Delphi Complete Works of Sheridan Le Fanu

by J. Sheridan le Fanu

  These last directions were acted upon too scrupulously and too long; and, indeed, I am satisfied that had the event been communicated at once, however terrible and overwhelming the shock might have been, much of the bitterest anguish, of sickening doubts, of harassing suspense, would have been spared her, and the first tempestuous burst of sorrow having passed over, her chastened spirit might have recovered its tone, and her life have been spared. But the mistaken kindness which concealed from her the dreadful truth, instead of relieving her mind of a burden which it could not support, laid upon it a weight of horrible fears and doubts as to the affection of O’Mara, compared with which even the certainty of his death would have been tolerable.

  One evening I had just seated myself beside a cheerful turf fire, with that true relish which a long cold ride through a bleak and shelterless country affords, stretching my chilled limbs to meet the genial influence, and imbibing the warmth at every pore, when my comfortable meditations were interrupted by a long and sonorous ringing at the door-bell evidently effected by no timid hand.

  A messenger had arrived to request my attendance at the Lodge — such was the name which distinguished a small and somewhat antiquated building, occupying a peculiarly secluded position among the bleak and heathy hills which varied the surface of that not altogether uninteresting district, and which had, I believe, been employed by the keen and hardy ancestors of the O’Mara family as a convenient temporary residence during the sporting season.

  Thither my attendance was required, in order to administer to a deeply distressed lady such comforts as an afflicted mind can gather from the sublime hopes and consolations of Christianity.

  I had long suspected that the occupant of this sequestered, I might say desolate, dwelling-house was the poor girl whose brief story we are following; and feeling a keen interest in her fate — as who that had ever seen her DID NOT? — I started from my comfortable seat with more eager alacrity than, I will confess it, I might have evinced had my duty called me in another direction.

  In a few minutes I was trotting rapidly onward, preceded by my guide, who urged his horse with the remorseless rapidity of one who seeks by the speed of his progress to escape observation. Over roads and through bogs we splashed and clattered, until at length traversing the brow of a wild and rocky hill, whose aspect seemed so barren and forbidding that it might have been a lasting barrier alike to mortal sight and step, the lonely building became visible, lying in a kind of swampy flat, with a broad reedy pond or lake stretching away to its side, and backed by a farther range of monotonous sweeping hills, marked with irregular lines of grey rock, which, in the distance, bore a rude and colossal resemblance to the walls of a fortification.

  Riding with undiminished speed along a kind of wild horse-track, we turned the corner of a high and somewhat ruinous wall of loose stones, and making a sudden wheel we found ourselves in a small quadrangle, surmounted on two sides by dilapidated stables and kennels, on another by a broken stone wall, and upon the fourth by the front of the lodge itself.

  The whole character of the place was that of dreary desertion and decay, which would of itself have predisposed the mind for melancholy impressions. My guide dismounted, and with respectful attention held my horse’s bridle while I got down; and knocking at the door with the handle of his whip, it was speedily opened by a neatly-dressed female domestic, and I was admitted to the interior of the house, and conducted into a small room, where a fire in some degree dispelled the cheerless air, which would otherwise have prevailed to a painful degree throughout the place.

  I had been waiting but for a very few minutes when another female servant, somewhat older than the first, entered the room. She made some apology on the part of the person whom I had come to visit, for the slight delay which had already occurred, and requested me further to wait for a few minutes longer, intimating that the lady’s grief was so violent, that without great effort she could not bring herself to speak calmly at all. As if to beguile the time, the good dame went on in a highly communicative strain to tell me, amongst much that could not interest me, a little of what I had desired to hear. I discovered that the grief of her whom I had come to visit was excited by the sudden death of a little boy, her only child, who was then lying dead in his mother’s chamber.

  ‘And the mother’s name?’ said I, inquiringly.

