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The Heart Beats in Secret

Page 4

by Katie Munnik


  Then I heard a sound in the doorway.

  A shifting sound behind the half-wall followed by the stillness of someone waiting. I paused. It seemed a quiet village. But the house had been empty for a couple of weeks now. Someone could have found a way in and set up camp. I held my breath. Then I heard the sound of feathers.

  Only a bird, then. Well, that was a relief. I waited a moment, and then another, for it to emerge, but when it didn’t, I cleared my throat to startle it. Nothing.

  ‘Hello?’ A human voice would scare it away, I thought. Still nothing. But then another shift, so I took a step and peered around the half-wall.

  A goose filled the space. It was startlingly tall and its long dark neck snaked from side to side, its white chin-strap bright in the shadow beside the door. When it looked over its broad brown back towards me, I balked and stepped back. Weird to see a Canada Goose here, I thought, but maybe it was thinking similar thoughts about me. I raised my arms in a sort of loose-winged flap and made a few hopeful noises, but the goose stayed put. It looked as if it was waiting, but obviously not for me.

  ‘Go!’ I said, firmly.

  And nothing. The bird would not budge. It turned towards the door and looked in through the window, making throat-clearing sounds. The key felt heavy in my pocket, but I walked back down the path, sat on the low stone wall at the end of the garden and dug an apple out of my pack. Banished.

  The wind blew through the tall grasses on the verge. Grey clouds gathered out at sea. By the road, tulips nodded heavy purple heads, and I wondered if they’d been Gran’s idea. Did she fling out a few bulbs, let them fall where they might and bury themselves to wait for spring? I could imagine that. I could almost see her, standing here at the very edge of her garden with a fistful of bulbs, watching the cars pass by, waiting for the right moment. She’d glance back at the house to see if he was watching and maybe he was or maybe he wasn’t, and she wouldn’t mind one way or the other, and then, with the road clear each way, she would reach back and let the bulbs fly.

  When I turned back to the house, the goose wasn’t there. The key turned smoothly in the lock and I stepped inside, closing the door behind me. The house was quiet. Empty. Smelling citrusy. L for lemon.

  I set my bag down in the hallway next to the teak trolley where the telephone sat watching, squat beside a bowl of keys and Gran’s brown wallet. Right out in the open, the first place to look. Logical, I thought, and the leather felt soft in my hands, but there were only cards inside. No folded letter, no secret photograph. I picked up the phone and there was no dial tone. The lawyer’s letter had said nothing had been disconnected and everything should be fine. Well, there’s something to add to the to-do list. And I would need to find another way of calling Mateo, too, and maybe Felicity. I thought I should let her know where I was.

  The living room was a shrunken version of what I remembered. Shabbier, too, but only from the passage of time. Everything looked faded – the ashes in the fireplace, the rag rug Felicity had made at the camp sun-bleached like the photographs on the mantel, familiar and distant. There was a well-dressed Victorian couple framed in silver, he in tweeds and thick sideburns, she with lace cuffs, and her hands folded on her skirt. Then my mother as a grinning toddler running across grass, caught almost in flight. My grandparents in a wooden frame, new parents, my mother a bundled infant, my young grandmother with her head bent, adoring. My grandfather wore a zippered cardigan under his jacket and met the camera’s gaze, shy, defiant, present and looking at me as if I shouldn’t be unsupervised in his house.

  Their wedding photo was framed in silver. My grandmother was all high cheekbones and a shine in her eye, and my grandfather watched her, laughing. They held their hands up between them, fingers intertwined, as if they wanted the photographer to capture the new gold band on her finger. Linked. She wore an elegant fox fur around her shoulders and it must have matched her hair, though in the black-and-white photograph, both the fox and the hair looked silver. I’d grown up with the photo. Felicity kept a copy on the table in our cabin and I liked to look at it when I was small. That Klimt look on Gran’s face and Granddad’s laugh.

  ‘Was it like that with you and my dad?’ I asked once. ‘When he was around?’

  ‘Oh, Pidge, you’re getting too old for that story. You know you don’t have a dad. Only a father. And no, he wasn’t like that.’ She pushed her fingers up through the paleness of her hair, then smiled at me. ‘If he was, he’d be around now, and I’d have to share you. And then what would we do? I couldn’t ever share you.’

