Book Read Free

The Quite Nice and Fairly Accurate Good Omens Script Book

Page 8

by Neil Gaiman


  WENSLEYDALE

  But you are actually a girl, Pepper.

  PEPPER

  That’s just sexist. Giving people girly presents, because they’re girls.

  She waves her sword to make her point. Adam now looks intent, almost preternatural, as he says, with conviction:

  ADAM

  I want. A dog.

  Hell-hound’s POV: Adam. Only Adam is important. We hear a back-of-the-throat growling. And it’s coming closer.

  PEPPER

  Oh, right. And your mum and dad are going to get you a big old rottenwiler then, Adam?

  ADAM

  I don’t want a big dog.

  CLOSE UP on the hell-hound. It tips its monstrous head on one side, and looks puzzled . . .

  ADAM (CONT’D)

  I want the kind of dog you can have fun with. A little dog.

  From the hell-hound’s POV, a sudden lurch DOWNWARDS. As if something huge has shrunk.

  ADAM (CONT’D)

  I want a dog that’s brilliantly intelligent and can go down rabbit holes, and I can teach it tricks.

  A rumble of thunder. Our view is obscured . . .

  ADAM (CONT’D)

  And it has to have one funny ear that always looks inside out.

  CLOSE UP on former hell-hound: now a small black-and-white mongrel with a comically puzzled expression. There’s a POP, and its ear turns inside out.

  ADAM (CONT’D)

  And I’ll call him . . .

  The former hell-hound looks dangerous. Its eyes glow red. It dribbles onto the ground, and the dribble steams.

  GOD (V.O.)

  And this is the moment. The naming. This will give it its purpose, its function, its identity. This is the moment that sets Armageddon in motion.

  The hell-hound growls, the sort of growl that starts in the back of one’s throat and ends up in someone else’s.

  ADAM

  I think I’ll call him Dog. Saves a lot of trouble, a name like that.

  The red glow in the dog’s eyes goes out. And the tail starts slowly to wag.

  PEPPER

  And what, this Dog’s just going to turn up?

  ADAM

  Maybe. Here boy! Come on!

  And bounding out of the trees, happy and obedient, tail wagging, yipping with delight, comes Dog. And Adam is in heaven . . .

  1104INT. AZIRAPHALE’S BOOKSHOP, BACK ROOM – DAY

  In the back room: Crowley and Aziraphale are comparing notes. Aziraphale is pouring them whiskies.

  CROWLEY

  Armageddon is days away and we’ve lost the Antichrist. Why did the powers of Hell have to drag me into this anyway?

  AZIRAPHALE

  Don’t quote me on this, but I’m pretty sure it’s because you kept sending them all those memos saying how amazingly well you were doing.

  CROWLEY

  Is it my fault they never check up? I’m to blame they never check up? Everyone stretches the truth a bit in memos to head office, you know that.

  AZIRAPHALE

  Yes, but you told them you invented the Spanish Inquisition, and started the Second World War, and . . .

  CROWLEY

  So humans beat me to it. That’s not my fault.

  Crowley looks up, as if he’s hearing something. Crowley looks startled. A spectral growl echoes through the bookshop.

  CROWLEY (CONT’D)

  Something’s changed.

  AZIRAPHALE

  It’s a new cologne. My barber suggested . . .

  CROWLEY

  Not you. I know what you smell like.

  Crowley looks agitated.

  CROWLEY (CONT’D)

  The hell-hound has found its master.

  AZIRAPHALE

  You sure?

  CROWLEY

  I felt it. Would I lie to you?

  AZIRAPHALE

  Obviously. You’re a demon. That’s what you do.

  CROWLEY

  I’m not lying. The boy, wherever he is, has the dog. He’s coming into his power. We’re doomed.

  Aziraphale lifts his glass.

  AZIRAPHALE

  Well then. Welcome to the end times.

  And we . . .

  FADE TO BLACK.

  1105

  Over end credits, Buddy Holly’s ‘Everyday’, done by a boys’ choir, in the style of Carmina Burana.

  Episode Two

  The Book

  201EXT. LONDON, SOHO – DAY

  TITLE CARD: SOHO, LONDON

  TITLE CARD: THURSDAY

  TITLE CARD: TWO DAYS TO THE END OF THE WORLD

  Two people are walking through a Soho street towards Aziraphale’s bookshop.

  202INT. AZIRAPHALE’S BOOKSHOP, MAIN SPACE – DAY – PRESENT DAY

  There are a couple of browsing customers. And as Aziraphale comes in from the back, the doorbell dings.

  AZIRAPHALE

  Can I help you?

  It’s Gabriel, and his thuggish angelic number two, Sandalphon.

  GABRIEL

  (loudly)

  I would like to purchase one of your material objects.

  Sandalphon corrects him.

  SANDALPHON

  Books.

  GABRIEL

  Books. Let us discuss my purchase in a private place. Because I am buying, er . . .