  The woman looked at me for a moment, smiled, and shook her head with the air of mingled mystery and importance which seems to say, ‘I am unfathomable.’ I did not care to press the question, though I suspected that much of her apparent reluctance was affected, knowing that my doubts respecting the identity of the person whom I had come to visit must soon be set at rest, and after a little pause the worthy Abigail went on as fluently as ever. She told me that her young mistress had been, for the time she had been with her — that was, for about a year and a half — in declining health and spirits, and that she had loved her little child to a degree beyond expression — so devotedly that she could not, in all probability, survive it long.

  While she was running on in this way the bell rang, and signing me to follow, she opened the room door, but stopped in the hall, and taking me a little aside, and speaking in a whisper, she told me, as I valued the life of the poor lady, not to say one word of the death of young O’Mara. I nodded acquiescence, and ascending a narrow and ill-constructed staircase, she stopped at a chamber door and knocked.

  ‘Come in,’ said a gentle voice from within, and, preceded by my conductress, I entered a moderately-sized, but rather gloomy chamber.

  There was but one living form within it — it was the light and graceful figure of a young woman. She had risen as I entered the room; but owing to the obscurity of the apartment, and to the circumstance that her face, as she looked towards the door, was turned away from the light, which found its way in dimly through the narrow windows, I could not instantly recognise the features.

  ‘You do not remember me, sir?’ said the same low, mournful voice. ‘I am — I WAS — Ellen Heathcote.’

  ‘I do remember you, my poor child,’ said I, taking her hand; ‘I do remember you very well. Speak to me frankly — speak to me as a friend. Whatever I can do or say for you, is yours already; only speak.’

  ‘You were always very kind, sir, to those — to those that WANTED kindness.’

  The tears were almost overflowing, but she checked them; and as if an accession of fortitude had followed the momentary weakness, she continued, in a subdued but firm tone, to tell me briefly the circumstances of her marriage with O’Mara. When she had concluded the recital, she paused for a moment; and I asked again:

  ‘Can I aid you in any way — by advice or otherwise?’

  ‘I wish, sir, to tell you all I have been thinking about,’ she continued. ‘I am sure, sir, that Master Richard loved me once — I am sure he did not think to deceive me; but there were bad, hardhearted people about him, and his family were all rich and high, and I am sure he wishes NOW that he had never, never seen me. Well, sir, it is not in my heart to blame him. What was I that I should look at him? — an ignorant, poor, country girl — and he so high and great, and so beautiful. The blame was all mine — it was all my fault; I could not think or hope he would care for me more than a little time. Well, sir, I thought over and over again that since his love was gone from me for ever, I should not stand in his way, and hinder whatever great thing his family wished for him. So I thought often and often to write him a letter to get the marriage broken, and to send me home; but for one reason, I would have done it long ago: there was a little child, his and mine — the dearest, the loveliest.’ She could not go on for a minute or two. ‘The little child that is lying there, on that bed; but it is dead and gone, and there is no reason NOW why I should delay any more about it.’

  She put her hand into her breast, and took out a letter, which she opened. She put it into my hands. It ran thus:

  ‘DEAR MASTER RICHARD,

  ‘My little child is dead, and your

/>   happiness is all I care about now. Your marriage with me is displeasing

  to your family, and I would be a burden to you, and in your way in the

  fine places, and among the great friends where you must be. You ought,

  therefore, to break the marriage, and I will sign whatever YOU wish, or

  your family. I will never try to blame you, Master Richard — do not think

  it — for I never deserved your love, and must not complain now that I

  have lost it; but I will always pray for you, and be thinking of you

  while I live.’

  While I read this letter, I was satisfied that so far from adding to the poor girl’s grief, a full disclosure of what had happened would, on the contrary, mitigate her sorrow, and deprive it of its sharpest sting.

  ‘Ellen,’ said I solemnly, ‘Richard O’Mara was never unfaithful to you; he is now where human reproach can reach him no more.’

  As I said this, the hectic flush upon her cheek gave place to a paleness so deadly, that I almost thought she would drop lifeless upon the spot.

