Delphi Complete Works of Sheridan Le Fanu

by J. Sheridan le Fanu

  The same evening he took Alice with him for a ramble round the castle wall, while they talked of grave matters, and he as usual allowed her a dim and doubtful view of some of those cloud-built castles in which he habitually dwelt, and among which his jaded hopes revived.

  They were walking upon a pleasant short sward of darkest green, on one side overhung by the gray castle walls, and on the other by the forest trees that here and there closely approached it, when precisely as they turned the angle of the Bell Tower, they were encountered by a person walking directly towards them. The sight of a stranger, with the exception of the one visitor introduced by her father, was in this place so absolutely unprecedented, that Alice was amazed and affrighted to such a degree that for a moment she stood stock-still.

  But there was more in this apparition to excite unpleasant emotions, than the mere circumstance of its unexpectedness. The figure was very strange, being that of a tall, lean, ungainly man, dressed in a dingy suit, somewhat of a Spanish fashion, with a brown laced cloak, and faded red stockings. He had long lank legs, long arms, hands, and fingers, and a very long sickly face, with a drooping nose, and a sly, sarcastic leer, and a great purplish stain overspreading more than half of one cheek.

  As he strode past, he touched his cap with his thin, discoloured fingers, and an ugly side glance, and disappeared round the corner. The eyes of father and daughter followed him in silence.

  Ultor De Lacy seemed first absolutely terror-stricken, and then suddenly inflamed with ungovernable fury. He dropped his cane on the ground, drew his rapier, and, without wasting a thought on his daughter, pursued.

  He just had a glimpse of the retreating figure as it disappeared round the far angle. The plume, and the lank hair, the point of the rapier-scabbard, the flutter of the skirt of the cloak, and one red stocking and heel; and this was the last he saw of him.

  When Alice reached his side, his drawn sword still in his hand, he was in a state of abject agitation.

  “Thank Heaven, he’s gone!” she exclaimed.

  “He’s gone,” echoed Ultor, with a strange glare.

  “And you are safe,” she added, clasping his hand.

  He sighed a great sigh.

  “And you don’t think he’s coming back?”

  “He! — who?”

  “The stranger who passed us but now. Do you know him, father?”

  “Yes — and — no, child — I know him not — and yet I know him too well. Would to heaven we could leave this accursed haunt tonight. Cursed be the stupid malice that first provoked this horrible feud, which no sacrifice and misery can appease, and no exorcism can quell or even suspend. The wretch has come from afar with a sure instinct to devour my last hope — to dog us into our last retreat — and to blast with his triumph the very dust and ruins of our house. What ails that stupid priest that he has given over his visits? Are my children to be left without mass or confession — the sacraments which guard as well as save — because he once loses his way in a mist, or mistakes a streak of foam in the brook for a dead man’s face? D — n him!”

  “See, Alice, if he won’t come,” he resumed, “you must only write your confession to him in full — you and Una. Laurence is trusty, and will carry it — and we’ll get the bishop’s — or, if need be, the Pope’s leave for him to give you absolution. I’ll move heaven and earth, but you shall have the sacraments, poor children! — and see him. I’ve been a wild fellow in my youth, and never pretended to sanctity; but I know there’s but one safe way — and — and — keep you each a bit of this — (he opened a small silver box) — about you while you stay here — fold and sew it up reverently in a bit of the old psaltery parchment and wear it next your hearts— ’tis a fragment of the consecrated wafer — and will help, with the saints’ protection, to guard you from harm — and be strict in fasts, and constant in prayer — I can do nothing — nor devise any help. The curse has fallen, indeed, on me and mine.”

  And Alice, saw, in silence, the tears of despair roll down his pale and agitated face.

  This adventure was also a secret, and Una was to hear nothing of it.

  CHAPTER VI

  Voices

  Now Una, nobody knew why, began to lose spirit, and to grow pale. Her fun and frolic were quite gone! Even her songs ceased. She was silent with her sister, and loved solitude better. She said she was well, and quite happy, and could in no wise be got to account for the lamentable change that had stolen over her. She had grown odd too, and obstinate in trifles; and strangely reserved and cold.

  Alice was very unhappy in consequence. What was the cause of this estrangement — had she offended her, and how? But Una had never before borne resentment for an hour. What could have altered her entire nature so? Could it be the shadow and chill of coming insanity?

  Once or twice, when her sister urged her with tears and entreaties to disclose the secret of her changed spirits and demeanour, she seemed to listen with a sort of silent wonder and suspicion, and then she looked for a moment full upon her, and seemed on the very point of revealing all. But the earnest dilated gaze stole downward to the floor, and subsided into an odd wily smile, and she began to whisper to herself, and the smile and the whisper were both a mystery to Alice.

  She and Alice slept in the same bedroom — a chamber in a projecting tower — which on their arrival, when poor Una was so merry, they had hung round with old tapestry, and decorated fantastically according to their skill and frolic. One night, as they went to bed, Una said, as if speaking to herself ——

  “’Tis my last night in this room — I shall sleep no more with Alice.”

  “And what has poor Alice done, Una, to deserve your strange unkindness?”