  SANDALPHON

  Pornography?

  GABRIEL

  (proudly and loudly)

  Pornography.

  He picks up an (obviously not pornographic) vintage book. Aziraphale sees Crowley through the window, out on the pavement, heading for his car.

  AZIRAPHALE

  Gabriel. Sandalphon. Please, come into my back room.

  Sandalphon adds, for the benefit of any customers who had missed it . . .

  SANDALPHON

  We humans are extremely easily embarrassed. We must buy our pornography secretively.

  203INT. AZIRAPHALE’S BACK ROOM – DAY

  Sandalphon stands by the door, like a guard. Gabriel smiles charmingly.

  GABRIEL

  Human beings are so simple, and so easily fooled.

  AZIRAPHALE

  Yes. Good job. You fooled them all.

  He looks at the copy of Mrs Beeton’s Book of Household Management that Gabriel brought in and is unimpressed.

  GABRIEL

  You remember Sandalphon?

  AZIRAPHALE

  Sodom and Gomorrah. You were doing a lot of smiting, and turning people into salt. Hard to forget.

  Sandalphon grins, pleased with itself. Then it sniffs the air.

  SANDALPHON

  Something smells . . . evil . . .

  AZIRAPHALE

  That’ll be the Jeffrey Archer books, I’m afraid.

  GABRIEL

  Just came by to talk about the status of the Antichrist . . .

  AZIRAPHALE

  Why? What’s wrong? I mean, if something’s wrong I can put my people onto it—

  GABRIEL

  Nothing’s wrong. Everything’s going perfectly. There’s a lot happening. All good.

  AZIRAPHALE

  All good?

  GABRIEL

  It’s all going according to the divine plan. The hell-hound was set loose. Now the Four Horsemen of the Apocalypse are being summoned. War, Famine, Pollution and Death.

  AZIRAPHALE

  Oh. Right. Who exactly summons them?

  GABRIEL

  Not my department. I believe that sort of thing is outsourced.

  SANDALPHON

  About time. That’s what I say. You can’t have a war without War.

  GABRIEL

  I say, Sandalphon, that’s rather good. You can’t have a war without War. I may use that. Anyway. No problems? How was the hell-hound?

  AZIRAPHALE

  I didn’t stick around to see.

  But Gabriel is already bored. He gets up and opens the door.

  GABRIEL

  (loudly)

  Thank you so much for my pornography.

  (
to Aziraphale)

  Excellent job.

  (to Sandalphon)

  ‘You can’t have a war without WAR.’ That’s so clever.

  204INT. WAR ZONE HOTEL – DAY

  We are in a war-zone press conference space, looking at hard-bitten war reporter ANFORTH, looking at a copy of the National World Weekly. He snorts, passes it to MURCHISON, who grins, shakes his head, passes it to Ms. VAN HORNE.

  GOD (V.O.)

  This is the National World Weekly. A typical issue would tell the world how Elvis Presley was recently sighted working in a Burger Lord in Des Moines; how the spate of werewolves infesting the Midwest are the offspring of noble pioneer women raped by Bigfoot; and that Elvis Presley was taken by Space Aliens in 1976 because he was too good for this world. It does not need a war correspondent. And yet it has one . . .

  MURCHISON

  How the hell does she do it? It’s like she knows where war’s going to break out before any of us.

  VAN HORNE

  It’s a good thing they never print her stories. She’d be a shoe-in for a Pulitzer if they had . . .

  MURCHISON

  I know. Her piece on the Sudan was amazing.

  A male Western army OFFICER enters to brief everyone.

  OFFICER

  Thank you so much for waiting. Well, I don’t think any of you need background on the conflict. For several years now, Masiwea has been the subject of an intense border conflict with the PLA on the one hand and the Delirian Homeland on the other. Thousands of people on all sides have lost their lives. Hundreds of thousands have lost their homes. And the United Nations, and the Pan-African Conference, have worked diligently to foster talks and a willingness to see the other side.

  Everyone = half a dozen hardbitten war reporters, male and female. Everyone looks grungy, unwashed, seedy. It’s hot and sweaty.

  During the talk War walks in. Everybody looks up. She’s more alive than anyone else, perfectly dressed and looking completely unaffected by the heat.

  OFFICER (CONT’D)

  So, informally, I’m very happy to be able to announce that the peace treaty will be signed in two weeks’ time.Any questions?

  War raises her hand. Everyone, male and female, is transfixed. Every tiny noise she makes is SUPER LOUD. She’s the only thing that matters. Everyone there is very aware of her.

  OFFICER (CONT’D)

  Yes, Ms . . . you’re from the . . .

  WAR

  Carmine Zingiber. National World Weekly. I was just wondering where the peace treaty is going to be signed?

  OFFICER

  Classified. We don’t want anybody interfering with the peace process.

