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Timmy Failure: Sanitized for Your Protection

Page 7

by Pastis, Stephan


  Total lies down in the center of the lobby.

  “What are you doing

  now

  ?” I ask.

  Total begins hitting the floor with his

  arms and legs.

  “A

  temper tantrum

  ?!” I shout.

  “Now? Just

  because you didn’t get to use the tub?”

  But Total doesn’t listen.

  He just keeps flailing at the ground.

  And looks like a mutant moose in full car-

  diac arrest.

  “What is it, Timmy?” asks Molly. “What’s

  going on?”

  “Somehow we have to get back upstairs.”

  “But we’ve been kicked out of the hotel.”

  “I realize that, Molly,” I say between grit-

  ted teeth.

  “But we have an emergency situation

  on our hands.”

  “Timmy, they’ll arrest us!” cries Molly.

  “I have a plan,” I answer.

  “We are going to spend a lot of money,” I tell

  Molly Moskins as we walk through the streets

  of downtown Chicago.

  “Oh, how fantastical!” she says. “But

  how?”

  “Your debit card,” I tell her. “The one you

  told me about at the E-Z Daze Motel.”

  “My debit card?” she answers. “But my

  parents said it’s only for emergencies.”

  “Molly, we’re on a cross-country trek

  to catch a felon! I think that qualifies as an

  emergency!”

  “I guess you’re right,” she replies.

  We walk past a bookstore that takes up an

  entire city block.

  “Wopell’s,” says Molly, reading the sign.

  “Look at this place. It’s huge. Let’s buy books!

  Tons of books! Books on fighting crime!”

  “We’re not buying books, Molly Moskins!

  And besides, I know everything there is to

  know about fighting crime.”

  “Then we should go to a restaurant and

  buy the fanciest, most romantic dinner in

  Chicago!” she replies.

  “We’re not buying any of those things,

  Molly Moskins!”

  “Then what are we buying?” she asks.

  “First we’re buying bonbons so that

  we don’t have any more meltdowns from

  You-Know-Who.”

  “Then what?” she asks.

  “Then we’re buying other stuff.”

  “Why’d we have to buy costumes?” asks Molly.

  “Because this is how we’re getting back

  into the Drakonian.”

  “So you’re Meriwether Lewis?” she asks.

  “Right. The guy with the funny name.”

  “And I’m the woman who guided them?”

  “Correct,” I answer. “Sacaga-something.”

  “But why do we have to be dressed up as

  them

  ?” asks Molly. “Why couldn’t I just be a

  kitty cat?”

  “Because it would look rather strange for

  a four-foot-tall cat to stroll into a hotel lobby,

  Molly.”

  “But won’t this look strange, too?”

  “No, it won’t look strange! This is where

  Lewis and Clark came.”

  “I don’t think they came to Chicago,

  Timmy. I think they went to Oregon.”

  “But surely they stopped in Chicago.”

  “Why would they stop in Chicago?” asks

  Molly.

  “Probably for the pizza,” I answer.

  “I didn’t think of that,” says Molly.

  “You don’t think of a lot of things. The

  point is that people in Chicago are

  used

  to see-

  ing people like this.”

  “Really?” she asks.

  “Of course,” I reply. “We’ll fit right in.

  And when we try to get into the Drakonian,

  the employees there won’t think twice.”

  “Oh, God, leave me alone,” says Emilio, the

  doorman.

  “I knoweth not what you speaketh of,” I

  answer. “I am Meriwether Lewis.”

  “Seriously,” says the doorman. “I’m gonna

  have a nervous breakdown.”

  “We. No. Here. Before,” says Molly, trying

  to sound like the Native Americans she’s seen

  on TV.

  “Please go away,” says the doorman. “I

  swear to God. I don’t want any trouble.”

  “Assuredly not, ye fair gentleman,” I

  answer. “We good souls just needeth rest from

  our long journey acrost this grand continent.

  Haveth ye any idea how far that is?”

  “Is. Far,” interjects Sacaga-something.

  “Oh, God,” says the doorman. “Why are

  you doing this? If I have one more incident

  like the last one, I’m done.”

  “Give. Room. Us,” says Molly, turning

  decidedly stern. “Or. Me. Shoot. Arrow.”

  Molly pokes him in the side with her

  finger.

  The doorman jumps.

  “Sacaga-something!”

  I shout. “We come in

  peace! We do not threaten doormen!”

  “Well, you didn’t say anything about that,”

  Molly answers, her feelings suddenly hurt.

  “How am I supposed to know if this Sacaga-

  something was nice or mean?”

  “Stay in character,” I whisper to Molly.

  “Stay in character.”

  “No!” says Molly, throwing off her wig.

  “You’ve hurt my feelings.”

