Collected Works of Zane Grey

by Zane Grey

  By nightfall he had come to the border of cane. Like an eel through grass, he slipped between the stalks to the river. On the opposite shore faint lights twinkled. At first he took them for fireflies. But dark forms moving across the lights told him he had stumbled upon an encampment of the Cashibos.

  The river seemed uneasy, stirring. It was rising fast. By dawn it would be bank full with a swift current. Under the pale stars the water shimmered, steely black in the shade of overhanging shore, dead silver in the center, where the fish swirled and the crocodiles trailed dimpling wakes.

  Without hesitation, Manuel stepped into the water, noiselessly sinking himself to his neck. With his ear level with the surface, he subordinated every sense to that of hearing. The river was a sounding board, augmenting the faint jungle sounds. Crossing would be as safe for him then as it would ever be.

  Grim as death, Manuel trusted himself to the river. He glided off the shoal without making a ripple, and swam deep with guarded strokes. Fish sported before him; spiders and snakes grazed his cheeks; caymans floated by with knotty snout parting the current, and lines of bubbles bursting with hollow sound betrayed the underwater passage of more of the lazy reptiles.

  Once Manuel felt the swirl and heave of water disturbed by a powerful force. A soft river breeze wafted to him the smell of burning wood and the dull roar of distant rapids. He crossed the shimmering space between the shadows of shore. Looking backward, he descried a circle of black snouts lazily closing in upon him. He quickened his strokes. The twinkling lights disappeared. All before him was black. He felt slimy reeds touch his face, and, lowering his feet, found the bottom, and cautiously waded out. Then he crouched down to rest to gather all his wit and strength for the final move.

  Toward the bank he could not see his hand before his face; riverward there was a glancing sheen of water that made the gloom opaque. He began to crawl, feeling in the darkness for a canoe. Moving downstream, he worked out of the marshy sedge to ground worn smooth and hard. It was a landing place for canoes.

  He strained his eyes. All about him were shadowy, merging shades without shape. The low murmur of strange voices halted him; he was within hearing of the cannibals. Then in him awoke the stealth and savage spirit of a jaguar stalking prey. Gliding up the trail, he peeped over the bank. Fires flickered back in the blackness, lighting wan circles that were streaked and shadowed by moving, dark forms. With fateful eyes Manuel watched.

  Below him a slight splash drew his attention. He fancied it too thin, too hard and dead, to be made by water creature. Again it broke the silence, unnatural to his trained ear. It was the splash of a paddle. Soundless as the shadows about him, Manuel glided down to the edge of the river and lay flat, hugging the sand.

  A long, low canoe, black against the background of the river gloom, swept in to the landing gloom, swept in to the landing, grated on the sand, and spread gentle, lapping waves against the beach. A slender form, smooth and wild in outline, stepped out within a yard of Manuel.

  Like a specter Manuel loomed up, and his hands closed vise-tight around the neck of the cannibal. He lifted him clear of the ground, and there held him, wrestling, wriggling till fierce struggles ceased in spasmodic convulsions and these subsided in a slow, trembling stretch.

  When the body hung limp, Manuel laid it down, and looked up the dim trail leading to the camp of the Cashibos. Upon him was the spell to kill. He saw again the gaudy butterfly darts in Señor’s back; he heard again that strange, terrible cry of triumph. Over him surged Señor’s grand disdain of life. Almost he yielded to an irresistible impulse to make that the end.

  “If I had my machete—” he thought. Then he threw off the insidious thrall, and, stepping into the canoe, picked up the paddle and pushed out into the river. The twinkling lights vanished in the foliage. There was no sound of pursuit; the dreamy jungle hum remained unbroken. He paddled the light canoe swiftly with the current.

  The moon rose, whitening the river lane. A breeze bore the boom of the Palcazu in flood. Once upon that river of rapids, Manuel would scorn pursuit. Slackening current told him that backwater had swelled the estuary. Soon his ears filled with the rumbling of waters, and he turned out of the estuary into the sliding, moon-blanched Palcazu.

