The Charlie Parker Collection 1

by John Connolly

  Mobley’s eyes flicked open suddenly, but he remained very still. Slowly, almost imperceptibly, he turned his head to his left and his gaze alighted on the soft brown eyes of a white-tailed deer. It was reddish brown and about five feet in height, with white rings at its nose, eyes, and throat. Its tail flicked back and forth in mild agitation, displaying its white underside. Mobley had guessed that there were deer around. He had come across their split heart tracks a mile or so back toward the river and had followed the trail of their pellets, of the raggedly browsed vegetation and the worn tree trunks where the males had rubbed the bark off with their antlers, but had eventually lost it in the thick undergrowth. He had almost given up hope of killing a deer on this trip; now here was a fine doe staring at him from beneath a loblolly pine. Keeping his eyes on the deer, Mobley reached out with his right hand for his rifle.

  His hand clutched empty air. Puzzled, he looked to his right. The Voere was gone, a slight depression in the soft earth the only indication that it had ever been there. He stood quickly and heard the deer give a loud whistling snort of alarm before padding into the cover of the trees, its tail erect. Mobley barely noticed its flight. The Voere was just about his most prized possession and now somebody had taken it while Mobley had been daydreaming with his dick in his hand. He spit furiously on the ground and checked for tracks. There were footprints a couple of feet to his right, but the bushes were thick beyond them and he could find no further trace of the thief. The soles were thick with a zigzag pattern, the tread seemingly heavy.

  ‘Fuck you,’ he hissed. Then, louder: ‘Fuck you! Fuck!’

  He looked at the footprints again and his anger began to fade, to be replaced by the first gnawings of fear. He was out in the Congaree without a gun. Maybe the thief had headed back into the swamp with his prize, or maybe he was still close by, watching to see how Landron would react. He scanned the trees and the undergrowth, but could catch no sign of another human being. Hurriedly, and as silently as he could, he picked up his knapsack and began to walk toward the river.

  The journey back to where he had left his boat took almost twenty minutes, the speed of his progress diminished by his reluctance to make more noise than was necessary and his decision to pause at regular intervals to search for signs that he was being shadowed. Once or twice, he thought that he caught glimpses of a figure among the trees, but when he stopped he could detect no signs of movement and the only sounds came from the soft drip of water from leaves and branches. But it was not the false sightings that increased Mobley’s fear.

  The birds had stopped singing.

  As he neared the river, he increased his pace, his boots making a soft sucking noise as they lifted from the mud. He found himself in a dwarf forest of cypress knees, bordered by downed logs and the gray remains of standing dead trees now home to woodpeckers and small mammals. Some of this destruction was a relic of hurricane Hugo, which had decimated the park in 1989 but had, in turn, stimulated new growth. Beyond some rising saplings Mobley could see the dark waters of the Congaree River itself, fed by the spills of the Piedmont. He burst through the last low wall of vegetation and found himself on the bank, Spanish moss hanging low from a cypress branch almost tickling the nape of his neck as he stood close to the spot where he had tied up his boat.

  His boat, too, was now gone.

  But there was something else in its place.

  There was a woman.

  Her back was to Mobley so he couldn’t see her face, and a white sheet covered her from head to toe like a hooded robe. She stood in the shallows, the ends of the material swirling in the current. While Mobley watched, she lowered herself down and gathered water in her hands, then raised her face and allowed the water to splash onto her skin. Mobley could see that she was naked beneath the white robe. The woman was heavy and the dark cleft of her buttocks had pressed itself against the material as she squatted down, her skin like chocolate beneath the frosting of her garment. Mobley was almost aroused, except—

  Except he wasn’t sure that what was beneath the cloth could actually be called skin. It seemed broken all over, as if the woman were scaled or plated. Some kind of substance had either been released from her skin or smeared upon it, causing the material of her cloak to adhere to it in places. It was almost reptilian and lent the woman a predatory aspect that caused Mobley to back away slightly. He tried to glimpse her hands but they were now beneath the water. Slowly, the woman bent down farther, submerging her arms first to the wrists, then the elbows, until finally she was almost hunched over. He heard her exhale, as if in pleasure. It was the first sound he had heard from her, and her silence unnerved, then angered, him. He had made more noise than the frightened deer as he tramped heavily toward the bank when the river came in sight, but the woman appeared not to have noticed, or had chosen not to recognize his presence. Mobley, despite his unease, decided to put an end to that.

  ‘Hey!’ he called.

  The woman didn’t respond, but he thought he saw her back stiffen slightly.

  ‘Hey!’ he repeated. ‘I’m talking to you.’

  This time, the woman rose to her full height, but she did not look around. Mobley advanced slightly, until his feet were almost at the water’s edge.

  ‘I’m looking for a boat. You seen it?’

  The woman was now completely still. Her head, thought Mobley, looked like it was too small for her body until he realised that she was completely bald. Beneath the robe, he could see traces of the scaling on her skull. He reached out a hand to touch her.