  ‘Is he — is he dead, then?’ said she, wildly.

  I took her hand in mine, and told her the sad story as best I could. She listened with a calmness which appeared almost unnatural, until I had finished the mournful narration. She then arose, and going to the bedside, she drew the curtain and gazed silently and fixedly on the quiet face of the child: but the feelings which swelled at her heart could not be suppressed; the tears gushed forth, and sobbing as if her heart would break, she leant over the bed and took the dead child in her arms.

  She wept and kissed it, and kissed it and wept again, in grief so passionate, so heartrending, as to draw bitter tears from my eyes. I said what little I could to calm her — to have sought to do more would have been a mockery; and observing that the darkness had closed in, I took my leave and departed, being favoured with the services of my former guide.

  I expected to have been soon called upon again to visit the poor girl; but the Lodge lay beyond the boundary of my parish, and I felt a reluctance to trespass upon the precincts of my brother minister, and a certain degree of hesitation in intruding upon one whose situation was so very peculiar, and who would, I had no doubt, feel no scruple in requesting my attendance if she desired it.

  A month, however, passed away, and I did not hear anything of Ellen. I called at the Lodge, and to my inquiries they answered that she was very much worse in health, and that since the death of the child she had been sinking fast, and so weak that she had been chiefly confined to her bed. I sent frequently to inquire, and often called myself, and all that I heard convinced me that she was rapidly sinking into the grave.

  Late one night I was summoned from my rest, by a visit from the person who had upon the former occasion acted as my guide; he had come to summon me to the deathbed of her whom I had then attended. With all celerity I made my preparations, and, not without considerable difficulty and some danger, we made a rapid night-ride to the Lodge, a distance of five miles at least. We arrived safely, and in a very short time — but too late.

  I stood by the bed upon which lay the once beautiful form of Ellen Heathcote. The brief but sorrowful trial was past — the desolate mourner was gone to that land where the pangs of grief, the tumults of passion, regrets and cold neglect, are felt no more. I leant over the lifeless face, and scanned the beautiful features which, living, had wrought such magic on all that looked upon them. They were, indeed, much wasted; but it was impossible for the fingers of death or of decay altogether to obliterate the traces of that exquisite beauty which had so distinguished her. As I gazed on this most sad and striking spectacle, remembrances thronged fast upon my mind, and tear after tear fell upon the cold form that slept tranquilly and for ever.

  A few days afterwards I was told that a funeral had left the Lodge at the dead of night, and had been conducted with the most scrupulous secrecy. It was, of course, to me no mystery.

  Heathcote lived to a very advanced age, being of that hard mould which is not easily impressionable. The selfish and the hardhearted survive where nobler, more generous, and, above all, more sympathising natures would have sunk for ever.

  Dwyer certainly succeeded in extorting, I cannot say how, considerable and advantageous leases from Colonel O’Mara; but after his death he disposed of his interest in these, and having for a time launched into a sea of profligate extravagance, he became bankrupt, and for a long time I totally lost sight of him.

  The rebellion of ‘98, and the events which immediately followed, called him forth from his lurking-places, in the character of an informer; and I myself have seen the hoary-headed, paralytic perjurer, with a scowl of derision and defiance, brave the hootings and the execrations of the indignant multitude.

  STRANGE EVENT IN THE LIFE OF SCHALKEN THE PAINTER.

  Being a Seventh Extract from the Legacy of the late Francis

  Purcell, P. P. of Drumcoolagh.

  You will no doubt be surprised, my dear friend, at the subject of the following narrative. What had I to do with Schalken, or Schalken with me? He had returned to his native land, and was probably dead and buried, before I was born; I never visited Holland nor spoke with a native of that country. So much I believe you already know. I must, then, give you my authority, and state to you frankly the ground upon which rests the credibility of the strange story which I am, about to lay before you.