  “Oh, God, no,” mutters the doorman. “No,

  no, no, God, no,

  please

  .”

  Molly’s lower lip starts to tremble.

  The doorman fumbles frantically through

  a large key chain.

  “Do not cry. Do not cry. Do

  not cry,”

  he chants.

  “Forgive us,” I interject, trying to calm the

  situation. “The gentlelady hath been stressed.”

  “I don’t even HAVE any arrows, Timmy!”

  shouts Molly, now in full meltdown.

  “This isn’t happening. This isn’t happen-

  ing,”

  repeats the doorman.

  “Surely, the fair lady meant to call me

  Meriwether

  !” I assure the doorman.

  “There!” he cries, yanking a long silver

  key off the chain.

  “Side alley. Blue door. I didn’t

  see you. You never spoke to me.”

  I grab Molly by the hand and race for the

  alley.

  “Godspeed, ye fine gentleman,

  ”

  I yell back

  toward the doorman.

  Who slumps forward onto his doorman’s

  station. Head down. Eyes tightly shut.

  Which is good.

  Because he could not have taken what flew

  by him next.

  We get to our old floor via the back staircase

  and, once there, have no trouble spotting a

  hotel room with an open door.

  “The housekeeper left it open!” I whisper

  to Molly. “Just like she did with that room she

  was cleaning before. See, there’s her cart, and

  now she’s in the room across the hall!”

  Molly pouts as we peek out of the stairwell

  entrance down the long hotel hallway.

  “But I can’t be sure that’s Kumquat in

>   there,” I add. “It could be one of the Drakonian’s

  other housekeepers. So we can’t risk being

  seen.”

  “You were mean to me,” replies Molly.

  “Not now, Molly Moskins. If we hurry, we

  can sneak into the open door before the house-

  keeper closes it again.”

  “You humiliated me in front of the door-

  man,” she says. “And now I want an apology.”

  “This is a very delicate moment in the mis-

  sion, Molly. We just need to get into that room

  and we’ll have our base. Our headquarters.

  The nerve center for our operation to catch

  Corrina Corrina, whether she is hiding in this

  hotel or some other.”

  I think for a moment.

  “We also need a tub for the fat bear.”

  “I don’t care,” she responds, much too

  loudly. “I want an apology.”

  I think about appealing to her concern for

  Yergi Plimkin, but I fear another meltdown.

  So I swallow hard, aware that a detective

  must sometimes sacrifice personal pride for

  the sake of a professional operation.

  “Mistakes were made,”

  I whisper to Molly.

  “Is that an apology?” she asks.

  “It’s a detective apology,” I answer. “It’s

  all we’re allowed to give, by state law.”

  “Then that’s good enough for me!” she

  says. “I don’t want to violate any laws.”

  “Good for you,” I tell her. “That means

  you’ve been criminally rehabilitated.”

  “I know,” she answers. “Now let’s break

  into that room!”

  We sneak into the open hotel room without

  incident, and already someone is complaining.

  “No, it’s not as big as the one we had in

  the suite,” I explain to my polar bear. “But

  it’s the best I can do under these trying

  circumstances.”

  Total moans and rolls his eyes.

  And the eye roll is the one thing I can’t

  take.

  “Why, you ungrateful oaf

  ! We just risked

  life and limb getting you back into this hotel!

  All so you can have your stupid little bath and

  your stupid little bonbons!

  And you have the

  audacity

  to roll your eyes at me?

  That does it!

  Go sit in the closet! You’re getting a polar-bear

  time-out.”

  Total stomps into the closet and slams the

  door.

  I look over at Molly. She is using her shoe

  to pound a thumbtack into the wall.

  “And what are

  you

  doing?” I ask Molly.

  “I’m putting up a picture of Yergi,” she

  answers.

  “What for?” I ask.

  “To inspire us during our investigation.

  Won’t this be our headquarters?”

  “Yes, Molly,” I answer. “But inspiration’s

  for amateurs. We’re professionals. Now, I have

  to make a phone call. So be quiet.”

  But there is no quiet.

  There is a scream.

  It is Kumquat.

  And she had been happily listening to her

  headphones while cleaning the room across

  the hall.

  Until someone went in search of a better tub.

  Scared, Total fled back into our hotel

  room.

  And suddenly we have an angry Kumquat

  on our hands.

  “Who told you two you could sneak into

  this room?” barks Killer Katy.

  “We’re crime-fighting,” I answer. “Like

  you.”

  “

  I’m

  cleaning a hotel room.”

  “You’re

  pretending

  to clean a hotel room,”

  says Molly Moskins.

  “No. I’m really cleaning a hotel room.”

  “You don’t have to keep saying that, Killer

  Katy,” says Molly. “We won’t give away your

  secret.”

