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The Calling Card Script

Page 33

by Paul Ashton


  Cartwright, Jim 212, 232

  City Central 42

  101, 110, 111, 121, 125, 126,

  Castaway 28

  Clarity 18, 63, 86, 90, 95, 102,

  129, 139, 144, 145, 149, 162,

  Cast, -ing 16–18, 21, 40, 41, 58,

  106, 113, 114, 119, 133, 134,

  180, 188, 195

  97, 171, 189, 193, 220, 222,

  137, 140, 144, 153, 156, 166,

  Continuing series 39, 71, 111

  224

  184, 185, 188, 190, 215

  Contradication(s) 16, 22, 23, 65,

  Casualty 222

  Classical 20, 141

  83, 85, 122, 134, 159, 161,

  Catchphrase(s) 82, 203

  Clichés 146, 207

  183, 213

  Catharsis 14, 15, 27

  Cliffhanger(s) 41, 166, 167,

  Controllers 33, 34

  Cathy Come Home 37

  195–197

  Conventions 13, 40

  Causality 57, 73, 74, 101, 111,

  Climax(es) 38–41, 75, 102, 106,

  Copyright 64

  120

  112, 125, 127, 128, 137, 144,

  Copywriters 211

  CGI 27, 146

  149, 150, 155, 166, 179,

  Coriolanus 79, 88, 166, 216, 231

  Chance 52, 59, 110, 142, 198

  190–192, 195, 197, 198, 213

  Coronation Street 39

  Change 15, 18, 21, 27, 35, 41,

  A Clockwork Orange 89

  Cost(s) 28, 104, 144, 169, 222

  42, 54, 55, 57–59, 67, 69, 72,

  Clocking Off 43

  Cracker 41, 42, 201

  73, 84, 86, 89, 96, 106, 107,

  Close-up(s) 29, 93, 179

  Craft 1, 2, 12, 13, 21, 28, 38,

  109–111, 115, 121, 123, 124,

  Closure 112, 184, 189, 193

  52–54, 77, 91, 101, 162, 163,

  127, 130, 134, 139, 148, 157,

  Clues 93, 168

  232

  INDEX

  237

  A Cream Cracker Under the

  Derivative 60, 80

  Easy Rider 148

  Sofa 201

  Designs, -er 18, 159

  Eccentric 80, 82

  Creativity 4, 8, 34, 60, 64, 78,

  Desperate Housewives 215

  The Edge of Darkness 39

  98, 137

  Details 68, 73, 86, 95, 121, 177

  Edinburgh International

  Credit(s) 47, 98, 179, 180, 183,

  Deus ex machina 57, 141, 187

  Festival 17

  194

  Dialect(s) 207–209

  Editing, -or 3, 30, 101, 104, 113,

  Crew(s) 17, 23, 222

  Dialectic 70, 88, 199, 204

  168, 172, 214, 220–221

  Crime(s) 42, 61, 62, 68, 71, 96,

  Dialogue 5, 7, 17, 18, 22, 25, 28,

  Effect(s) 22, 27, 29, 57–60, 71,

  102, 104, 105, 109, 112, 136,

  70, 77, 93, 99, 146, 161, 163,

  74, 75, 95, 103, 104, 111, 122,

  151, 152, 153, 166, 216

  173, 179, 199, 200, 203–205,

  128, 130, 149, 155, 164, 169,

  Criminal(s) 34, 39, 56, 62, 63,

  208–215

  184–186, 192, 194, 202, 211,

  68, 69, 77, 104–106, 109, 112,

  Dickens, Charles 38, 39, 94, 203

  214, 218, 222

  151, 152, 178, 196, 231

  Diction 199

  Ellipses 210, 212

  Crimp, Martin 138

  Die Hard 77, 110, 127

  Emmerdale 39

  Crisis 165, 166, 179, 190–192,

  Dilemma 102, 109, 125, 159,

  Emotions, -al 15–17, 26, 28, 29,

  195, 197, 198, 206, 214

  191

  52, 59, 67–70, 72, 74–76, 79,

  Critical 3, 47, 51, 161, 191, 206,

  Diary 25, 62

  81, 83, 85, 88, 94, 95, 107,

  213, 217, 223

  Director(s) 16–20, 21, 23, 27,

  108, 122, 125, 128, 131, 133,

  The Crying Game 140, 141, 232

  28, 30, 76, 142, 158, 168,

  150, 159, 160, 164, 166, 172,

  Cued Up 18

  170, 214, 215, 220, 221, 232,

  182, 212

  Culloden 37

  234

  Empathy 2, 79, 85, 141, 144,

  Culture, -al 32, 55, 129

  Direction(s) 5, 18–21, 57, 72,

  189

  Cul-de-sac(s) 36, 152, 153

