The Guy De Maupassant Megapack (R)

by Guy de Maupassant

  “It was indeed a singular revelation.

  “For some time I had commenced to work, as soon as daylight appeared, on a picture the subject of which was as follows:

  “A deep ravine, enclosed, surmounted by two thickets of trees and vines, extended into the distance and was lost, submerged in that milky vapor, in that cloud like cotton down that sometimes floats over valleys at daybreak. And at the extreme end of that heavy, transparent fog one saw, or, rather, surmised, that a couple of human beings were approaching, a human couple, a youth and a maiden, their arms interlaced, embracing each other, their heads inclined toward each other, their lips meeting.

  “A first ray of the sun, glistening through the branches, pierced that fog of the dawn, illuminated it with a rosy reflection just behind the rustic lovers, framing their vague shadows in a silvery background. It was well done; yes, indeed, well done.

  “I was working on the declivity which led to the Valley of Etretat. On this particular morning I had, by chance, the sort of floating vapor which I needed. Suddenly something rose up in front of me like a phantom; it was Miss Harriet. On seeing me she was about to flee. But I called after her, saying: ‘Come here, come here, mademoiselle. I have a nice little picture for you.’

  “She came forward, though with seeming reluctance. I handed her my sketch. She said nothing, but stood for a long time, motionless, looking at it, and suddenly she burst into tears. She wept spasmodically, like men who have striven hard to restrain their tears, but who can do so no longer and abandon themselves to grief, though still resisting. I sprang to my feet, moved at the sight of a sorrow I did not comprehend, and I took her by the hand with an impulse of brusque affection, a true French impulse which acts before it reflects.

  “She let her hands rest in mine for a few seconds, and I felt them quiver as if all her nerves were being wrenched. Then she withdrew her hands abruptly, or, rather, snatched them away.

  “I recognized that tremor, for I had felt it, and I could not be deceived. Ah! the love tremor of a woman, whether she be fifteen or fifty years of age, whether she be of the people or of society, goes so straight to my heart that I never have any hesitation in understanding it!

  “Her whole frail being had trembled, vibrated, been overcome. I knew it. She walked away before I had time to say a word, leaving me as surprised as if I had witnessed a miracle and as troubled as if I had committed a crime.

  “I did not go in to breakfast. I went to take a turn on the edge of the cliff, feeling that I would just as lief weep as laugh, looking on the adventure as both comic and deplorable and my position as ridiculous, believing her unhappy enough to go insane.

  “I asked myself what I ought to do. It seemed best for me to leave the place, and I immediately resolved to do so.

  “Somewhat sad and perplexed, I wandered about until dinner time and entered the farmhouse just when the soup had been served up.

  “I sat down at the table as usual. Miss Harriet was there, eating away solemnly, without speaking to any one, without even lifting her eyes. Her manner and expression were, however, the same as usual.

  “I waited patiently till the meal had been finished, when, turning toward the landlady, I said: ‘Well, Madame Lecacheur, it will not be long now before I shall have to take my leave of you.’

  “The good woman, at once surprised and troubled, replied in her drawling voice: ‘My dear sir, what is it you say? You are going to leave us after I have become so accustomed to you?’

  “I glanced at Miss Harriet out of the corner of my eye. Her countenance did not change in the least. But Celeste, the little servant, looked up at me. She was a fat girl, of about eighteen years of age, rosy, fresh, as strong as a horse, and possessing the rare attribute of cleanliness. I had kissed her at odd times in out-of-the-way corners, after the manner of travellers—nothing more.

  “The dinner being at length over, I went to smoke my pipe under the apple trees, walking up and down from one end of the enclosure to the other. All the reflections which I had made during the day, the strange discovery of the morning, that passionate and grotesque attachment for me, the recollections which that revelation had suddenly called up, recollections at once charming and perplexing, perhaps also that look which the servant had cast on me at the announcement of my departure—all these things, mixed up and combined, put me now in a reckless humor, gave me a tickling sensation of kisses on the lips and in my veins a something which urged me on to commit some folly.