  Una looked on her curiously, and half frightened, and then the odd smile stole over her face like a gleam of moonlight.

  “My poor Alice, what have you to do with it?” she whispered.

  “And why do you talk of sleeping no more with me?” said Alice.

  “Why? Alice dear — no why — no reason — only a knowledge that it must be so, or Una will die.”

  “Die, Una darling! — what can you mean?”

  “Yes, sweet Alice, die, indeed. We must all die some time, you know, or — or undergo a change; and my time is near — very near — unless I sleep apart from you.”

  “Indeed, Una, sweetheart, I think you are ill, but not near death.”

  “Una knows what you think, wise Alice — but she’s not mad — on the contrary, she’s wiser than other folks.”

  “She’s sadder and stranger too,” said Alice, tenderly.

  “Knowledge is sorrow,” answered Una, and she looked across the room through her golden hair which she was combing — and through the window, beyond which lay the tops of the great trees, and the still foliage of the glen in the misty moonlight.

  “’Tis enough, Alice dear; it must be so. The bed must move hence, or Una’s bed will be low enough ere long. See, it shan’t be far though, only into that small room.”

  She pointed to an inner room or closet opening from that in which they lay. The walls of the building were hugely thick, and there were double doors of oak between the chambers, and Alice thought, with a sigh, how completely separated they were going to be.

  However she offered no opposition. The change was made, and the girls for the first time since childhood lay in separate chambers. A few nights afterwards Alice awoke late in the night from a dreadful dream, in which the sinister figure which she and her father had encountered in their ramble round the castle walls, bore a principal part.

  When she awoke there were still in her ears the sounds which had mingled in her dream. They were the notes of a deep, ringing, bass voice rising from the glen beneath the castle walls — something between humming and singing — listlessly unequal and intermittent, like the melody of a man whiling away the hours over his work. While she was wondering at this unwonted minstrelsy, there came a silence, and — could she believe her ears? — it certainly was Una’s clear lo
w contralto — softly singing a bar or two from the window. Then once more silence — and then again the strange manly voice, faintly chaunting from the leafy abyss.

  With a strange wild feeling of suspicion and terror, Alice glided to the window. The moon who sees so many things, and keeps all secrets, with her cold impenetrable smile, was high in the sky. But Alice saw the red flicker of a candle from Una’s window, and, she thought, the shadow of her head against the deep side wall of its recess. Then this was gone, and there were no more sights or sounds that night.

  As they sate at breakfast, the small birds were singing merrily from among the sun-tipped foliage.

  “I love this music,” said Alice, unusually pale and sad; “it comes with the pleasant light of morning. I remember, Una, when you used to sing, like those gay birds, in the fresh beams of the morning; that was in the old time, when Una kept no secret from poor Alice.”

  “And Una knows what her sage Alice means; but there are other birds, silent all day long, and, they say, the sweetest too, that love to sing by night alone.”

  So things went on — the elder girl pained and melancholy — the younger silent, changed, and unaccountable.

  A little while after this, very late one night, on awaking, Alice heard a conversation being carried on in her sister’s room. There seemed to be no disguise about it. She could not distinguish the words, indeed, the walls being some six feet thick, and two great oak doors intercepting. But Una’s clear voice, and the deep bell-like tones of the unknown, made up the dialogue.

  Alice sprung from her bed, threw her clothes about her, and tried to enter her sister’s room; but the inner door was bolted. The voices ceased to speak as she knocked, and Una opened it, and stood before her in her nightdress, candle in hand.

  “Una — Una, darling, as you hope for peace, tell me who is here?” cried frightened Alice, with her trembling arms about her neck.

  Una drew back, with her large innocent blue eyes fixed full upon her.

  “Come in, Alice,” she said, coldly.

  And in came Alice, with a fearful glance around. There was no hiding place there; a chair, a table, a little bedstead, and two or three pegs in the wall to hang clothes on; a narrow window, with two iron bars across; no hearth or chimney — nothing but bare walls.

  Alice looked round in amazement, and her eyes glanced with painful inquiry into those of her sister. Una smiled one of her peculiar sidelong smiles, and said ——

  “Strange dreams! I’ve been dreaming — so has Alice. She hears and sees Una’s dreams, and wonders — and well she may.”

  And she kissed her sister’s cheek with a cold kiss, and lay down in her little bed, her slender hand under her head, and spoke no more.

  Alice, not knowing what to think, went back to hers.

  About this time Ultor De Lacy returned. He heard his elder daughter’s strange narrative with marked uneasiness, and his agitation seemed to grow rather than subside. He enjoined her, however, not to mention it to the old servant, nor in presence of anybody she might chance to see, but only to him and to the priest, if he could be persuaded to resume his duty and return. The trial, however, such as it was, could not endure very long; matters had turned out favourably. The union of his younger daughter might be accomplished within a few months, and in eight or nine weeks they should be on their way to Paris.