  73, 87, 100, 110, 115, 119,

  Emphasis 43, 215

  Curtain 17, 183

  121, 147, 152, 157, 164, 165,

  Empty space 16, 17, 200, 216

  Cutaway 180

  187

  Emmerdale 39

  Cutouts 90

  Disability(ies) 61, 81, 83, 214

  End, ending 5–7, 14, 17–19,

  Cuts 31, 40, 74, 75, 135, 180,

  Disco Pigs 70

  24, 29, 30, 33, 38, 41, 48, 49,

  227

  Disorientarion 58–60, 104, 156

  57–61, 67–69, 71–73, 75, 77,

  Cyrano de Bergerac, 211

  Display(s) 23, 87, 97, 129, 134

  81, 86, 89, 94, 99, 101–103,

  Distractions 23, 32, 33

  110–112, 119, 120, 122–124,

  Dallas 36

  Divisions 104, 147

  126, 127, 130, 131, 134–138,

  Dance(rs) 98, 108, 110, 129,

  Doctor Who 43, 58, 59, 227

  141, 143, 147–149, 153, 155,

  151, 178

  Docu-drama 32, 61

  156, 162, 165, 166, 171, 175,

  Danger(s) 3, 36, 37, 91, 92, 111,

  Documentary 32, 61

  179, 181–199, 201, 203–205,

  113, 121, 125, 126, 134, 140,

  Dominoes 121, 122, 149

  207–211, 213, 215–217,

  143, 145, 151, 170, 197, 201,

  Drama(s) 1, 2, 6–8, 13, 16,

  219–221, 223, 225–227

  211, 212, 225

  21–23, 25, 28, 32, 34, 36–39,

  Endgame 49, 167

  Daniels, Sarah xi, 146, 201

  47, 49, 58, 61, 62, 65, 67, 69,

  Engagement 15, 68, 71, 76, 94,

  Davies, Andrew 38

  74, 78, 91, 92, 96, 98, 111, 113,

  100, 126

  Davies, Russell T. 227

  125, 136, 138, 141, 147, 149–

  Ensemble(s) 17, 43, 62, 63, 73,

  Dead Man’s Shoes 70, 87, 90,

  151, 157, 158, 161, 165, 166,

  74

  145, 194, 216, 231

  169, 180, 182, 183, 189, 191,

  Entertainment 35, 47, 181, 182,

  Death of a Salesman 89

  194, 195, 199, 195, 201–203,

  202

  Death, dying 5, 15, 21, 25, 35,

  210, 211, 212–218

  Epic scale 57, 58, 89

  36, 66, 67, 84, 86, 89–91, 97,

  Dramatist(s) 11, 12, 16, 21, 212

  Epicentre 121

  102, 106, 124–126, 129, 130,

  Dramatic irony 59, 143, 144,

  Episode 8, 38, 40–43, 58, 73, 82,

  132, 156, 166

  185

  92, 96, 98, 109, 111, 112, 123,

  Debt 35

  Dream 36, 123, 151, 169, 178,

  132, 136–138, 143, 147, 148,

  Decisions, decision-making 1, 2,

  179, 188, 211

  151, 155, 165, 166, 188,

  96, 104, 108, 119, 126, 139,

  ‘Droit moral’ 64

  195–197, 201, 222

  162, 177

  Dromgoole, Dominic 221, 233

  Episodic 159

  Defoe, Daniel 39

  Drug(s) 92, 126, 151, 208

  Epistles 25, 62

  Delivery 49, 65, 97, 1
03, 105,

  Dylan, Bob 53

  Equivalent 54, 89, 103, 110,

  163, 167, 180, 184, 189, 197,

  Dynamic 14, 92, 121, 179, 203

  149, 191, 202

  211, 224

  Eroticism 127

  Depth 7, 67, 82, 96, 109, 121,

  East End 18, 208

  Escape 58, 59, 77, 81, 90, 106,

  124, 125, 132, 134, 138, 161,

  EastEnders 34, 36, 39, 40, 73,

  121, 124, 151, 178, 182,

  177, 217

  82, 89, 124, 143, 195, 201, 231

  191–193

  238 THE CALLING CARD SCRIPT

  Estate 42, 96, 98, 137, 178

  Follow through 74, 119,

  Hamlet 17, 57, 61, 90, 91,

  Estimation 80, 84

  182–186, 198

  105–107, 109, 111, 126, 128,

  E.T. 27

  Forensics 35, 42, 62, 82, 107

  134, 143, 148, 151, 155, 156,

  Eternal Sunshine of the

  Formats 1, 6, 35, 43, 155, 224,

  160, 170, 178, 179, 188, 193,

  Spotless Mind 31, 59, 145,

  226

  231

  183

  Formulae 37, 38, 100, 101, 147

  Hampton, Christopher 232

  Euripides 141

  Four Weddings ( and a Funeral)