  “Night was coming on, casting its dark shadows under the trees, when I descried Celeste, who had gone to fasten up the poultry yard at the other end of the enclosure. I darted toward her, running so noiselessly that she heard nothing, and as she got up from closing the small trapdoor by which the chickens got in and out, I clasped her in my arms and rained on her coarse, fat face a shower of kisses. She struggled, laughing all the time, as she was accustomed to do in such circumstances. Why did I suddenly loose my grip of her? Why did I at once experience a shock? What was it that I heard behind me?

  “It was Miss Harriet, who had come upon us, who had seen us and who stood in front of us motionless as a spectre. Then she disappeared in the darkness.

  “I was ashamed, embarrassed, more desperate at having been thus surprised by her than if she had caught me committing some criminal act.

  “I slept badly that night. I was completely unnerved and haunted by sad thoughts. I seemed to hear loud weeping, but in this I was no doubt deceived. Moreover, I thought several times that I heard some one walking up and down in the house and opening the hall door.

  “Toward morning I was overcome by fatigue and fell asleep. I got up late and did not go downstairs until the late breakfast, being still in a bewildered state, not knowing what kind of expression to put on.

  “No one had seen Miss Harriet. We waited for her at table, but she did not appear. At length Mother Lecacheur went to her room. The English woman had gone out. She must have set out at break of day, as she was wont to do, in order to see the sun rise.

  “Nobody seemed surprised at this, and we began to eat in silence.

  “The weather was hot, very hot, one of those broiling, heavy days when not a leaf stirs. The table had been placed out of doors, under an apple tree, and from time to time Sapeur had gone to the cellar to draw a jug of cider, everybody was so thirsty. Celeste brought the dishes from the kitchen, a ragout of mutton with potatoes, a cold rabbit and a salad. Afterward she placed before us a dish of strawberries, the first of the season.

  “As I wished to wash and freshen these, I begged the servant to go and draw me a pitcher of cold water.

  “In about five minutes she returned, declaring that the well was dry. She had lowered the pitcher to the full extent of the cord and had touched the bottom, but on drawing the pitcher up again it was empty. Mother Lecacheur, anxious to examine the thing for herself, went and looked down the hole. She returned, announcing that one could see clearly something in the well, something altogether unusual. But this no doubt was bundles of straw, which a neighbor had thrown in out of spite.

  “I wished to look down the well also, hoping I might be able to clear up the mystery, and I perched myself close to the brink. I perceived indistinctly a white object. What could it be? I then conceived the idea of lowering a lantern at the end of a cord. When I did so the yellow flame danced on the layers of stone and gradually became clearer. All four of us were leaning over the opening, Sapeur and Celeste having now joined us. The lantern rested on a black-and-white indistinct mass, singular, incomprehensible. Sapeur exclaimed:

  “‘It is a horse. I see the hoofs. It must have got out of the meadow during the night and fallen in headlong.’

  “But suddenly a cold shiver froze me to the marrow. I first recognized a foot, then a leg sticking up; the whole body and the other leg were completely under water.

  “I stammered out in a loud voice, trembling so violently that the lantern danced hither and thither over the slipper:

&nbs
p; “‘It is a woman! Who—who—can it be? It is Miss Harriet!’

  “Sapeur alone did not manifest horror. He had witnessed many such scenes in Africa.

  “Mother Lecacheur and Celeste began to utter piercing screams and ran away.

  “But it was necessary to recover the corpse of the dead woman. I attached the young man securely by the waist to the end of the pulley rope and lowered him very slowly, watching him disappear in the darkness. In one hand he held the lantern and a rope in the other. Soon I recognized his voice, which seemed to come from the centre of the earth, saying:

  “‘Stop!’

  “I then saw him fish something out of the water. It was the other leg. He then bound the two feet together and shouted anew:

  “‘Haul up!’

  “I began to wind up, but I felt my arms crack, my muscles twitch, and I was in terror lest I should let the man fall to the bottom. When his head appeared at the brink I asked:

  “‘Well?’ as if I expected he had a message from the drowned woman.

