Mirrorshades: The Cyberpunk Anthology

by Bruce Sterling

  Murch had started to throw his sticks at him, but then he’d remembered how you had to have them lathed up special because they didn’t make them anymore, so he’d said, “Suck my ass, big shot”and got up and walked out, not the first time. But that was the first time it meant anything, and only some heavy ambassadorial action on the part of Ponce had kept Murch from leaving the band.

  The call from their agent had set the whole thing off. That’s what it really was. Agency was streamlining its clientele. The band was out. The last two download albums hadn’t sold, and in fact the engineers claimed that live drums didn’t digitize well onto the miniaturized soundcaps that passed for CDs now. Rickenharp’s holovid and the videos weren’t getting much airplay.

  Anyway, Vid-Co was probably going out of business. Another business sucked into the black hole of the depression. “So it ain’t our fault the stuffs not selling,” Rickenharp said. “We got fans but we can’t get the distribution to reach ’em.”

  Mose had said, “Bullshit, we’re out of the Grid, and you know it. All that was carrying us was the nostalgia wave anyway. You can’t get more’n two bits out of a revival, man.”

  Julio the bassist had said something in technicki which Rickenharp hadn’t bothered to translate because it was probably stupid and when Rickenharp had ignored him he’d gotten pissed and it was his turn to walk out. Fucking touchy technickis anyway.

  And now the band was in abeyance. Their train was stopped between the stations. They had one gig, just one: opening for a wifi act. And Rickenharp didn’t want to do it. But they had a contract and there were a lot of rock nostalgia freaks on Freezone, so maybe that was their audience anyway and he owed it to them. Blow the goddamn wires off the stage.

  He looked around the Semiconductor and wished the Retro-Club was still open. There’d been a strong retro presence at the RC, even some rockabillies, and some of the rockabillies actually knew what rockabilly sounded like. The Semiconductor was a minimono scene.

  The minimono crowd wore their hair long, fanned out between the shoulders and narrowing to a point at the crown of the head, and straight, absolutely straight, stiff, so from the back each head had a black or gray or red or white teepee-shape. Those, in monochrome, were the only acceptable colors. Flat tones and no streaks. Their clothes were stylistic extensions of their hairstyles. Minimono was a reaction to Flare—and to the chaos of the war, and the war economy, and the amorphous shifting of the Grid. The Flare style was going, dying.

  Rickenharp had always been contemptuous of the trendy Flares, but he preferred them to minimono. Flare had energy, anyway.

  A flare was expected to wear his hair up, as far over the top of his head as possible, and that promontory was supposed to express. The more colors the better. In that scene, you weren’t an individual unless you had an expressive flare. Screwshapes, hooks, aureola shapes, layered multicolor snarls. Fortunes were made in flare hair-shaping shops, and lost when it began to go out of fashion. But it had lasted longer than most fashions; it had endless variation and the appeal of its energy to sustain it. A lot of people copped out of the necessity of inventing individual expression by adopting a politically standard flare. Shape your hair like the insignia for your favorite downtrodden third world country (back when they were downtrodden, before the new marketing axis). Flares were so much trouble most people took to having flare wigs. And their drugs were styled to fit the fashion. Excitative neurotransmitters; drugs that made you seem to glow. The wealthier flares had nimbus belts, creating artificial auroras. The hipper flares considered this to be tastelessly narcissistic, which was a joke to nonflares, since all flares were floridly vain.

  Rickenharp had never colored or shaped his hair, except to encourage its punk spikiness.

  But Rickenharp wasn’t a punkrocker. He identified with prepunk, late 1950s, mid-1960s, early 1970s. Rickenharp was a proud anachronism. He was simply a hard-core rocker, as out of place in the Semiconductor as bebop would have been in the 1980s dance clubs.

  Rickenharp looked around at the flat-back, flat-gray, monochrome tunics and jumpsuits, the black wristfones, the cookie-cutter sameness of JAS’s; at the uniform tans and ubiquitous FirStep Colony-shaped earrings (only one, always in the left ear). The high-tech-fetishist minimonos were said to aspire toward a place in the Colony the way Rastas had dreamed of a return to Ethiopia. Rickenharp thought it was funny that the Russians had blockaded the Colony. Funny to see the normally dronelike, antiflamboyant minimonos quietly simmering on ampheticool, standing in tense groups, hissing about the Russian blockade of FirStep, in why-doesn’t-someone-do-something outrage.

