The David Raker Collection

by Tim Weaver

  Dried blood.

  He’d tried to wash it out of the carpet, but had either given up or failed to see it all. I looked out through the door, seeing if there was any more, but if it had once carried on, out to the patio and across the lawn, it had been washed away by the rain. Yet the blood on the carpet seemed to be leading out of the empty house.

  In the direction of the station.

  73

  There was a small gap in the trees, leading from Smart’s garden to the line. As I emerged on to the path, about forty yards from the overground platform and the Tube station adjacent to it, the sound seemed to drop away. The patter of rain against leaves. A faint wind, whispering past me. Nothing else. As I stood there, a strange feeling of loneliness formed in me, as if I was miles from anywhere safe.

  Moving to the platform, I reached up and dragged a piece of glass towards me. It was jagged but sharpened to a point, its surface creamy and coated with dirt. Removing a tissue from my pocket, I wrapped it around the end to avoid cutting myself, and headed for the path to the Tube station entrance.

  At the top of the concrete steps, I paused.

  I was drenched, water running off my face, soaking into my clothes, but I could hardly even see it on myself the light was fading so fast. I reached into my pocket and activated the torch function on my phone – then used it to illuminate the path down.

  I could feel dirt and masonry crunch beneath my boots as I took the steps two at a time, light dancing off the walls, rain fading behind me as I entered the building. Once I was inside, the relentlessness of the dark made me pause, almost surprised me, even though I’d walked this same route two days before. I stepped further in and as I did it was as if something woke. A sound, like a voice, seemed to pass from one side of the ticket hall to the other, and all that remained was a chill; a coolness which sent goosebumps scattering up my arms and across my body. I swung the phone around the room, letting it settle on the space next to the ticket office.

  The stairs down to the staffroom.

  I shifted the shard of glass in my hand, holding it like a blade, realizing that I’d allowed myself to be drawn into this situation too quickly. I should have gone through Smart’s knife drawer, not grabbed some makeshift piece of window. But it was too late now. I was here. I’d been quiet on my approach, had made hardly any sound at all, but if Smart was clever enough to avoid detection for a year and a half, he was clever enough to take advantage of any uncertainty. When I got to the door, I wrapped my fingers around the old, wrought-iron handle and stopped, just for a second, to prepare myself.

  Then I opened it.

  The smell was worse than I remembered, a deep, awful stench of decay that came up the stairs towards me and forced me back. I put a hand to my mouth and looked down into the dark, and it took everything I had not to turn around and walk out. Except you can’t leave. You can’t leave before bringing them back into the light. I felt air pass me at ankle level, icy cold, and as my mind started turning over, and I started to imagine what might be waiting, I realized it wasn’t completely silent: there was a soft noise, like a buzz. It sounded vaguely like electricity being pumped through the walls of the station.

  Except it wasn’t electricity.

  It was flies.

  I started the descent. Halfway down, short of the curve in the stairwell, I felt an insect bump against my face, dozy in the airless room below. Another passed across the light of the phone, drifting in and out of its blue glow, and – as I got to the turn in the stairs – I could see more on the walls and ceiling. The smell was unbearable now, even with my hands at my face; a thick, tangy stink. And as the stairs came to an end and I stepped down on to the floor of the room, I saw why.

  As I swung the torch around to my left, to where the counter had once stood, there was a slumped figure beneath it.

  He was facing me, sitting up, his back against the wall, his head – though angled to one side – almost touching the counter. His feet were straight out in front of him. Above his mouth, in the space where his nose and one of his eyes should have been, was what remained. Mostly it was just a mess of blood and skin, the shotgun that had done the damage wedged between his thighs, one of his hands half caught in the trigger. The other side of his face was intact: an ear, a cheek, half a jaw, some of his freshly shaved head. On the floor next to him were a series of photographs: a Tube train pulling into an overground station; a boy eating on a platform; the same boy, much younger than before, with an ice cream; and an old man, his father, captured in black and white. Then, finally, clutched in his other hand, his fingers balled around it, was the red T-shirt with checked sleeves.