  When I was almost twelve and we were up late together after a long night-birth, I asked why her dad hadn’t been there when she was born.

  ‘It was the war, sweetie. He was away. You can’t always be where you want to be. Not when there’s a war.’

  ‘But Gran had help, right? There were midwives there?’

  ‘A doctor. And her mum. She could have had a nurse, too, but there were enough people out that night already. That’s what she said. But I think it was more about privacy, really. Your gran is a very private person.’

  She made it sound like she would describe herself otherwise. Or maybe it was just a slip.

  In the kitchen, the fridge hummed gently and the clock kept ticking, its electric cord twisting down to the outlet near the cooker. Pinned to the wall by the door, there was a postcard from the gallery. Felicity must have sent that over – a photo of the giant spider sculpture that sat between the gallery and the street. On the back, a note in her handwriting:

  Dear Mum,

  Hello from Pidge’s shop – all lovely books, silk scarves & calendars. She’s happy, I think, selling gifts – says it reminds her people are thinking of others & that’s beautiful. She has a generous heart, doesn’t she?

  Thought you’d like the spider. 30 feet tall & her belly full of marble eggs. An elegance of legs and space.

  All love,

  Felicity

  I opened the back door for fresh air and so that I could see tulips growing at the edge of a cobbled yard. There were several outbuildings – sheds and things – and beyond that, grass with a stone bench and a path that led down to a small orchard. I remembered these trees – just a half-dozen apple trees, too small to climb and wind-twisted even there behind the house. I could smell the sea, too. Salt. Coins. Rust.

  Then a sound. I startled, half expecting to see – who? Gran? Granddad? Not Mateo. Or Felicity, suddenly arrived with suitcase in hand to surprise me, hello and my love. But no, none of that. Nothing as gentle. Instead, the goose paced across the cobblestones, honking and squonking, sticking its neck out and making a God-awful, ear-quaking racket.

  5

  MY FIRST THOUGHT WAS TO SLAM THE DOOR TO KEEP it out of the house. And the others, too, assuming there were others. Geese aren’t solitary birds, are they? They come in flocks. Or is it skeins? Which sounded like something in flight and the one I could see certainly wasn’t. It stalked around the shed, upturning stacks of flower pots, buckets and bins. Everything crashed to the ground, bouncing on the hard stones or shattering to pieces. I checked the lock on the kitchen door. It felt strange to be alone.

  I slipped my shoes off and pulled myself up onto the counter so I could watch out the window more easily. With its hard, black beak, the goose hammered on the shed door and then, as I watched, pushed the door open and marched inside. Then, a bedlam of brushes and boxes, more broken pots and an imperious honk. More clatter and a yellow tin clanged across the yard.

  Fry’s Cocoa.

  I supposed it didn’t really matter how much mess the goose made out there. Everything would need to be sorted through and disposed of one way or another. You couldn’t sell a property full of stuff. Besides, there might be something interesting to take back to Ottawa. Maybe not dented old tins, but something. A lantern. An old tackle box. Something antique.

  I looked around the kitchen to see what was there and, on top of the cupboard, I spotted Gran’s blue glass cake-stand.
Mateo might like that. In the cupboard, I found an olive-wood cruet set, three pottery jugs, and a gravy boat. The coffee mill, which would certainly be useful. Folded paper napkins wrapped in waxed paper, empty jam jars, scrubbed clean, and a tall berry-dark bottle marked ‘sloe gin’. Behind another door, a stack of lovely teacups – some chipped, but enough to make up a set, certainly. Then, pushed to the back, a row of squat bottles with ground-glass stoppers. Inside, there were dried needles like rosemary, seeds like apple, and dusty flower petals, pink, red and yellow. Nothing familiar, not quite at least, and I wondered what Felicity might make of them. I probably couldn’t get them through customs. Not without knowing what they were. Mateo tried to bring sausage home last summer – a long loop that he bought at a Spanish market. I told him that it was never going to work, that he was really just buying lunch for the airport staff, but he shrugged, looking smug. I was right, of course, though he put on a show for the officials.

