Collected Works of Algernon Blackwood

by Algernon Blackwood

  For one of the objects, less swift than the rest, had not quite regained its “attitude” of repose. It still moved. Below the window curtains on the right, not far from the shelf that bore the violins in their glass cases, he made it out, slowly gliding along the floor. Then, even as his eye caught it, it came to rest.

  And, while the cold perspiration broke out all over him afresh, he knew that this still moving item was the cause both of his waking and of his terror. This was the disturbance whose presence he had divined in the flat without actual hearing, and whose passage through his room, while he yet slept, had touched every nerve in his body as with ice. Clutching his Turkish sword tightly, he drew back with the utmost caution against the wall and watched, for the singular impression came to him that the movement was not that of a human being crouching, but rather of something that pertained to the animal world. He remembered, flash-like, the movements of reptiles, the stealth of the larger felines, the undulating glide of great snakes. For the moment, however, it did not move, and they faced one another.

  The other side of the room was but dimly lighted, and the noise he made clicking up another electric lamp brought the thing flying forward again — towards himself. At such a moment it seemed absurd to think of so small a detail, but he remembered his bare feet, and, genuinely frightened, he leaped upon a chair and swished with his sword through the air about him. From this better point of view, with the increased light to aid him, he then saw two things — first, that the glass case usually covering the Guarnerius violin had been shifted; and, secondly, that the moving object was slowly elongating itself into an upright position. Semi-erect, yet most oddly, too, like a creature on its hind legs, it was coming swiftly towards him. It was making for the door — and escape.

  The confusion of ghostly fear was somehow upon him so that he was too bewildered to see clearly, but he had sufficient self-control, it seemed, to recover a certain power of action; for the moment the advancing figure was near enough for him to strike, that curved scimitar flashed and whirred about him, with such misdirected violence, however, that he not only failed to strike it even once, but at the same time lost his balance and fell forward from the chair whereon he perched — straight into it.

  And then came the most curious thing of all, for as he dropped, the figure also dropped, stooped low down, crouched, dwindled amazingly in size, and rushed past him close to the ground like an animal on all fours. John Gilmer screamed, for he could no longer contain himself. Stumbling over the chair as he turned to follow, cutting and slashing wildly with his sword, he saw halfway down the darkened corridor beyond the scuttling outline of, apparently, an enormous — cat!

  The door into the outer landing was somehow ajar, and the next second the beast was out, but not before the steel had fallen with a crashing blow upon the front disappearing leg, almost severing it from the body.

  It was dreadful. Turning up the lights as he went, he ran after it to the outer landing. But the thing he followed was already well away, and he heard, on the floor below him, the same oddly gliding, slithering, stealthy sound, yet hurrying, that he had heard weeks before when something had passed him in the lift and Morgan, in his terror, had likewise cried aloud.

  For a time he stood there on that dark landing, listening, thinking, trembling; then turned into the flat and shut the door. In the sitting-room he carefully replaced the glass case over the treasured violin, puzzled to the point of foolishness, and strangely routed in his mind. For the violin itself, he saw, had been dragged several inches from its cushioned bed of plush.

  Next morning, however, he made no allusion to the occurrence of the night. His brother apparently had not been disturbed.

  5

  The only thing that called for explanation — an explanation not fully forthcoming — was the curious aspect of Mr. Morgan’s countenance. The fact that this individual gave notice to the owners of the building, and at the end of the month left for a new post, was, of course, known to both brothers; whereas the story he told in explanation of his face was known only to the one who questioned him about it — John. And John, for reasons best known to himself, did not pass it on to the other. Also, for reasons best known to himself, he did not cross-question the liftman about those singular marks, or report the matter to the police.

  Mr. Morgan’s pasty visage was badly scratched, and there were red lines running from the cheek into the neck that had the appearance of having been produced by sharp points viciously applied — claws. He had been disturbed by a noise in the hall, he said, about three in the morning, a scuffle had ensued in the darkness, but the intruder had got clear away....

  “A cat or something of the kind, no doubt,” suggested John Gilmer at the end of the brief recital. And Morgan replied in his usual way: “A cat, or something of the kind, Mr. John, no doubt.”

  All the same, he had not cared to risk a second encounter, but had departed to wear his billycock and uniform in a building less haunted.

  Hyman, meanwhile, made no attempt to call and talk over his dismissal. The reason for this was only apparent, however, several months later when, quite by chance, coming along Piccadilly in an omnibus, the brothers found themselves seated opposite to a man with a thick black beard and blue glasses. William Gilmer hastily rang the bell and got out, saying something half intelligible about feeling faint. John followed him.

  “Did you see who it was?” he whispered to his brother the moment they were safely on the pavement.

  John nodded.

  “Hyman, in spectacles. He’s grown a beard, too.”

  “Yes, but did you also notice — —”

  “What?”

  “He had an empty sleeve.”

  “An empty sleeve?”

  “Yes,” said William; “he’s lost an arm.”

