One Thousand and One Nights

by Richard Burton

  I am, Sir, etc.

  RICHARD F. BURTON.

  The process of filling-up my list presented a fine and varied study of character; and an extensive experience of subscribers, as well as of non-subscribers, presently enabled me to distribute the genus into the following eight species. The friendly subscriber who takes ten copies (more or less) forwarding their value. The gentleman subscriber who pays down his confidingly. The cautious-canny subscriber who ventures £5. 5s., or half the price. The impudent and snobbish subscriber who will address his victim as follows: —

  Sir,

  Send me the first volume of your Arabian Nights and if I like it I will perhaps take more.

  Yours obediently,

  X.Y.Z.

  And Cynophron will probably receive for all reply: —

  Sir,

  Send me ten guineas and take one or ten volumes as you please.

  Yours obediently, etc.

  No. vi. is the fussy and troublesome subscriber who gives more bother than he is worth, and who takes a VICIOUS pride in not paying till pushed to the last point. The professional subscriber fights hard for the most favourable terms, and holds it his vested right to “part” by dribblers. And lastly comes the dishonest subscriber who does not pay at all. I must however, in justice own that species No. viii. is rare: of one thousand the proportion was only about a score.

  In mid-June, ‘85, I returned to London and began at once to prepare for issuing the book. Having found the publisher peculiarly unsatisfactory — with one single and remarkable exception my venerable friend, Mr. Van Voorst, whilome of Paternoster Row — I determined, like Professor Arber, to do without him, although well aware how risky was the proceeding, which would, in the case of a work for general reading, have arrayed against me the majority of the trade and of their “hands,” the critics. Then I sought hard, but sought in vain, for the agency of a literary friend or friends, men of name and note, like those who assisted in the Villon version: all feared the responsibility and the expected storm of abuse which, however, failed to burst.

  Under these circumstances “The Printing Times,” a professional periodical produced by Messieurs Wymans, was pleased (August 25, ‘85) to be unpleasantly intrusive on the subject of my plan. “We always heard associated with the publication of this important work, the name of Mr. —— , which is now conspicuous by its absence, nor is, apparently the name of any other leading publishing house to be identified with its production” (The Printer’s Devil is, I presume, responsible for the English!) The writer then warns me in all (un-)friendliness that if the printers forget to add their imprint, they would become liable to a legal penalty; that the work is unsafe for literal translation and, lastly that although printed by private subscription, “It is likely enough to be pronounced an injury to public morals to the danger of the author and his printers.” The unhappy article concludes, “We await the issue of the first volume since much will depend upon the spirit(!) in which the translation has been undertaken; certainly the original text is not suitable for general circulation (connu!) unless edited with the utmost care and discretion.”

  To this production so manifestly inspired by our old friend £s. d., I replied in The Aademy (August 7, ‘85), the gist of the few lines being as follows: —

  In answer to many inquiries from friends and others, will you allow me to repeat through your columns, that my translation of the “Arabian Nights” will be strictly limited to 1,000 copies, each sent to picked subscribers, and to renew the promise which I before made, that no cheaper edition shall be printed? Correspondents have complained that I have not stated the price; but I have mentioned over and over again that there are ten volumes, at one guinea each — my object in making it so expensive being to keep it from the general public. I am also troubled with inquiries as to who is my publisher I am my own publisher, inaugurating (Inshallah!) a golden age for authors. Jesting apart the book has no publisher. It is printed by myself for the benefit of Orientalists and Anthropologists, and nothing could be more repugnant to me than the idea of a book of the kind being published or being put into the hands of any publisher.

  The first volume dated “Benares: MDCCCLXXXV: Printed by the Kamashastra Society for Private Subscribers only,” did not appear till September 12, ‘85: it had been promised for March and had been delayed by another unavoidable detention at Trieste. But my subscribers had no further cause of complaint; ten tomes in sixteen months ought to satisfy even the most exigent.

  No. i. volume was accompanied by a circular earnestly requesting that the book might not be exposed for sale in public places or permitted to fall into the hands of any save curious students of Moslem manners. Yet the birth of the first-born was accompanied (I am fain to confess) with no small trouble and qualms to the parent and to all who assisted at the parturition. Would the “little stranger” robed in black and gold, the colours of the Abbaside Caliphs, with its brick-red night-cap after the fashion of ecclesiastical bandings, be kindly welcomed or would it be regarded as an abortion, a monster? The reader will readily understand how welcome to an author in such perplexity came the following article from the Standard (September 12), usually attributed to the popular and trenchant pen of Mr. Alfred Austin. I must be permitted to quote it entire, because it expresses so fully and so admirably all and everything I could desire a reviewer to write. And the same paper has never ceased to give me the kindest encouragement: its latest notice was courteous and appreciative as its earliest.