  “We both got on the stone slab at the edge of the well and from opposite sides we began to haul up the body.

  “Mother Lecacheur and Celeste watched us from a distance, concealed from view behind the wall of the house. When they saw issuing from the hole the black slippers and white stockings of the drowned person they disappeared.

  “Sapeur seized the ankles, and we drew up the body of the poor woman. The head was shocking to look at, being bruised and lacerated, and the long gray hair, out of curl forevermore, hanging down tangled and disordered.

  “‘In the name of all that is holy! how lean she is,’ exclaimed Sapeur in a contemptuous tone.

  “We carried her into the room, and as the women did not put in an appearance I, with the assistance of the stable lad, dressed the corpse for burial.

  “I washed her disfigured face. Under the touch of my finger an eye was slightly opened and regarded me with that pale, cold look, that terrible look of a corpse which seems to come from the beyond. I braided as well as I could her dishevelled hair and with my clumsy hands arranged on her head a novel and singular coiffure. Then I took off her dripping wet garments, baring, not without a feeling of shame, as though I had been guilty of some profanation, her shoulders and her chest and her long arms, as slim as the twigs of a tree.

  “I next went to fetch some flowers, poppies, bluets, marguerites and fresh, sweet-smelling grass with which to strew her funeral couch.

  “I then had to go through the usual formalities, as I was alone to attend to everything. A letter found in her pocket, written at the last moment, requested that her body be buried in the village in which she had passed the last days of her life. A sad suspicion weighed on my heart. Was it not on my account that she wished to be laid to rest in this place?

  “Toward evening all the female gossips of the locality came to view the remains of the defunct, but I would not allow a single person to enter. I wanted to be alone, and I watched beside her all night.

  “I looked at the corpse by the flickering light of the candles, at this unhappy woman, unknown to us all, who had died in such a lamentable manner and so far away from home. Had she left no friends, no relations behind her? What had her infancy been? What had been her life? Whence had she come thither alone, a wanderer, lost like a dog driven from home? What secrets of sufferings and of despair were sealed up in that unprepossessing body, in that poor body whose outward appearance had driven from her all affection, all love?

  “How many unhappy beings there are! I felt that there weighed upon that human creature the eternal injustice of implacable nature! It was all over with her, without her ever having experienced, perhaps, that which sustains the greatest outcasts to wit, the hope of being loved once! Otherwise why should she thus have concealed herself, fled from the face of others? Why did she love everything so tenderly and so passionately, everything living that was not a man?

  “I recognized the fact that she believed in a God, and that she hoped to receive compensation from the latter for all the miseries she had endured. She would now disintegrate and become, in turn, a plant. She would blossom in the sun, the cattle would browse on her leaves, the birds would bear away the seeds, and through these changes she would become again human flesh. But that which is called the soul had been extinguished at the bottom of the dark well. She suffered no longer. She had given her life for that of others yet to come.

  “Hours passed away in this silent and sinister communion with the dead. A pale light at length announced the dawn of a new day; then a red ray streamed in on the bed, making a bar of light across the coverlet and across her hands. This was the hour she had so much loved. The awakened birds began to sing in the trees.

  “I opened the window to its fullest extent and drew back the curtains that the whole heavens might look in upon us, and, bending over the icy corpse, I took in my hands the mutilated head and slowly, without terror or disgust, I imprinted a kiss, a long kiss, upon those lips which had never before been kissed.”

  Leon Chenal remained silent. The women wept. We heard on the box seat the Count d’Atraille blowing his nose from time to time. The coachman alone had gone to sleep. The horses, who no longer felt the sting of the whip, had slackened their pace and moved along slowly. The drag, hardly advancing at all, seemed suddenly torpid, as if it had been freighted with sorrow.

  EDITORIAL NOTE

  “Miss Harriet” appeared in Le Gaulois, July 9, 1883, under the title of “Miss Hastings.” The story was later revised, enlarged; and partly reconstructed. This is what De Maupassant wrote to Editor Havard March 15, 1884, in an unedited letter, in regard to the title of the story that was to give its name to the volume:

  “I do not believe that Hastings is a bad name, inasmuch as it is known all over the world, and recalls the greatest facts in English history. Besides, Hastings is as much a name as Duval is with us.