  ‘I promise I will not share it. No risk to the Canadian population, I assure you. It will pass no other lips than my own. Unless you would like to try? I might share with you.’

  The customs officer shook his head and Mateo had to leave the sausage behind.

  Maybe I should just sell the lot. There was never going to be space in a new condo for these old things. I could call an auction house and have them clear the place. Sell everything and head back home.

  Another tin clattered across the yard. Oxo this time.

  Home meant Ottawa. Mateo. Work. Home meant routine and habit, and that didn’t have much space for china teacups. Home used to mean the camp, but I left because it was time for me to choose. A free woman chooses – that’s what they had always taught me, and I got to the stage where staying didn’t feel like a choice any more. It was just procrastination.

  I’d been working in the village store, selling cigarettes, groceries and booze. The kind of job teenage girls pick up after high school when they’re waiting for life to start, and it was like that for me, too, in a way. After I mailed my equivalence tests in the province and they sent me my diploma, I started at the shop as a way of making money before my next step, but then I stuck around. It was familiar and comfortable – like everything else. Most of the year, I knew everyone who came in, though it was different in the summer, with the cottage people and folk heading north to go hunting. But mainly, it was routine. Mothers came in mid-morning with small kids. Seniors needed help finding things every week. Just after the mass at one o’clock, a grey-haired man always bought a two-four of Molson and told me to smile. Always the same. Except one day, he asked me what I was waiting for. He said I looked tired, like maybe I was drowning. Who was he to comment? But later, I wondered if he recognized something. I couldn’t say what I was waiting for. People came through Birthwood and told us how lucky we were to have this slice of creation for our own. Maybe I was waiting to feel that. Bas and Rika did, obviously. And Felicity, too. I thought it would come with time or age. Except now, apparently, I looked like I was drowning. Well, that wasn’t true. I was just – what? Caught in an eddy, going round and round and watching the same piece of sky.

  So, I made up my mind and chose to move to Ottawa.

  I’d leave most of my things behind: my old photo albums and papers, the bookshelves Bas made me and my work clothes. I’d rent a furnished apartment at first, I decided, and find a new job. I could learn to live alone in the middle of a city. Eat meals on my own, visit museums and galleries, maybe even find work there, and when I actually managed to do all that, I told people that was why I had moved. For work and culture. For art.

  But that wasn’t true. I moved to Ottawa because it sat at the end of the river. The T-junction of the Gatineau and the Ottawa. T is for time to go.

  When I was small, the river map on the wall showed the Gatineau curled like Felicity’s hair. It laced among a hundred lakes and Bas told me the name was Algonquin – Te-nagàdino-zìbi – which meant the river that stops your journey. There were rocks to portage around and narrow places where even a canoe couldn’t slip through. But there was also a story about a French explorer who drowned in the river, and he was called Gatineau, too. Nicolas Gatineau. There was a high school named after him and I found his name in a history book. Some stories come twinned and some things are true.

  Gran’s tea towels still hung on the hooks by the stove, and her spices sat on the thin shelf with the egg timer. But no coat by the door, no teacups to be rinsed. I noticed these things and waited for grief. I expected it and watched myself, waited. But it didn’t come. Instead, I felt disconnected and cold. I didn’t know how to do this.

  Felicity should be here. Well, not sitting on the counter. She’d likely know what to do about the goose outside. And about the cupboards and the cake-stand and all the photographs and books. She’d negotiate presence and absence all right. She’d cry and swear and find a way to be practical, too. And, apart from everything else, she’d know the house inside out. She’d know where to begin.

  When Mateo and I had moved into our apartment on Cartier Street, she’d been full of suggestions. Shelves and rugs and paint for the window frames. I had to explain to her that it was a rental and that we weren’t planning to stay. Mateo had always wanted to buy something new, something shiny. He had his eye on one of the glass condo towers going up in the Market with their beautiful views of the river, all those sunsets and sunrises, and miles between us and the sidewalks below. I agreed to see a model penthouse one afternoon and, after my shift, I waited for him in front of the gallery. I watched the sun catching the spires of the basilica, and a family lingering underneath the spider, their toddler dancing between the legs. I thought about what it would be like to live so close to work and in such a small space, too. Mateo had said that it wouldn’t feel small – not with those views. When he came through the door, he told me I looked lovely in the light, and we walked together through the Market, past all the tourists and the tempting patios.