  ‘I said—’

  Mobley felt a huge pressure on the side of his left leg, and then it collapsed beneath his weight as he registered the gunshot. He toppled sideways, coming to rest half in, half out of the water, and stared down at the remains of his knee. The bullet had blown away his kneecap, and what lay inside was white and red. Already his blood was flowing into the Congaree. Mobley’s gritted teeth separated, and he howled in agony. He looked around for the shooter and a second bullet tore into the small of his back, nicking his spine on its way through his body. Mobley pitched sideways and lay on the ground, watching as a black pool spread around his legs. He found himself paralyzed, yet still capable of feeling the hurt that was colonizing every cell of his being.

  Mobley heard footsteps approaching and swiveled his eyes. He opened his mouth to speak but something sharp entered his flesh below the chin, the hook cutting through the soft tissue and piercing his tongue and upper palate. The pain was beyond belief, an agony that superseded the burning in his lower body and leg. He tried to scream, but the hook now held his mouth closed and all he emitted was a harsh, croaking noise. The pressure increased as his head was jerked back and, slowly, he was pulled toward the forest. He could see the steel of the hook in front of his face, could taste it on his tongue and feel it against his teeth. He tried to raise a hand to grasp it, but he was already growing weak and his fingers could only brush the metal before falling down to his side. A gleaming trail of blood was being laid on the leaves and dirt. Above him, the canopy appeared like a black shroud across the sky. The forest gathered around him, and he stared for the last time toward the river as the woman dropped the sheet from her body and turned, naked, to look at him.

  And deep inside himself, in the dark place where all that was truly Landron Mobley dreamed of visiting pain on others, a host of scaled women fell upon him, and he began to scream.

  PART TWO

  ‘He gave no comfort, saved no one

  Adrift he moves by guilty moons’

  Darren Richard, Pinetop Seven,

  ‘Mission District’

  5

  Looking back, I see a pattern in all that took place: a strange joining of disparate occurrences, a series of links between seemingly unconnected events stretching back into the past. I recall the honeycomb created by the imperfect layering of history, the proximity of what has gone before to that which now pertains, and I begin to understand. We are trapped not only by our own history but
by the histories of all those with whom we choose to share our lives. Angel and Louis brought their pasts with them, as did Elliot Norton, as did I, and so it should have come as no surprise that just as current lives became interwoven, impacting on one another, so too pasts began to exert their pull, dragging innocent and guilty alike down beneath the earth, drowning them in brackish water, tearing them apart among the swollen buttresses of the Congaree.

  And in Thomaston, the first link lay waiting to be uncovered.

  The maximum security facility at Thomaston, Maine, looked reassuringly like a prison; at least, it looked reassuring as long as you weren’t a prisoner there. Anyone arriving in Thomaston with the prospect of long-term incarceration in his future was likely to feel his spirits sink at his first sight of the jail. It had high, imposing walls and the kind of solidity that came from being burned down and rebuilt a couple of times since it was first opened, in the 1820s. Thomaston had been selected as the site for the state prison since it was roughly halfway up the coast and accessible by boat for the transportation of inmates, but it was now nearing the end of its working life. A Supermax facility known as the MCI, or Maine Correctional Institution, had been opened some miles away in 1992. It was designed to house the worst offenders in a state of near-permanent lockdown, along with those prisoners with serious behavioral problems, and the new state prison would eventually be added on an adjoining tract of land. Until then, Thomaston was still home to about four hundred men, one of whom, since his suicide attempt, was now the preacher, Aaron Faulkner.

  I recalled Rachel’s response when she heard that Faulkner had apparently tried to take his own life.

  ‘It doesn’t fit,’ she said. ‘He’s not that type.’

  ‘So why did he do it? It’s hardly a cry for help.’

  She chewed at her lip. ‘If he did it, he did it to further some aim. According to the newspaper reports, the wounds in his arms were deep, but not so deep that he was in immediate danger. He cut veins, not arteries. That’s not the action of a man who really wants to die. For some reason, he wanted out of supermax. The question is, why?’

  Now it seemed that I might have the opportunity to pose that question to the man himself.

  I drove up to Thomaston after Angel and Louis had left for New York. I parked in a visitor’s space outside the main gate, then entered the reception area and gave my name to the sergeant of the guards at the desk. Behind him, and beyond the metal detector, was a wall of tinted toughened glass concealing the main control room for the prison, where alarms, video cameras and visitors were constantly monitored. The control room looked down on the visitation room to which, under ordinary circumstances, I would have been led for a face-to-face meeting with any of the men incarcerated in the facility.

  Except these were not ordinary circumstances, and the Reverend Aaron Faulkner was far from being an ordinary prisoner.

  Another guard arrived to escort me. I passed through the metal detector, attached my pass to my jacket, and was led to the elevator and the administration level on the third floor. This section of the prison was termed ‘soft side’: no prisoners were permitted here without escort, and it was separated from ‘hard side’ by a system of dual air-locking doors that could not be opened simultaneously, so that even if a prisoner managed to get through the first door, the second would remain closed.

  The colonel of the guards and the prison warden were both waiting for me in the warden’s office. The prison had swung between various regimes over the past thirty years: from strict discipline, rigidly enforced, through an ill-fated campaign of liberalism, disliked by the longer-serving guards, until finally it had settled at a midpoint that erred on the side of conservatism. In other words, the prisoners no longer spit at visitors and it was safe to walk through the general population, which was fine by me.