  The stultifying regularity of their canned music banged from the walls and pulsed from the floor. Lean against the wall and you felt a drill-bit vibration of it in your spine.

  There were a few hardy, defiant flares here, and flares were Rickenharp’s best hope for getting laid. They tended to respect old rock.

  The music ceased; a voice boomed, “Joel NewHope!” and spots hit the stage. The first wifi act had come on. Rickenharp glanced at his watch. It was ten. He was due to open for the headline act at 11:30. Rickenharp pictured the club emptying as he hit the stage. He wasn’t long for this club.

  NewHope hit the stage. He was anorexic and surgically sexless: radical minimono. A fact advertised by his nudity: he wore only gray and black spray-on sheathing, his dick in a drag queen’s tuck. How did the guy piss? Rickenharp, wondered. Maybe it was out of that faint crease at his crotch. A dancing mannequin. His sexuality was clipped to the back of his head: a single chrome electrode that activated the pleasure center of the brain during the weekly legally controlled catharsis. But he was so skinny—hey, who knows, maybe he went to a black-market cerebrostim to interface with the pulser. Though minimonos were supposed to be into stringent law and order.

  The neural transmitters jacked into NewHope’s arms and legs and torso transmitted to pickups on the stage floor. The long, funereal wails pealing from hidden speakers were triggered by the muscular contractions of his arms and legs and torso. He wasn’t bad, for a minimono, Rickenharp thought. You can make out the melody, the tune shaped by his dancing, and it had a shade more complexity than the M’n’Ms usually had … The M’n’M crowd moved into their geometrical dance configurations, somewhere between disco dancing and square dance, Busby Berkley kaleidoscopings worked out according to formulas you were simply expected to know, if you had the nerve to participate. Try to dance freestyle in their interlocking choreography, and sheer social rejection, on the wings of body language, would hit you like an arctic wind.

  Sometimes Rickenharp did an acid dance in the midst of the minimono configuration, just for the hell of it, just to revel in their rejection. But his band had made him stop that. Don’t alienate the audience at our only gig, man. Probably our last fucking gig …

  The wiredancer rippled out bagpipelike riffs over the digitalized rhythm section. The walls came alive.

  A good rock club—in 1965 or 1975 or 1985 or 1995 or 2012 or 2039 should be narrow, dark, close, claustrophobic. The walls should be either starkly monochrome—all black or mirrored, say—or deliberately garish. Camp, layered with whatever was the contemporary avant-garde or gaudy graffiti.

  The Semiconductor showed both sides. It started out butch, its walls glassy black; during the concert it went in gaudy drag as the sound-sensitive walls reacted to the music with color streaking, wavelengthing in oscilloscope patterns, shades of blue-white for high end, red and purple for bass and percussion, reacting vividly, hypnotically to each note. The minimonos disliked reactive walls. They called it kitschy.

  The dance spazzed the stage, and Rickenharp grudgingly watched, trying to be fair to it. Thinking, It’s another kind of rock ’n’ roll, is all. Like a Christian watching a Buddhist ceremony, telling himself, “Oh, well, it’s all manifestations of the One God in the end.” Rickenharp thinking: But real rock is better. Real rock is coming back, he’d tell almost anyone who’d lis
ten. Almost no one would.

  A chaotichick came in, and he watched her, feeling less alone. Chaotics were much closer to real rockers. She was a skinhead, with the sides of her head painted. The Gridfriend insignia was tattooed on her right shoulder. She wore a skirt made of at least two hundred rags of synthetic material sewn to her leather belt—a sort of grass skirt of bright rags. The nipples of her bare breasts were pierced with thin screws. The minimonos looked at her in disgust; they were prudish, and calling attention to one’s breasts was decidedly gauche with the M’n’Ms. She smiled sunnily back at them. Her handsome Semitic features were slashed randomly with paint. Her makeup looked like a spinpainting. Her teeth were filed.

  Rickenharp swallowed hard, looking at her. Damn. She was his type.