  ‘Later,’ he said, squeezing my hand. ‘After we’ve had a look. Maybe we’ll have a decision to make?’

  The condo was beautiful, it really was. I liked the view from the kitchen, right up to the Gatineau Hills. He liked the quiet. ‘It feels like there is no one else up here at all. No one living on top of us. No dogs or footsteps or tricycles.’ He laughed and put his arms around my waist and I pressed my mouth into his neck, his skin dry and warm. ‘We could be happy here. Alone on the top.’

  Out the window, I could see the goose grazing between the apple trees. I felt hungry. The fridge, unsurprisingly, was empty. The lawyer’s letter had also mentioned that all the perishables had been cleared away. Not words to send to a bereaved family, I thought. There must be a better way of describing a scrubbed kitchen.

  I dug my own meagre supplies out of my backpack. A roll of biscuits. Two apples. A bottle of wine. I’d need more or tomorrow I wouldn’t be fit for purpose. There was a fish and chip shop in the village, so I found my coat and flicked all the lights on before closing the door behind me. It wasn’t yet properly evening, but I didn’t like the idea of walking into the house in the dark. Overhead, more geese crossed the sky, a dark V on the bright air, their rusty voices calling.

  6

  FELICITY: 1967

  MATRON CLAIMED TO BE MOTHERLY, BUT SHE HADN’T a clue. My mum never put her foot down. She had no God-forbidding anything. She was much quieter than that.

  Ahead of me, a gaggle of student nurses made their way down the corridor, looking pert and starched. From their chatter, I could tell they were due up in Maternity where they’d watch the ward nurses teach new mothers how to swaddle properly. Not Matron, though. No babies for her. I could imagine her eating them, with her cracked red lips, her pocked chin, and her eyes like lift buttons behind those thick plastic glasses. Standing behind the nursing desk, she watched every footfall on the ward, utterly unsparing. To get the attention of errant junior nurses, she snapped tongue depressors. She never drank tea. That afternoon, she’d spen
t her five o’clock sermon on me, filling my ears with her God-forbids. She said she was being maternal. I should be more respectful. I shouldn’t look up when receiving instruction, shouldn’t distract or interrupt, merely pay better attention and perform. My job was to trot along behind the doctors with my neat nurse’s basket, carrying the requisite tongue depressors, thermometers, scissors, and gauze. I was to be careful. Take notes. Agree. My questions were not needed. The litany ended, Matron attempted a smile.

  ‘I know I must sound like a proper old battleaxe,’ she said. ‘But do try to take it on board. Just a little nudge to the straight and narrow and you will be happily with us a long, long time.’

  She patted my sentenced hand and released me down the corridor.

  I walked slowly and thought about my mother. I pictured her out by the bay, tall in my father’s old trousers with the hems tucked into black wellies and her hands reaching up, picking sea buckthorn. Too early yet this year, of course. The berries would still be plumping back home and my mother focussed on raspberries in the garden, but when I conjured her, I saw her by the sea. I saw how the wind caught wisps from her bound hair and how small clouds scudded across the sky above her like impossible stepping stones set against the blue. She always took her time picking berries, making the day last as long as it might, and when I was little, I would be there at her feet, digging out caves in the sand dunes, hoping to find rabbits or buried treasure. Now in that bleached corridor, I remembered the berries’ sharp stickiness and their smell like sour wine. Mum mixed them with sugar and cooked them down to make a marmalade bright as oystercatchers’ bills. I missed her marmalade and all her jams – raspberry and bramble, blackcurrant from the manse garden, jellies from rosehips, haws and sloes from every hedgerow along the coast. At home, Mum kept them on a high cupboard shelf, closed away to keep their colour, and later in my Edinburgh flat, I set them along the window sill so they could cast their stained-glass colours on the cold floor. Here, I bought grape jelly at Steinberg’s and spread it on white bread.

 

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