  A night or two after her father’s arrival, Alice, in the dead of the night, heard the well-known strange deep voice speaking softly, as it seemed, close to her own window on the outside; and Una’s voice, clear and tender, spoke in answer. She hurried to her own casement, and pushed it open, kneeling in the deep embrasure, and looking with a stealthy and affrighted gaze towards her sister’s window. As she crossed the floor the voices subsided, and she saw a light withdrawn from within. The moonbeams slanted bright and clear on the whole side of the castle overlooking the glen, and she plainly beheld the shadow of a man projected on the wall as on a screen.

  This black shadow recalled with a horrid thrill the outline and fashion of the figure in the Spanish dress. There were the cap and mantle, the rapier, the long thin limbs and sinister angularity. It was so thrown obliquely that the hands reached to the windowsill, and the feet stretched and stretched, longer and longer as she looked, toward the ground, and disappeared in the general darkness; and the rest, with a sudden flicker, shot downwards, as shadows will on the sudden movement of a light, and was lost in one gigantic leap down the castle wall.

  “I do not know whether I dream or wake when I hear and see these sights; but I will ask my father to sit up with me, and we two surely cannot be mistaken. May the holy saints keep and guard us!” And in her terror she buried her head under the bedclothes, and whispered her prayers for an hour.

  CHAPTER VII

  Una’s Love

  “I have been with Father Denis,” said De Lacy, next day, “and he will come tomorrow; and, thank Heaven! you may both make your confession and hear mass, and my mind will be at rest; and you’ll find poor Una happier and more like herself.”

  But ‘tween cup and lip there’s many a slip. The priest was not destined to hear poor Una’s shrift. When she bid her sister goodnight she looked on her with her large, cold, wild eyes, till something of her old human affections seemed to gather there, and they slowly filled with tears, which dropped one after the other on her homely dress as she gazed in her sister’s face.

  Alice, delighted, sprang up, and clasped her arms about her neck. “My own darling treasure,’tis all over; you love your poor Alice again, and will be happier than ever.”

  But while she held her in her embrace Una’s eyes were turned towards the window, and her lips apart, and Alice felt instinctively that her thoughts were already far away.

  “Hark! — listen! — hush!” and Una, with her delighted gaze fixed, as if she saw far away beyond the castle wall, the trees, the glen, and the night’s dark curtain, held her hand raised near her ear, and waved her head slightly in time, as it seemed, to music that reached not Alice’s ear, and smiled her strange pleased smile, and then the smile slowly faded away, leaving that sly suspicious light behind it which somehow scared her sister with an uncertain sense of danger; and she sang in tones so sweet and low that it seemed but a reverie of a song, recalling, as Alice fancied, the strain to which she had just listened in that strange ecstasy, the plaintive and beautiful Irish ballad, “Shule, shule, shule, aroon,” the midnight summons of the outlawed Irish soldier to his darling to follow him.

  Alice had slept little the night before. She was now overpowered with fatigue; and leaving her candle burning by her bedside, she fell into a deep sleep. From this she awoke suddenly, and completely, as will sometimes happen without any apparent cause, and she saw Una come into the room. She had a little purse of embroidery — her own work — in her hand; and she stole lightly to the bedside, with her peculiar oblique smile, and evidently thinking that her sister was asleep.

  Alice was thrilled with a strange terror, and did not speak or move; and her sister slipped her hand softly under her bolster, and withdrew it. Then Una stood for while by the hearth, and stretched her hand up to the mantelpiece, from which she took a little bit of chalk, and Alice thought she saw her place it in the fingers of a long yellow hand that was stealthily introduced from her own chamber-door to receive it; and Una paused in the dark recess of the door, and smiled over her shoulder toward her sister, and then glided into her room, closing the doors.

  Almost freezing with terror, Alice rose and glided after her, and stood in her chamber, screaming ——

  “Una, Una, in heaven’s name what troubles you?”

  But Una seemed to have been sound asleep in her bed, and raised herself with a start, and looking upon her with a peevish surprise, said ——

  “What does Alice seek here?”

  “You were in my room, Una, dear; you seem disturbed and troubled.”

  “Dreams, Alice. My dreams crossing your brain; only dreams — dreams. Get you t
o bed, and sleep.”

  And to bed she went, but not to sleep. She lay awake more than an hour; and then Una emerged once more from her room. This time she was fully dressed, and had her cloak and thick shoes on, as their rattle on the floor plainly discovered. She had a little bundle tied up in a handkerchief in her hand, and her hood was drawn about her head; and thus equipped, as it seemed, for a journey, she came and stood at the foot of Alice’s bed, and stared on her with a look so soulless and terrible that her senses almost forsook her. Then she turned and went back into her own chamber.

  She may have returned; but Alice thought not — at least she did not see her. But she lay in great excitement and perturbation; and was terrified, about an hour later, by a knock at her chamber door — not that opening into Una’s room, but upon the little passage from the stone screw staircase. She sprang from her bed; but the door was secured on the inside, and she felt relieved. The knock was repeated, and she heard some one laughing softly on the outside.

  The morning came at last; that dreadful night was over. But Una! Where was Una?

  Alice never saw her more. On the head of her empty bed were traced in chalk the words — Ultor De Lacy, Ultor O’Donnell. And Alice found beneath her own pillow the little purse of embroidery she had seen in Una’s hand. It was her little parting token, and bore the simple legend— “Una’s love!”