  A bugle call sounded, indicating the end of rec time, and through the windows I could see blue-garbed prisoners begin to move across the yards toward their cells. Thomaston enclosed an area of eight or nine acres, including Haller Field, the prison’s playing field, its walls carved out of sheer rock. Unmarked, in a far corner beneath the walls, was the old execution site.

  The warden offered me coffee, then played nervously with his own cup, spinning it around the table by its handle. The colonel of the guards, who was almost as imposing as the prison itself, remained standing and silent. If he was as uneasy as the warden, then he didn’t show it. His name was Joe Long and his face displayed all the emotion of a cigar store Indian.

  ‘You understand that this is highly unusual, Mr. Parker,’ the warden began. ‘Visits are usually conducted in the visiting area, not through the bars of a cell. And we rarely have the attorney general’s office calling to request that we facilitate alternative arrangements.’ He stopped talking and waited for me to respond.

  ‘The truth is, I’d prefer not to be here myself,’ I said. ‘I don’t want to face Faulkner again, not until the trial.’

  The two men exchanged a look. ‘Rumor is that this trial has all the makings of a disaster,’ said the warden. He seemed tired and vaguely disgusted.

  I didn’t answer, so he spoke to fill the silence.

  ‘Which, I guess, is why the prosecutor is so anxious that you should talk to Faulkner,’ he concluded. ‘You think he’ll give anything away?’ The expression on his face told me that he already knew the answer but I gave him the echo he expected anyway.

  ‘He’s too smart for that,’ he said.

  ‘Then why are you here, Mr. Parker?’ asked the colonel.

  It was my turn to sigh.

  ‘Frankly, colonel, I don’t know.’

  The colonel didn’t speak as he, along with a sergeant, led me through 7 Dorm, past the infirmary, where old men in wheelchairs were given the drugs they needed to maximize their life sentences; 5 and 7 Dorms housed the older, sicker prisoners, who shared multibed rooms decorated with hand-lettered signs (‘Get Use To It,’ ‘Ed’s Bed’). In the past, older special prisoners like Faulkner might have been housed here, or placed in administrative segregation in a cell among the general population, their movements restricted, until a decision was made about them. But the main segregation unit was now at the Supermax facility, which did not have the capacity to offer psychiatric services to prisoners, and Faulkner’s attempts to injure himself appeared to require some form of psychiatric investigation. A suggestion that Faulkner be transferred to the Augusta Mental Health Institute had been rejected by the attorney general’s office, which did not want to prejudice any future jurors into making a pretrial association between Faulkner and insanity, and by Faulkner’s own lawyers, who feared that the state might use the opportunity to discreetly place their client under more elaborate observation than was possible elsewhere. Since the state regarded the county jail as unsuitable for holding Faulkner, Thomaston became the compromise solution.

  Faulkner had attempted to cut his wrists with a slim ceramic blade that he had concealed in the spine of his Bible before his transfer to the MCI. He had kept it, unused, until almost three months into his incarceration. A guard on routine night rounds had spotted him and called for help just as Faulkner appeared to be losing consciousness. The result was Faulkner’s transfer to the mental health stabilization unit at the western end of Thomaston prison, where he was initially placed in the acute corridor. His clothing was taken away and he was given instead a nylon smock. He was placed under constant camera watch, as well as being monitored by a prison guard who noted any movement or conversation in a logbook. In addition, all communication was recorded electronically. After five days in acute, Faulkner was transferred to sub-acute, where he was allowed state blues to replace his smock, hygiene products (but no razors), hot meals, showers, and access to a telephone. He had commenced one-on-one counseling with a prison psychologist and had been examined by psychiatrists nominated by his legal team, but had remained unresponsive. Then he had demanded a telephone call, contacted his lawyers, and asked that he be allowed to speak
to me. His request that the interview should be conducted from his cell was, perhaps surprisingly, met with approval.

  When I arrived in the MHSU, the guards were finishing off some chicken burgers left over from the prisoners’ lunches. In the unit’s main recreation area, the inmates stopped what they were doing and stared at me. One, a stocky, hunched man, barely five feet tall with lank dark hair, approached the bars and appraised me silently. I caught his eye, didn’t like what I felt, then looked away again. The colonel and the sergeant sat on the edge of a desk and watched as one of the unit’s guards led me down the corridor to Faulkner’s cell.

  I felt the chill while I was still ten feet away from him. At first, I thought it was brought on by my own reluctance to face the old man, until I felt the guard beside me shiver slightly.

  ‘What happened to the heating?’ I asked.

  ‘Heating’s on full blast,’ he replied. ‘This place leaks heat like it’s blowing through a sieve, but never like this.’

  He stopped while we were still out of sight of the cell’s occupant, and his voice dropped. ‘It’s him. The preacher. His cell is freezing. We’ve tried installing two heaters outside, but they short out every time.’ He shifted uneasily on his feet. ‘It’s something to do with Faulkner. He just brings the temperature right down somehow. His lawyers are screaming a blue fit about the conditions, but there’s nothing we can do.’