  Edwin Smart.

  74

  I crouched down and glanced at Smart; at what was left of his head. It was featureless, the skin that was left like wallpaper falling away, the rest just a mess of blood and brain. Spatter fanned out in a semicircle above him, suggesting he’d put both barrels against the roof of his mouth. Stepping away, I moved to the stairs. In front of me, without the light from the phone, there was nothing but dark. I turned the display in my hand and started moving up. As I entered the ticket hall, I could see a square of light on the far side – the entrance – but either side of it, all around it, there was nothing but black.

  A brief feeling passed through me, a strange, cognizant shiver, as if some part of me was sending out a warning, and I swung the light, left to right. When I did it a second time, I realized something: as I looked across to my right where the lift remained padlocked, the metal grate pulled across it, I saw a mark – a red dot – on the padlock, facing out towards me. I felt around in my pockets for the key I’d taken from Smart’s kitchen.

  A matching red dot.

  Is the lift shaft where he dumped the bodies?

  I thought for a minute about opening up, because if this was where he’d put them, somehow it felt wrong to leave the bodies there, in the darkness, for any longer – but then I realized it probably dropped eighty feet, and if it was dark in the ticket hall, it was going to be even darker in the well of the lift. The police needed to handle it.

  So I headed out.

  Halfway up the concrete steps, I stopped again.

  Footprints.

  Mine were in the middle, right through the centre of the steps. These were off to the side, in a rough diagonal, from left to right. I hadn’t noticed them on the way down, but, when I got to the top of the stairs, I could see them clearly: wet prints, size eleven or twelve, a mix of mud from the line, and dust from inside the station. They were fresh. I could see a route in, and – just adjacent to that – I could see the person’s route out. I quickly moved through the undergrowth and on to the line.

  No more footprints.

  Heading back to the house, through the treeline, and into Smart’s garden, I saw the back door was still open, swinging gently in the breeze. Inside I stopped, edging across the office and looking in through the kitchen. Even without seeing it, I could hear that the front door was still open, wind passing through the house. I headed along the hallway. There was nothing out of place, no sign anyone had been inside, so I pushed the front door shut, softly bedding it in its frame, then returned to the rear of the house and did the same to the back door. The noise of rain faded instantly, restricted only to the windows, where it swirled in against the glass.

  Suddenly the silence shattered as my phone started ringing.

  I killed it instantly.

  Waited.

  I backed up against the kitchen counter, trying to give myself the best view of both the office and the hallway, and then a text came through. I looked down at the display. I didn’t recognize the number, but I knew instantly who it was from. Craw. Got your message. On our way. DON’T do anything stupid.

  I dropped the phone back into my pocket. Too late for that. I padded through to the stairs, taking them two at a time all the way up. Paused on the landing. The rooms were empty, but I double-checked to be sure, then headed back down into the kitchen. Sma
rt was dead. Sam and the others were probably at the bottom of a lift shaft. Which meant there was only one person unaccounted for.

  Duncan Pell.

  Then it came again. That same smell as earlier.

  What is that?

  I dropped to my haunches and started going through the cupboards again, seeing if there was anything collecting mould, any spilt liquids or rotting food. But Smart had kept his home in decent condition. I couldn’t put a finger on the odour, couldn’t quite define it in my head, but the closest I could get was the same as before: old dishcloths. That smell you got when they were screwed up into a ball and left, still stained with food and soaked with water, never quite drying, the odour just getting stronger. It wasn’t unbearable, just unpleasant.

  I closed the door beneath the sink, got up and walked around the kitchen, running a hand along the edge of the worktop as I moved from one side to the other.

  And then I felt something beneath my boot.

  I looked down. A slight indentation in the floor, the size of a beer mat, about two feet in from the skirting boards. I prodded it with the toe of my boot. There was something in the middle of it: a bump. I leaned down, running a hand across it, and then – in my peripheral vision – noticed something else: the lino in the corner of the room hadn’t been set properly. It was curling up, as if it hadn’t been stuck down.