  As he dipped into the glistening channel of the first rapid, the canoe, quivering and vibrating, seemed to lurch into the air. Shock on shock kept the bow leaping. Manuel crouched low in the stern. It took all the strength of his brawny arms to keep the canoe straight. Whirling suck holes raced with him; frothy waves curled along the gunwales. One rapid led into another, until the Palcazu was a thundering succession of broken waters. It ran wild for freedom. In the plunging inclines, the silver-crested channels, the bulging billows, were the hurry and spirit of the river. The current, splitting on black-headed stones, hissed its hatred of restraint. Manuel guided the canoe from side to side, glancing along the gulfs, fringing the falls, always abreast of the widest passages.

  A haze crept over the moon and thickened to gray fog. Shadows shrouded the river, hanging lower and lower, descending to mingle with the spray. Manuel paddled on while the hours passed.

  The fog curtain lightened to the coming of dawn. Manuel evinced no surprise to find himself gazing upon the misty flood of the wide Pachitea. He had run the Palcazu in one night. Paddling ashore, he beached the canoe to bail out water he had shipped in that wild ride.

  All night he had felt a balancing of some kind of cargo in the bow. Upon investigating, he found the bottom of the bow covered with palm leaves. These he lifted to discover two naked little savages cowering on a mat of woven reeds.

  “Cashibos!” ejaculated Manuel. “Boy and girl. They were in the canoe last night when I strangled that fellow, their father, probably. What’s to be done with them?”

  The boy was a dark copper color; his hair grew straight down over his low forehead; he was pot-bellied and altogether ugly. The girl was younger, lighter in color, slim and graceful, and pretty in a wild way, like a bronze elf of the jungle.

  “What’ll I do with them?” repeated Manuel. “I can’t kill them, or leave them here to starve or be eaten by jaguars. I’ll take them down the Pachitea and turn them over to a Campas tribe.”

  Having decided, Manuel folded a palm leaf and used it to bail out the canoe. In the bottom he found a bunch of dwarfish bananas and some dried fish. Here was good fortune in the way of food. He arranged the palm leaves across the gunwales, making a sun, rain, and dew shield. Then, pushing off, he paddled into the swollen current.

  The blazing sun rose; the sand flies wheeled with the drifting canoe; the afternoon rain poured; night came, with its cloud of singing mosquitoes, its poison dews and fogs.

  That day passed, and another like it. Every hour the canoe drifted speedy as the current. The Cashibos children lost their fear of Manuel. The boy jabbered and played; the girl smiled at Manuel, which persuaded him not to give them to a Campas tribe, but to take them home and care for them himself.

  Three more days and nights the canoe drifted. Manuel’s strength had returned, but it troubled him to think. Something had happened up the river. He had for his pillow a ragged coat that fascinated him, and which he treasured.

  Early the next morning he turned the green bend at La Boca to come abruptly upon the Amazonas, lying at the dock. Men shouted from her decks; there was a thudding of bare feet.

  “Look! Look!”

  “Is it the outlaw?’’

  “No — no!”

  “Yes — yes. Those shoulders and arms — it’s he!”

  Manuel’s blotched face, swollen out of all proportions, was unrecognizable.

  Captain Valdez leaned hard over the rail. “Manuel, is it you?”

  “Yes, captain.”

  “Where’s your cowcha?”

  “Lost, captain, lost! A great rubber forest, captain — I had tons of cowcha — it’s lost — all lost!”

  “I suppose so,” replied Valdez ironically. “That’s a fine cargo to pay
you — two half-grown Indian kids. The nerve of you, Manuel, dropping into La Boca with slaves.”

  “Slaves!” echoed from Manuel. His gaze traveled from Valdez’s face to the little bronze Cashibos, once more huddling, frightened, in the bow. “Slaves? Ha! Ha! Ha!”

  “Manuel, you had your choice,” went on the captain, “and now you must abide by it. I’ve caught some of you slave hunters this trip. There’s Bustos in irons. Your choice Manuel — the chain gang, or the river?”

  “The river for me!” said Manuel. “Only up instead of down!”

  “Up! But, Manuel, there’s a chance down the Amazon. You—”

  The rubber hunter faced up the wide Pachitea. His stentorian cry froze the words upon Captain Valdez’s lips. It rolled out, a strange, trenchant call to something beyond the wild, silent river.