  There was a long pause before John spoke. At the door of their club the elder brother added:

  “Poor devil! He’ll never again play on” — then, suddenly changing the preposition— “with a pedigree violin!”

  And that night in the flat, after William had gone to bed, he looked up a curious old volume he had once picked up on a second-hand bookstall, and read therein quaint descriptions of how the “desire-body of a violent man” may assume animal shape, operate on concrete matter even at a distance; and, further, how a wound inflicted thereon can reproduce itself upon its physical counterpart by means of the mysterious so-called phenomenon of “re-percussion.”

  * * *

  XII

  WIRELESS CONFUSION

  “Good night, Uncle,” whispered the child, as she climbed on to his knee and gave him a resounding kiss. “It’s time for me to disappop into bed — at least, so mother says.”

  “Disappop, then,” he replied, returning her kiss, “although I doubt....”

  He hesitated. He remembered the word was her father’s invention, descriptive of the way rabbits pop into their holes and disappear, and the way good children should leave the room the instant bed-time was announced. The father — his twin brother — seemed to enter the room and stand beside them. “Then give me another kiss, and disappop!” he said quickly. The child obeyed the first part of his injunction, but had not obeyed the second when the queer thing happened. She had not left his knee; he was still holding her at the full stretch of both arms; he was staring into her laughing eyes, when she suddenly went far away into an extraordinary distance. She retired. Minute, tiny, but still in perfect proportion and clear as before, she was withdrawn in space till she was small as a doll. He saw his own hands holding her, and they too were minute. Down this long corridor of space, as it were, he saw her diminutive figure.

  “Uncle!” she cried, yet her voice was loud as before, “but what a funny face! You’re pretending you’ve seen a ghost” — and she was gone from his knee and from the room, the door closing quietly behind her. He saw her cross the floor, a tiny figure. Then, just as she reached the door, she became of normal size again, as if she crossed a line.

 
He felt dizzy. The loud voice close to his ear issuing from a diminutive figure half a mile away had a distressing effect upon him. He knew a curious qualm as he sat there in the dark. He heard the wind walking round the house, trying the doors and windows. He was troubled by a memory he could not seize.

  Yet the emotion instantly resolved itself into one of personal anxiety: something had gone wrong with his eyes. Sight, his most precious possession as an artist, was of course affected. He was conscious of a little trembling in him, as he at once began trying his sight at various objects — his hands, the high ceiling, the trees dim in the twilight on the lawn outside. He opened a book and read half a dozen lines, at changing distances; finally he stared carefully at the second hand of his watch. “Right as a trivet!” he exclaimed aloud. He emitted a long sigh; he was immensely relieved. “Nothing wrong with my eyes.”

  He thought about the actual occurrence a great deal — he felt as puzzled as any other normal person must have felt. While he held the child actually in his arms, gripping her with both hands, he had seen her suddenly half a mile away. “Half a mile!” he repeated under his breath, “why it was even more, it was easily a mile.” It had been exactly as though he suddenly looked at her down the wrong end of a powerful telescope. It had really happened; he could not explain it; there was no more to be said.

  This was the first time it happened to him.

  At the theatre, a week later, when the phenomenon was repeated, the stage he was watching fixedly at the moment went far away, as though he saw it from a long way off. The distance, so far as he could judge, was the same as before, about a mile. It was an Eastern scene, realistically costumed and produced, that without an instant’s warning withdrew. The entire stage went with it, although he did not actually see it go. He did not see movement, that is. It was suddenly remote, while yet the actors’ voices, the orchestra, the general hubbub retained their normal volume. He experienced again the distressing dizziness; he closed his eyes, covering them with his hand, then rubbing the eyeballs slightly; and when he looked up the next minute, the world was as it should be, as it had been, at any rate. Unwilling to experience a repetition of the thing in a public place, however, and fortunately being alone, he left the theatre at the end of the act.

  Twice this happened to him, once with an individual, his brother’s child, and once with a landscape, an Eastern stage scene. Both occurrences were within the week, during which time he had been considering a visit to the oculist, though without putting his decision into execution. He was the kind of man that dreaded doctors, dentists, oculists, always postponing, always finding reasons for delay. He found reasons now, the chief among them being an unwelcome one — that it was perhaps a brain specialist, rather than an oculist, he ought to consult. This particular notion hung unpleasantly about his mind, when, the day after the theatre visit, the thing recurred, but with a startling difference.

  While idly watching a blue-bottle fly that climbed the window-pane with remorseless industry, only to slip down again at the very instant when escape into the open air was within its reach, the fly grew abruptly into gigantic proportions, became blurred and indistinct as it did so, covered the entire pane with its furry, dark, ugly mass, and frightened him so that he stepped back with a cry and nearly lost his balance altogether. He collapsed into a chair. He listened with closed eyes. The metallic buzzing was audible, a small, exasperating sound, ordinarily unable to stir any emotion beyond a mild annoyance. Yet it was terrible; that so huge an insect should make so faint a sound seemed to him terrible.

  At length he cautiously opened his eyes. The fly was of normal size once more. He hastily flicked it out of the window.