  The first volume of Captain Burton’s long-expected edition of the “Arabian Nights” was issued yesterday to those who are in a position to avail themselves of the wealth of learning contained in this monumental labour of the famous Eastern traveller. The book is printed for subscribers only, and is sold at a price which is not likely to be paid by any save the scholars and students for whose instruction it is intended. But though the Benares “Kamashastra Society” are careful to let the world know that the “Thousand Nights and a Night” is not “published” in the technical sense of the term, the pages which will be read by a thousand purchasers may be fittingly regarded as the property of the world at large. In any case, the day when the experience of a life was embodied into this fresh translation of the “Alf Laylah wa Laylah” marks a distinct stage in the history of Oriental research. The world has had numerous versions of these stories. For at least a century and a half they have delighted old and young, until Shahrazade and Dunyazade, the Fisherman and the Jinn, and the tales told by the Tailor, the Kalendar, the Nazarene broker, and the Hunchback. . . to say nothing of Aladdin, Ali Baba, Sinbad the Sailor, and Camaralzaman and Badoura — seem like the most familiar of friends. Yet many of those who know the ordinary epitome prepared for the nursery and the drawing-room have little idea of the nature of the original. Galland’s abridgment was a mere shadow of the Arabic. Even the editions of Lane and Habicht and Torrens and Von Hammer represented but imperfectly the great corpus of Eastern folk-lore which Captain Burton has undertaken to render into English, without regard to the susceptibilities of those who, not having bought the book, are, therefore, in no way concerned in what is the affair of him and his subscribers. The best part of two centuries have passed away since Antoine Galland first turned some of the tales into French, and got stigmatised as a forger for his pains. Never was there such a sensation as when he printed his translations. For weeks he had been pestered by troops of roysterers rousing him out of bed, and refusing to go until the shivering Professor recited one of the Arab stories to the crowd under his window. Nor has the interest in them in any way abated. Thousands of copies pass every year into circulation, and any one who has ever stood in the circle around the professional storyteller of the East must have noticed how often he draws on this deathless collection. The camel-driver listens to them as eagerly as did his predecessors ages ago. The Badawi laughs in spite of himself, though next moment he ejaculates a startling “Astaghfaru’llah” for listening to the light mention of the sex whose name is never he
ard amongst the Nobility of the Desert. Or if the traveller is a scholar and a gentleman, he will pull out his book for amusement of the company squatted round the camp fire, as did Captain Burton many a time and oft in the course of his Eastern wanderings.

  To Captain Burton the preparation of these volumes must have been a labour of love. He began them in conjunction with his friend Steinhaeuser, soon after his return from the Mecca pilgrimage, more than thirty years ago, and he has been doing something to them ever since. In the swampy jungles of West Africa a tale or two has been turned into English, or a poem has been versified during the tedium of official life in the dank climate of Brazil. From Sind to Trieste the manuscript has formed part and parcel of his baggage and though, in the interval, the learned author has added many a volume to the shelf-full which he has written, the “Thousand Nights and a Night” have never been forgotten. And now when he nears the end of his labours it seems as if we had never before known what the beauteous Shahrazad told the King who believed not in the constancy of women. Captain Burton seems the one sober man among drunkards. We have all the old company though they appear in dresses so entirely new that one scans the lines again and again before the likeness is quite recognised. However, Tajal-Mulook will no doubt be as knightly as ever when his turn comes, for the Barber is garrulous, after the old fashion, and the three Shaykhs relate their experiences with the Jinns, the gazelles, and mules as vividly as they have done any time these thousand years or more. King Yoonan and the Sage Dooban are here, and so are King Sindibad and his falcon, the young Prince of the Black Islands, the envious Weezer and the Ghoolah, and the stories of the Porter and the Ladies of Baghdad lose nothing of their charm in the new, and, we may add, extremely unsophisticated version. For Captain Burton’s work is not virginibus puerisque, and, while disclaiming for his version anything like intentional indecorum, he warns the readers that they will be guilty of a breach of good faith should they permit a work prepared only for students to fall into the hands of boys and girls. From the first to almost the penultimate edition of these stories the drawing-room alone has been consulted. Even Mr. Payne, though his otherwise faithful version was printed for the Villon Society, had the fear of Mrs. Grundy before his eyes. Moreover, no previous editor — not even Lane himself — had a tithe of Captain Burton’s acquaintance with the manners and customs of the Moslem East. Hence not unfrequently, they made ludicrous blunders and in no instance did they supply anything like the explanatory notes which have added so greatly to the value of this issue of “Alf Laylah wa Laylah.” Some of these are startling in their realism, and often the traveller who believed that he knew something of the East, winces at the plainness with which the Wazir’s daughter tells her tales to Shahryar, King of the Banu Sasan. The language is, however, more frequently coarse than loose, and smacks more of the childish plainness with which high and low talk in the family circles from Tangier to Malayia, than of prurience or suggestiveness. The Oriental cannot understand that it is improper to refer in straightforward terms to anything which Allah has created or of which the Koran treats. But in his conversation, as in his folk-lore, there is no subtle corruption or covert licentiousness — none of the vicious suggestion and false sentiment that pervade so many of the productions of the modern romantic school.