  “Fever,” whispered one of the fettered slave dealers.

  “Bitten crazy,” said another.

  Manuel started the canoe upstream. He did not look back.

  Captain and crew and prisoners on the boat thrilled to Bustos’s mocking farewell.

  “Adios, Manuel!”

  THE END

  The Call of the Canyon

  CONTENTS

  CHAPTER I

  CHAPTER II

  CHAPTER III

  CHAPTER IV

  CHAPTER V

  CHAPTER VI

  CHAPTER VII

  CHAPTER VIII

  CHAPTER IX

  CHAPTER X

  CHAPTER XI

  CHAPTER XII

  CHAPTER I

  WHAT SUBTLE STRANGE message had come to her out of the West? Carley Burch laid the letter in her lap and gazed dreamily through the window.

  It was a day typical of early April in New York, rather cold and gray, with steely sunlight. Spring breathed in the air, but the women passing along Fifty-seventh Street wore furs and wraps. She heard the distant clatter of an L train and then the hum of a motor car. A hurdy-gurdy jarred into the interval of quiet.

  “Glenn has been gone over a year,” she mused, “three months over a year — and of all his strange letters this seems the strangest yet.”

  She lived again, for the thousandth time, the last moments she had spent with him. It had been on New-Year’s Eve, 1918. They had called upon friends who were staying at the McAlpin, in a suite on the twenty-first floor overlooking Broadway. And when the last quarter hour of that eventful and tragic year began slowly to pass with the low swell of whistles and bells, Carley’s friends had discreetly left her alone with her lover, at the open window, to watch and hear the old year out, the new year in. Glenn Kilbourne had returned from France early that fall, shell-shocked and gassed, and otherwise incapacitated for service in the army — a wreck of his former sterling self and in many unaccountable ways a stranger to her. Cold, silent, haunted by something, he had made her miserable with his aloofness. But as the bells began to ring out the year that had been his ruin Glenn had drawn her close, tenderly, passionately, and yet strangely, too.

  “Carley, look and listen!” he had whispered.

  Under them stretched the great long white flare of Broadway, with its snow-covered length glittering under a myriad of electric lights. Sixth Avenue swerved away to the right, a less brilliant lane of blanched snow. The L trains crept along like huge fire-eyed serpents. The hum of the ceaseless moving line of motor cars drifted upward faintly, almost drowned in the rising clamor of the street. Broadway’s gay and thoughtless crowds surged to and fro, from that height merely a thick stream of black figures, like contending columns of ants on the march. And everywhere the monstrous electric signs flared up vivid in white and red and green; and dimmed and paled, only to flash up again.

  Ring out the Old! Ring in the New! Carley had poignantly felt the sadness of the one, the promise of the other. As one by one the siren factory whistles opened up with deep, hoarse bellow, the clamor of the street and the ringing of the bells were lost in a volume of continuous sound that swelled on high into a magnificent roar. It was the voice of a city — of a nation. It was the voice of a people crying out the strife and the agony of the year — pealing forth a prayer for the future.

  Glenn had put his lips to her ear: “It’s like the voice in my soul!” Never would she forget the shock of that. And how she had stood spellbound, enveloped in the mighty volume of sound no longer discordant, but full of great, pregnant melody, until the white ball burst upon the tower of the Times Building, showing the bright figures 1919.

  The new year had not been many minutes old when Glenn Kilbourne had told her he was going West to try to recover his health.

  Carley roused out of her memories to take up the letter that had so perplexed her. It bore the postmark, Flagstaff, Arizona. She reread it with slow pondering thoughtfulness.

  WEST FORK, March 25.

  DEAR CARLEY:

  It does seem my neglect in writing you is unpardonable. I used to be a pretty fair correspondent, but in that as in other things I have changed.

  One reason I have not answered sooner is because your letter was so sweet and loving that it made me feel an ungrateful and unappreciative wretch. Another is that this life I now lead does not induce writing. I am outdoors all day, and when I get back to this cabin at night I am too tired for anything but bed.