  I was acquainted, in my early days, with a Captain Vandael, whose father had served King William in the Low Countries, and also in my own unhappy land during the Irish campaigns. I know not how it happened that I liked this man’s society, spite of his politics and religion: but so it was; and it was by means of the free intercourse to which our intimacy gave rise that I became possessed of the curious tale which you are about to hear.

  I had often been struck, while visiting Vandael, by a remarkable picture, in which, though no connoisseur myself, I could not fail to discern some very strong peculiarities, particularly in the distribution of light and shade, as also a certain oddity in the design itself, which interested my curiosity. It represented the interior of what might be a chamber in some antique religious building — the foreground was occupied by a female figure, arrayed in a species of white robe, part of which is arranged so as to form a veil. The dress, however, is not strictly that of any religious order. In its hand the figure bears a lamp, by whose light alone the form and face are illuminated; the features are marked by an arch smile, such as pretty women wear when engaged in successfully practising some roguish trick; in the background, and, excepting where the dim red light of an expiring fire serves to define the form, totally in the shade, stands the figure of a man equipped in the old fashion, with doublet and so forth, in an attitude of alarm, his hand being placed upon the hilt of his sword, which he appears to be in the act of drawing.

  ‘There are some pictures,’ said I to my friend, ‘which impress one, I know not how, with a conviction that they represent not the mere ideal shapes and combinations which have floated through the imagination of the artist, but scenes, faces, and situations which have actually existed. When I look upon that picture, something assures me that I behold the representation of a reality.’

  Vandael smiled, and, fixing his eyes upon the painting musingly, he said:

  ‘Your fancy has not deceived you, my good friend, for that picture is the record, and I believe a faithful one, of a remarkable and mysterious occurrence. It was painted by Schalken, and contains, in the face of the female figure, which occupies the most prominent place in the design, an accurate portrait of Rose Velderkaust, the niece of Gerard Douw, the first and, I believe, the only love of Godfrey Schalken. My father knew the painter well, and from Schalken himself he learned the story of the mysterious drama, one scene of which the picture has embodied. This painting, which is accounted a fine specimen of Schalken’s style, was bequeathed to my father by the artist’s will, and, as you have observed, is a very striking and interesting
production.’

  I had only to request Vandael to tell the story of the painting in order to be gratified; and thus it is that I am enabled to submit to you a faithful recital of what I heard myself, leaving you to reject or to allow the evidence upon which the truth of the tradition depends, with this one assurance, that Schalken was an honest, blunt Dutchman, and, I believe, wholly incapable of committing a flight of imagination; and further, that Vandael, from whom I heard the story, appeared firmly convinced of its truth.

  There are few forms upon which the mantle of mystery and romance could seem to hang more ungracefully than upon that of the uncouth and clownish Schalken — the Dutch boor — the rude and dogged, but most cunning worker in oils, whose pieces delight the initiated of the present day almost as much as his manners disgusted the refined of his own; and yet this man, so rude, so dogged, so slovenly, I had almost said so savage, in mien and manner, during his after successes, had been selected by the capricious goddess, in his early life, to figure as the hero of a romance by no means devoid of interest or of mystery.

  Who can tell how meet he may have been in his young days to play the part of the lover or of the hero — who can say that in early life he had been the same harsh, unlicked, and rugged boor that, in his maturer age, he proved — or how far the neglected rudeness which afterwards marked his air, and garb, and manners, may not have been the growth of that reckless apathy not unfrequently produced by bitter misfortunes and disappointments in early life?

  These questions can never now be answered.

  We must content ourselves, then, with a plain statement of facts, or what have been received and transmitted as such, leaving matters of speculation to those who like them.

  When Schalken studied under the immortal Gerard Douw, he was a young man; and in spite of the phlegmatic constitution and unexcitable manner which he shared, we believe, with his countrymen, he was not incapable of deep and vivid impressions, for it is an established fact that the young painter looked with considerable interest upon the beautiful niece of his wealthy master.