  Only … she wore a blue-mesc sniffer. The sniffer’s inverted question mark ran from its hook at her right ear to just under her right nostril. Now and then she tilted her head to it, and sniffed a little blue powder.

  Rickenharp had to look away. Silently cursing.

  He’d just written a song called “Stay Clean.”

  Blue mesc. Or syncoke. Or heroin. Or amphetamorphine. Or XTZ. But mostly he went for blue mesc. And blue mesc was addictive.

  Blue mesc, also called boss blue. It offered some of the effects of mescaline and cocaine together, framed in the gelatinous sweetness of methaqualone. Only … stop taking it after a period of steady use and the world drained of meaning for you. There was no actual withdrawal sickness. There was only a deeply resonant depression, a sense of worthlessness that seemed to settle like dust and maggot dung into each individual cell of the user’s body.

  Some people called blue mesc “the suicide ticket.” It could make you feel like a coal miner when the mineshaft caved in, only you were buried in yourself.

  Rickenharp had squandered the money from his only major microdisc hit on boss blue and synthmorph. He’d just barely made it clean. And lately, at least before the band squabbles, he’d begun feeling like life was worth living again.

  Watching the girl with the sniffer walk past, watching her use, Rickenharp felt stricken, lost, as if he’d seen something to remind him of a lost lover. An ex-user’s syndrome. Pain from guilt of having jilted your drug.

  And he could imagine the sweet burn of the stuff in his nostrils, the backward-sweet pharmaceutical taste of it in the back of his palate; the rush; the autoerotic feedback loop of blue mesc. Imagining it, he had a shadow of the sensation, a tantalizing ghost of the rush. In memory he could taste it, smell it, feel it … Seeing her use brought back a hundred iridescent memories and with them came an almost irrepressible longing. (While some small voice in the back of his head tried to get his attention, tried to warn him, Hey, remember the shit makes you want to kill yourself when you run out; remember it makes you stupidly overconfident and boorish; remember it eats your internal organs … a small, dwindling voice … )

  The girl was looking at him. There was a flicker of invitation in her eyes.

  He wavered.

  The small voice got louder.

  Rickenharp, if you go to her, go with her, you’ll end up using.

  He turned away with an anguished internal wrenching. Stumbled through the wash of sounds and lights and monochrome people to the dressing room; to guitar and earphones and the safer sonic world.

  “You gave him to me,” Steinfeld said, leaning close to Purchase so he could be heard over the noise of the bar. “And I give him back. And I think we’ll both keep him.”

  Purchase smiled and nodded. “Stisky’s a find. A piece of luck.”

  Purchase was a big, sloppy-bodied man, his hair thin and his face wide. You could hear him breathe, even when he was at rest. But he laughed easily, and he didn’t miss much. The two men liked one another, though they were NR for different reasons. Steinfeld had shaped the NR in the image of his own idealism. It was an extension of his convictions—some would say, his almost perverse obsession. Purchase worked for Witcher, Steinfeld’s chief source of funding. But no, Steinfeld reflected, as they slid into a booth in the Freezone cocktail bar, Purchase worked for himself. That should have made him suspect. Only, it didn’t. Steinfeld trusted him more than he trusted some of the NR’s political zealots.

  “Any problem with the blockades?” Purchase asked, toying with his gold choker.

  Steinfeld’s brow furrowed. “Yes and no. I got through—but it was close this time. No one actually fired on us. But they would have if they’d picked up on us sooner. Sometimes I feel like asking Witcher’s pilots not to tell me if we’re tracked. I’d rather not know if I’m about to be shot out of the air … ”

  “You bring anyone else through?”

  “A few people. We can’t get more than a handful out at any one time … and it’s a risk with just the handful. I won’t be taking many more of these trips … ” He grimaced and changed the subject. “That’s a silk suit, isn’t it? It’s a little hard to tell in these lights, but I think it’s blue?”

  “It is. Dark blue silk.” Purchase signaled for a drink. When the puffy-eyed waitress arrived, yawning, rubbing her temples, he said, “I want something big and glittery in an enormous glass. You choose. Something sweet. Sweet as whoever it was kept you up so late last night.”