  It is, indeed, questionable whether there is much in these inimitable romances half so objectionable as many of the chapters in Rabelais and Boccaccio. Nor do the most archaic of the passages which Captain Burton declines to “veil in the decent obscurity of a learned language” leave much room for the admirers of Shakespeare, or Greene, or Nash, or Wycherley, or Swift, or Sterne to cry shame. Their coarseness was a reflection of the times. The indelicacy was not offensive to those who heard it. On the other hand, apart from the language, the general tone of “The Nights” is exceptionally high and pure. The devotional fervour, as Captain Burton justly claims, often rises to the boiling-point of fanaticism and the pathos is sweet and deep, genuine and tender, simple and true. Its life — strong, splendid, and multitudinous — is everywhere flavoured with that unaffected pessimism and constitutional melancholy which strike deepest root under the brightest skies. The Kazi administers poetical justice with exemplary impartiality, and so healthy is the morale that at times we descry through the voluptuous and libertine picture “vistas of a transcendental morality — the morality of Socrates in Plato.” In no other work of the same nature is Eastern life so vividly portrayed. We see the Arab Knight, his prowess and his passion for adventure, his love and his revenge, the craft of his wives, and the hypocrisy of his priests, as plainly as if we had lived among them. Gilded palaces, charming women, lovely gardens, caves full of jewels, and exquisite repasts, captivate the senses and give variety to the panorama which is passing before our eyes. Yet we repeat that, though there is much in the excellent version now begun which is very plain speaking, there is nothing intentionally demoralising. Evidently, however the translator is prepared to hear this charge brought against his labour of love. Indeed, there is a tinge of melancholy pervading the preface in which the Editor refers to his “unsuccessful professional life,” and to the knowledge of which his country has cared so little to avail itself. * * * * * Even in the recent Egyptian troubles — which are referred to somewhat bitterly — his wisdom was not utilised, though, after the death of Major Morice, there was not an English official in the camps before Suakin capable of speaking Arabic. On this scandal, and on the ignorance of Oriental customs which was everywhere displayed, Captain Burton is deservedly severe. The issue of the ten volumes now in the press, accompanied by notes so full of learning as those with which they are illuminated, will surely give the nation an opportunity for wiping away the reproach of that neglect which Captain Burton seems to feel more keenly than he cares to express.

  This was a sop to the friend and a sore blow dealt to the enemy. Moreover it was speedily followed up by another as swashing and trenchant in the Morning Advertiser (September 15, ‘85), of which long extracts are presently quoted. The journal was ever friendly to me during the long reign of Mr. James Grant, and became especially so when the editorial chair was so worthily filled by my old familiar of Oxford days, the late Alfred Bate Richards, a man who made the “Organ of the Licensed Victuallers” a power in the state and was warmly thanked for his good services by that model conservative, Lord Beaconsfield.

  A phrase in the Standard, the “most archaic of the passages,” acted upon

  The “Pall Mall Gazette”

  like a red rag upon a rageous bull. I should rather say that it excited the so-called “Sexual I Journal” by suggesting another opportunity for its unclean sensationalism: perhaps also the staff hoped to provide company and a fellow-sufferer for their editor, who was then in durance vile, his of fences being “inciting to an indecent assault” and an act of criminal immorality. I should not have felt called upon to remind my readers of a scandal half forgotten in England, while still held in lively remembrance by the jealous European world, had not the persistent fabrications, calumnies, and slanders of the Pall Mall, which continue to this day, compelled me to move in self-defence, and to explain the mean under lying motives.

  Some three years and a half ago (June 3, ‘85), the paper startled the world of London by a prodigy of false, foul, and fulsome details in the shape of articles entitled “The Maiden Tribute of Modern Babylon.” The object of the editor, Mr. William T. Stead, a quondam teacher in the London schools and a respectable Methodist strengthened by non- Conformist support, in starting this ignoble surprise on the public was much debated. His partisans asserted that he had been honestly deceived by some designing knave as if such child-like credulity were any excuse for a veteran journalist! His foes opined that under the cloak of a virtue, which Cato never knew, he sought to quicken his subscription list ever dwindling under the effects of his exaggerated Russophilism and Anglophobia.

  But whatever may have been the motive, the effect was deplorable. The articles, at once collected into
a pamphlet (price two pence), as the “Report of the Pall Mall Gazette’s Secret Commission,” and headed by a laudatory quotation from one of the late Lord Shaftesbury’s indiscreetly philanthropic speeches, were spread broadcast about every street and lane in London. The brochure of sixteen pages divided into three chapters delighted the malignant with such sensational section-headings as — How Girls are Bought and Ruined — Why the Cries of the Victims are not Heard — Procuresses in the West End — How Annie was Procured — You Want a Maid, do You? — The Ruin of Children — A London Minotaur(?) — The Ruin of the Young Life — The Demon Child and — A Close Time for Girls, the latter being intended to support the recommendation of the Lords’ Committee and the promise of a Home Secretary that the age of consent be raised from thirteen to sixteen. And all this catchpenny stuff (price 2d.) ended characteristically with “Philanthropic and Religious Associations can be supplied with copies of this reprint on special terms.” Such artless benevolence and disinterested beneficence must, of course, be made to pay.