the moment the door was shut,’ he says, ‘I felt that it would have been better for me to have gone out into the passage to see what he wanted. It came over me that the man had something important to say to me. I had missed it.’
For some seconds, it seemed, he resisted the inclination to go after him. He argued with himself; then turned to his bed, pulled back the sheets and heavy duvet, and was met sharply again with the sense of repugnance, almost of fear, as before. It leaped out upon him — as though the drawing back of the blankets had set free some cold blast of wind that struck him across the face and made him shiver.
At the same moment a shadow fell from behind his shoulder and dropped across the pillow and upper half of the bed. It may, of course, have been the magnified shadow of the moth that buzzed about the pale-yellow electric light in the ceiling. He does not pretend to know. It passed swiftly, however, and was gone; and Meiklejohn, feeling less sure of himself than ever before in his life, crossed the floor quickly, almost running, and opened the door to go after the man who had knocked — twice. For in reality less than half a minute had passed since the shutting of the door and its reopening.
But the corridor was empty. He marched down the pine board floor for some considerable distance. Below he saw the glimmer of the hall, and heard the voices of the peasants and workmen from the sawmill as they still talked and drank their red wine in the public room. That sound of falling water, as before, filled the air. Darkness reigned. But the person — the messenger — who had twice knocked at his door was gone utterly.... Presently a door opened downstairs, and the peasants clattered out noisily. He turned and went back to bed. The electric light was switched off below. Silence fell. Conquering his strange repugnance, Meiklejohn, with a prayer on his lips, got into bed, and in less than ten minutes was sound asleep.
‘I admit,’ he says, in telling the story, ‘that what happened afterwards came so swiftly and so confusingly, yet with such a storm of overwhelming conviction of its reality, that its sequence may be somewhat blurred in my memory, while, at the same time, I see it after all these years as though it was a thing of yesterday. But in my sleep, first of all, I again heard that soft, mysterious tapping — not in the course of a dream of any sort, but sudden and alone out of the dark blank of forgetfulness. I tried to wake. At first, however, the bonds of unconsciousness held me tight. I had to struggle in order to return to the waking world. There was a distinct effort before I opened my eyes; and in that slight interval I became aware that the person who had knocked at the door had meanwhile opened it and passed into the room. I had left the lock unturned. The person was close beside me in the darkness — not in utter darkness, however, for a rising three-quarter moon shed its faint silver upon the floor in patches, and as I sprang swiftly from the bed, I noticed something alive moving towards me across the carpetless boards. Upon the edges of a patch of moonlight, where the fringe of silver and shadow mingled, it stopped. Three feet away from it I, too, stopped, shaking in every muscle. It lay there crouching at my very feet, staring up at me. But was it man or was it animal? For at first I took it certainly for a human being on all fours; but the next moment, with a spasm of genuine terror that half stopped my breath, it was borne in upon me that the creature was — nothing human. Only in this way can I describe it. It was identical with the human figure who had knocked before and beckoned to me to follow, but it was another presentation of that figure.
‘And it held (or brought, if you will) some tremendous message for me — some message of tremendous importance, I mean. The first time I had argued, resisted, refused to listen. Now it had returned in a form that ensured obedience. Some quite terrific power emanated from it — a power that I understood instinctively belonged to the mountains and the forests and the untamed elemental forces of Nature. Amazing as it may sound in cold blood, I can only say that I felt as though the towering precipices outside had sent me a direct warning — that my life was in immediate danger.
‘For a space that seemed minutes, but was probably less than a few seconds, I stood there trembling on the bare boards, my eyes riveted upon the dark, uncouth shape that covered all the floor beyond. I saw no limbs or features, no suggestion of outline that I could connect with any living form I know, animate or inanimate. Yet it moved and stirred all the time — whirled within itself, describes it best; and into my mind sprang a picture of an immense dark wheel, turning, spinning, whizzing so rapidly that it appears motionless, and uttering that low and ominous thunder that fills a great machinery-room of a factory. Then I thought of Ezekiel’s vision of the Living Wheels.........
‘And it must have been at this instant, I think, that the muttering and deep note that issued from it formed itself into words within me. At any rate, I heard a voice that spoke with unmistakable intelligence:
‘“Come!” it said. “Come out — at once!” And the sense of power that accompanied the Voice was so splendid that my fear vanished and I obeyed instantly without thinking more. I followed; it led. It altered in shape. The door was open. It ran silently in a form that was more like a stream of deep black water than anything else I can think of — out of the room, down the stairs, across the hail, and up to the deep shadows that lay against the door leading into the road. There I lost sight of it.’
Meiklejohn’s only desire, he says, then was to rush after it — to escape. This he did. He understood that somehow it had passed through the door into the open air. Ten seconds later, perhaps even less, he, too, was in the open air. He acted almost automatically; reason, reflection, logic all swept away. Nowhere, however, in the soft moonlight about him was any sign of the extraordinary apparition that had succeeded in drawing him out of the inn, out of his bedroom, out of his — bed. He stared in a dazed way at everything — just beginning to get control of his faculties a bit — wondering what in the world it all meant. That huge spinning form, he felt convinced, lay hidden somewhere close beside him, waiting for the end. The danger it had enabled him to avoid was close at hand.... He knew that, he says....