  WAR

  Well, of course not. You definitely wouldn’t want that.

  205INT. CROWLEY’S FLAT – DAY

  TITLE CARD: THE PRESENT DAY.

  Crowley’s flat is perfect. It’s very white, and looks unlived in. Everything is perfect. The only things that seem even better than perfect are the potted plants, which are lush.

  Crowley walks into the lounge. Elegant TV.

  He nods and it turns on: morning television. A MAN and a WOMAN on a sofa, smiling at us.

  MORNING TV PRESENTER

  And after the news, the government’s foreign affairs spokesman will be here to comment on the recent increase in international tension.

  (beat)

  But first, do you know what’s in your fridge?

  And then there’s a crackling, and now the couple on the sofa are Hastur and Ligur, broadcasting straight from Hell.

  HASTUR

  Morning, Crowley.

  LIGUR

  Just checking in. Nice sofa.

  CROWLEY

  Hi, guys.

  LIGUR

  It’s about the Antichrist.

  CROWLEY

  Yeah. Great kid. Takes after his dad.

  HASTUR

  Our operatives in the state department have arranged for the child’s family to be flown to the Middle East.

  LIGUR

  There he and the hell-hound will be taken to the valley of Megiddo.

  HASTUR

  The Four Horsemen will begin their final ride. Armageddon will begin.

  CROWLEY

  (unenthusiastically)

  Hurrah.

  HASTUR

  The final combat. It’s what we have been working towards since we rebelled. We are the fallen. Never forget that.

  CROWLEY

  It’s not the kind of thing that you forget.

  HASTUR

  . . . I don’t trust you, Crowley.

  CROWLEY

  Well, obviously. We’re demons.

  LIGUR

  I’ve been reading your report on CIA torture practices. And the one from the Spanish Inquisition. If anything goes wrong, it’s going to be one from column A, one from column B, repeat until squishy.

  CROWLEY

  Everything’s going just fine.

  Ligur and Hastur vanish, replaced by the TV hosts.

  MORNING TV WOMAN

  And now, over to Jessica for this morning’s weather.

  Crowley makes the screen go blank.

  CROWLEY

  I didn’t fall. I didn’t mean to fall. I just hung around the wrong people.

  206EXT. WAR ZONE – DAY

  A van drives up a dirt track towards a town somewhere in North Africa.

  GOD (V.O.)

  Somebody has to summon the Four Horsemen of the Apocalypse. But they outsource that sort of thing these days.

  The van stops and we see THE INTERNATIONAL EXPRESS MAN.

  GOD (V.O.)

  Meet the summoner. He has four items to deliver in his van. He works for the International Express Company, and he’s about to make his first delivery in a former war zone.

  207INT. WAR-ZONE HOTEL CONFERENCE ROOM – DAY

  We are in a hotel conference room. Three long tables, arranged in a triangle. There are three groups of people here. Each table has three people at it: a MINISTER and two ASSISTANTS. And behind the people, on chairs, are their BODYGUARDS. Also a PHOTOGRAPHER. I’ll call these groups green, blue and brown. Also the army officer we saw at the press conference. One group might be Iraq, one Iran, one Saudi, or one Indian, one Burmese and one Chinese – it doesn’t matter, as long as we feel they are from different neighbouring cultures, and we subtly colour-code them.

  They look happy and at ease . . .

  GOD (V.O.)

  Sometimes, despite everything, peace breaks out. People get tired of fighting and pain and death, and are willing to start all over again.

  GREEN MINISTER

  And now?

  OFFICER

  Now you just . . . sign the peace treaty.

  Door opens, and War comes in. Bodyguard guns come out.

  WAR

  Guys, please. I’m not dangerous . . .

  Pats herself down. No weapons . . .

  BROWN MINISTER

  Who are you?

  WAR

  Carmine Zingiber. National World Weekly. War correspondent.

  GREEN MINISTER

  The Bigfoot newspaper? Is that still in business?

  BROWN MINISTER

  I read the story about Elvis Presley being taken by Space Aliens. I did not find it entirely credible.

  BLUE MINISTER

  More credible than the one that said he was frying hamburgers in a diner.

  OFFICER

  (to War)

  How did you find out this was here?

  WAR

  I’ve been killing time. You learn things.

  GREEN MINISTER

  It is good, my friend. Good that there is a member of the world’s press to see us sign the peace accord. It has taken many years, but I believe that today will be remembered as the day that war between our countries ended for ever.

  They all agree. War is suppressing a smile.

  WAR

  Oh, I’m sorry. That’s so sweet. Don’t mind me. You just carry on.

 
; OFFICER

  If you would like to sign it first, your Highness, then the Prime Minister, then the Supreme Leader, and then we’ll get a photograph of the three of you together.

  The Brown Minister picks up the pen and the accord . . .

  GREEN MINISTER

  He signs first?

  BROWN MINISTER

  It’s just a formality who signs first.

 

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