  She almost smiled. “Something with a plastic mermaid? A little paper umbrella?”

  “Both the umbrella and the mermaid are absolute necessities.”

  “I’ll have a scotch, please,” Steinfeld said. “On the rocks.” They watched her walk away. She was wearing a gown that picked up wifi signals at random as the signals passed through the room and reproduced Web imagery down the svelte length of her. Collaged faces, mostly fashion models and breakfast-cereal-kids, rippled across her ass and the back of her thighs.

  The bar was at the edge of a disco. Minimono droned and thudded on the dance floor. Lights whirled like UFOs landing in an old movie Steinfeld had seen as a boy.

  They had to lean over the transparent plastic table to talk, but they’d picked the booth to discourage bugging.

  The lights tinted Purchase’s face, changing his color as if some expressionist painter were experimenting with his portrait. He was pinkish red dappled with blue when he asked, “How’d Stisky take to training?”

  “A fish to water. The more rigorous the better. Well, he was a priest, once, after all … Does he have a name yet?”

  “John Swenson. The cover had a good foundation: there was a John Swenson born the same year as Stisky. Died five years later. Looked a lot like Stisky did as a kid. His death went unregistered in his hometown—died in a boating accident with his parents on vacation, they all drowned. Death registered in Florida but never entered in computer records. We’ve put all the rest together. Worked up a set of false memories for mem-plantation … I think we’ve got some likelies, to take the implants … ”

  The expression on Steinfeld’s face made Purchase say, “You’ve got qualms about mem-plants?”

  “This business of toying with people’s memories—I don’t care which side it is doing it—no, I don’t like it. It’s—” He shook his head.

  “Too close to interfering with the soul?”

  Steinfeld said, “I am not sure I believe in the soul. But yes, it’s too close—to interfering with the soul.”

  “We’re up against it. Outnumbered. We’ve got to use all the tools at hand. If it’s any comfort, we don’t implant our own people. We should, but we don’t. Just the enemy.”

  Steinfeld shrugged. “So be it. How high can you place him?”

  Purchase fidgeted, looking unsure of himself. The waitress came back with their drinks. Purchase’s was some sort of phantasmagorical daiquiri. A cartoon character flew across the waitress’s stomach (What was his name? Something the Gremlin) to be replaced instantly by a hydrogen-cell vehicle crashing head-on into another, both bursting into flames. “Cars are crashing in your stomach,” Purchase told her.

  “That explai
ns my heartburn,” she said, snicking Purchase’s Worldtalk expense account credit card through the credunit on her hip. She gave the card back and walked away, Marilyn Monroe waving at them from the small of her back. Monroe’s breasts superimposed for one delectable instant on the waitress’s buttocks.

  “People are wearing the Grid now,” Steinfeld said.

  “Just pray to Gridfriend they don’t make wallpaper like that. Come to think of it, they probably are making it … ”

  Steinfeld smiled; the smile was barely visible through his beard. He wore a cheap black-and-white flatsuit, a bit tacky here, but passable.

  Purchase said, “I think … think, mind you … I can place Stisky—or Swenson, now, if you like—I think I can place Swenson in the Second Circle itself, after a short, ah, probationary period. Within a few weeks.”

  Steinfeld looked sharply at Purchase. “It took us three years to get Devereaux into the Second Circle. And that was fast advancement. He was in the lower echelons, as you call it, two years and then—”

  “I know all that. But … ” Purchase leaned nearer. “But I’ve gotten to know Crandall’s sister. We modeled her transactional script patterns. She has an affair every two years—almost to the day! Usually something torrid. Then Rick gets rid of them or she loses interest. We believe that her next one will be somewhat more serious. And it’s due in a week—and that’s when I’ll introduce her to Swenson. She has a growing need for long-term emotional security. We studied her preference profile: Swenson would be her archetype, which is why we picked him. She meets Swenson, Swenson romances her—and we both agree he’s got the talent for that—and she will bring him with her. And of course he’s done very well in their lower echelons.”

  “You’re very certain of that.”

  “I’d swear to it: bet a cool million on it.”

  Steinfeld nodded. “A million. Well—you’ve just invoked the deity that means the most to you. I’m impressed. All right. If it gets that far … Devereaux might … ”