There lay the meadows, touched here and there with wisps of floating mist; the stream roared and tumbled down its rocky bed to his left; across the road the sawmill lifted its skeleton-like outline, moonlight shining on the dew-covered shingles of the roof, its lower part hidden in shadow. The cold air of the valley was exquisitely scented.
To the right, where his eye next wandered, he saw the thick black woods rising round the base of the precipices that soared into the sky, sheeted with silvery moonlight. His gaze ran up them to the far ridges that seemed to push the very stars farther into the heavens. Then, as he saw those stars crowding the night, he staggered suddenly backwards, seizing the wall of the road for support, and catching his breath. For the top of the cliff, he fancied, moved. A group of stars was for a fraction of a second — hidden. The earth — the scenery of the valley, at least — turned about him. Something prodigious was happening to the solid structure of the world. The precipices seemed to bend over upon the valley. The far, uppermost ridge of those beetling cliffs shifted downwards. Meiklejohn declares that the way its movement hid momentarily a group of stars was the most startling — for some reason horrible — thing he
had ever witnessed.
Then came the roar and crash and thunder as the mass toppled, slid, and finally — took the frightful plunge. How long the forces of rain and frost had been chiselling out the slow detachment of the giant slabs that fell, or whence came the particular extra little push that drove the entire mass out from the parent rock, no one can know. Only one thing is certain: that it was due to no chance, but to the nicely and exactly calculated results of balanced cause and effect. From the beginning of time it had been known — it might have been accurately calculated, rather — that this particular thousand tons of rock would break away from the crumbling tops of the precipices and crash downwards with the roar of many tempests into the lost and mysterious mountain valley where Meiklejohn the curate spent such and such a night of such and such a holiday. It was just as sure as the return of Halley’s comet.
‘I watched it,’ he says, ‘because I couldn’t do anything else. I would far rather have run — I was so frightfully close to it all — but I couldn’t move a muscle. And in a few seconds it was over. A terrific wind knocked me backwards against the stone wall; there was a vast clattering of smaller stones, set rolling down the neighbouring couloirs; a steady roll of echoes ran thundering up and down the valley; and then all was still again exactly as it had been before. And the curious thing was — ascertained a little later, as you may imagine, and not at once — that the inn, being so closely built up against the cliffs, had almost entirely escaped. The great mass of rock and trees had taken a leap farther out, and filled the meadows, blocked the road, crushed the sawmill like a matchbox, and dammed up the stream; but the inn itself was almost untouched.
‘Almost — for a single block of limestone, about the size of a grand piano, had dropped straight upon one corner of the roof and smashed its way through my bedroom, carrying everything it contained down to the level of the cellar, so terrific was the momentum of its crushing journey. Not a stick of the furniture was afterwards discoverable — as such. The bed seems to have been caught by the very middle of the fallen mass.’
The confusion in Meiklejohn’s mind may be imagined — ¬the rush of feeling and emotion that swept over him. Berthoud and the peasants mustered in less than a dozen minutes, talking, crying, praying. Then the stream, dammed up by the accumulation of rock, carried off the debris of the broken roof and walls in less than half an hour. The rock, however, that swept the room and the empty bed of Meiklejohn the curate into dust, still lies in the valley where it fell.
‘The only other thing that I remember,’ he says, in telling the story, ‘is that, as I stood there, shaking with excitement and the painful terror of it all, before Berthoud and the peasants had come to count over their number and learn that no one was missing — while I stood there, leaning against the wall of the road, something rose out of the white dust at my feet, and, with a noise like the whirring of some immense projectile, passed swiftly and invisibly away up into space — so far as I could judge, towards the distant ridges that reared their motionless outline in moonlight beneath the stars.’
THE DESTRUCTION OF SMITH
Ten years ago, in the western States of America, I once met Smith. But he was no ordinary member of the clan: he was Ezekiel B. Smith of Smithville. He was Smithville, for he founded it and made it live.
It was in the oil region, where towns spring up on the map in a few days like mushrooms, and may be destroyed again in a single night by fire and earthquake. On a hunting expedition Smith stumbled upon a natural oil well, and instantly staked his claim; a few months later he was rich, grown into affluence as rapidly as that patch of wilderness grew into streets and houses where you could buy anything from an evening’s gambling to a tin of Boston baked pork-and-beans. Smith was really a tremendous fellow, a sort of human dynamo of energy and pluck, with rare judgment in his great square head — the kind of judgment that in higher walks of life makes statesmen. His personality cut through the difficulties of life with the clean easy force of putting his whole life into anything he touched. ‘God’s own luck,’ his comrades called it; but really it was sheer ability and character and personality. The man had power.
From the moment of that ‘oil find’ his rise was very rapid, but while his brains went into a dozen other big enterprises, his heart remained in little Smithville, the flimsy mushroom town he had created. His own life was in it. It was his baby. He spoke tenderly of its hideousness. Smithville was an inti¬mate expression of his very self.