  Happy Days 36, 201

  Event 14, 15, 17, 39, 97, 107, 135

  132, 193

  Hardy, Thomas 39

  Evidence 42, 90, 96, 105, 106,

  Fragmentation 59, 101, 102,

  Harry Potter 123

  179

  201, 211

  Harvest 19

  Evil 80, 81, 130, 182

  Framing 15, 23, 143,158

  Haven 77, 87, 138, 142, 186,

  Exercise(s) 4, 52, 53, 103

  Fraser, Paul 231

  218

  Existence 59, 72, 123, 131, 210

  Friedmann, Blake xi

  Heartland 148

  Existential 86, 120, 131, 194,

  Friedmann, Julian xi, 233

  Henry V 211

  210

  The Full Monty 68

  Her Naked Skin 19

  Expectations 40, 96, 162, 219

  Fun–runners 220

  Hero(es), -ism 30, 31, 41, 43,

  Experiences 2, 81, 205

  Function(s) 80, 81, 104, 106,

  52, 56, 57, 60, 76, 79, 80, 88,

  Expletives 206, 214

  107, 130, 147, 164, 215

  91, 92, 97, 102, 108, 109, 124,

  Explosions 91, 128, 145, 158

  Fundamentals 100, 177

  127, 130, 133, 135, 138, 140,

  Exposition 5, 93, 28, 98, 99,

  Funland 34

  141, 143, 145, 150, 156, 165,

  105, 165, 213, 214

  185, 186, 188, 191

  Expression 25, 29, 52, 54,

  Garland, Judy 206

  The Heroic 42, 78, 88, 102, 109,

  69–71, 85, 91, 114, 138, 166,

  Gender 85, 140, 214

  110, 124, 125, 131, 182

  169, 174, 178, 193, 194, 202,

  Genre(s) 1, 4, 31, 32, 35, 42, 55,

  Heroine(s) 31, 42, 59, 165

  204, 205, 209, 210, 212

  60–64, 74, 76, 86, 91, 94, 95,

  High-concept 42, 43, 62, 105,

  Extras 65

  99, 100, 102, 104, 124, 139,

  138, 191

  Externalising 131

  143, 147, 148, 150, 156, 163,

  Hillsborough 37

  Extremes 78, 83, 132, 150, 174

  169, 186, 214, 215

  Hime, Ed 201, 232

  Eyes Wide Open 233

  Genre-bending 34, 76, 182

  Hims, Katie xi, 25

  Genre-driven 42, 76, 82, 155,

  Histories 57

  Fabrication 76, 131

  182, 186

  History and backstory 86, 87

  Facebook 49

  Get Carter 141

  Hitchcock, Alfred 75, 143

  Fallout 90, 137, 179

  Ghostbusters 27

  The Hitchhiker’s Guide to the

  Families 23, 132

  Gittes, Jake 182, 187, 192

  Galaxy 23, 56, 58, 232

  Farce(s) 17, 63, 78, 82, 86, 146

  Glasgow 208

  Hits 107, 153, 190

  Fargo 29, 31, 76, 231

  The Godfather 30, 31, 58

  Hollywood 69, 100, 114, 122,

  Faux–documentary 193

  The Godfather II 31

  147, 159, 167

  Fawlty Towers 58, 78, 160,

  Goldman, William 138, 233

  Homer 55, 56

  186