  Your imperious questions I must answer — and that must, of course, is a third reason why I have delayed my reply. First, you ask, “Don’t you love me any more as you used to?” . . . Frankly, I do not. I am sure my old love for you, before I went to France, was selfish, thoughtless, sentimental, and boyish. I am a man now. And my love for you is different. Let me assure you that it has been about all left to me of what is noble and beautiful. Whatever the changes in me for the worse, my love for you, at least, has grown better, finer, purer.

  And now for your second question, “Are you coming home as soon as you are well again?” . . . Carley, I am well. I have delayed telling you this because I knew you would expect me to rush back East with the telling. But- -the fact is, Carley, I am not coming — just yet. I wish it were possible for me to make you understand. For a long time I seem to have been frozen within. You know when I came back from France I couldn’t talk. It’s almost as bad as that now. Yet all that I was then seems to have changed again. It is only fair to you to tell you that, as I feel now, I hate the city, I hate people, and particularly I hate that dancing, drinking, lounging set you chase with. I don’t want to come East until I am over that, you know... Suppose I never get over it? Well, Carley, you can free yourself from me by one word that I could never utter. I could never break our engagement. During the hell I went through in the war my attachment to you saved me from moral ruin, if it did not from perfect honor and fidelity. This is another thing I despair of making you understand. And in the chaos I’ve wandered through since the war my love for you was my only anchor. You never guessed, did you, that I lived on your letters until I got well. And now the fact that I might get along without them is no discredit to their charm or to you.

  It is all so hard to put in words, Carley. To lie down with death and get up with death was nothing. To face one’s degradation was nothing. But to come home an incomprehensibly changed man — and to see my old life as strange as if it were the new life of another planet — to try to slip into the old groove — well, no words of mine can tell you how utterly impossible it was.

  My old job was not open to me, even if I had been able to work. The government that I fought for left me to starve, or to die of my maladies like a dog, for all it cared.

  I could not live on your money, Carley. My people are poor, as you know. So there was nothing for me to do but to borrow a little money from my friends and to come West. I’m glad I had the courage to come. What this West is I’ll never try to tell you, because, loving the luxury and excitement and glitter of the city as you do, you’d think I was crazy.

  Getting on here, in my condition, was as hard as trench life. But now, Carley — something has come
to me out of the West. That, too, I am unable to put into words. Maybe I can give you an inkling of it. I’m strong enough to chop wood all day. No man or woman passes my cabin in a month. But I am never lonely. I love these vast red canyon walls towering above me. And the silence is so sweet. Think of the hellish din that filled my ears. Even now — sometimes, the brook here changes its babbling murmur to the roar of war. I never understood anything of the meaning of nature until I lived under these looming stone walls and whispering pines.

  So, Carley, try to understand me, or at least be kind. You know they came very near writing, “Gone west!” after my name, and considering that, this “Out West” signifies for me a very fortunate difference. A tremendous difference! For the present I’ll let well enough alone.

  Adios. Write soon. Love from

  GLEN

  Carley’s second reaction to the letter was a sudden upflashing desire to see her lover — to go out West and find him. Impulses with her were rather rare and inhibited, but this one made her tremble. If Glenn was well again he must have vastly changed from the moody, stone-faced, and haunted-eyed man who had so worried and distressed her. He had embarrassed her, too, for sometimes, in her home, meeting young men there who had not gone into the service, he had seemed to retreat into himself, singularly aloof, as if his world was not theirs.

  Again, with eager eyes and quivering lips, she read the letter. It contained words that lifted her heart. Her starved love greedily absorbed them. In them she had excuse for any resolve that might bring Glenn closer to her. And she pondered over this longing to go to him.

  Carley had the means to come and go and live as she liked. She did not remember her father, who had died when she was a child. Her mother had left her in the care of a sister, and before the war they had divided their time between New York and Europe, the Adirondacks and Florida, Carley had gone in for Red Cross and relief work with more of sincerity than most of her set. But she was really not used to making any decision as definite and important as that of going out West alone. She had never been farther west than Jersey City; and her conception of the West was a hazy one of vast plains and rough mountains, squalid towns, cattle herds, and uncouth ill-clad men.