  Or it had been placed back in a hurry.

  I went through Smart’s knife drawer and picked out an old-fashioned potato peeler. Using the V-shaped end, I forced it down into the corner of the room, where the lino met the skirting board, and prised the lino away. It came out easily. I grabbed a handful of it and then pulled it back with me, edging across the kitchen. It unfurled like a layer of skin, peeling slowly away, revealing wooden floorboards underneath. The smell was stronger now, and I realized why: the floorboards had been wiped down, cleaned of whatever had spilled across them, but when the lino had been placed back on top, the floorboards hadn’t been dry. Despite that, despite the swipes left on their surface by the cloth, they were still in immaculate condition, oak panels laid perfectly from one side of the room to the other. Except for one square the size of a beer mat.

  In that space was a flip-up handle.

  Under the lino was a trapdoor.

  75

  The only thing that gave the game away was the handle itself, cut into a space about two inches deep, and then a thin line running in a square – about two feet across by the same long – which marked out the edges of the trapdoor. The trapdoor was finished in the same oak boards as the rest of the room. I dropped down, gripping the handle as tightly as I could, and opened it.

  The door locked at ninety degrees, on a hinge. Inside I could see a concrete staircase dropping down into the dark. Once the shadows sucked up the uneven steps and the crumbling stone walls, there was nothing else.

  Just black.

  I got up and looked around the kitchen for a torch, figuring he’d need one if this was where he’d been keeping them, and – after some searching – found one right at the back of the cupboard under the sink. It was black and rubberized, its casing marked with dust. I flicked it on and directed it down into the darkness. Further down, I could see part of the wall at the bottom of the stairs. It was covered in what looked like black egg cartons.

  Soundproofing.

  I felt a stir of disquiet, the cone of torchlight unable to illuminate anything else in the room below. Then I started down.

  After five steps, my head level with the kitchen floor, I felt a subtle change in temperature, as if I was stepping into a freezer. There was a faint draught coming in from somewhere, and the distant sound of dripping, but nothing else. Once I was completely immersed, the kitchen just a square of light above me, I stopped and directed the torch down, into the spaces in front of me. It was a basement. Concrete floors, completely unfurnished. It was difficult to tell how big in the dark, but it must have been the length and width of the house. Every so often there were brick pillars – thick columns holding the building up – and attached to one of them I saw a metal plate flecked with rust, and a chain coming off to a pair of shackles. The shackles had a red dot on them. The same as the key from the kitchen. The key had never been for the lift shaft, just as the bodies had never been dumped there. It had all been a lie; an attempt to confuse.

  I carried on down, pausing at the bottom.

  Now I could smell something. Something worse than damp. I placed a foot on to the basement floor and slowly moved the torch from right to left. The beam glided past the mid-section of the room and – a split second later – something registered with me.

  I moved it back.

  In the darkness, barely illuminated by the torch, I saw something shift. I edged further in, keeping the beam high and my eyes fixed on the shadows. I passed one pillar, and then another. The second had started crumbling around its middle and, when I stopped for a moment, I could see why: it also had a metal plate and a chain attached to it – as well as another red dot on the shackles – just like the one close to the staircase. But this one had become almost detached from the wall.

  As if someone had been pulling at it.

  I felt a shiver pass through my chest, my body sounding an alarm, and then I refocused the torch on the shape.

  It was a man.

  He was on his side, ankle chained to a metal plate on the back wall, facing me but with his head tucked into the bend of his elbow. He was shivering. There were no marks on him, or at least none I could see. I dropped to my haunches and directed the torchlight away from him, off to the side where it wouldn’t be directly on him.

  And I saw someone else.

  Another man.