  Gonda, Abigail xi

  Honour 84, 108, 209

  Features 80, 81, 84

  Gone with the Wind 58

  Hooking, hook(s) 5, 36, 38, 40,

  Feedback 223, 224

  Gosford Park 74, 75, 180

  41, 75, 95–99, 106, 110, 165,

  Feelings 33, 52, 134, 160, 161,

  Graham, Matthew 8, 82, 96,

  195–197

  217

  231

  House of Cards 202

  Fertility 17, 29, 67, 88

  Grammar 206–208

  Hubris 188

  Field, Syd 233

  Greek 6, 8, 13, 15, 26, 80, 133,

  Humour 128, 166, 196

  Fight Club 165

  165

  Hustle 42, 195, 231

  Film(s), film-making 26–28, 32,

  The Green Wing 166, 196

  Hyperbole 206

  57, 61, 70, 74, 93, 170, 173,

  Grief 59, 105, 106, 134, 155,

  222, 232

  156, 188

  Idea(s) 1–5, 12, 16, 21, 27, 23,

  Fish Tank 74, 178, 188

  Griffith, D.W. 57

  29–31, 34, 36, 37, 39, 47, 48,

  Five Days 38, 39, 97

  Griffiths, Trevor 231

  49, 50–52, 55–56, 63–67,

  Flashbacks 70

  Grips 113, 146

  69–72, 75, 77, 78, 94, 100,

  Flashforward 58

  Groundhog Day 59

  101, 113, 114, 120, 121, 136–

  Flaws 83, 129

  Grounds, Tony 225

  138, 146, 152, 154, 157, 170,

  Fletch 58

  Guest episode 40, 41

  171, 173, 180, 181, 183, 196,

  Focus 6, 7, 33, 38, 40, 51, 70,

  Guide 23, 56, 58, 125, 147, 232

  200, 203, 210, 211, 218, 220,

  71, 73–76, 88, 94, 97, 100, 106,

  Guilt 59, 151, 155, 187, 193

  226

  123, 132, 159, 169, 203, 218

  Gun(s) 90, 128, 196

  Ideal(s) 8, 21, 23, 51, 66, 98

  INDEX

  239

  Identity 36, 143

  Justice 34, 39, 90, 104, 109,

  Listening, listener 22, 23, 26,

  Iliad 55

  178, 196, 231

  62, 70, 106, 203, 202, 205,

  Images 22, 30, 50, 70

  Juxtaposition 104, 105, 163,

  208, 211, 224

  Imagination 11, 22, 39, 167, 169

  173

  Little Miss Sunshine 148

  Impact 60, 67, 72, 136, 140, 149,

  Little Voice 206, 217, 232

  160, 189, 191, 196, 214, 222

  Kane, Sarah 142, 212

  Live audience 23, 26, 27

  Incident 99, 107, 108, 166

  Kaufman, Charlie 52, 54, 101,

  Liverpool Everyman Theatre

  Intrigue 7, 25, 76, 95, 99, 102,

  138, 183, 231

  17, 36, 207, 208

  104, 195, 220

  Kelly, Dennis 96, 201, 232

  Lock, Stock and Two Smoking

  In-your-face 61

  Kennedy, John F. 211

  Barrels 196

  The Incompl
ete Recorded Works

  Kids 68, 69, 210

  Loach, Ken 209

  ( of a Dead Body) 133, 164,

  Kinds of stories 4, 7, 17, 31, 55,