  An hour later he was talking with the famous oculist in Harley Street ... about the advisability of starting reading-glasses. He found it difficult to relate the rest. A curious shyness restrained him.

  “Your optic nerves might belong to a man of twenty,” was the verdict. “Both are perfect. But at your age it is wise to save the sight as much as possible. There is a slight astigmatism....” And a prescription for the glasses was written out. It was only when paying the fee, and as a means of drawing attention from the awkward moment, that his story found expression. It seemed to come out in spite of himself. He made light of it even then, telling it without conviction. It seemed foolish suddenly as he told it. “How very odd,” observed the oculist vaguely, “dear me, yes, curious indeed. But that’s nothing. H’m, h’m!” Either it was no concern of his, or he deemed it negligible.... His only other confidant was a friend of psychological tendencies who was interested and eager to explain. It is on the instant plausible explanation of anything and everything that the reputation of such folk depends; this one was true to type: “A spontaneous invention, my dear fellow — a pictorial rendering of your thought. You are a painter, aren’t you? Well, this is merely a rendering in picture-form of” — he paused for effect, the other hung upon his words— “of the odd expression ‘disappop.’”

  “Ah!” exclaimed the painter.

  “You see everything pictorially, of course, don’t you?”

  “Yes — as a rule.”

  “There you have it. Your painter’s psychology saw the child ‘disappopping.’ That’s all.”

  “And the fly?” but the fly was easily explained, since it was merely the process reversed. “Once a process has established itself in your mind, you see, it may act in either direction. When a madman says ‘I’m afraid Smith will do me an injury,’ it means, ‘I will do an injury to Smith,’” And he repeated with finality, “That’s it.”

  The explanations were not very satisfactory, the illustration even tactless, but then the problem had not been stated quite fully. Neither to the oculist nor to the other had all the facts been given. The same shyness had been a restraining influence in both cases; a detail had been omitted, and this detail was that he connected the occurrences somehow with his brother whom the war had taken.

  The phenomenon made one more appearance — the last — before its character, its field of action rather, altered. He was reading a book when the print became now large, now small; it blurred, grew remote and tiny, then so huge that a single word, a letter even, filled the whole page. He felt as if someone were playing optical tricks with the mechanism of his eyes, trying first one, then another focus.

  More curious still, the meaning of the words themselves became uncertain; he did not understand them any more; the sentences lost their meaning, as though he read a strange language, or a language little known. The flash came then — someone was using his eyes — someone else was looking through them.

  No, it was not his brother. The idea was preposterous in any case. Yet he shivered again, as when he heard the walking wind, for an uncanny conviction came over him that it was someone who did not understand eyes but was manipulating their mechanism experimentally. With the conviction came also this: that, while not his brother, it was someone connected with his brother.

  Here, moreover, was an explanation of sorts, for if the supernatural existed — he had never troubled his head about it — he could accept this odd business as a manifestation, and leave it at that. He did so, and his mind was eased. This was his attitude: “The supernatural may exist. Why not? We cannot know. But we can watch.” His eyes and brain, at any rate, were proved in good condition.

  He watched. No change of focus, no magnifying or diminishing, came again. For some weeks he noticed nothing unusual of any kind, except that his mind often filled now with Eastern pictures. Their sudden irruption caught his attention, but no more than that; they were sometimes blurred and sometimes vivid; he had never been in the East; he attributed them to his constant thinking of his brother, missing in Mesopotamia these six months. Photographs in magazines and newspapers explained the rest. Yet the persistence of the pictures puzzled him: tents beneath hot cloudless skies, palms, a stretch of desert, dry watercourses, camels, a mosque, a minaret — typical snatches of this kind flashed into his mind with a sense o
f faint familiarity often. He knew, again, the return of a fugitive memory he could not seize.... He kept a note of the dates, all of them subsequent to the day he read his brother’s fate in the official Roll of Honour: “Believed missing; now killed.” Only when the original phenomenon returned, but in its altered form, did he stop the practice. The change then affected his life too fundamentally to trouble about mere dates and pictures.

  For the phenomenon, shifting its field of action, abruptly became mental, and the singular change of focus took place now in his mind. Events magnified or contracted themselves out of all relation with their intrinsic values, sense of proportion went hopelessly astray. Love, hate and fear experienced sudden intensification, or abrupt dwindling into nothing; the familiar everyday emotions, commonplace daily acts, suffered exaggerated enlargement, or reduction into insignificance, that threatened the stability of his personality. Fortunately, as stated, they were of brief duration; to examine them in detail were to touch the painful absurdities of incipient mania almost; that a lost collar stud could block his exasperated mind for hours, filling an entire day with emotion, while a deep affection of long standing could ebb towards complete collapse suddenly without apparent cause...!

  It was the unexpected suddenness of Turkey’s spectacular defeat that closed the painful symptoms. The Armistice saw them go. He knew a quick relief he was unable to explain. The telegram that his brother was alive and safe came after his recovery of mental balance. It was a shock. But the phenomena had ceased before the shock.