  This one was also chained to the back wall, about seven feet further on. He wasn’t moving. I got to my feet, took a sideways step, and picked him out properly. There were bruises all over him, and it looked like his wrist might be broken. His arm was out in front of him, his hand a deep purple, angled away unnaturally. When my torch passed across his face, there was nothing in his eyes. No reaction. No colour. I recognized him instantly from the files Healy had shown me: Joseph Symons, the third Snatcher victim. He wasn’t dead, but he didn’t have long: I could see the soft rise and fall of his stomach, bones showing through his broken skin, and there was dried blood all over his groin.

  Like Leon Spane, Smart had removed his penis.

  I covered my mouth, nausea rising in my throat, and swung the torch back around to the man in front of me, trying to concentrate on anything but Symons. The man moved slightly, out of the crook of his elbow, his head propped on the upper part of his arm.

  It was Jonathan Drake.

  He gazed right at me, eyes distant, as if the fight had been beaten out of him. But he didn’t move, even though – for all he knew – I could have been Smart. I inched closer, using the torch to paint him in a soft yellow glow. On his back there were bruises everywhere, most either side of his spine.

  ‘Jonathan?’

  Something sparked in his eyes.

  ‘My name’s David Raker. I’m here to get you out, okay?’

  He blinked. Whimpered.

  ‘He’s not going to hurt you again.’

  Drake shifted on the floor, coming towards me, but the chain locked into place at his ankle. I held out a hand, moving closer, and gently touched him on the shoulder. He flinched. He wasn’t in as bad a state as Symons – physically at least – but then Symons had been missing since 28 February. Almost four months. Drake had been missing six days. He’d suffered, but not like Symons.

  ‘It’s okay. No one’s going to …’

  And then I saw the rest.

  They were off to my left, in the opposite direction, chained to metal plates lined up on the outer wall. Some at the ankles, some at the wrists. There was about ten feet between each of them, and – when I could bear to look – I realized Smart had taken something from each of their bodies, just like he’d done with Symons. The one closest to me I knew s
traight away from the photo of him I’d seen in his file: Steven Wilky. When my torch caught his face, nothing came back; just a glazed stillness, his body curled up in the foetal position, his skin almost translucent, veins showing through like a road map.

  Beyond him it got worse: the tiny figure of a man – a boy, really – head shaved, both hands locked together like he was praying. As I left Drake and inched through the darkness, past Wilky and on to the boy, I knew – even before I got to him – that it was Marc Erion. He was tiny and incredibly thin. Just bones. No fat at all.

  I swallowed hard, and directed the torchlight beyond Erion to the other two bodies. Both were naked and shaved. Nearest to me, a man was half sitting up at the wall, arm attached to a metal plate above him. His breathing was soft and moist, like there might be blood in his lungs, and there were deep cuts all across his chest, his face beaten to a pulp. But I knew who it was. On the middle finger of his right hand was a silver ring with a rune on it.

  Pell.

  They’d never been working together. Pell had been nothing more to Smart than another victim. Another piece of misdirection. I’d been chasing Pell, thinking he was the Snatcher, while the real killer had him locked up in his basement with five other men.

  I took another step forward.

  Beyond Pell was the last of them. Like the others, he was naked, every inch of him shaved, but there was no blood on him. No bruising. He was thin, drawn, but while he was chained at the ankle, Smart had made an effort to keep him pristine, as if he saw him as something better. Something special. Something worth taking a risk over.

  I’d found Samuel Wren.

  76

  Five minutes later the house was crawling with police and forensics. Craw made me give my account of what happened, of all the events leading up to the point at which we found ourselves, and then asked me to wait in the semi-darkness of the living room, surrounded by photographs of Smart’s father, and Smart as a boy. After an hour – after she’d been to the old Underground station, and down into the basement of the house – she came in, sat down and said nothing. We could both hear Davidson in the kitchen, telling someone to be careful with evidence, and when I looked at Craw I saw a kind of resignation in her, as if she was sick of this case, and maybe sick of her job. Men like Smart were a reset button: you thought you’d seen everything that people were capable of doing to one another, and then someone like him came along and you realized there was always someone worse.