  Location(s) 18, 157, 168, 222

  188, 193, 201, 232

  86, 100, 102, 147, 168, 186,

  Logic 47, 57, 61, 103, 138, 139

  Independence Day 211

  191, 215

  Logistics 16, 18

  Individual 4, 54, 77, 80, 85,

  King Lear 16, 56, 57, 97, 98,

  London 208, 220

  160, 206

  130, 160

  Look Back in Anger 56

  Indulgence 163, 212

  King, Martin Luther 211

  Loop 59, 206

  Inevitability 122, 145, 177

  Kit and Kaboodle Theatre Co

  The Lord of the Rings 30, 57,

  Inside Story 233

  16

  180

  Insight(s) 2, 17, 50, 53, 133,

  Kitchen-sink 61

  Lost Highways 67

  153, 165, 218, 227, 232

  Knowing 28, 48, 50, 71–74, 90,

  The Lost Prince 39

  Inspector Lynley 42

  94, 126, 129, 140, 145, 147,

  Love story 59, 61, 102, 164

  Inspiration 14, 25, 47, 153, 154,

  163, 186, 197, 202, 207, 217,

  Low-budget 220

  168

  227

  Lucas, George 232

  Instinct xii, 2, 12, 13, 53, 57,

  Krapp’s Last Tape 167

  Luck 1, 12, 110

  67, 95, 101, 106, 107, 151,

  Kubrick, Stanley 234

  Lumière brothers 26

  159, 223, 227

  Kyd, Thomas 56

  Lying 78, 197, 205

  Integrity 178, 181

  Lynch, David 101, 139, 232

  Intelligence 63, 128, 188

  A Lady of Letters 201

  Lyricism 212

  Intention(s) 48, 104

  Lake, Rob 151, 178

  Interior 28, 112, 157, 160

  Landscape 26, 192

  M*A*S*H 73–75

  Interpretation 94, 134, 217

  Language(s) 25, 28, 29, 32,

  Machine(s) 39, 79, 92

  Intimacy 15, 23, 58, 127, 178

  80, 100, 205, 208, 211,

  The Machinist 186, 187

  Intimidation 155

  214–216

  Mackendrick, Alexander 232

  Introduction(s) 1, 3, 5, 7, 82,

  Larkin, Philip 119

  Magic, ritual and spectacle xii,

  164, 232

  Laughter 27

  14

  Invective 155, 206, 224

  Law 42, 77

  Magnolia 29, 31, 74, 75, 180

  Ionesco, Eugene 138, 194, 232

  Lawrence of Arabia 29, 57, 70

  Mahabharata 57

  Irony, dramatic 59, 143, 144,

  Lawyers 211

  Malkovich, John 138

  185

  Leads 102, 152, 197

  Mamet, David 70

  Isolation 133

  League of Gentlemen 64

  The Man Who Wasn’t There 91

  Is that it? 14, 20, 21, 25, 35, 37,

  Leigh, Mike 189, 209

  Manager(s) xi, 16, 20

  47, 55, 64, 66, 68, 69, 81, 91,

  Lenkiewicz, Rebecca 19

  Managing the muddle 119

  111, 114, 119, 121, 142,

  Leone, Sergio 58

  Mania 78, 184

 

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