  “The name Cherbuliez selected, Miss Revel, is no more like an English name than like a Turkish name. But here is another name as English as Hastings, and more euphonious; it is Miss Harriet. I will ask you therefore to substitute Harriet for Hastings.”

  It was in regard to this very tittle that De Maupassant had a disagreement with Audran and Boucheron director of the Bouffes Parisiens in October, 1890 They had given this title to an operetta about to be played at the Bouffes. It ended however, by their ceding to de Maupassant, and the title of the operetta was changed to “Miss Helyett.”]

  LITTLE LOUISE ROQUE

  The former soldier, Mederic Rompel, familiarly called Mederic by the country folks, left the post office of Roily-le-Tors at the usual hour. After passing through the village with his long stride, he cut across the meadows of Villaume and reached the bank of the Brindille, following the path along the water’s edge to the village of Carvelin, where he commenced to deliver his letters. He walked quickly, following the course of the narrow river, which frothed, murmured and boiled in its grassy bed beneath an arch of willows.

  Mederic went on without stopping, with only this thought in his mind: “My first letter is for the Poivron family, then I have one for Monsieur Renardet; so I must cross the wood.”

  His blue blouse, fastened round his waist by a black leather belt, moved in a quick, regular fashion above the green hedge of willow trees, and his stout stick of holly kept time with his steady tread.

  He crossed the Brindille on a bridge consisting of a tree trunk, with a handrail of rope, fastened at either end to a stake driven into the ground.

  The wood, which belonged to Monsieur Renardet, the mayor of Carvelin and the largest landowner in the district, consisted of huge old trees, straight as pillars and extending for about half a league along the left bank of the stream which served as a boundary to this immense dome of foliage. Alongside the water large shrubs had grown up in the sunlight, but under the trees one found nothing but moss, thick, soft and yielding, from which arose, in the still air, an odor of dampness and of dead wood.

&nb
sp; Mederic slackened his pace, took off his black cap adorned with red lace and wiped his forehead, for it was by this time hot in the meadows, though it was not yet eight o’clock in the morning.

  He had just recovered from the effects of the heat and resumed his quick pace when he noticed at the foot of a tree a knife, a child’s small knife. When he picked it up he discovered a thimble and also a needlecase not far away.

  Having taken up these objects, he thought: “I’ll entrust them to the mayor,” and he resumed his journey, but now he kept his eyes open, expecting to find something else.

  All of a sudden he stopped short, as if he had struck against a wooden barrier. Ten paces in front of him lay stretched on her back on the moss a little girl, perfectly nude, her face covered with a handkerchief. She was about twelve years old.

  Meredic advanced on tiptoe, as if he apprehended some danger, and he glanced toward the spot uneasily.

  What was this? No doubt she was asleep. Then he reflected that a person does not go to sleep naked at half-past seven in the morning under the cool trees. So, then, she must be dead, and he must be face to face with a crime. At this thought a cold shiver ran through his frame, although he was an old soldier. And then a murder was such a rare thing in the country, and, above all, the murder of a child, that he could not believe his eyes. But she had no wound—nothing save a spot of blood on her leg. How, then, had she been killed?

  He stopped close to her and gazed at her, while he leaned on his stick. Certainly he must know her, for he knew all the inhabitants of the district; but, not being able to get a look at her face, he could not guess her name. He stooped forward in order to take off the handkerchief which covered her face, then paused, with outstretched hand, restrained by an idea that occurred to him.

  Had he the right to disarrange anything in the condition of the corpse before the official investigation? He pictured justice to himself as a kind of general whom nothing escapes and who attaches as much importance to a lost button as to the stab of a knife in the stomach. Perhaps under this handkerchief evidence could be found to sustain a charge of murder; in fact, if such proof were there it might lose its value if touched by an awkward hand.