  “Kids,” she says, rubbing her eyes, “you

  have to go back to your parents, whatever

  room they’re in. You can’t stay here.”

  “We don’t need it for very long,” I tell

  Kumquat. “Just long enough to find and arrest

  Corrina Corrina.”

  “So Yergi can get his books,” adds Molly,

  pointing to the picture of Yergi on the wall.

  “Yes, well, this isn’t your room,” answers

  Kumquat.

  Molly stands beside the housekeeper. “It is

  if you say it is, Killer Katy Kumquat. You can

  do anything.”

  “Little girl, I am not Killer Katy Kumquat.

  My name is Talia. I’m just a housekeeper.”

  “Oh, my,” says Molly. “I’ve heard of this.”

  “Heard of what?” asks Kumquat.

  “Of low points for superheroes. In the

  movies, they call it the Dark Night of the Soul.

  It’s the point in the film when the superheroes

  start to doubt themselves.”

  “But I’m not a superhero!

  ”

  barks

  Kumquat.

  “I didn’t think so, either,” I reply, “until

  I saw you perform the Toilet Seat Wrapper

  Miracle.”

  “That was not a miracle!” cries Kumquat,

  rubbing her forehead.

  “It’ll be okay, Killer Katy,” says Molly.

  “Remember

  —

  Dark Night of the Soul.”

  “Oh, my goodness,” says Kumquat, plop-

  ping down upon one of the beds. “I give up.”

  “There, there,” says Molly, patting her on

  the shoulder. “You are noble and brave.”

  Kumquat rests her head in her hands.

  “Listen,” mutters Kumquat, “I’m going to

  leave now and finish cleaning the room across

  the hall. So for now, you can keep playing. But

  when you’re done, I need you to go back to

  your own room and back to your parents. And

  please, don’t make a mess. I don’t want to have

  to reclean this room.”

  “Thank you, Killer Katy,” says Molly.

  Kumquat lumbers out of the room.

  “Killer Katy,” says Molly as Kumquat

  reaches the door.

  “What now?” answers Kumquat.

  “Just one more thing.”

  “What?”

  “When you perform your feats of super-

  hero magic, how do you do it?”

  Kumquat sighs. “I wave my magic wand,

  kid.”

  Molly gasps.

  “I knew you had a magic

  wand!”

  she says. “Can you show us? That is, if

  it’s not a secret or anything.”

  Kumquat walks out of the room and

  returns with something in her hand.

  “Ta-daaa,” she says, waving her magic

  wand for Molly. “Are you happy now?”

  Molly is so astonished, she can barely

  speak.

  But not me.

  I am focused.

  And as Killer Katy Kumquat departs our

  headquarters, I know what I must do next.

  “I need more information on Corrina Corrina,”

  I tell Rollo Tookus over the phone.

  “Timmy! Where are you?” ans
wers Rollo.

  “Your mom called my mom! Everyone is

  freak-

  ing out

  !”

  “I have no time for hysterics, Rollo. I need

  more information on Corrina Corrina.”

  “Oh, my God!” he chants. “Is Molly with

  you?”

  “I cannot get into specifics, Rollo.”

  “Hi, Rollo!” chirps Molly, who is listening

  to the call on the bathroom phone.

  “Molly! Hang up the phone!” I yell toward

  the bathroom.

  “She

  is

  with you!” says Rollo. “Oh, my

  God! Oh, my God! Oh, my God!”

  “Okay, you listen to me, Rollo Tookus!” I

  shout into the phone. “I’m on the verge of solv-

  ing the biggest case of our generation! But I

  don’t have much time! Now, I need informa-

  tion! Where is Corrina Corrina staying?”

  “Oh, my God,” he responds.

  “

  Where are

  you?”

  Before I can answer, Molly begins to

  respond. “We’re at the

  —”

  Her voice abruptly cuts off.

  I rush into the bathroom.

  And find her stuck in the toilet.

  “I was sitting on the toilet and I fell in,”

  she says.

  But of course she didn’t fall in.

  She was pushed.

  By an ex-partner who knew enough to

  save the day.

  “I owe you one,” I tell the big guy, and

  grab Molly’s bathroom phone.

  “Timmy! Timmy! Are you still there?”

  asks Rollo.

  “Yes, I’m still here,” I answer.

  “But not for long!” says Molly, grabbing

  the phone back from me.

  “Wait!”

  pleads Rollo.

  “What are you doing?” I ask Molly.

  “This,” she says, hanging up the phone.

  “What? Why?” I ask.

  “Because,” she answers, “I know where

  Corrina Corrina is.”

  Molly’s dramatic announcement that she

  knows the whereabouts of Corrina Corrina is

 

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