Ezekiel B. Smith I saw once only, for a few minutes; but I have never forgotten him. It was the moment of his death. And we came across him on a shooting trip where the forests melt away towards the vast plains of the Arizona desert. The personality of the man was singularly impressive. I caught myself thinking of a mountain, or of some elemental force of Nature so sure of itself that hurry is never necessary. And his gentleness was like the gentleness of women. Great strength often — the greatest always — has tenderness in it, a depth of tenderness unknown to pettier life.
Our meeting was coincidence, for we were hunting in a region where distances are measured by hours and the chance of running across white men very rare. For many days our nightly camps were pitched in spots of beauty where the loneliness is akin to the loneliness of the Egyptian Desert. On one side the mountain slopes were smothered with dense forest, hiding wee meadows of sweet grass like English lawns; and on the other side, stretching for more miles than a man can count, ran the desolate alkali plains of Arizona where tufts of sage-brush are the only vegetation till you reach the lips of the Colorado Canyons. Our horses were tethered for the night beneath the stars. Two backwoodsmen were cooking dinner. The smell of bacon over a wood fire mingled with the keen and fragrant air — when, suddenly, the horses neighed, signalling the approach of one of their own kind. Indians, white men — probably another hunting party — were within scenting distance, though it was long before my city ears caught any sound, and still longer before the cause itself entered the circle of our firelight.
I saw a square-faced man, tanned like a redskin, in a hunt¬ing shirt and a big sombrero, climb down slowly from his horse and move towards us keenly searching with his eyes; and at the same moment Hank, looking up from the frying-pan where the bacon and venison spluttered in a pool of pork-fat, exclaimed, ‘Why, it’s Ezekiel B.!’ The next words, addres¬sed to Jake, who held the kettle, were below his breath: ‘And if he ain’t all broke up! Jest look at the eyes on him!’ I saw what he meant — the face of a human being distraught by some extraordinary emotion, a soul in violent distress, yet betrayal well kept under. Once, as a newspaper man, I had seen a murderer walk to the electric chair. The expression was similar. Death was behind the eyes, not in them. Smith brought in with him — terror.
In a dozen words we learned he had been hunting for some weeks, but was now heading for Tranter, a ‘stop-off’ station where you could flag the daily train 140 miles south-west. He was making for Smithville, the little town that was the apple of his eye. Something ‘was wrong’ with Smithville. No one asked him what — it is the custom to wait till informa¬tion is volunteered. But Hank, helping him presently to venison (which he hardly touched), said casually, ‘Good hunting, Boss, your way?’; and the brief reply told much, and proved how eager he was to relieve his mind by speech. ‘I’m glad to locate your camp, boys,’ he said. ‘That’s luck. There’s something going wrong’ — and a catch came into his voice— ‘with Smithville.’ Behind the laconic statement emerged somehow the terror the man experienced. For Smith to confess cowardice and in the same breath admit mere ‘luck’, was equivalent to the hysteria that makes city people laugh or cry. It was genuinely dramatic. I have seen nothing more impressive by way of human tragedy — though hard to explain why — than this square-jawed, dauntless man, sitting there with the firelight on his rugged features, and saying this simple thing. For how in the world could he know it?
In the pause that followed, his Indians came gliding in, tethered the horses, and sat down without a
word to eat what Hank distributed. But nothing was to be read on their impas¬sive faces. Redskins, whatever they may feel, show little. Then Smith gave us another pregnant sentence. ‘They heard it too,’ he said, in a lower voice, indicating his three men; ‘they saw it jest as I did.’ He looked up into the starry sky a second. ‘It’s hard upon our trail right now,’ he added, as though he expected something to drop upon us from the heavens. And from that moment I swear we all felt creepy. The darkness round our lonely camp hid terror in its folds; the wind that whispered through the dry sage-brush brought whispers and the shuffle of watching figures; and when the Indians went softly out to pitch the tents and get more wood for the fire, I remember feeling glad the duty was not mine. Yet this feeling of uneasiness is something one rarely experiences in the open. It belongs to houses, overwrought imaginations, and the presence of evil men. Nature gives peace and security. That we all felt it proves how real it was. And Smith, who felt it most, of course, had brought it.
‘There’s something gone wrong with Smithville’ was an ominous statement of disaster. He said it just as a man in civilised lands might say, ‘My wife is dying; a telegram’s just come. I must take the train.’ But how he felt so sure of it, a thousand miles away in this uninhabited corner of the wilderness, made us feel curiously uneasy. For it was an in¬credible thing — yet true. We all felt that. Smith did not imagine things. A sense of gloomy apprehension settled over our lonely camp, as though things were about to happen. Already they stalked across the great black night, watching us with many eyes. The wind had risen, and there were sounds among the trees. I, for one, felt no desire to go to bed. The way Smith sat there, watching the sky and peering into the sheet of darkness that veiled the Desert, set my nerves all jangling. He expected something — but what? It was following him. Across this tractless wilderness, apparently above him against the brilliant stars, Something was ‘hard upon his trail.’
Collected Works of Algernon Blackwood Page 452